TO
Edward
Tayler
ESQ
THAT
I
interrupt
your
Retirement
with
such
a
trifling
Present
(
for
even
your
Retirement
is
Busie
)
wou'd
need
an
Appology
with
a
Friend
of
more
Ceremony
and
less
good
Humour
.
Your
Judgment
will
set
a
value
on
Poetry
from
any
Hand
,
and
your
Kindness
dispense
with
the
imperfect
Essays
of
a
Friend
.
The
general
hard
Censure
of
Poetry
,
and
its
Professors
,
has
sometimes
been
the
Subject
of
our
Discourse
,
where
amongst
other
Reflections
,
we
have
with
some
surprize
,
observ'd
that
none
hold
this
Art
in
less
esteem
than
your
gravest
Pretenders
to
Learning
;
but
tax
it
on
such
an
Account
,
as
they
,
of
all
Men
,
should
least
insist
upon
.
It
s
Insignificancy
to
the
World
,
What
can
be
easier
than
to
recriminate
in
this
Case
?
Will
not
impartial
Censure
prefer
the
Author
of
Chevee-Chase
to
the
nicest
Distinguisher
in
Metaphysicks
?
What
difference
(
as
to
publick
benefit
,
between
idle
Speculations
and
the
slightest
Madrigalls
,
excepting
that
the
former
is
a
more
Creditable
Impertinence
,
and
the
Folly
made
Reverend
with
a
Gown
and
Title
,
In
the
mean
time
't
is
forgotten
what
Aristotle
himself
(
even
against
his
own
Profession
)
has
declared
in
behalf
of
the
Muses
?
That
Poetry
(
Tragedy
in
particular
)
is
more
effectual
to
instruct
Mankind
than
Philosophy
.
And
ev'n
Tully
is
Poetical
in
pleading
for
this
Faculty
:
Haec
Studia
Adolescentiam
alant
,
Senectutem
oblectant
,
Secundas
Res
ornant
,
Adversis
per
sugium
ac
solatium
praebent
;
delectant
domi
,
non
impediunt
Foris
:
pernoctunt
nobiscum
,
perigrinantur
,
rusticantur
.
And
a
little
after
,
Caeterarum
rerum
Studia
,
&
Doctrinâ
&
Praeceptis
,
&
Arte
constare
,
Poetam
Naturâ
ipsÃ
valere
,
mentis
Viribus
excitari
,
&
quasi
Divinoquodam
Spiritu
asflari
.
'T
is
an
Error
as
groundless
as
Vulgar
,
to
think
that
there
goes
no
more
to
the
furnishing
a
Poet
,
than
a
Wind-mill
in
the
Head
,
a
Stream
of
Tattle
,
and
convenient
Confidence
;
whereas
no
Exercise
of
the
Soul
requires
a
more
compos'd
Thought
,
more
sparingness
of
Words
,
more
Modesty
and
Caution
in
the
Undertaker
.
To
make
an
accomplisht
Poet
,
Nature
,
in
the
first
place
must
do
her
best
;
she
must
give
him
the
Faculties
of
Soul
in
Perfection
,
a
Copious
Invention
,
a
Comprehensive
Memory
,
a
Nimble
Wit
to
repair
to
this
Store-house
for
Materials
on
all
occasions
,
a
Strict
Discerning
Judgment
to
censure
this
Choice
,
to
give
it
just
Expression
,
and
in
short
,
to
square
and
finish
what
was
wrought
off
in
the
Heat
of
Fancy
.
Nor
is
even
this
enough
to
constitute
a
Poet.
Nature
will
not
do
his
Business
,
he
must
have
the
Addition
of
Arts
and
Learning
,
be
familiar
with
the
Sciences
,
acquainted
with
the
Intrigues
of
Courts
,
the
Customs
and
Constitutions
of
Nations
,
vers'd
in
their
Languages
,
and
read
in
the
Histories
of
all
Ages
.
His
Knowledge
must
reach
to
the
Policies
of
State
,
and
descend
even
to
Mechachanism
;
have
insight
into
the
meanest
Mysteries
and
Trades
,
because
't
is
uncertain
whither
his
Subject
will
lead
him
;
and
he
is
to
speak
properly
on
all
Occasions
:
nor
are
these
Accomplishments
above
Humane
Capacity
,
for
they
are
every
where
conspicuous
in
the
Iliad
and
the
AEneid
.
I
am
apt
to
think
,
that
Expression
of
your
beloved
Horace
,
the
Potestas
quidlibet
Audendi
,
which
he
allows
to
Poets
and
Painters
,
was
rather
a
Proverb
of
his
time
than
a
Notion
of
his
own
;
for
he
immediately
lays
this
restraint
upon
't
,
Sed
non
ut
placidis
coeant
immitia
,
non
ut
Serpentes
Avibus
geminentur
,
Tigribus
Agni
.
