        item: #1 of 42
          id: ama-1894
      author: Agoma, Awaritoma
       title: SOLO PERFORMANCE AND THE RESTRUCTURING OF THE THEATRE CURRICULUM: A STUDY OF TUNJI SOTIMIRIN’S PERFORMANCE IN SOLO AFRICA
        date: 2023
       words: 57
      flesch: 62
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        item: #2 of 42
          id: ama-1895
      author: Iroh, Emmanuel O.
       title: ADAPTATION OF NOVEL TO DRAMA FOR CLASSROOM TEACHING: THE EFFICIENT SECONDARY COMMERCIAL SCHOOL, UYO EXPERIMENT
        date: 2023
       words: 49
      flesch: 70
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        item: #3 of 42
          id: ama-1896
      author: Martina, Omorodion O
       title: GOOD GOVERANACE IN NIGERIA: THE PLACE OF WOMEN
        date: 2023
       words: 37
      flesch: 82
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        item: #4 of 42
          id: ama-1897
      author: Ogbonna, Kelechi Stellamaris; Ihentuge, Chisimdi Udoka
       title: EXPLORING POSITIVITY IN ETHNIC IDENTITY FOR NATIONAL RE-INTEGRATION IN NIGERIA: A MULTI MEDIA PERSPECTIVE ANALYSIS
        date: 2023
       words: 51
      flesch: 68
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        item: #5 of 42
          id: ama-1898
      author: Nwosu, Canice Chukwuma
       title: THE TEACHER OF TEACHERS AS DEVELOPER OF HUMAN RESOURCES: A RE-APPRAISAL OF DAN UWANDU’S “CHILD DEVELOPMENT THROUGH DRAMA…”
        date: 2023
       words: 41
      flesch: 78
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        item: #6 of 42
          id: ama-1899
      author: Gbenoba, Felix E.
       title: DRAMA AS STYLE FOR ENHANCED PATRONAGE OF MODERN NIGERIAN POETRY: A READING OF SELECTED POEMS IN HOPE EGHAGHA’STHE GOVERNOR’S LODGE AND OTHER POEMS
        date: 2023
       words: 35
      flesch: 84
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        item: #7 of 42
          id: ama-1900
      author: Asen, Rosemary
       title: NIGERIA’S FEMALE DRAMATIC CREATIVITY: AN ANALYSIS OF SOFOLA’S WEDLOCK OF THE GODS AND SALAMI’S SWEET REVENGE
        date: 2023
       words: 53
      flesch: 66
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        item: #8 of 42
          id: ama-1901
      author: Abunike, Chibuike M.
       title: EXAMINING DOMESTIC VIOLENCE THROUGH THE FILM MEDIUM IN NIGERIA: ANALYSIS OF SELECTED FILMS
        date: 2023
       words: 41
      flesch: 78
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        item: #9 of 42
          id: ama-1902
      author: Odunze, Josephine Awele
       title: THE DEFUNCT ABUJA NATIONAL CARNIVAL: TOWARDS A REKINDLING OF THE DYING EMBERS
        date: 2023
       words: 59
      flesch: 60
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        item: #10 of 42
          id: ama-1903
      author: Onyeka, Ebekue Emmanuel; Obiefuna, Arinze-Umobi Somtoo
       title: BETWEEN THE NOLLYWOOD ACADEMIA AND NOLLYWOOD PRACTICE: ABSENCE OF SYNERGY OR SYNERGY OF ABSENCE
        date: 2023
       words: 37
      flesch: 82
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        item: #11 of 42
          id: ama-1904
      author: Okeke, Tochukwu J.; Akunne, Judith Ume
       title: THE SIGNIFICANCE OF CULTURAL SYMBOLS IN OGBO TRADITIONAL WAR DANCE
        date: 2023
       words: 55
      flesch: 64
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        item: #12 of 42
          id: ama-1905
      author: Nwadigwe, Charles E.; Ilukwe, Ebuka E.
