ama: A Pathfinder

This is a computer-generated pathfinder created against the Distant Reader study called ama.

Each Distant Reader study carrel is composed of many individual items. Each item is bibliographically described with author, title, date, summary, and keyword values. Below is a list of the items' most signficant keywords as well as lists of the items themselves. Purpusing the content of this pathfinder provides the student, researcher, or scholar with one way to get their heads around the scope of the carrel. The keywords include:

Page; People; Nigeria; Drama; Play; Film; Audience; Development; Bird

Depending on how this pathfinder was created, many of the bibliographic sections will include elaborations on the meaning(s) of the given keywords. These elaborations were generated by feeding the items' summaries to a large langauge model and asking the model to address the question, "What is X?", where "X" is the keyword. The result will be a few sentences of elaboration. Be forewarned. The elaborations are often plausible, but they should not be take as truth. Instead, they should be taken as points for consideration.

• SOLO PERFORMANCE AND THE RESTRUCTURING OF THE THEATRE CURRICULUM: A STUDY OF TUNJI SOTIMIRIN’S PERFORMANCE IN SOLO AFRICA by Agoma, Awaritoma (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Keywords: page
• ADAPTATION OF NOVEL TO DRAMA FOR CLASSROOM TEACHING: THE EFFICIENT SECONDARY COMMERCIAL SCHOOL, UYO EXPERIMENT by Iroh, Emmanuel O. (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Keywords: page
• GOOD GOVERANACE IN NIGERIA: THE PLACE OF WOMEN by Martina, Omorodion O (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Keywords: page
• EXPLORING POSITIVITY IN ETHNIC IDENTITY FOR NATIONAL RE-INTEGRATION IN NIGERIA: A MULTI MEDIA PERSPECTIVE ANALYSIS by Ogbonna, Kelechi Stellamaris; Ihentuge, Chisimdi Udoka (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Keywords: page
• THE TEACHER OF TEACHERS AS DEVELOPER OF HUMAN RESOURCES: A RE-APPRAISAL OF DAN UWANDU’S “CHILD DEVELOPMENT THROUGH DRAMA…” by Nwosu, Canice Chukwuma (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Keywords: page
• DRAMA AS STYLE FOR ENHANCED PATRONAGE OF MODERN NIGERIAN POETRY: A READING OF SELECTED POEMS IN HOPE EGHAGHA’STHE GOVERNOR’S LODGE AND OTHER POEMS by Gbenoba, Felix E. (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Keywords: page
• NIGERIA’S FEMALE DRAMATIC CREATIVITY: AN ANALYSIS OF SOFOLA’S WEDLOCK OF THE GODS AND SALAMI’S SWEET REVENGE by Asen, Rosemary (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Keywords: page
• EXAMINING DOMESTIC VIOLENCE THROUGH THE FILM MEDIUM IN NIGERIA: ANALYSIS OF SELECTED FILMS by Abunike, Chibuike M. (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Keywords: page
• THE DEFUNCT ABUJA NATIONAL CARNIVAL: TOWARDS A REKINDLING OF THE DYING EMBERS by Odunze, Josephine Awele (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Keywords: page
• BETWEEN THE NOLLYWOOD ACADEMIA AND NOLLYWOOD PRACTICE: ABSENCE OF SYNERGY OR SYNERGY OF ABSENCE by Onyeka, Ebekue Emmanuel; Obiefuna, Arinze-Umobi Somtoo (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Keywords: page
• THE SIGNIFICANCE OF CULTURAL SYMBOLS IN OGBO TRADITIONAL WAR DANCE by Okeke, Tochukwu J.; Akunne, Judith Ume (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Keywords: page
• COPYRIGHT LAW AND THE CHALLENGE OF PIRACY ON NOLLYWOOD BUSINESS by Nwadigwe, Charles E.; Ilukwe, Ebuka E. (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Keywords: page
• THEATRE AND REVOLUTION IN ESIABA IROBI’S HANGMEN ALSO DIE by Kachii, Ver-Or (2023) - Untitled-1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Keywords: page