There
are
some
Beauties
common
to
Poems
of
all
sorts
,
and
there
are
besides
select
Graces
peculiar
to
every
Species
of
Poesie
;
and
these
so
distinct
among
themselves
,
that
't
is
a
question
whether
there
ever
was
an
Universal
Poet.
Many
believe
there
can
be
no
such
,
the
various
Temperament
and
Passion
of
the
Poems
(
which
must
be
as
different
in
the
mind
of
the
Writer
)
being
inconsistent
.
Virgil
may
be
urg'd
on
this
Occasion
,
there
being
nothing
softer
than
his
Ecclogues
,
his
Tytirus
,
his
Alexis
,
his
Gallus
;
nothing
loftier
than
his
AEneid
:
yet
even
in
these
Pastorals
you
will
find
the
Heroick
turn
of
his
Verse
,
and
the
Air
of
a
Muse
,
too
Majestick
to
be
diguis'd
amongst
the
Nymphs
of
the
Plain
.
�
Illa
Pharetram
Fert
humero
,
gradiensque
Deas
Supereminet
Omnes
.
The
greatest
Labour
of
the
Muses
is
by
some
thought
a
Task
of
Ease
,
whereas
there
is
no
Poem
of
the
lowest
Degree
,
that
is
perfect
in
kind
,
but
must
have
such
a
Symetry
in
the
whole
,
and
so
many
Proprieties
beside
,
which
the
Author
must
have
regard
to
;
the
Lucidus
,
Ordo
,
Series
&
Junctura
,
and
the
Felix
Operis
Summa
,
exacted
by
Horace
,
that
the
Undertaker
will
find
even
a
good
Eligy
or
Epigram
,
a
Work
of
weight
.
What
more
difficult
than
to
steer
amongst
such
Shelves
,
where
the
avoiding
an
Error
is
a
ready
way
to
commit
one
.
In
vitium
ducit
Culpae
fuga
.
This
great
Poet
and
Critique
will
have
even
the
Debentia
dici
,
sometimes
omitted
,
to
secure
the
justness
of
the
Poem
;
and
yet
he
will
tell
ye
that
Non
satis
est
Pulchra
esse
Poemata
,
dulcia
sunto
.
Where
by
Pulchra
I
suppose
he
means
Exact
,
and
by
Dulcia
,
Diverting
and
Aery
.
As
in
good
Painting
,
where
the
Colours
must
be
neither
Dead
nor
Gawdy
.
For
distinction
of
Characters
he
has
given
us
Rule
and
Examples
in
the
same
Verses
,
and
drawn
in
little
,
what
can
never
be
more
fully
exprest
in
large
.
Intererit
Multum
,
Davusne
loquatur
,
an
Eros
Maturusne
senex
,
an
adhuc
florente
juventa
Fervidus
,
an
Matrona
potens
,
an
sedula
Nutrix
.
Where
every
single
Epithite
distinguishes
the
Person
and
makes
it
a
Character
.
You
have
sometimes
ask'd
my
Opinion
to
what
sort
of
Poetry
I
would
give
the
Preheminence
?
And
will
possibly
expect
some
account
at
this
time
.
I
suppose
the
Question
can
be
only
betwixt
the
Epic
and
Tragedy
.
The
end
that
is
pursu'd
by
both
,
I
conceive
to
be
the
same
(
for
the
later
Designs
the
Instruction
even
of
Princes
,
as
well
as
the
former
;
(
and
no
Monarch
was
ever
too
great
to
be
represented
on
the
Stage
)
but
I
will
not
take
upon
me
to
determine
which
is
most
effectual
for
that
end
.
If
you
will
have
my
imperfect
thoughts
,
I
conceive
'em
too
nearly
related
to
make
different
Species
;
and
find
our
learned
Laureat
content
to
have
one
of
his
[*](A62967-e720-b)
Sprightliest
Tragedies
,
call'd
an
Epic
Poem
.
I
cannot
forget
the
strong
desire
I
have
heard
you
express
to
see
the
Common
Places
of
our
Shakespear
,
compar'd
with
the
most
famous
of
the
Ancients
.
This
indeed
were
a
Task
worthy
the
greatest
Critique
.
Our
Learned
Hales
was
wont
to
assert
,
That
since
the
time
of
Orpheus
and
the
Oldest
Poets
,
no
Common
Place
has
been
touch'd
upon
,
where
our
Author
has
not
perform'd
as
well
.
Our
Laureat
has
thrown
in
his
Testimony
,
and
declar'd
,
[*](A62967-e820-b)
That
Shakespear
was
a
Man
that
of
all
Men
had
the
largest
and
most
comprehensive
Soul.
What
I
have
already
asserted
concerning
the
necessity
of
Learning
to
make
a
compleat
Poet
,
may
seem
inconsistent
with
my
Reverence
for
our
Shakespear
.
�
Cujus
amor
semper
mihi
crescit
in
Horas
.
I
confess
I
cou'd
never
yet
get
a
true
account
of
his
Learning
,
and
am
apt
to
think
it
more
than
Common
Report
allows
him
.
