item: #1 of 135 id: artivate-103 author: Chucherdwatanasak, Nathinee title: Making Detroit Sound Great: The Detroit Symphony Orchestra and Its Post-Strike Transformations date: 2020 words: 8954 flesch: 55 summary: Patrons at Orchestra Hall experienced little to no change, except less expensive ticket and subscription sales, when attending DSO concerts after the strike. Community Engagement Programs Community engagement, later dubbed the “Social Progress Initiative,” brings chamber groups of DSO musicians—mostly a duet—to public and private spaces around the city of Detroit and its suburbs to perform an hour of light classical music free of cost in informal or semi-formal settings. keywords: audience; city; community; concert; detroit; dso; engagement; entrepreneurship; hall; musicians; neighborhood; new; orchestra; organization; performances; press; season; series; strike; symphony; work cache: artivate-103.pdf plain text: artivate-103.txt item: #2 of 135 id: artivate-105 author: Peters, Jeremy title: Cultural and Social Mecca: Entrepreneurial Action and Venue Agglomeration in Detroit’s Paradise Valley and Black Bottom Neighborhoods date: 2020 words: 11852 flesch: 69 summary: Detroit venues in the Paradise Valley and Black Bottom neighborhoods. Detroit venues in the Paradise Valley and Black Bottom neighborhoods, in context of Detroit venues on the whole. keywords: artists; bar; bjorn; black; city; club; detroit; detroit jazz; gallert; heaven; hip; hop; jazz; l. liebler; liebler; m. l.; motown; music; paradise; press; state university; university; university press; unknown; valley; venues; wayne; wayne state cache: artivate-105.pdf plain text: artivate-105.txt item: #3 of 135 id: artivate-106 author: Tuominiemi, Kaisu; Benzenberg, Scott title: Entrepreneurial Pathways in Art: An Introductory Course for Undergraduate Students in Arts Entrepreneurship date: 2021 words: 6303 flesch: 47 summary: Arts entrepreneurship is an emerging discipline in post-secondary edu- cation which aims to help student artists design the future of their own work (Beck- man, 2011). While pedagogical strategies are defined in literature (Beckman, 2007; Essig, 2013; Hong et al., 2012), the work here seeks to extend the conceptual- ization of arts entrepreneurship as a distinct discipline by establishing materials and teaching units that might introduce first-year undergraduates to the field of arts en- trepreneurship. keywords: artist; arts; building; course; creation; entrepreneurship; key; learning; venture; week; work cache: artivate-106.pdf plain text: artivate-106.txt item: #4 of 135 id: artivate-110 author: Kuuskoski, Jonathan title: Book Review: Canvas Detroit date: 2020 words: 1150 flesch: 53 summary: By cataloguing the highs, lows, and social ramifications of a transformative arts revival, Canvas Detroit makes a compelling case for the power of visual artists to engage in placemaking everywhere. The title Canvas Detroit fulfills a promise long understood in the Southeastern Michigan community: the Motor City, despite its rough and tumble journey into the 21st century, is home to a vibrant and flourishing arts scene. keywords: art; city; detroit cache: artivate-110.pdf plain text: artivate-110.txt item: #5 of 135 id: artivate-111 author: Athanassiou, Dominic; Musgrave, George title: Building a Heavy Metal World: Cultural Entrepreneurship in the Polish People’s Republic date: 2021 words: 8910 flesch: 50 summary: Heavy metal cultural entrepreneurs organized both large and smaller-sized concerts and festivals by managing and cultivating relationships at Houses of Culture and student clubs. Archival material on heavy metal music from the time of the PRL, including zines, maga- zines, recordings, published interviews, written recollections in books—notably in Jaskinia Ha- łasu (Lis and Godlewski, , )—and other secondary sources were key. keywords: artivate; band; culture; entrepreneurship; fans; godlewski; heavy; lis; metal; music; poland; prl; state; wiwczarek; work; world; ;  cache: artivate-111.pdf plain text: artivate-111.txt item: #6 of 135 id: artivate-112 author: Herzig, Monika title: Anyone Can Improvise: The ABCs of Arts Entrepreneurship – a Case Study date: 2020 words: 6941 flesch: 54 summary: Jamey Aebersold recalls his revelation about the principles of jazz improvisation during this first lesson: I took lessons from David. Jerry Coker’s comments in a  interview for the Jazz Educators Journal exemplify this symbiosis of intrinsic drive and community apparent in their entrepreneurship approach: I think we would have taught jazz improvisation and jazz whether or not a university had ever invited us to do so. keywords: aebersold; baker; coker; creativity; david; education; entrepreneurship; improvisation; jam; jazz; jerry; model; music; process; session; training; university cache: artivate-112.pdf plain text: artivate-112.txt item: #7 of 135 id: artivate-115 author: Toscher, Ben title: Blank Canvas: Explorative Behavior and Personal Agency in Arts Entrepreneurship Education date: 2020 words: 13403 flesch: 46 summary: An anecdote from their study is illustrative—when the researchers asked what texts they should provide art students for a workshop on learning, the provost of the arts school replied “learning is not text driven” for arts students (Kolb & Kolb, , p. ). It should be noted that it is not the aim of this study to test the theoretical validity of entrepreneurial learning and subsequent entrepreneurial knowledge generation (Politis, ), thus the students’ existing knowledge and entrepreneurial knowledge they generate is not the analytical focus of this study even though they are present in the model in Figure . Teacher-Created Learning Environment It may seem obvious, perhaps it is an assumption taken for granted, that teachers are creating the environments in which arts entrepreneurship students learn. keywords: action; agency; artivate; arts; arts entrepreneurship; course; data; education; entrepreneurship; entrepreneurship education; experience; journal; knowledge; learning; music; personal; project; research; students; study; teacher; team cache: artivate-115.pdf plain text: artivate-115.txt item: #8 of 135 id: artivate-119 author: Katre, Aparna title: Self-Directed Learning on the Runway to Crafts Entrepreneurship: Achieving Product–Market Fit through Learning Cycles with Self-Management and Self-Control date: 2020 words: 8726 flesch: 54 summary: We focus our inquiry on if and how crafts entrepreneurs practice SDL, especially in determining the fit between their products and the market needs, developing a new customer base, and acquiring business skills. In the case of crafts products, several factors challenge the concept of an entrepreneurial idea and its categorization as invention, innovation, or improvement, as well as the notion of product–market fit. keywords: artisans; artivate; business; cities; coffee; craft; entrepreneurship; knowledge; learning; legacy; management; market; model; new; products; research; sdl; self; study cache: artivate-119.pdf plain text: artivate-119.txt item: #9 of 135 id: artivate-12 author: