Shared Stories, Rival Tellings: Early Encounters
of Jews, Christians, and Muslims

Robert C. Gregg
Oxford: Oxford University Press, 2015. 713 pages.

“What are the differences and similarities between the early encounter and
pivotal stories of the Abrahamic faiths?” is the main question underlying this
engaging academic book. Recently, there has been a revitalization of discus-
sions about Jewish-Christian-Muslim relations in academia and in interfaith
work around the United States. This book comes at a timely and crucial time,
one in which where there is so much misunderstanding and misinformation
about these particular faiths, especially about the questions of origins and ab-
solute truths. Gregg’s methodology and choice of texts, illustrations and sacred
stories are intriguing and complex. The book captures the reader in a detailed
textual analysis that seems hard to sustain; however, his writing wins one over
with its clarity and enticing content that one cannot stop reading this tome of
a book. He provides an extensive yet accessible guide for many religious texts
that also include artwork as well as historical writings to illuminate religious
interpretations and their impact on community relations. 

The book offers ways of connecting the Abrahamic traditions both
through the writings but also by providing historical data and content of the

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contact and exchange among early Abrahamic communities. His theoretical
methodology can easily be compared to that of the great historian Fernand
Braudel, whose concept of Longue durée in his book La Méditerranée et le
Monde Méditerranéen a l’époque de Philippe II, 3 vols. (1949) argues that
all the human sciences, history included, are contaminated by each other. Cul-
tures and civilizations can speak the same language and are affected by one
another in a somewhat imperceptible manner such that they can even com-
municate with one another even through change and new interpretations. Sim-
ilarly, Gregg has outlined this concept beneath the many narratives and
interpretations that he presents, thereby marking the changes and connections
in a seamless manner.

The book’s content explores the historical context of the divides among
Jews, Christians, and Muslims that other scholars have treated in isolation
and, more singularly, as a religious competition and authenticity as regards
such topics as Christ’s place in Muslim beliefs, Muhammad in Jewish beliefs,
and early encounters between Jews and Christians. Even though Gregg does
not shy away from showing the religious competition, his book brilliantly an-
chors itself on the notion of “sharing,” which echoes in its title, and “telling”
rather than an absolute truth or religious competition.

The unique significance of this particular book is its focus on the textual
and illustrative aspects of the Abrahamic sacred texts, which leaves little room
for assumptions or judgments. The reader can follow the methodology of in-
terpretative and critical chronological analysis, which allows for open inter-
pretation and a different interpretation of controversial narratives, in all of the
Abrahamic stories and texts. For example, in the last section Gregg discusses
how the Abrahamic faiths’ depiction of the figure of Mary, Maryam, and
Miriam relies on the written historical basis that includes and evokes negative
and callous excerpts from Celsus and its parallels with the Talmudic text.
Gregg, however, relies again on the textual Biblical verses: “Jewish anti-Mary
and anti-Jesus critiques and attacks – especially those contained in Jewish
writings like Toledoth Yeshu and Sefer Zerubbabel – stood alongside and re-
sponded to polemics developed in Christianity” (p. 540). 

The book is divided in three parts, each of which analyzes narratives that
appear in the three Abrahamic traditions. The sections are divided as follow-
ing: Cain’s murder of his brother Abel; the clash between Sarah and Hagar;
Joseph the young Hebrew slave in Egypt tormented by the sexual advances
of his master’s wife; the disobedient prophet Jonah and the whale; and the
saga of Mary, Jesus’s mother. The book can be taught in sections for any class
on any of the Abrahamic traditions or read by a curious reader who would

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benefit from learning about the three faiths’ intricate connections in terms of
revelation, prophecy, and moral principles.