• THE DRAMATIC ESSENCE OF DANCE IN THE IHUEN – EGUARE ANNUAL FESTIVAL PERFORMANCE OF EGORO KINGDOM IN ESAN WEST LOCAL GOVERNMENT AREA OF EDO STATE – NIGERIA by Okhaifo, Eseigbe Phillandar (2023) - In the Ihuen – Eguare festival performance, artistic talents are utilized to the fullest in the form of dance movements. As with the art forms emanating from their civilizations or cultural complexes, it merely means that viewers of African dance need to understand Africa’s cultural heritage if they are to understand and critically appreciate in any depth the true meaning and aesthetic authority of what is being seen… The Africans in their rituals and masquerades at home usually transform thoughts and ideas into spectacles. Keywords: african; dance; egoro; eguare; festival; festival performance; ihuen; movements; music; people; performance
• GREENING THE ARTS: ARNOLD UDOKA’S INYENE AND THE CONNECTIONS BETWEEN DRAMA AND HUMAN ECOLOGY by Uzoji, Emmanuel Ebere (2023) - Wall in his study reveals that in seeking to solve environmental problems, “Greens” have been forced to consider human affairs and embrace a set of political, economic, and cultural principles. For Gare, the world lacks stories or narratives of sufficient power and complexity to orient people for effective action to overcome environmental problems and to relate the multiplicity of social and cultural forms implicated in or affected by environmental destruction. Keywords: drama; earth; environmental; green; inyene; nature; niger; oil; people; play; theatre
• THE SECULARIZATION OF AFRICAN RITUAL DANCE: OHOGHO DANCE OF THE BENIN PEOPLE AS A PARADIGM by Abbe, Josephine Ebiuwa (2023) - As earlier noted, Ohogho ritual dance is a cult dance performed only by initiates. Abbe: The Secularization of African Ritual Dance: Ohogho Dance of the Benin… 141 THE SECULARIZATION OF AFRICAN RITUAL DANCE: OHOGHO DANCE OF THE BENIN PEOPLE AS A PARADIGM Abbe, Josephine Ebiuwa Department of Theatre Arts, University of Benin, Benin City jossyeabbe@gmail.com Keywords: african; benin; cultural; dance; form; nigeria; ohogho; ohogho dance; people; ritual; secularization
• COMMUNITY THEATRE AND ENVIRONMENTAL EDUCATION: THE UKWU ORJI BUS PARK PROJECT by Aghamelu, Helen Udumaga (2023) - Environmental awareness, Introduction Every community in Nigeria is battling with one form of environmental problem or the other. It aims to inculcate the people the skills and needs to handle environmental problems for better living conditions. Keywords: community; community theatre; education; environment; park; people; theatre
• LOOKING BACK TO MOVE FORWARD: RE-EVALUATION OF AFRICAN INDIGENOUS KNOWLEDGE AND TECHNOLOGY IN RESPONSE TO 21ST CENTURY CHALLENGES. PERSPECTIVES FROM J.P. CLARK’S OZIDI by Omeje, Oguejiofor V; Ezeugwu, Cindy Anene (2023) - Thus, the development of IKTs to the advanced and exporting stage may have needed to be improved by colonialism and its allies - mainly foreign religions in contemporary Nigeria. It is on the bases of Oyebola’s lamentation that the researchers stand to insist that while the chances for achieving this greatness are still rife, the old inferiority attitude, the lack of self-confidence to reach the goal, religious interference, ethnic politics and corruption have continued to militate against the lofty IKT advancement in contemporary Nigeria. Keywords: african; development; ikts; journal; knowledge; nigeria; oreame; ozidi; people; state; studies; technology; theatre
• REPRESENTATION OF TERRORIST ATTACKS IN NOLLYWOOD FILMS: AN ANALYSIS OF JETTA AMATA’S BLACK NOVEMBER by Abhulimhen, Ojieson Silver (2023) - Ojieson Silver Abhulimhen - Representation of terrorist attacks in Nollywood films: an … 17 REPRESENTATION OF TERRORIST ATTACKS IN NOLLYWOOD FILMS: AN ANALYSIS OF JETTA AMATA’S BLACK NOVEMBER Ojieson Silver Abhulimhen Day Waterman College, Abeokuta, Ogun State. 08035503729, 08128243139; silverabhulimhen@gmail.com This problem derives from funding constraints, accessibility to technical-know-how to execute precise representation of terrorist attacks in a magnitude befitting of national and global references. Keywords: attacks; delta; films; government; media; niger; nigeria; nollywood; people; state; terrorism; theatre; violence
• ECO-PEDAGOGY IN A POSTMODERNIST’S READING OF MBAJIORGU’S WAKE UP EVERYONE AND DANDAURA’S VENOM FOR VENOM by Uzoji, Emmanuel Ebere (2023) - Environmental degradation, climate change and global warming have occupied both international and local discourses in the 21st century. No doubt, the impact of climate change is real on every part of the globe. Keywords: change; climate; climate change; cultural; drama; eco; environment; mbajiorgu; new; nigeria; oil; pedagogy; people; play; postmodern; theatre; venom; wake; world
• THEMATIC PREOCCUPATION AND HERMENEUTICS OF SELECTED SONGS/MUSIC OF PAUL ODI: A 21ST CENTURY APPROACH by Onuche, Godwin; Onwuka, Esther O. (2023) - According to Festus Ainoko, Igala songs, like many others, are usually developed through compositions. There is urgent need to shift attention from where we are at the moment, to identifying and carefully adapting nationally-beneficial moral lessons from African traditional songs and music. Keywords: cultural; igala; music; nigeria; odi; paul; people; songs; view
• DRAMA, NATIONAL IDENTITY AND SUSTAINABLE DEVELOPMENT by Yakubu, Angel Nguemo (2023) - It is not he who calls himself Elesin Oba, it is his blood that says it. One thing Jane failed to understand is that once you are Elesin Oba, your faith is already decided and known by the people. Keywords: death; development; drama; elesin; identity; nation; olunde; people; society
• REVITALISATION AND SUSTAINABILITY OF ANNANG PROVERBS THROUGH ITS USABILITY by Mariam, Anana (2023) - Findings From the analyses of Annang proverbs, the following findings were made: i. Annang proverbs are mainly multifunctional and unique; each can be interpreted in different contexts to mean different things depending on the participants. Annang proverbs have not been fully used by Annang people 7. Keywords: ana; annang; annang people; annang proverbs; english; interpretations; journal; language; net; nigerian; people; pragmatics; proverbs; sustainability; use
• ECONOMIC AND SOCIO-POLITICAL IMPERATIVES OF THE NEW MEDIA IN AFRICA by Umenyilorah, Uzodinma Chukwukelue (2023) - Terrorist groups take to social media because social media tools are cheap and accessible, facilitate quick, broad dissemination of messages, and allow for unfettered communication with an audience without the filter or selectivity of mainstream news outlets. The reason is that sometimes people share photos on social media that contains violence and sex, which can damage the behavior of kids and teenagers. Keywords: africa; communication; countries; development; ict; information; internet; media; mobile; nigeria; people; socio; technology; world
• CULTURAL FLUX IN SELECTED NOLLYWOOD FILMS by Arinze-Umobi, Somtoo Obiefuna (2023) - The study therfore aims at evaluating impact of constant cultural flux due to interaction with other cultures, and also due to the influences of modernity and globalization. This study concludes that the filmic presentation of a particular people should be tailored toward projecting the Somtoo Obiefuna Arinze-Umobi - Cultural flux in selected Nollywood film 225 indigenous cultural practices of the people than centering on in- cooperating influences from other culture. Keywords: culture; film; flux; nigeria; nollywood; people; society; theatre; uremma

