id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
ajst-26922	Tserenbaljir, TSEVEGSUREN	Circular Breathing and Circular Sound	2024	3	.pdf	application/pdf	1565	66	55	We have spoken of its use in training [2.25-28], clarified the technique of the limbe performance based on recordings of senior players of the limbe the which accompanied the long- song, as [3.108-114], revealed and registered players of the limbe who perform by the circular breathing technique [4.2-8], clarified their skill and repertoire [5.18], described future protection and distribution of the technique [6.3-17], and described the use of the technique for the other wind instruments.[7.102-103] The performance implemented by the players of the limbe using circular breathing is an art; together with the and is in connection with the feather, shape and content of the - song it is a perfect creation and a precious heritage which must be learned by Mongolian players of the limbe. Mongolia Abstract: This article introduces the results of a study of the method of the limbe performance of the long-song, implemented by circular breathing, and its connection with the thinking and creating peculiarity of the Mongols which is based on the example of the ulzii pattern (endless knot pattern, denoting a good fortune).	cache/ajst-26922.pdf	txt/ajst-26922.txt