item: #1 of 11 id: A27197 author: Purcell, Henry, 1659-1695. title: The prophetess, or, The history of Dioclesian written by Francis Beaumont and John Fletcher ; with alterations and additions, after the manner of an opera ; represented at the Queen's Theatre, by Their Majesties servants. date: 1690 words: 283819 flesch: -52 summary: The rate of 8.75 defects per 10,000 words puts this text in the B category of texts with fewer than 10 defects per 10,000 words. 2005-06 Assigned for keying and markup 2005-08 Keyed and coded from ProQuest page images 2005-10 Sampled and proofread 2005-10 Text and markup reviewed and edited 2006-01 Batch review (QC) and XML conversion

THE PROPHETESS : OR , THE HISTORY OF DIOCLESIAN .

Written by Francis Beaumont and John Fletcher .

WITH ALTERATIONS and ADDITIONS , After the Manner of an OPERA .

Represented at the Queen's Theatre , By Their MAJESTIES Servants .

LONDON , Del.

I grant was most unkind .

Drus . 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Cross. date: 1693 words: 1009 flesch: 66 summary: Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements). Text selection was based on the New Cambridge Bibliography of English Literature (NCBEL). keywords: english; tcp; text cache: A29167.xml plain text: A29167.txt item: #3 of 11 id: A36691 author: Purcell, Henry, 1659-1695. title: The songs in the Indian Queen as it is now compos'd into an opera. By Mr. Henry Purcell, composer in ordinary to his Majesty. And one of the organists of his Majesty's Chapel-Royal. date: 1695 words: 2769 flesch: 77 summary: Text selection was based on the New Cambridge Bibliography of English Literature (NCBEL). A Song in the first Act , Sung by Mr. Freeman . keywords: hap; love; song; tcp; text cache: A36691.xml plain text: A36691.txt item: #4 of 11 id: A36954 author: Purcell, Henry, 1659-1695. title: A song sung by Mrs. Aliff in the play call'd Tyrannick love, or, The royal martyre set by Mr. Henry Purceell [sic] date: 1700 words: 1000 flesch: 70 summary: Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements). (EEBO-TCP ; phase 1, no. A36954) Transcribed from: (Early English Books Online ; image set 105800) Images scanned from microfilm: (Early English books, 1641-1700 ; 1614:30) keywords: love; tcp; text cache: A36954.xml plain text: A36954.txt item: #5 of 11 id: A56293 author: Purcell, Henry, 1659-1695. title: Orpheus Britannicus, A collection of all the choicest songs for one, two, and three voices compos'd by Mr. Henry Purcell ; together with such symphonies for violins or flutes, as were by him design'd for any of them, and a through-bass to each song, figur'd for the organ, harpsichord, or theorbo-lute ... date: 1698 words: 47040 flesch: 78 summary: Hark! hark ! how all things in one soun╌d re╌joyce , re╌joyce , re╌joy╌ce , re╌ce rejoyce ; rejoy╌ce , re╌joyce . That , that , that , that a╌lone , that a╌lone , that , that alone , must his Soul improve ; How╌e're Phi╌lo╌so╌phers dis╌pute , that , that , that , Soul improve ; How╌e're Phi╌lo╌so╌phers dis╌pute , that , that , that , that alone , that alone , must his Soul improve ; How╌e're Phi╌ that a╌lone , that a╌lone , that a╌lone , must his Soul improve ; How╌e're Phi╌ ╌ lo╌so╌phers dis╌pute ╌ lo╌so╌phers dis╌pute . keywords: ce ╌; clo ╌; con ╌; de ╌; di ╌; dis ╌; e ╌; ex ╌; fl ╌; gel ╌; glo ╌; hap ╌; joy ╌; let; li ╌; love ╌; ma ╌; mo ╌; pa ╌; pas ╌; pi ╌; plea ╌; ra ╌; ri ╌; sa ╌; u ╌; un ╌; ╌ al; ╌ d; ╌ da; ╌ day; ╌ der; ╌ ger; ╌ ing; ╌ lia; ╌ ling; ╌ ll; ╌ lo; ╌ ly; ╌ ment; ╌ ms; ╌ nd; ╌ ny; ╌ py; ╌ ries; ╌ ring; ╌ ry; ╌ sing; ╌ sistance; ╌ sy; ╌ ter; ╌ ther; ╌ tion; ╌ ty; ╌ val; ╌ ver; ╌ vine; ╌ way; ╌ y; ╌ ╌ cache: A56293.xml plain text: A56293.txt item: #6 of 11 id: A56299 author: Purcell, Henry, 1659-1695. title: The vocal and instrumental musick of The prophetess, or, The history of Dioclesian composed by Henry Purcell ... date: 1691 words: 8830 flesch: 90 summary: Be — Cho. Cho. Cho. be gone , be gone , be gone im╌╌por╌tu╌nate be gone , be gone , be gone im╌por╌tu╌nate reason , be — Cho. Yet I will , I will , I will be╌╌leive Ah! I dye , Ah! I dye , if you de╌╌ceive ye : Ah! keywords: ad ╌; chorus; de ╌; love; migh ╌; sing; ╌ cles; ╌ joyce; ╌ ly; ╌ ry; ╌ son; ╌ ty; ╌ ╌ cache: A56299.xml plain text: A56299.txt item: #7 of 11 id: A59309 author: Purcell, Henry, 1659-1695. title: The fairy-queen an opera : represented at the Queen's-Theatre by Their Majesties servants. date: 1692 words: 199775 flesch: -69 summary: pos=vvn reg=been xml:id=A59309-002-b-1490>been informed amongst have the greatest Reputation , and where they have every Carnival , the Noble Venetians set out at their own cost . And what a Confluence of People the fame of draw from all parts of Italy to the great profit of that City , is well known to every one who has spent a Carnival there . And many of the English Gentry are sensible what advantage Paris receives , by the great number of Strangers which frequent the Opera's three days in a Week , throughout the Year . If therefore an Opera were established here , by the Favour of the Nobility and Gentry of England ; I may modestly conclude it would be some advantage to London , considering what a Sum we must Yearly lay out among Tradesmen for the fitting out so great a work .