       title: COPYRIGHT LAW AND THE CHALLENGE OF PIRACY ON NOLLYWOOD BUSINESS
        date: 2023
       words: 43
      flesch: 76
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        item: #13 of 42
          id: ama-1906
      author: Kachii, Ver-Or
       title: THEATRE AND REVOLUTION IN ESIABA IROBI’S HANGMEN ALSO DIE
        date: 2023
       words: 47
      flesch: 72
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        item: #14 of 42
          id: ama-2259
      author: Okhaifo, Eseigbe Phillandar
       title: THE DRAMATIC ESSENCE OF DANCE IN THE IHUEN – EGUARE ANNUAL FESTIVAL PERFORMANCE OF EGORO KINGDOM IN ESAN WEST LOCAL GOVERNMENT AREA OF EDO STATE – NIGERIA
        date: 2023
       words: 6068
      flesch: 53
     summary: In the Ihuen – Eguare festival performance, artistic talents are utilized to the fullest in the form of dance movements. As with the art forms emanating from their civilizations or cultural complexes, it merely means that viewers of African dance need to understand Africa’s cultural heritage if they are to understand and critically appreciate in any depth the true meaning and aesthetic authority of what is being seen… The Africans in their rituals and masquerades at home usually transform thoughts and ideas into spectacles.
    keywords: african; dance; egoro; eguare; festival; festival performance; ihuen; movements; music; people; performance
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        item: #15 of 42
          id: ama-2260
      author: Nwadigwe, Francisca A
       title: THE MARKETING MIX AND SUSTAINABLE CREATIVE INDUSTRIES IN NIGERIA: THE CARNIVAL CALABAR AS PARADIGM
        date: 2023
       words: 4958
      flesch: 44
     summary: The marketing mix can be applied to carnival marketing as follows. In applying the 7Ps marketing mix to carnival marketing, the producers could first consider the Product; the carnival performance itself, and ensure that it is properly packaged and has qualitative content enough to attract tourists and give them value for their money.
    keywords: calabar; carnival; commission; cultural; government; marketing; marketing mix; nigeria; product; tourism
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        item: #16 of 42
          id: ama-2261
      author: Uzoji, Emmanuel Ebere
       title: GREENING THE ARTS: ARNOLD UDOKA’S INYENE AND THE CONNECTIONS BETWEEN DRAMA AND HUMAN ECOLOGY
        date: 2023
       words: 5054
      flesch: 54
     summary: Wall in his study reveals that in seeking to solve environmental problems, “Greens” have been forced to consider human affairs and embrace a set of political, economic, and cultural principles. For Gare, the world lacks stories or narratives of sufficient power and complexity to orient people for effective action to overcome environmental problems and to relate the multiplicity of social and cultural forms implicated in or affected by environmental destruction.
    keywords: drama; earth; environmental; green; inyene; nature; niger; oil; people; play; theatre
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        item: #17 of 42
          id: ama-2262
      author: Umenyilorah, Uzodinma Chukwukelue
       title: POST COVID-19 CORONAVIRUS AND ECONOMIC CRISIS IN NIGERIA: IMPERATIVES FOR ‘THEATREPOWERMENT'
        date: 2023
       words: 3943
      flesch: 43
     summary: Although the government of Nigeria has already taken several steps to reduce the negative effects of the epidemic on the economy, there are still other steps that need to be taken to stimulate economic recovery and growth in the country, one such is to deploy 'Theatrepowerment' avenues to revive the ailing economy. Post Covid-19 Coronavirus And Economic crisis in Nigeria: Imperatives For… 57 POST COVID-19 CORONAVIRUS AND ECONOMIC CRISIS IN NIGERIA:
    keywords: coronavirus; covid-19; crisis; economy; government; journal; nigeria; pandemic; post; theatre; theatrepowerment
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        item: #18 of 42
          id: ama-2263
      author: Abunike, Chibuike M.; Arinze-Umobi, Somtoo
       title: PROFESSIONALISM AS AN AID TO CHARACTER PROFILING IN NOLLYWOOD FILMS: RAMSEY NOUAH AND KENNETH OKONKWO IN FOCUS
        date: 2023
       words: 3429
      flesch: 57
     summary: A second aspect of the “Triad” for actor professionalism and expertise for proficient role interpretation is Emotion. Nigerian actors unlike before have been accepted in society and they have become the cynosure of all eyes.
    keywords: acting; actor; character; film; industry; nollywood; professionalism; role; theatre
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        item: #19 of 42
          id: ama-2264
      author: Ekweariri, Chidiebere S.
       title: TEACHING THE PERFORMATIVE ART IN A PANDEMIC-PRONE ERA: CRITICAL ISSUES AND CHALLENGES, PROSPECTS AND PROGNOSIS
        date: 2023
       words: 3785
      flesch: 52
     summary: Whether theatre arts, creative arts, communication arts or performing arts, we refer to a discipline of creative artistry and performance. Theatre audience engineering in Nigeria: Paradigm and syntagm.