• THE MARKETING MIX AND SUSTAINABLE CREATIVE INDUSTRIES IN NIGERIA: THE CARNIVAL CALABAR AS PARADIGM by Nwadigwe, Francisca A (2023) - The marketing mix can be applied to carnival marketing as follows. In applying the 7Ps marketing mix to carnival marketing, the producers could first consider the Product; the carnival performance itself, and ensure that it is properly packaged and has qualitative content enough to attract tourists and give them value for their money. Keywords: calabar; carnival; commission; cultural; government; marketing; marketing mix; nigeria; product; tourism
• POST COVID-19 CORONAVIRUS AND ECONOMIC CRISIS IN NIGERIA: IMPERATIVES FOR ‘THEATREPOWERMENT' by Umenyilorah, Uzodinma Chukwukelue (2023) - Although the government of Nigeria has already taken several steps to reduce the negative effects of the epidemic on the economy, there are still other steps that need to be taken to stimulate economic recovery and growth in the country, one such is to deploy 'Theatrepowerment' avenues to revive the ailing economy. Post Covid-19 Coronavirus And Economic crisis in Nigeria: Imperatives For… 57 POST COVID-19 CORONAVIRUS AND ECONOMIC CRISIS IN NIGERIA: Keywords: coronavirus; covid-19; crisis; economy; government; journal; nigeria; pandemic; post; theatre; theatrepowerment
• NOLLYWOOD AND FANATICISM IN FOOTBALL FAN BASE IN NIGERIA: LESSONS FROM SELECTED VIDEO FILMS by Ihentuge, Chisimdi Udoka; Olekwara, Nnamdi Onyenonachi (2023) - Yet, it’s most common understanding point to violence or disorders which involve sports fans. Even the character of Musa in Mr Ibu the Chelsea Fan points out the nature of Afghanistanism football fan base in Nigeria and other African nations saying “… football is made in heaven, played in Europe and enjoyed by people in Africa.” Keywords: afghanistanism; chelsea; club; fan; fans; football; football club; media; nigeria; sports; united