That Sir William Davenant's Siege of Rhodes was the first Opera we ever had in England , no Man can deny ; and is indeed a perfect Opera : there being this difference only between an Opera and a Tragedy ; that the one is a Story sung with proper Action , the other spoken . And he must be a very ignorant Player , who knows not there is a Musical Cadence in speaking ; and that a Man may as well speak out of Tune , as sing out of Tune . And though few are so nice to examine this , yet all are pleas'd when they hear it justly perform'd . is true , the Siege of Rhodes wanted the Ornament of Machines , which they value themselves so much upon in Italy . And the Dancing which they have in such perfection in France . That he design'd this , if his first attempt met with the Encouragement it deserv'd , will appear from these Lines in his Prologue .

But many Travellers here , as Judges , come From Paris , Florence , Venice , and from Rome . Who will describe , when any Scene we draw , By each of ours , all that they ever saw . Those praising for extensive breadth and height , And inward distance to deceive the sight . �

And a little after �

Ah Mony , Mony ! if the Wits would dress With Ornaments the present face of Peace : And to our Poet half that Treasure spare , Which Faction gets from Fools to nourish what of that ? Demetrius thinks not so ; He will not see that which all others do . Love looks not with the Eyes , but with the Mind , Therefore the God of Love is painted blind . Love never had of Judgment any Taste ; Wings , and no Eyes , must figure thoughtless Haste . For the same reason Love is call'd a Child , Because so often in his choice beguil'd . As Boys ev'n at their Sports themselves forswear ; So the Boy Love is perjur'd every where . Before Demetrius saw fair Hermia's Eyes , He swore his Heart was made my Beauty's Prize . But when from Hermia new heat he felt , His frozen Oaths did in an Instant melt . I to Demetrius , tell him of their flight , The place they meet at by the Moon pale light : Then to the Wood he will pursue the Maid ; And if he thanks me , I am overpaid . [ Exit . Enter Quince the Carpenter , Snug the Joyner , Bottom the Weaver , Flute the Bellows-mender , Snout the Tinker , and Starveling the Taylor .