I
am
sure
he
never
touches
on
a
Roman
Story
,
but
the
Persons
,
the
Passages
,
the
Manners
,
the
Circumstances
,
the
Ceremonies
,
all
are
Roman
.
And
what
Relishes
yet
of
a
more
exact
Knowledge
,
you
do
not
only
see
a
Roman
in
his
Heroe
,
but
the
particular
Genius
of
the
Man
,
without
the
least
mistake
of
his
Character
,
given
him
by
their
best
Historians
.
You
find
his
Anthony
in
all
the
Defects
and
Excellencies
of
his
Mind
,
a
Souldier
,
a
Reveller
,
Amorous
,
sometimes
Rash
,
sometimes
Considerate
,
with
all
thevarious
Emotions
of
his
Mind
.
His
Brutus
agen
has
all
the
Constancy
,
Gravity
,
Morality
,
Generosity
,
Imaginable
,
without
the
least
Mixture
of
private
Interest
or
Irregular
Passion
.
He
is
true
to
him
,
even
in
the
imitation
of
his
Oratory
,
the
famous
Speech
which
he
makes
him
deliver
,
being
exactly
agreeable
to
his
manner
of
expressing
himself
;
of
which
we
have
this
account
,
Facultas
ejus
erat
Militaris
&
Bellicis
accommodata
Tumultubus
.
But
however
it
far'd
with
our
Author
for
Book-Learning
,
't
is
evident
that
no
man
was
better
studied
in
Men
and
Things
,
the
most
useful
Knowledge
for
a
Dramatic
Writer
.
He
was
a
most
diligent
Spie
upon
Nature
,
trac'd
her
through
her
darkest
Recesses
,
pictur'd
her
in
her
just
Proportion
and
Colours
;
in
which
Variety
't
is
impossible
that
all
shou'd
be
equally
pleasant
,
't
is
sufficient
that
all
be
proper
.
Of
his
absolute
Command
of
the
Passions
,
and
Mastery
in
distinguishing
of
Characters
,
you
have
a
perfect
Account
in
that
most
excellent
Criticism
before
,
Troylus
and
Cressida
:
If
any
Man
be
a
lover
of
Shakespear
and
covet
his
Picture
,
there
you
have
him
drawn
to
the
Life
;
but
for
the
Eternal
Plenty
of
his
Wit
on
the
same
Theam
,
I
will
only
detain
you
with
a
few
instances
of
his
Reflections
on
the
Person
,
and
Cruel
Practices
of
Richard
the
Third
.
First
of
all
Henry
the
Sixth
bespeaks
him
in
these
words
:
The
Owl
shriekt
at
thy
Birth
,
an
evil
sign
,
Dogs
howl'd
and
hideous
Tempests
shook
down
Trees
,
The
Raven
rookt
her
on
the
Chymneys
Topp
,
And
chatt'ring
Pies
in
dismal
Discords
sung
;
Thy
Mother
felt
more
than
a
Mothers
Pain
,
And
yet
brought
forth
less
than
a
Mothers
hope
;
An
indigested
Lump
,
&c.
Richard
afterwards
makes
as
bold
with
himself
,
where
this
is
part
of
his
Soliloque
.
Cheated
of
Fevture
by
dissembling
Nature
,
Deform'd
,
unfinish'd
,
sent
before
my
time
Into
this
breathing
World
,
scarce
half
made
up
,
And
that
so
lamely
and
unfashionable
,
That
Dogs
bark
at
me
as
I
halt
by
them
.
I
that
in
this
weak
piping
time
of
Peace
,
Have
no
delight
to
pass
away
the
time
,
Unless
to
view
my
Shadow
in
the
Sun
,
And
descant
on
my
own
Deformity
.
Queen
Margaret
cannot
hear
him
mention'd
without
a
new
stream
of
Satyr
.
A
Hell-hound
that
doth
Hunt
us
all
to
Death
,
That
Dog
that
had
his
Teeth
before
his
Eyes
,
To
worry
Lambs
and
lap
their
gentle
Blood
,
&c.
And
never
meets
him
but
she
presents
him
with
his
Picture
;
Hells
black
Intelligencer
,
Their
Factour
to
buy
Souls
and
send
'em
thither
.
And
again
,
Thon
elfish
markt
abortive
Monster
,
Thou
that
wast
seal'd
in
thy
Nativity
,
The
Slave
of
Nature
and
the
Son
of
Hell.
Thou
slander
of
thy
heavy
Mothers
Womb.
With
very
many
other
Taunts
to
the
same
purpose
.
It
cannot
be
deny'd
but
he
is
often
insipid
where
he
is
careless
,
many
Things
he
wrote
in
hurry
;
but
for
his
more
elaborate
Scenes
,
what
Cicero
spoke
of
the
Writings
of
Archias
,
will
hold
good
.
Quae
verò
accuratè
Cogitatéque
scripsisset
,
ad
veterum
Scriptorrm
Laudem
pervenerunt
.