Essig, Linda; Beckman, Gary title: Editor's Introduction date: 2013 words: 564 flesch: 30 summary: Jason White turns our attention back to the state of arts entrepreneurship education in the academy. The first journal to focus on the emergent field of arts entrepreneurship, Artivate seeks works of original scholarship in the following areas: entrepreneurship theory as applied to the arts; arts entrepreneurship education; arts management; arts and creative industries; public policy and the arts; the arts in community and economic development; nonprofit leadership; social entrepreneurship in or using the arts; evaluation and assessment in and of the field; public practice in the arts. keywords: artivate; arts; entrepreneurship cache: artivate-12.pdf plain text: artivate-12.txt item: #10 of 135 id: artivate-121 author: Booth, Susan; Clague, Mark title: Detroit’s Perpetual Renaissance: Timeless Visions and Daily Blindness in the Detroit Arts Scene date: 2020 words: 4599 flesch: 64 summary: By January of 1970, the Greater Detroit Chamber of Commerce would announce yet another rebirth initiative to “revitalize downtown Detroit.” Periodically a hometown hero—a concert artist raised in Detroit now on the world’s stage—returns to the city to perform (Detroit Free Press, 2010). keywords: artists; arts; bankruptcy; center; city; community; detroit; free; michigan; new; press; renaissance; work cache: artivate-121.pdf plain text: artivate-121.txt item: #11 of 135 id: artivate-122 author: Bonin-Rodriguez, Paul; Vakharia, Neville title: Arts Entrepreneurship Internationally and in the Age of Covid-19 date: 2020 words: 2249 flesch: 60 summary: At the University of Michigan Ashley Lucas, associate professor of theatre arts and drama and director of the Prison Creative Arts Project (PCAP), points to the challenges remaining for artists working at the intersection of arts and prison abolition and social justice more broadly. Arts entrepreneurship has been written about in this journal as a source of resilience, opti- mization, and opportunity creation in its winter 2015, summer 2015, and summer 2016 issues. keywords: artists; arts; crisis; new; prisons; theatre cache: artivate-122.pdf plain text: artivate-122.txt item: #12 of 135 id: artivate-123 author: Bonin-Rodriguez, Paul; Vakharia, Neville title: Editors' Introduction date: 2020 words: 661 flesch: 43 summary: Two additional articles focused on Detroit provide unique insights into the role of arts entrepreneurship and its place within venerable cultural institutions and in understanding the city’s musical history. In our special editorial “Arts Entrepreneurship Internation- ally and in the Age of COVID-19”, we sought to collect voices of thought leaders in our field, asking for their reflections on what the future and role of arts entrepreneurship could be in a postpandemic world. keywords: arts; detroit; entrepreneurship cache: artivate-123.pdf plain text: artivate-123.txt item: #13 of 135 id: artivate-13 author: Kolsteeg, Johan title: Situated Cultural Entrepreneurship date: 2013 words: 5769 flesch: 35 summary: Entrepreneurial values such as curiosity and experimentation are dominant in the routine relationship between cultural organizations and their subsidizing administrations but are not incorporated in the understanding of cultural entrepreneurship. The administration’s position that organizations become partners on the basis of their contribution to a local long term political strategy is an addition to the routine policy to subsidize cultural organizations on the basis of the artistic quality of strategic plans and it is a new element in this survey of cultural entrepreneurship. keywords: arts; city; context; creative; discourse; entrepreneurship; government; organizations; support; utrecht cache: artivate-13.pdf plain text: artivate-13.txt item: #14 of 135 id: artivate-135 author: Robinson, Megan; Novak-Leonard, Jennifer title: Refining Understandings of Entrepreneurial Artists: Valuing the Creative Incorporation of Business and Entrepreneurship into Artistic Practice date: 2021 words: 9767 flesch: 41 summary: entrepreneurial artists, arts entrepreneurship, domains of creativity, the business of art, artists in community. While it is likely that the vast majority of art- ists seek to retain creative control during their production process, entrepreneurial artists are better positioned to actually do so, provided that structures beyond their control maintain ac- cessible pathways to success. keywords: ability; artists; artivate; arts; arts entrepreneurship; business; community; creativity; development; entrepreneurship; nashville; practice; process; self; study; training; work cache: artivate-135.pdf plain text: artivate-135.txt item: #15 of 135 id: artivate-138 author: Archino, Sarah; Lanier, Marta; McClain, Ross title: Reframing the Arts within the Liberal Arts Community: Teaching an Arts Entrepreneurial Mindset to Achieve Transdisciplinary Outcomes date: 2020 words: 7113 flesch: 43 summary: They showcase the experiences and soft skills that enable art students to maximize their educational investment and cultivate in-demand competencies that will make them flexi- ble, creative innovators and leaders. KEYWORDS: arts entrepreneurship, liberal arts colleges, arts education, student learning outcomes, entrepreneurial mindset. keywords: artivate; arts; arts entrepreneurship; career; courses; department; education; entrepreneurship; furman; learning; majors; mindset; skills; students; training cache: artivate-138.pdf plain text: artivate-138.txt item: #16 of 135 id: artivate-139 author: Herzig, Monika title: Guest Editor's Introduction date: 2020 words: 899 flesch: 35 summary: About the Center of Cultural Affairs at Indiana University The mission of the Center for Cultural Affairs at the O’Neill School of Public and Environmental ARTIVATE 9.2 3 Affairs is to advance the understanding of the place of arts and culture in public life. Not Normal Symposium on June  and , , hosted by the Center for Cultural Affairs at Indiana University. keywords: arts; education; entrepreneurship cache: artivate-139.pdf plain text: artivate-139.txt item: #17 of 135 id: artivate-14 author: Mathew, Vijay; Carl, Polly title: Culture Coin: A Commons-Based, Complementary Currency for the Arts and Its Impact on Scarcity, Virtue, Ethics, and the Imagination date: 2013 words: 6718 flesch: 60 summary: Here is a scenario found in the comments section of Shareable Magazine’s article on Culture Coin from theatre artist Mark Rud that refers to what the circulation in the Culture Coin economy could look like: Imagine that non-theatre artists can also join the exchange (they could); a photographer earns CC by doing a production's ad shoot; she uses CC to rent a studio for her own projects; the studio uses CC to pay a model for its upstart ad campaign, and that model (with unused admin skills) also earns CC crunching numbers for an improv troupe; then he uses his combined CC in trade to hire a sound designer for his students' ballet Mathew and Carl Culture Coin ______________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________ Artivate 2 (2) 25 showcase. Volunteer software developers for open source projects have direct access to financial support through their well-paying day jobs, whereas not-for-profit theatre artists depend on dysfunctional arts institutions, low-paying day jobs in related or unrelated fields, student loans, credit card debt, or family subsidy. keywords: artists; arts; coin; commons; community; culture; currency; new; production; profit; resources; sector; theatre; work cache: artivate-14.pdf plain text: artivate-14.txt item: #18 of 135 id: artivate-146 author: Goldberg-Miller, Shoshanah; Skaggs, Rachel title: The Story and the Data: Entrepreneurship in Creative Economy Reports date: 2022 words: 10770 flesch: 47 summary: Key contributions of this article are introducing Narrative Policy Framework (NPF) for an initial analysis of city creative economy reports. We have selected this theory to analyze creative city reports produced in five cities in order to gain an understanding of the ways that NPF may be applied to the creative cities’ contexts. keywords: adelaide; arts; austin; cities; city; creative; data; development; economy; economy reports; evidence; industries; narrative; new; npf; policy; reports; sector; story; urban; york cache: artivate-146.pdf plain text: artivate-146.txt item: #19 of 135 id: artivate-147 author: Voigt, Jessica title: Book Review of The entrepreneurial artist: Lessons from Highly Successful Creatives by Aaron Dworkin date: 2021 words: 1065 flesch: 46 summary: Sphinx now sits as one of the world’s leading organizations on diversity and inclusion within the arts, having reached “more than , students and artists as well as live and broadcast audiences of more than two million annually. To further evaluate the idea that applying entrepreneurial thinking to the arts can be ben- eficial and answer the question of what truly separates dreamers from doers, The Entrepreneur- ial Artist then offers thirteen truly fascinating and inspiring stories of artists who, in Dworkin’s opinion, “exemplify the term creative entrepreneur” (p. xix). keywords: artist; dworkin cache: artivate-147.pdf plain text: artivate-147.txt item: #20 of 135 id: artivate-149 author: Gangi, Jonathan title: Effectual Entrepreneurship in the Arts: The Story of Austin Classical Guitar date: 2021 words: 9613 flesch: 46 summary: Jeremy would become one of the most powerful agents in the growth of ACG education, especially regarding program development and teacher training. Expanding Educational Services into Juvenile Justice In , University of Texas School of Social Work professor Dr. Calvin Streeter conducted an extensive social impact study on ACG education. keywords: acg; arts; austin; classical; education; effectuation; entrepreneurship; future; guitar; logic; matt; music; sarasvathy; school; students; theory cache: artivate-149.pdf plain text: artivate-149.txt item: #21 of 135 id: artivate-15 author: White, Jason title: Barriers to Recognizing Arts Entrepreneurship Education as Essential to Professional Arts Training date: 2013 words: 5295 flesch: 44 summary: Many arts higher education administrators address the situation by advising arts students to attend business and entrepreneurship courses. Arts entrepreneurship education can serve as contextual business/career/technology education for arts students; however, barriers make it difficult for administrators to create adequate curricular room for arts entrepreneurship education. keywords: arts; barriers; education; entrepreneurship; national; professional; programs; students; training cache: artivate-15.pdf plain text: artivate-15.txt item: #22 of 135 id: artivate-150 author: Ashley, Amanda; Durham, Leslie title: Universities as Arts and Cultural Anchors: Moving Beyond Bricks and Mortar to Entrepreneurship, Workforce, and Community Development Approaches date: 2021 words: 18569 flesch: 45 summary: Our study asks: to what extent are public universities arts and cultural anchors? Our overarching question is: To what extent are public universities arts and cultural anchors? keywords: anchor; artists; artivate; arts; arts entrepreneurship; community; concept; cultural; culture; department; development; economic; education; entrepreneurship; faculty; innovation; institutions; new; programs; public; research; role; students; support; traditional; universities; university; university anchor; university arts; ways; work; workforce cache: artivate-150.pdf plain text: artivate-150.txt item: #23 of 135 id: artivate-151 author: Campbell, Alistair; Rusak, Helen title: Entrepreneurial Orientation among Arts Managers in Western Australia date: 2021 words: 8260 flesch: 41 summary: DOI: doi.org/10.34053/artivate.10.2.151 ARTIVATE 10.2 2 Introduction This article follows on from a previous study focused on Western Australia which found that arts managers exhibit many of the traits of entrepreneurial managers (Rusak, ). This pilot study used the established construct of Entrepreneurial Orientation (EO) but explored only the three most salient dimensions of innovativeness, risk-taking, and proactiveness, given the context of Corporate Entrepreneurship (Rauch et al., ), and found clear indications of entrepreneurship among arts managers. keywords: aggressiveness; arts; arts management; arts managers; arts organizations; collaboration; dimensions; entrepreneurship; management; managers; organizations; orientation; research cache: artivate-151.pdf plain text: artivate-151.txt item: #24 of 135 id: artivate-152 author: Vakharia, Neville; Bonin-Rodriguez, Paul title: Editors Introduction date: 2021 words: 466 flesch: 44 summary: In this issue, we begin to feature articles that pro- vide unique insights into the educational aspects of arts entrepreneurship in addition to the empirical and theoretical works that typically appear here. In “Entrepreneurial Pathways in Art,” Scott Benzenberg and Kaisu Tuominiemi conceptualize arts entrepreneurship as a distinct educational discipline, providing both pedagogical and practical implications. keywords: artivate; field cache: artivate-152.pdf plain text: artivate-152.txt item: #25 of 135 id: artivate-154 author: Wall-Andrews, Charlie; Luka, Mary Elizabeth title: Advancing Equity in Arts Entrepreneurship : A Case Study on Gender Equity and Empowerment in Music Production date: 2022 words: 9795 flesch: 49 summary: Their enthusiasm is reflected in their feedback: I am already working on projects with the other female artists that I met at the program and have other artists inquiring and showing interest in working with female music producers. small business, artists, equity, music, music production, community education, women, gender issues, empirical study, emo- tional coding. keywords: artists; arts; business; canada; development; equity; industry; music; music industry; producers; production; program; respondents; sector; skills; women;  cache: artivate-154.pdf plain text: artivate-154.txt item: #26 of 135 id: artivate-157 author: Renard, Stan; Zanella, Gianluca title: The Network Effect of Arts Incubators: A Geospatial Perspective date: 