    keywords: art; audience; constraints; covid-19; pandemic; rehearsals; teaching; theatre
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        item: #20 of 42
          id: ama-2265
      author: Ola-Koyi, S. Joseph Bankola; Obumneme, Francis Anasi
       title: A CRITICAL EXPLORATION OF THE NARRATIVE STRUCTURE AND THE HUMANE QUALITIES IN GOLD STATUE
        date: 2023
       words: 5332
      flesch: 49
     summary: A critical exploration of the narrative structure… 99 The Features of nonlinear narrative technique: The discernable features of nonlinear narrative techniques that are often used as yardsticks for analysing creative work can be succinctly itemised thus: one, a non-chronological order of presentation. For the fact that the lead role, Adewale Esho could not be seen as an ideal man, thus, the film fails to fulfil the basic function of projecting a model for young viewers to copy.
    keywords: adewale; esho; film; frame; gold; gold statue; narrative; qualities; statue; structure
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        item: #21 of 42
          id: ama-2266
      author: Ajiwe, Uchechukwu Chimezie; Bature-Uzor, Nkechi A. Asiegbu
       title: VISUAL INTERPRETATIONS OF MAGICAL EFFECTS IN NOLLYWOOD HORROR FILMS: A CRITICAL STUDY OF ERNEST OBI’SIDEMILI
        date: 2023
       words: 6374
      flesch: 57
     summary: Conclusion Based on the above discussion, film CGI effects elusively enhance visual image which eventually enhances the perception of the audience on the film story. There is no doubt that Nollywood films are embedded with socio-cultural ideologies.
    keywords: audience; effects; film; horror; images; interpretation; journal; movies; narrative; new; nigerian; nollywood; sound; studies; theatre; university
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        item: #22 of 42
          id: ama-2267
      author: Abbe, Josephine Ebiuwa
       title: THE SECULARIZATION OF AFRICAN RITUAL DANCE: OHOGHO DANCE OF THE BENIN PEOPLE AS A PARADIGM
        date: 2023
       words: 4752
      flesch: 58
     summary: As earlier noted, Ohogho ritual dance is a cult dance performed only by initiates. Abbe: The Secularization of African Ritual Dance: Ohogho Dance of the Benin… 141 THE SECULARIZATION OF AFRICAN RITUAL DANCE: OHOGHO DANCE OF THE BENIN PEOPLE AS A PARADIGM Abbe, Josephine Ebiuwa Department of Theatre Arts, University of Benin, Benin City jossyeabbe@gmail.com
    keywords: african; benin; cultural; dance; form; nigeria; ohogho; ohogho dance; people; ritual; secularization
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        item: #23 of 42
          id: ama-2268
      author: Odeh, Godwin Onuh
       title: TOTEMISM IN IDOMA HISTORY AND CULTURE
        date: 2023
       words: 3684
      flesch: 57
     summary: Although not asked to pay tributes in the form of rent to their host to continue holding on to their land as new immigrants that came out of Kwararafa, they adopted the Owuna bird totem in addition to their different kinds of totems.viii Details of Idoma group and their totems are furnished in a subsequent part of the paper. One of the elements which demonstrate the Idoma relationship with some Nigerian ethnic groups in terms of origins, similarities and mailto:godwin.odeh@ssu.edu.ng Odeh: Totemism in Idoma History and Culture 159 differences is totems.
    keywords: bird; cat; civet; groups; history; idoma; totemism; totems
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        item: #24 of 42
          id: ama-2269
      author: Okoye, Chukwudi Michael; Okenyi, Chinaza Jacintha
       title: RETHINKING THE ROLE OF SOCIAL MEDIA COMEDY ON CHILD DEVELOPMENT IN NIGERIA; A STUDY OF MARK ANGEL SKITS
        date: 2023
       words: 4486
      flesch: 48
     summary: The study, thus, evaluates the impact of social media comedy skits such as the MarkAngel’s Comedy series and how it influences children’s behavioural, socio-emotional, cognitive and physical development. It was observed that the rate of watching social media drama skits is higher during the weekends than on weekdays.