• RETHINKING THE ROLE OF SOCIAL MEDIA COMEDY ON CHILD DEVELOPMENT IN NIGERIA; A STUDY OF MARK ANGEL SKITS by Okoye, Chukwudi Michael; Okenyi, Chinaza Jacintha (2023) - The study, thus, evaluates the impact of social media comedy skits such as the MarkAngel’s Comedy series and how it influences children’s behavioural, socio-emotional, cognitive and physical development. It was observed that the rate of watching social media drama skits is higher during the weekends than on weekdays. Keywords: children; comedy; content; development; drama; impact; learning; media; skits
• ABSURDIST DRAMA AND THEATRE OF COMMITMENT IN WOLE SOYINKA’S KING BAABU by Dibia, Kester Nnaemeka (2023) - As in the above examples, meaningless clichés or play on words are usually used in absurdist theatre to portray the limits of language while ‘questioning or parodying the determinism of science and the knowability of truth’. They go further to contend that even the structure of absurdist plays appears to differ essentially from the plays of the preceding period. Keywords: absurdist; baabu; basha; commitment; drama; existence; human; king; man; soyinka; theatre

• COSTUME DESIGN FOR THEATRE PRODUCTIONS: FROM CONCEPT TO REALIZATION: A CASE STUDY OF THE PRODUCTION OF OBOTUNDE IJIMERE’S WOYENGI by Okeke, Tochukwu J.; Chukwuma, Lilian Chiamaka (2023) - For example; the designers of Woyengi costumes were Okeke and Chukwuma: Costume Design for Theatre Productions… 207 motivated to embark on the task of constructing the costumes as a result of the passion they have for costume designing. They underwent different stages to ensure the success of Woyengi costume production. Keywords: character; costume; costume design; play; production; theatre; woyengi
• TRANSFORMING THE ACTOR THROUGH COSTUMING: THE DESIGN PROCESS IN STAGE PRODUCTION by Olajide, Monsuru Oladotun; Osazuwa, Stellamaris (2023) - Although stage costumes communicate the same information as ordinary clothes with regard to sex, positions and occupations, this information is magnified because every element in theatre is in the spotlight. Stage costumes should help establish the tone and style of a production indicate the historical period of a play and locale in which it occurs and help to show the nature of individual characters or groups in a play, their stations in life, occupations and personalities. Keywords: actor; bead; character; costume; idia; play; production; scene; script; stage; theatre
• ACADEMIC SUPREMACY AND OBSESSION FOR POWER IN ASIGBO’S WAR OF THE TIN GODS AND ONCE UPON A SCHOOL by Itsewah, Steve James; Olokodana-James, Oluwatoyin (2023) - Names like Chebe, Zuluike, Aba and Aki are related to many other playwrights in Woye and Emi’s category. These and many other questions are the bases for this paper and Asigbo’s ‘War of the tin gods’ and ‘Once upon a school’ are plays that exposed the insensitivities of the academics to these dangerous epidemic that is ravaging our institutions. Keywords: academics; asigbo; james; play; power; supremacy; university; war; woye