2021 words: 6728 flesch: 46 summary: Different models and methods of education are applied to the complex phenomena of arts incubators; therefore, it is crucial to measure the effectiveness of education programs from many different perspectives. The goal of this study is to provide a metric that can assist arts incubators, program directors, arts administrators, and university programs in assessing program growth and funding and marketing efforts. keywords: artists; artivate; arts; arts incubators; business; communities; community; education; entrepreneurship; figure; impact; incubators; measure; new; participants; programs; study cache: artivate-157.pdf plain text: artivate-157.txt item: #27 of 135 id: artivate-158 author: Kuuskoski, Jonathan title: Book Review: Can Music Make You Sick? Measuring the Price of Musical Ambition by Sally Anne Gross & George Musgrave date: 2021 words: 2079 flesch: 49 summary: Digging down into more specific detail, musical artists are roughly  percent more likely to experience depression and anxiety versus other music industry workers, in particular younger artists (under the age of thirty-five). For the authors, uncovering the dire realities facing music professionals led to a second line of inquiry that in many ways drives the central thrust of this book. keywords: artists; book; gross; musgrave; music cache: artivate-158.pdf plain text: artivate-158.txt item: #28 of 135 id: artivate-159 author: Kuuskoski, Jonathan title: Book Review: The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech by William Deresiewicz date: 2021 words: 2660 flesch: 51 summary: One of the most acidic critiques of arts entrepreneurship came from William Deresiewicz, in his essay in The Atlantic entitled “The Death of the Artist—and the Birth of the Creative Entrepreneur” (January/February ). This conversation harkens to the critical, dual role of arts entrepreneurship training today—that of reframing what professional development should be while also shaping larger dialogues around what we must do to live in a thriving, equitable, and progressive democracy. keywords: artists; arts; book; deresiewicz; section; time; today cache: artivate-159.pdf plain text: artivate-159.txt item: #29 of 135 id: artivate-16 author: Etheridge Woodson, Stephani title: The Culture of Possibility: Art, Artists, and the Future by Arlene Goldbard: A Review date: 2013 words: 1089 flesch: 68 summary: Copyright © 2013, the authors BOOK REVIEW The Culture of Possibility: Art, Artists & the Future, by Arlene Goldbard Reviewed by Stephani Etheridge Woodson, Arizona State University The thoughtful work of cultural activist Arlene Goldbard has been foundational to many community cultural development artists and public scholars. For example she writes on cultural citizenship: Woodson Book review: The Culture of Possibility ______________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________ keywords: art; culture; goldbard cache: artivate-16.pdf plain text: artivate-16.txt item: #30 of 135 id: artivate-161 author: Vakharia, Neville; Bonin-Rodriguez, Paul title: Editors Introduction date: 2021 words: 441 flesch: 33 summary: The articles in this issue investigate arts entrepreneurship through such diverse perspectives as community development, arts incubators, entrepreneurship theory, and policy frameworks. No longer a nascent, specialized subject, arts entrepreneurship is maturing into a scholarly field of inquiry that examines the multitude of intersections between arts, artists, enterprise, and society. keywords: arts; entrepreneurship cache: artivate-161.pdf plain text: artivate-161.txt item: #31 of 135 id: artivate-162 author: Wall-Andrews, Charlie title: Meta-Analysis on the Importance of Entrepreneurship in Canada’s Music Industry date: 2023 words: 10447 flesch: 46 summary: Musicians require entrepreneurial skills. Additionally, empirical findings (Wardana et al., 2020; White, 2020; Zupan, 2018; Toscher, 2019; 2020) show that entrepreneurial skills can be taught and learned. keywords: artists; artivate; business; creativity; education; entrepreneurship; industry; journal; knowledge; management; mindset; music; research; review; skills; study; success cache: artivate-162.pdf plain text: artivate-162.txt item: #32 of 135 id: artivate-163 author: Munnelly, Karen title: Motivations and Intentionality in the Arts Portfolio Career : An Investigation into How Visual and Performing Artists Construct Portfolio Careers date: 2022 words: 8442 flesch: 56 summary: Several studies on arts portfolio careers (Bridgstock & Cunningham, ; Bartleet et al., ; Menger, ) have also suggested that a diversified portfolio of work could be considered a risk management strategy. Findings The survey was completed by  individuals who identified as having arts portfolio careers. keywords: artists; arts; career; job; jobs; portfolio; portfolio career; research; time; work cache: artivate-163.pdf plain text: artivate-163.txt item: #33 of 135 id: artivate-169 author: Hertzog, Jacob title: The Great Generalization: Organizational Adaptation Strategies as Entrepreneurship in Higher Music Education date: 2022 words: 11973 flesch: 38 summary: Higher music education was found to have undergone a great generalization through the expansion of activities in nearly every domain. Con- sistent with elements of organizational adaptation theory, and like individual musi- cians, higher music education has been entrepreneurial in response to the digital revolution. keywords: adaptation; change; curriculum; decentralization; digital; domain; education; faculty; formalization; generalization; industry; music; music education; music industry; music units; new; organizations; programs; specialization; strategies; strategy; study; table; time; units cache: artivate-169.pdf plain text: artivate-169.txt item: #34 of 135 id: artivate-17 author: Essig, Linda; Beckman, Gary title: Editor's Introduction date: 2014 words: 456 flesch: 36 summary: This “artist as social change agent” stance is important to educators and emerging arts entrepreneurs as it broadens the field’s practical applications, further challenges its educators and hopefully inspires future arts entrepreneurs. As promised in the previous issue, Mark Hager examines the Michael Rushton edited essay collection, Creative Communities: Art Works in Economic Development. keywords: arts; field cache: artivate-17.pdf plain text: artivate-17.txt item: #35 of 135 id: artivate-172 author: Akabuike, Chikelue Chris title: Entrepreneurial Engagements: Its Motivations and Challenges Among Undergraduate Students of Nsukka Arts School in Nigeria date: 2023 words: 6830 flesch: 44 summary: An enterprise opportunity for entrepreneurial students: student enterprise development and experience assessed through the student’s voice. This is arguably why the concept of student entrepreneurship is underdeveloped in Africa (Naa et al., 2020), and particularly in Nigeria (Akabuike, 2021a & 2021b). keywords: activities; artivate; arts; business; challenges; entrepreneurship; journal; nsukka; research; respondents; students; study; undergraduate; university