    keywords: children; comedy; content; development; drama; impact; learning; media; skits
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        item: #25 of 42
          id: ama-2270
      author: Aghamelu, Helen Udumaga
       title: COMMUNITY THEATRE AND ENVIRONMENTAL EDUCATION: THE UKWU ORJI BUS PARK PROJECT
        date: 2023
       words: 3187
      flesch: 47
     summary: Environmental awareness, Introduction Every community in Nigeria is battling with one form of environmental problem or the other. It aims to inculcate the people the skills and needs to handle environmental problems for better living conditions.
    keywords: community; community theatre; education; environment; park; people; theatre
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        item: #26 of 42
          id: ama-2271
      author: Okeke, Tochukwu J.; Chukwuma, Lilian Chiamaka
       title: COSTUME DESIGN FOR THEATRE PRODUCTIONS: FROM CONCEPT TO REALIZATION: A CASE STUDY OF THE PRODUCTION OF OBOTUNDE IJIMERE’S WOYENGI
        date: 2023
       words: 4182
      flesch: 57
     summary: For example; the designers of Woyengi costumes were Okeke and Chukwuma: Costume Design for Theatre Productions… 207 motivated to embark on the task of constructing the costumes as a result of the passion they have for costume designing. They underwent different stages to ensure the success of Woyengi costume production.
    keywords: character; costume; costume design; play; production; theatre; woyengi
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        item: #27 of 42
          id: ama-2272
      author: Omeje, Oguejiofor V; Ezeugwu, Cindy Anene
       title: LOOKING BACK TO MOVE FORWARD: RE-EVALUATION OF AFRICAN INDIGENOUS KNOWLEDGE AND TECHNOLOGY IN RESPONSE TO 21ST CENTURY CHALLENGES. PERSPECTIVES FROM J.P. CLARK’S OZIDI
        date: 2023
       words: 5486
      flesch: 54
     summary: Thus, the development of IKTs to the advanced and exporting stage may have needed to be improved by colonialism and its allies - mainly foreign religions in contemporary Nigeria. It is on the bases of Oyebola’s lamentation that the researchers stand to insist that while the chances for achieving this greatness are still rife, the old inferiority attitude, the lack of self-confidence to reach the goal, religious interference, ethnic politics and corruption have continued to militate against the lofty IKT advancement in contemporary Nigeria.
    keywords: african; development; ikts; journal; knowledge; nigeria; oreame; ozidi; people; state; studies; technology; theatre
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        item: #28 of 42
          id: ama-2299
      author: Nwosu, Canice Chukwuma; Ihekwoaba, Njideka
       title: UKALA’S FOLKISM AND THE POETICS OF PERFORMANCE SPACE
        date: 2023
       words: 6191
      flesch: 52
     summary: Hence the researchers collapsed Ubersfeld theory of performance space into Ukala’s Folkism theory to arrive at a strong theoretical base for the analyses of the case studies. The focus of this study is therefore the theatrical space as it impacts, first of all on the performance space, and how the duo of performance space and production impact on the audience.
    keywords: audience; folkism; narrator; performance; performance space; space; stage; story; television; theatre; ukala
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        item: #29 of 42
          id: ama-2300
      author: Abhulimhen, Ojieson Silver
       title: REPRESENTATION OF TERRORIST ATTACKS IN NOLLYWOOD FILMS: AN ANALYSIS OF JETTA AMATA’S BLACK NOVEMBER
        date: 2023
       words: 5302
      flesch: 49
     summary: Ojieson Silver Abhulimhen - Representation of terrorist attacks in Nollywood films: an … 17 REPRESENTATION OF TERRORIST ATTACKS IN NOLLYWOOD FILMS: AN ANALYSIS OF JETTA AMATA’S BLACK NOVEMBER Ojieson Silver Abhulimhen Day Waterman College, Abeokuta, Ogun State. 08035503729, 08128243139; silverabhulimhen@gmail.com This problem derives from funding constraints, accessibility to technical-know-how to execute precise representation of terrorist attacks in a magnitude befitting of national and global references.
    keywords: attacks; delta; films; government; media; niger; nigeria; nollywood; people; state; terrorism; theatre; violence
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        item: #30 of 42
          id: ama-2301
      author: Uzoji, Emmanuel Ebere
       title: ECO-PEDAGOGY IN A POSTMODERNIST’S READING OF MBAJIORGU’S WAKE UP EVERYONE AND DANDAURA’S VENOM FOR VENOM
        date: 2023
       words: 9042
      flesch: 56
     summary: Environmental degradation, climate change and global warming have occupied both international and local discourses in the 21st century. No doubt, the impact of climate change is real on every part of the globe.