• PROFESSIONALISM AS AN AID TO CHARACTER PROFILING IN NOLLYWOOD FILMS: RAMSEY NOUAH AND KENNETH OKONKWO IN FOCUS by Abunike, Chibuike M.; Arinze-Umobi, Somtoo (2023) - A second aspect of the “Triad” for actor professionalism and expertise for proficient role interpretation is Emotion. Nigerian actors unlike before have been accepted in society and they have become the cynosure of all eyes. Keywords: acting; actor; character; film; industry; nollywood; professionalism; role; theatre
• A CRITICAL EXPLORATION OF THE NARRATIVE STRUCTURE AND THE HUMANE QUALITIES IN GOLD STATUE by Ola-Koyi, S. Joseph Bankola; Obumneme, Francis Anasi (2023) - A critical exploration of the narrative structure… 99 The Features of nonlinear narrative technique: The discernable features of nonlinear narrative techniques that are often used as yardsticks for analysing creative work can be succinctly itemised thus: one, a non-chronological order of presentation. For the fact that the lead role, Adewale Esho could not be seen as an ideal man, thus, the film fails to fulfil the basic function of projecting a model for young viewers to copy. Keywords: adewale; esho; film; frame; gold; gold statue; narrative; qualities; statue; structure
• VISUAL INTERPRETATIONS OF MAGICAL EFFECTS IN NOLLYWOOD HORROR FILMS: A CRITICAL STUDY OF ERNEST OBI’SIDEMILI by Ajiwe, Uchechukwu Chimezie; Bature-Uzor, Nkechi A. Asiegbu (2023) - Conclusion Based on the above discussion, film CGI effects elusively enhance visual image which eventually enhances the perception of the audience on the film story. There is no doubt that Nollywood films are embedded with socio-cultural ideologies. Keywords: audience; effects; film; horror; images; interpretation; journal; movies; narrative; new; nigerian; nollywood; sound; studies; theatre; university
• THE PSYCHOLOGY OF CAMERA SHOTS: A DETERMINANT FOR AUDIENCE PERCEPTION OF FILM IMAGES by Hanmakyugh, Teddy Thaddeus (2023) - In summary, the paper establishes that camera shots are the most effective way to tell a visual story which entice and fascinate the audience to get themselves involved in the cinematic action. However, as a business venture, film may be seen as a commodity, produced and Teddy Thaddeus Hanmakyugh - The psychology of camera shots: a determinant for audience … 105 marketed by a specific industry as pleasure; as entertainment and enjoyment as well as a communicative system. Keywords: angle; audience; camera; character; film; screen; shot

• TEACHING THE PERFORMATIVE ART IN A PANDEMIC-PRONE ERA: CRITICAL ISSUES AND CHALLENGES, PROSPECTS AND PROGNOSIS by Ekweariri, Chidiebere S. (2023) - Whether theatre arts, creative arts, communication arts or performing arts, we refer to a discipline of creative artistry and performance. Theatre audience engineering in Nigeria: Paradigm and syntagm. Keywords: art; audience; constraints; covid-19; pandemic; rehearsals; teaching; theatre
• UKALA’S FOLKISM AND THE POETICS OF PERFORMANCE SPACE by Nwosu, Canice Chukwuma; Ihekwoaba, Njideka (2023) - Hence the researchers collapsed Ubersfeld theory of performance space into Ukala’s Folkism theory to arrive at a strong theoretical base for the analyses of the case studies. The focus of this study is therefore the theatrical space as it impacts, first of all on the performance space, and how the duo of performance space and production impact on the audience. Keywords: audience; folkism; narrator; performance; performance space; space; stage; story; television; theatre; ukala
• OLD STAND-UP COMEDY, ORALITY, SUBJECT MATTER AND THE NEW MEDIA: A STUDY OF ALIBABA’S 2016 JANUARY 1ST CONCERT PERFORMANCE by Agoma, Awaritoma (2023) - Solo performance is a broad umbrella that accommodates every one-person performer on stage but this paper focuses on the stand-up comedian whose origin can be traced to the origin of man and story teller, a major performer in almost every culture of the world. (34-35), Vansina’s postulation above is an appropriate summary of what the actions, whether then or now of what solo performance entails. Keywords: alibaba; audience; comedy; laughter; literature; matter; new; performance; performer; solo; stand; story; subject; theatre

• TOWARDS EFFECTIVE CONFLICT MANAGEMENT IN LOCAL COMMUNITIES: THE IMPACT OF THEATRE FOR DEVELOPMENT by Idebe, Abel (2023) - Our main focus in this paper will be community conflict as reflected within the Nigerian Society. Community conflicts have in no little way contributed to the social and political dislocation of many communities and the nation as a whole. Keywords: communities; community; conflict; development; management; parties; tfd; theatre; transformation

• TOTEMISM IN IDOMA HISTORY AND CULTURE by Odeh, Godwin Onuh (2023) - Although not asked to pay tributes in the form of rent to their host to continue holding on to their land as new immigrants that came out of Kwararafa, they adopted the Owuna bird totem in addition to their different kinds of totems.viii Details of Idoma group and their totems are furnished in a subsequent part of the paper. One of the elements which demonstrate the Idoma relationship with some Nigerian ethnic groups in terms of origins, similarities and mailto:godwin.odeh@ssu.edu.ng Odeh: Totemism in Idoma History and Culture 159 differences is totems. Keywords: bird; cat; civet; groups; history; idoma; totemism; totems

Epilogue

For more detail, about this study carrel, see the computed home page. For more detail about study carrels in general, see the read me file.

Created: 2025-12-22