cache: artivate-172.pdf plain text: artivate-172.txt item: #36 of 135 id: artivate-173 author: Guo, Wen title: Creative Infrastructures: Artists, Money, and Entrepreneurial Action by Linda Essig: Wen Guo - Elon University date: 2022 words: 1505 flesch: 33 summary: Microsoft Word - 173+redlines_Guo_final(1).docx VOL. 11, NO. 1 SPRING 2022 BOOK REVIEW Creative Infrastructure: Artists, Money, and Entrepreneurial Action Wen Guo, PhD Elon University ABSTRACT: Centering around three concepts: artists, money, and entrepreneurial action, Creative Infrastructure: Artists, Money, and Entrepreneurial Action by Linda Essig elaborates on essential concepts, competing theories, and diverse perspec- tives of arts entrepreneurship as both a scholarly field and creative praxis. KEYWORDS: arts entrepreneurship, neoliberalism, sustainability, equity. keywords: artists; arts; entrepreneurship; essig cache: artivate-173.pdf plain text: artivate-173.txt item: #37 of 135 id: artivate-175 author: DeWhatley, Michael title: The Artful Manager: Field Notes on the Business of Arts and Culture by E. Andrew Taylor: Michael DeWhatley - University of Texas at Austin date: 2022 words: 1199 flesch: 50 summary: KEYWORDS: arts management, advice, management techniques, organizational purpose, mission statement, values statement, structure and strategy, innovation, nonprofit management, aesthetic practice, book review, review. The first section contains eighteen chapters focused on management practice and, taken as a whole, it seems to call for a revitalization of arts management as an aesthetic practice. keywords: arts; management; taylor cache: artivate-175.pdf plain text: artivate-175.txt item: #38 of 135 id: artivate-176 author: Vakharia, Neville; Bonin-Rodriguez, Paul title: Editors' Introduction date: 2022 words: 659 flesch: 36 summary: Both Jason and Jose have a wealth of experience in arts entrepreneurship from both a scholarly and practitioner perspective, and we are excited to have them join us. The articles in this issue cover diverse aspects of the growing field of arts entrepreneurship, exploring the perspectives of higher education, artists’ careers, and gender equity. keywords: artivate; arts; entrepreneurship cache: artivate-176.pdf plain text: artivate-176.txt item: #39 of 135 id: artivate-178 author: Strandvad, Sara Malou title: From Gung Ho Heroes and Their Tragic Counterparts to Catalyst Characters: Figures of the Cultural Entrepreneur in the Scholarly Literature date: 2023 words: 9030 flesch: 44 summary: To develop this suggestion, three arguments from studies in cultural entrepreneurship that have drawn inspiration from general entrepreneurship research will be adduced: that cul- tural entrepreneurs oftentimes can be described as ‘necessity entrepreneurs’, that they some- times act as ‘mumpreneurs’, and that ‘informal’ cultural entrepreneurship may be central to understanding how novelties are created by cultural entrepreneurs. Transferred to the issue of cultural entrepreneurship, Haraway’s point suggests that an individualized focus on the singular cultural entrepreneur ignores the multiple strands that enable courses of action, disregarding the fact that everyone depends on support networks around them—and that, at the same time, cultural entrepreneurs play a fun- damental role in making things happen for others. keywords: article; artists; arts; business; cultural; entrepreneurship; field; figures; industries; journal; literature; new; research; self; studies; work cache: artivate-178.pdf plain text: artivate-178.txt item: #40 of 135 id: artivate-182 author: Makridis, Christos ; Kuuskoski, Jonathan title: Narrowing the Gap : Implications of Arts Business Training on Artist Labor Market Outcomes date: 2024 words: 10101 flesch: 49 summary: Our paper builds upon that conversation by exploring the relative saliency of arts business training on em- ployment and income. Second, while facilitating curricular content may seem more laborious and slow- paced as compared to creating new co-curricular offerings, the development of courses and degree programs demonstrates a deeper institutional commitment to the integration of arts business training. keywords: artists; artivate; arts; arts business; arts entrepreneurship; business; business degree; business training; college; degree; earnings; education; entrepreneurship; graduates; management; music; new; programs; research; skills; training; university cache: artivate-182.pdf plain text: artivate-182.txt item: #41 of 135 id: artivate-184 author: Brown, Kathryn title: Innovation in the Arts: Concepts, Theories, and Practices date: 2023 words: 918 flesch: 36 summary: DOI: doi.org/10.34053/artivate.11.2.184 With Innovation in the Arts: Concepts, Theories, and Practices, Jason White has thoughtfully distilled the critical concept of arts innovation into its fundamental parts. For example, one might ask students to design a strategic plan for legitimizing a new art form (art innovation), generate ideas for diffusing a desired artistic reform/desired social reform via art (art movement innovation), or design a distinctively new aesthetic experience with strategic plans for gaining acceptance among arts administrators (an identified challenge inherent to this form of art innovation). keywords: arts; innovation cache: artivate-184.pdf plain text: artivate-184.txt item: #42 of 135 id: artivate-185 author: Skaggs, Rachel; Burke, Molly Jo; Guo, Kuo; Hoppe, Erin J.; Cooksey, Elizabeth C. title: Arts Entrepreneurial Work in Changing Contexts: Sustaining Creative Life and Work after COVID-19 date: 2025 words: 10027 flesch: 52 summary: Our findings suggest that there are perhaps limits to, or imbalances in, the coupling of these two features, creativity and autonomy with capacity for adaptability, within arts entrepreneurial work as times when mediating structural or contextual change. Thus, research supports the idea that career skills, which might allow an arts entrepreneur to be adaptable, are related to and support the creative aspects of arts entrepreneurial work. keywords: artists; arts; careers; context; covid-19; creativity; entrepreneurship; interviewees; life; need; pandemic; support; time; work; workers cache: artivate-185.pdf plain text: artivate-185.txt item: #43 of 135 id: artivate-186 author: Vakharia, Neville; Bonin-Rodriguez, Paul title: Editors' Introduction date: 2023 words: 567 flesch: 37 summary: We are pleased that our goals are shared by this new co-editorial team: • Olaf Kuhlke, Chair of Arts Entrepreneurship, Minneapolis College of Art and Design • Diane Ragsdale, Director and Scholar of Master of Arts in Creative Leadership, Minneapolis College of Art and Design • Jose Valentino Ruiz-Resto, PhD, Assistant Professor and Program Head of Music Business & Entrepreneurship, University of Florida • Andrew Taylor, Director of the Arts Management Program, American University We will remain on the editorial board and provide continued support to our new editorial team. Throughout our tenure, we have been committed to a field- building project by working to bring forth new authors and