    keywords: change; climate; climate change; cultural; drama; eco; environment; mbajiorgu; new; nigeria; oil; pedagogy; people; play; postmodern; theatre; venom; wake; world
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        item: #31 of 42
          id: ama-2302
      author: Onuche, Godwin; Onwuka, Esther O.
       title: THEMATIC PREOCCUPATION AND HERMENEUTICS OF SELECTED SONGS/MUSIC OF PAUL ODI: A 21ST CENTURY APPROACH
        date: 2023
       words: 3726
      flesch: 52
     summary: According to Festus Ainoko, Igala songs, like many others, are usually developed through compositions. There is urgent need to shift attention from where we are at the moment, to identifying and carefully adapting nationally-beneficial moral lessons from African traditional songs and music.
    keywords: cultural; igala; music; nigeria; odi; paul; people; songs; view
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        item: #32 of 42
          id: ama-2303
      author: Agoma, Awaritoma
       title: OLD STAND-UP COMEDY, ORALITY, SUBJECT MATTER AND THE NEW MEDIA: A STUDY OF ALIBABA’S 2016 JANUARY 1ST CONCERT PERFORMANCE
        date: 2023
       words: 7359
      flesch: 65
     summary: Solo performance is a broad umbrella that accommodates every one-person performer on stage but this paper focuses on the stand-up comedian whose origin can be traced to the origin of man and story teller, a major performer in almost every culture of the world. (34-35), Vansina’s postulation above is an appropriate summary of what the actions, whether then or now of what solo performance entails.
    keywords: alibaba; audience; comedy; laughter; literature; matter; new; performance; performer; solo; stand; story; subject; theatre
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        item: #33 of 42
          id: ama-2304
      author: Idebe, Abel
       title: TOWARDS EFFECTIVE CONFLICT MANAGEMENT IN LOCAL COMMUNITIES: THE IMPACT OF THEATRE FOR DEVELOPMENT
        date: 2023
       words: 4597
      flesch: 50
     summary: Our main focus in this paper will be community conflict as reflected within the Nigerian Society. Community conflicts have in no little way contributed to the social and political dislocation of many communities and the nation as a whole.
    keywords: communities; community; conflict; development; management; parties; tfd; theatre; transformation
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        item: #34 of 42
          id: ama-2305
      author: Dibia, Kester Nnaemeka
       title: ABSURDIST DRAMA AND THEATRE OF COMMITMENT IN WOLE SOYINKA’S KING BAABU
        date: 2023
       words: 5199
      flesch: 61
     summary: As in the above examples, meaningless clichés or play on words are usually used in absurdist theatre to portray the limits of language while ‘questioning or parodying the determinism of science and the knowability of truth’. They go further to contend that even the structure of absurdist plays appears to differ essentially from the plays of the preceding period.
    keywords: absurdist; baabu; basha; commitment; drama; existence; human; king; man; soyinka; theatre
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        item: #35 of 42
          id: ama-2306
      author: Hanmakyugh, Teddy Thaddeus
       title: THE PSYCHOLOGY OF CAMERA SHOTS: A DETERMINANT FOR AUDIENCE PERCEPTION OF FILM IMAGES
        date: 2023
       words: 3839
      flesch: 58
     summary: In summary, the paper establishes that camera shots are the most effective way to tell a visual story which entice and fascinate the audience to get themselves involved in the cinematic action. However, as a business venture, film may be seen as a commodity, produced and Teddy Thaddeus Hanmakyugh - The psychology of camera shots: a determinant for audience … 105 marketed by a specific industry as pleasure; as entertainment and enjoyment as well as a communicative system.
    keywords: angle; audience; camera; character; film; screen; shot
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        item: #36 of 42
          id: ama-2307
      author: Olajide, Monsuru Oladotun; Osazuwa, Stellamaris
       title: TRANSFORMING THE ACTOR THROUGH COSTUMING: THE DESIGN PROCESS IN STAGE PRODUCTION
        date: 2023
       words: 6899
      flesch: 61
     summary: Although stage costumes communicate the same information as ordinary clothes with regard to sex, positions and occupations, this information is magnified because every element in theatre is in the spotlight. Stage costumes should help establish the tone and style of a production indicate the historical period of a play and locale in which it occurs and help to show the nature of individual characters or groups in a play, their stations in life, occupations and personalities.