Examples of how Gregg utilizes illustrations are found in many of book’s
the sections. The most intriguing example, however, part’s account of Cain
and Abel, “Tell Them the Story of the Two Sons of Adam as It Really Was,”
where he reintroduces Abel’s reappearance and connects it to a Persian ritual.
We are told here, by the great Muslim scholar Abu Rayhan al-Biruni (1000),
that the festival of offering food to the dead 

originated with Adam and Eve, who longed to be reunited with their son
Abel. Returning to his parents, Abel, unlike others, seems to have been vis-
ible, but we are told that in their presence he was mute. The interrupted text
does not allow us to know if he partook of the food and drink laid out for
him, or was restricted to savoring the odors. (p. 103)

The section is further elucidated by a figure that shows the deceased Habil
(Abel) visiting his parents surrounded by food. We read that a Persian ritual of
offering food to the deceased emulates this very scene and depiction of Abels’
parents. What one learns is that rituals that are still ongoing in the Abrahamic
traditions were created with the first creation and destruction of humanity.

Another illustration and analysis is presented in the same section: a raven
teaching Cain how to bury his brother’s body (dated 1228). Gregg provides
an analysis that recalls Q. 5:31-32, which relates this story, but also explains
how its illustration (popular in Persian art) carries with it a deeper meaning.

… the sending of the raven to instruct Qabil about how to bury his brother,
and his chagrin and self-castigation upon observing the action – are obvious
and “literal.” At the same time, there is room, or invitation, in these scenes
for recognition that the raven’s action is a divine gift – perhaps not only of
basic know-how to Qabil, but also of guidance of a deeper kind. (p. 105)

This section carries with it questions of Islamic art, ritual, and divine guidance
that adds a richer and deeper reading to this particular narrative. It evokes feel-
ings of the bereaved, moral principles, the divine gift of animals and miracles
within the Islamic tradition.

Shared Stories, Rival Tellings also delves into sensitive and at times con-
troversial topics, such as the role of Abraham, Sarah, and Hagar (viz., the pro-
genitors of Jews, Christians, and Muslims, respectively), but more frequently
the debate lies with Abraham’s relationship with these two women: “Attempts
by Christian interpreters to make the Bible’s account of the strife between
Abraham’s two women and sons serve the churches best interests were definite

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and aggressive” (p. 218). Here he discusses the animosity between these
women in light of their sons, which softens the memory of how Hagar was
banished from the home and Sarah remained there as Abraham’s wife. As a
matter of fact, we learn that in a painting illuminating a manuscript of al-
Nisaburi’s Qiṣaṣ al-Anbiyā’ the story is depicted as a pleasant one that cele-
brates the completion of the Ka’ba and Sarah as forgiving. The announcement
of Isaac’s birth is also witnessed. 

Upon receiving the command to construct the Ka’ba, Abraham summons
(from Syria) Sarah, Isaac, along with others loyal to him. Abraham then in-
forms Sarah that the time has come for her to be at peace with “my son and
his mother.” Sarah does not resist her husband’s request, even though there
follow grudging comments. Sarah claims that God has shown partiality to
Hagar and Ishmael, showering them with greater mercy and property, bless-
ing them in their residence in Mecca … Jewish and Christian estimations of
Sarah’s preeminence are being rebuffed. (p. 214) 

Gregg further connects these stories by pointing out that the Islamic ver-
sion is complete. When confronted with the Jewish and Christian stories, the
narrators of this illustration and elsewhere “chose to generate a continuation
of the story of this half of the prophet’s family but situating them in Mecca
and involving them in the prayers for which the Ka’ba was dutifully, and won-
drously, built” (p. 216).

The comparisons and stories of these faiths raise questions of intertextuality
of sacred texts due to the contact and exchange that all three faiths had stem-
ming from the same geographic areas and sharing traditions from prayers to
circumcision. The motifs of Christ and Abraham in these stories reveal that the
most crucial aspect of this work is to tell and share a story without the usual
religious competition. As the author notes in his own conclusion: “The com-
petition over scriptural interpretations did not consist merely in reflexive re-
sponses – that is, quick rebuffs of unwelcome criticisms. Rather, we have
learned that being questioned and engaged by their competitors had profound
results” (p. 598).

People who are interested in faith, scripture, illustrations and the telling of
these profound stories will find this book is compelling and deeply insightful.
Gregg has attempted to analyze and provide scholars with indelible material
that can be used to retell and share these Abrahamic stories in the future.

Mehnaz M. Afridi
Assistant Professor of Religious Studies

Director, Holocaust, Genocide, and Interfaith Education Center
Manhattan College, New York, NY

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