ideas and expanding the editorial team. keywords: arts; editorial; entrepreneurship cache: artivate-186.pdf plain text: artivate-186.txt item: #44 of 135 id: artivate-19 author: Pollard, Vikki; Wilson, Emily title: The “Entrepreneurial Mindset” in Creative and Performing Arts Higher Education in Australia date: 2014 words: 10469 flesch: 43 summary: With this in mind, this article attempts to clarify a recurring theme of arts entrepreneurship education, this being the development of an “entrepreneurial mindset.” While our study is limited in that only four educators were interviewed, our findings suggest that arts entrepreneurship education aims to develop skills, attitudes and abilities that, in addition to assisting graduates to develop sustainable creative arts careers, also complements and contributes to higher education more generally through the development of generic graduate attributes. keywords: arts; arts entrepreneurship; business; development; education; entrepreneurship; mindset; participants; practice; skills; students; work cache: artivate-19.pdf plain text: artivate-19.txt item: #45 of 135 id: artivate-192 author: Whitaker, Amy title: The Rise of Hybrid Practice: Creative Institutional Design as Arts Entrepreneurship date: 2023 words: 11736 flesch: 37 summary: Informed by, but distinct from, implicitly neoliberal and social-impact literatures on institutional entrepreneurship, hybridity, and agency, this framework extends theories of effectuation to argue for a view of arts entrepreneurship as a laboratory for complex problem-solving both within and well beyond the arts. hybrid practice, institutional entrepreneurship, arts entrepreneurship, non-profit, B corporation, public benefit corporation. keywords: 2022; artists; artivate; arts; arts entrepreneurship; benefit; business; corporation; design; effectuation; entrepreneurship; forms; hybrid; kickstarter; new; non; organizations; patagonia; practice; profit; public; social; theory cache: artivate-192.pdf plain text: artivate-192.txt item: #46 of 135 id: artivate-193 author: Hernández Acosta, Javier J. title: New Ways of Supporting Arts Entrepreneurship: A Case Study of Maniobra date: 2023 words: 7991 flesch: 42 summary: Towards consensus: suggested foundational building blocks for arts entrepreneurship research and pedagogy. This reflection suggests how to address barriers facing artist initiatives with a lens of diversity, equity, and inclusion. keywords: artists; arts; cultural; entrepreneurship; maniobra; process; program; projects; puerto; research; rico; support; time; work cache: artivate-193.pdf plain text: artivate-193.txt item: #47 of 135 id: artivate-194 author: Jordan, Megan title: Artist Activism as Arts Entrepreneurship: Artists Disrupting Social Structures and Changing the Future date: 2023 words: 10206 flesch: 46 summary: First, this study is not quantifiably generalizable across social movements, but it is theoretically generalizable in that theories and findings of artist activism can be applied across other social movements and artistic mediums. KEYWORDS: artist activism, arts entrepreneurship, activist art, portfolio careers, social movements. keywords: activism; activists; artist; artist activists; artivate; arts; arts entrepreneurship; change; context; entrepreneurship; literature; movement; research; sample; strategies; study; tactics; work cache: artivate-194.pdf plain text: artivate-194.txt item: #48 of 135 id: artivate-197 author: Callander, Adrienne; Taylor, Johanna K.; Bonin-Rodriguez, Paul; Taylor, E. Andrew; Vakharia, Neville; Ragsdale, Diane ; Ruiz-Resto, José Valentino ; Beckman, Gary ; Essig, Linda title: Editorial Perspectives: A Futurecasting Glossary date: 2023 words: 3523 flesch: 44 summary: We Paul Bonin-Rodriguez University of Texas-Austin How and to what benefit might our growing field focus on arts entrepreneurship not as a site of independent excellence but as a result of multiple stakeholders hailed into a process of mutuality, collectivity, and support? While artistic expression and experience certainly occupy many domains where all four are salient concerns, financial and economic logic cannot begin to encompass the theory and practice of arts entrepreneurship. keywords: arts; culture; entrepreneurship; new; sector; work; worldmaking; worlds cache: artivate-197.pdf plain text: artivate-197.txt item: #49 of 135 id: artivate-198 author: Callander, Adrienne; Taylor, Johanna K. title: Guest Editors' Introduction date: 2023 words: 835 flesch: 28 summary: The three articles included here explore the overlaps that arts entrepreneurship touches from policy to activism to philanthropy through new organizational modeling, structural transformation, and cross-sector collaboration. To that end, the contributors to this issue look across our expanded field to introduce new ways of framing arts entrepreneurship. keywords: arts; entrepreneurship; practice cache: artivate-198.pdf plain text: artivate-198.txt item: #50 of 135 id: artivate-2 author: Essig, Linda; Beckman, Gary title: Arts Entrepreneurship: A Conversation date: 2012 words: 4389 flesch: 46 summary: The conversation we had over lunch at the U.S. Association of Small Business and Entrepreneurship (USASBE) annual conference about which citation style to adopt for Artivate is indicative of the state of arts entrepreneurship as a field of inquiry and practice. The field of arts entrepreneurship is at least a hybrid of many possible avenues of disciplinary input – but can stand as its own distinct field of inquiry. keywords: artists; artivate; arts; business; disciplines; education; entrepreneurship; field; new cache: artivate-2.pdf plain text: artivate-2.txt item: #51 of 135 id: artivate-20 author: Preece, Stephen title: Social Bricolage in Arts Entrepreneurship: Building a Jazz Society from Scratch date: 2014 words: 6345 flesch: 53 summary: Using their model as a launching point for this paper, the six tenets of social bricolage include: making do, a refusal to be constrained by limitations, improvisation, social value creation, stakeholder participation, and persuasion. Social Bricolage In Arts Entrepreneurship Drawing data from eight social enterprise start-up cases in the United Kingdom, Di Domenico et al. (2010) developed a theoretical framework for social bricolage. keywords: artists; arts; bricolage; club; community; entrepreneurship; grjs; jazz; preece; resources; social; start; value; venue cache: artivate-20.pdf plain text: artivate-20.txt item: #52 of 135 id: artivate-203 author: Clague, Mark title: From Portfolio to Platform Career: Navigating the Promise and Pitfalls of a Sustainable and Meaningful Life in the Performing Arts date: 2024 words: 8893 flesch: 55 summary: One study showed not only the importance of mental health and well-being for arts careers but demonstrated that physical exercise was positively associated with artists’ well-being (Shaughnessy 2023). Over 80% of portfolio artists include performance work in their activity mix (Davidson 2022, Munnelly 2022). keywords: activities; activity; artists; artivate; arts; career; example; income; money; music; new; performing; platform; portfolio; portfolio