    keywords: actor; bead; character; costume; idia; play; production; scene; script; stage; theatre
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        item: #37 of 42
          id: ama-2308
      author: Itsewah, Steve James; Olokodana-James, Oluwatoyin
       title: ACADEMIC SUPREMACY AND OBSESSION FOR POWER IN ASIGBO’S WAR OF THE TIN GODS AND ONCE UPON A SCHOOL
        date: 2023
       words: 4601
      flesch: 68
     summary: Names like Chebe, Zuluike, Aba and Aki are related to many other playwrights in Woye and Emi’s category. These and many other questions are the bases for this paper and Asigbo’s ‘War of the tin gods’ and ‘Once upon a school’ are plays that exposed the insensitivities of the academics to these dangerous epidemic that is ravaging our institutions.
    keywords: academics; asigbo; james; play; power; supremacy; university; war; woye
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        item: #38 of 42
          id: ama-2309
      author: Ihentuge, Chisimdi Udoka; Olekwara, Nnamdi Onyenonachi
       title: NOLLYWOOD AND FANATICISM IN FOOTBALL FAN BASE IN NIGERIA: LESSONS FROM SELECTED VIDEO FILMS
        date: 2023
       words: 4983
      flesch: 61
     summary: Yet, it’s most common understanding point to violence or disorders which involve sports fans. Even the character of Musa in Mr Ibu the Chelsea Fan points out the nature of Afghanistanism football fan base in Nigeria and other African nations saying “… football is made in heaven, played in Europe and enjoyed by people in Africa.”
    keywords: afghanistanism; chelsea; club; fan; fans; football; football club; media; nigeria; sports; united
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        item: #39 of 42
          id: ama-2310
      author: Yakubu, Angel Nguemo
       title: DRAMA, NATIONAL IDENTITY AND SUSTAINABLE DEVELOPMENT
        date: 2023
       words: 5062
      flesch: 61
     summary: It is not he who calls himself Elesin Oba, it is his blood that says it. One thing Jane failed to understand is that once you are Elesin Oba, your faith is already decided and known by the people.
    keywords: death; development; drama; elesin; identity; nation; olunde; people; society
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        item: #40 of 42
          id: ama-2311
      author: Mariam, Anana
       title: REVITALISATION AND SUSTAINABILITY OF ANNANG PROVERBS THROUGH ITS USABILITY
        date: 2023
       words: 6591
      flesch: 61
     summary: Findings From the analyses of Annang proverbs, the following findings were made: i. Annang proverbs are mainly multifunctional and unique; each can be interpreted in different contexts to mean different things depending on the participants. Annang proverbs have not been fully used by Annang people 7.
    keywords: ana; annang; annang people; annang proverbs; english; interpretations; journal; language; net; nigerian; people; pragmatics; proverbs; sustainability; use
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        item: #41 of 42
          id: ama-2312
      author: Umenyilorah, Uzodinma Chukwukelue
       title: ECONOMIC AND SOCIO-POLITICAL IMPERATIVES OF THE NEW MEDIA IN AFRICA
        date: 2023
       words: 7109
      flesch: 52
     summary: Terrorist groups take to social media because social media tools are cheap and accessible, facilitate quick, broad dissemination of messages, and allow for unfettered communication with an audience without the filter or selectivity of mainstream news outlets. The reason is that sometimes people share photos on social media that contains violence and sex, which can damage the behavior of kids and teenagers.
    keywords: africa; communication; countries; development; ict; information; internet; media; mobile; nigeria; people; socio; technology; world
       cache: ama-2312.pdf
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        item: #42 of 42
          id: ama-2313
      author: Arinze-Umobi, Somtoo Obiefuna
       title: CULTURAL FLUX IN SELECTED NOLLYWOOD FILMS
        date: 2023
       words: 3717
      flesch: 55
     summary: The study therfore aims at evaluating impact of constant cultural flux due to interaction with other cultures, and also due to the influences of modernity and globalization. This study concludes that the filmic presentation of a particular people should be tailored toward projecting the Somtoo Obiefuna Arinze-Umobi - Cultural flux in selected Nollywood film 225 indigenous cultural practices of the people than centering on in- cooperating influences from other culture.
    keywords: culture; film; flux; nigeria; nollywood; people; society; theatre; uremma
       cache: ama-2313.pdf
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