career; professional; strategy; teaching; time; university; work cache: artivate-203.pdf plain text: artivate-203.txt item: #53 of 135 id: artivate-204 author: Odewole, Peter Oluwagbenga title: Evaluating an Art and Design Students’ Gender-Based Entrepreneurial Potential Model date: 2024 words: 9919 flesch: 40 summary: Entrepreneurial skills encompass traits and abilities crucial for success in the entre- preneurial journey. The survey questions centered on the three main skill sets required for entrepreneurship: technical skills (TES), managerial skills (MNS), and entrepreneurial skills (ETS), and were measured using a five-point Lik- ert scale ranging from 1 (never) to 5 (very often). keywords: art; business; data; design; design students; education; entrepreneurship; female; fit; gender; model; potential; skills; students; study; traits; value cache: artivate-204.pdf plain text: artivate-204.txt item: #54 of 135 id: artivate-206 author: Callander, Adrienne; Taylor, Johanna K.; Hernández Acosta, Javier J. title: Artists Profiles: Maniobra date: 2023 words: 1835 flesch: 46 summary: VOL. 11, NO. 3 SPRING 2023 GALLERIES Artists Profiles Maniobra Maniobra is a cultural employment initiative providing guaranteed income and additional support for artists and collectives in Puerto Rico over three years. The group concentrates its creative energy on processes linked to the social reality of Puerto Rico and the world as well as to the interiority of the human being. keywords: art; community; puerto; rico cache: artivate-206.pdf plain text: artivate-206.txt item: #55 of 135 id: artivate-207 author: Kuhlke, Olaf; Ragsdale, Diane; Taylor, E. Andrew title: Editors' Introduction date: 2023 words: 830 flesch: 40 summary: Arts entrepreneurship at the intersection of a rapidly shifting cultural environ- ment: How is arts entrepreneurship evolving in response to the climate crisis; generative AI; collective trauma; the entirely legitimate demands for more in- clusive and just workplaces; trends toward collective, decentralized, and non- hierarchical forms of management; and the need to imagine and make new worlds together? 2. Moral and ethical boundaries in the arena of arts entrepreneurship: Are we pay- ing sufficient attention to cultural appropriation, commodification, commer- cialization, the tension between the publicness required of 501c3 nonprofits, the autonomy and authority needed by artists and entrepreneurs, and the im- pacts of business language and framing on how we make sense of and take ac- tion in art worlds? keywords: artivate; arts; entrepreneurship cache: artivate-207.pdf plain text: artivate-207.txt item: #56 of 135 id: artivate-208 author: Bonin-Rodriguez, Paul; Vakharia, Neville; Kuhlke, Olaf; Ragsdale, Diane; Taylor, E. Andrew title: Editorial Perspectives: What’s Past is Prologue date: 2023 words: 4695 flesch: 46 summary: From the beginning of our service, we agreed that Artivate is a field-building project that supports not only the study and practice of arts entrepreneurship but also the in- creased number of faculty at universities pursuing this topic and a mix of practitioners and scholars. Finally, seven of these articles raised arts entrepreneurship in international contexts in Africa, Europe, Poland, and Canada. keywords: articles; artivate; arts; arts entrepreneurship; business; community; entrepreneurship; field; music; new; practice; ragsdale; university; worlds cache: artivate-208.pdf plain text: artivate-208.txt item: #57 of 135 id: artivate-210 author: Wyszomirski, Margaret J. title: Cases on Arts Entrepreneurship date: 2023 words: 1303 flesch: 34 summary: In general, case studies examine real-world phenomena within a set context to deter- mine generalizations, insights, and patterns. The state of research and theorization regarding arts entrepreneurship has not developed to the point where case studies can be used to test theories. keywords: arts; cases; chapter; entrepreneurship cache: artivate-210.pdf plain text: artivate-210.txt item: #58 of 135 id: artivate-215 author: Wells, Jaleesa; Shane, Rachel title: Creative Social Entrepreneurship Curriculum Development: A Case for Democratizing Arts Administration Education date: 2025 words: 6138 flesch: 26 summary: creative social entrepreneurship, democratizing education, arts administration, SDG 4: quality education. Emerging from empirical research on past and present creative social entrepreneurs and enterprises, creative social entrepreneurship as a curriculum can be described as the skills-based practice of establishing new ventures that combine creative methods with commercial strategies to improve the economic, environmental, political, and social well- being of society. keywords: administration; approach; arts; arts administration; business; curriculum; development; education; entrepreneurship; learning; program; students cache: artivate-215.pdf plain text: artivate-215.txt item: #59 of 135 id: artivate-22 author: Webb, Debra title: Placemaking and Social Equity: Expanding the Framework of Creative Placemaking date: 2014 words: 6064 flesch: 46 summary: Participatory community arts are one of the strongest channels that immigrants have for self- assertion as authoritative adults, teachers of their children, and allies to their new friends and neighbors (p.6). Horisaki’s intent is to incite further discussions on housing inequities through community based art workshops. keywords: artists; arts; belonging; change; communities; community; equity; initiatives; new; placemaking; practice; residents; youth cache: artivate-22.pdf plain text: artivate-22.txt item: #60 of 135 id: artivate-220 author: Whitaker, Amy title: Who Owns AI? date: 2024 words: 10436 flesch: 50 summary: Lawsuits brought against AI companies such as OpenAI and Meta under copyright law invite novel reconsidera- tion of the value of creative work. Particularly where creative work and research are concerned—forms of knowledge building—gains made by individuals and by society at large are privatized to AI companies without structures for shared ownership and governance. keywords: artivate; arts; case; collective; companies; copyright; data; entrepreneurship; investment; journal; law; models; new; openai; paper; silverman; use; value; work cache: artivate-220.pdf plain text: artivate-220.txt item: #61 of 135 id: artivate-225 author: Wall-Andrews, Charlie; Cukier, Wendy title: The Music Industry: An Entrepreneurial Ecosystem date: 2025 words: 10547 flesch: 23 summary: In recent years, crowdfunding platforms, micro-grants, and sync licensing have emerged as alternative mechanisms for financing music entrepreneurship, reflecting broader shifts toward digital and distributed models of support. Together, these outputs demonstrate how music entrepreneurship contributes both directly and indirectly to aggregate value creation in Canada and abroad. keywords: access; artists; artivate; arts; barriers; business; canada; canadian; digital; ecosystem; entrepreneurship; innovation; knowledge; leadership; music; music industry; networks; report; services; stam; talent; value cache: artivate-225.pdf plain text: artivate-225.txt item: #62 of 135 id: artivate-228 author: Kuhlke, Olaf title: Make Art as if your Life Depended on It: Trauma-Informed Care in the Creative Industries date: 2024 words: 2212 flesch: 48 summary: Our current approaches to building successful arts-based businesses, as well as our current scholarly foci in arts entrepreneurship, treat artists working alone or collectively like independent businesses, ignoring one fundamental factor: trauma. The traditional startup world might be brutal, but arts entrepreneurship is its own brand of gladiatorial. keywords: artists; entrepreneurship; research; trauma; work cache: artivate-228.pdf plain text: artivate-228.txt item: #63 of 135 id: artivate-229 author: Kuhlke, Olaf; Taylor, Andrew title: Editors’ Introduction date: 2024 words: 473 flesch: 32 summary: VOL. 13 2024–2025 EDITORIAL Editors’ Introduction Olaf Kuhlke Minneapolis College of Art and Design E. Andrew Taylor American University As we open Volume 13 of Artivate—a rolling-basis volume that will add articles, essays, and reviews through August 2025—we are acutely aware of a shifting conversation around individual risk and collective value in the arts. In one of the opening articles of this volume, Amy Whitaker explores this shift through the lens of generative artificial intelli- gence, writing: Creativity that benefits all of society requires individual risk, and we need ways of map- ping this and thinking about it structurally as both a problem of governance and of eco- nomic structuring. keywords: arts; volume cache: artivate-229.pdf plain text: artivate-229.txt item: #64 of 135 id: artivate-23 author: Badger Booth, Susan title: A Review of Creativity and Entrepreneurship: Changing Currents in Education and Public Life date: 2014 words: 1086 flesch: 37 summary: Moving from worldplay to theatrical process and creation as a method for developing creative cognition, Carolyn Roark, Kevin Daum and Mary Abrahams title their chapter: “How to develop an entrepreneur: Teaching creative process management in the academy and industry.” Book reinforces the collection’s call to action in the introduction by moving smoothly between research and practice and making an impassioned case for thoughtful creative theory and essential creative practice. keywords: book; creativity; entrepreneurship cache: artivate-23.pdf plain text: artivate-23.txt item: #65 of 135 id: artivate-24 author: Hager, Mark title: A Review of Creative Communities: Art Works in Economic Development date: 2014 words: 1650 flesch: 65 summary: According  to  the  foreword  and  editor   Michael  Rushton’s  introductory  chapter,  Creative  Communities  owes  its  origins  to  interests   within  the  National  Endowment  for  the  Arts  (NEA)  to  bolster  research  and  theory  on  the   economic  value  of  arts  and  culture  and  its  value  to  local  communities.     Can  they  help  us  measure,  understand,  and  maximize  the   potential  of  arts  and  culture  to  communities?     keywords: arts; growth; theory; volume cache: artivate-24.pdf plain text: artivate-24.txt item: #66 of 135 id: artivate-25 author: Essig, Linda; Roberts, Joseph title: Editor's Introduction date: 2014 words: 655 flesch: 36 summary: In every issue, we intend to continue to circumscribe the field of arts entrepreneurship in theory and in practice, and as it is increasingly taught in courses in colleges and universities across the US and elsewhere. But arts entrepreneurship also happens in the lean DIY fashion described in Julia Griffey’s reflective case study, Daily Blogging for a Year: A Lean Pathway to Launching a Web-based Business. keywords: arts; entrepreneurship cache: artivate-25.pdf plain text: artivate-25.txt item: #67 of 135 id: artivate-26 author: Enhuber, Marisa title: How is Damien Hirst a Cultural Entrepreneur? date: 2014 words: 9864 flesch: 46 summary: This essay first differentiates between economic and cultural entrepreneurs and second explores what influence cultural entrepreneurs, especially, have on urban developments. To this effect the essay researches how cultural entrepreneurs explicitly nurture a city’s regeneration using the example of Damien Hirst’s career as it reflects the transformation of East London’s creative scene. keywords: art; career; city; creative; cultural; damien; east; economy; enhuber; entrepreneur; entrepreneurship; hirst; industries; klamer; london; market; new; production; sphere; urban cache: artivate-26.pdf plain text: artivate-26.txt item: #68 of 135 id: artivate-27 author: Welsh, Dianne; Onishi, Tamaki; DeHoog, Ruth; Syed, Sumera title: Responding to the Needs and Challenges of Arts Entrepreneurs: An Exploratory Study of Arts Entrepreneurship in North Carolina Higher Education date: 2014 words: 7986 flesch: 49 summary: Conclusion While this is still an exploratory study investigating arts entrepreneurship programs at the university level, we believe that insights from this pilot study inform us about the expressed needs of artists and educational opportunities for arts entrepreneurship. These results may be interpreted as an impact from pioneering arts entrepreneurship programs, in particular comprehensive programs that stress entrepreneurship and business skills. keywords: artists; arts; business; carolina; challenges; conference; education; entrepreneurship; management; needs; nonprofit; north; programs; survey cache: artivate-27.pdf plain text: artivate-27.txt item: #69 of 135 id: artivate-28 author: Griffey, Julia title: Daily Blogging for a Year: A “Lean” Pathway to Launching A Webbased Business date: 2014 words: 5941 flesch: 68 summary: Establishing a blog calendar is a recommended tactic for business blogs, as readers come to expect content on a regular basis and look forward to a certain type of content (Bakshi, 2011). All types of machine embroidery designs must be created using digitizing software. keywords: blog; blogging; business; designs; embroidery; etsy; line; machine; niche; selling; site; web cache: artivate-28.pdf plain text: artivate-28.txt item: #70 of 135 id: artivate-3 author: Bonin-Rodriguez, Paul title: What's in a Name? Typifying Artist Entrepreneurship in Community Based Training date: 2012 words: 10450 flesch: 52 summary: First, I illustrate the conflict that many artists may have with the notion of artist entrepreneurship in light of traditional business, managerial, and economic definitions of the term (Beckman, 2010; Jackson et al., 2003; Preece, 2011). I do not promote the term as a wholesale replacement for artist entrepreneurship – although for many artists with whom I have spoken a substitution would be welcome. keywords: artists; arts; beckman; bonin; business; capital; community; concerns; entrepreneurship; inc; new; producer; programs; shaw; support; term; training; university; word; work cache: artivate-3.pdf plain text: artivate-3.txt item: #71 of 135 id: artivate-31 author: Rabideau, Mark title: A Review of Social Intrapreneurism and All That Jazz: How Business Innovators are Helping to Build a More Sustainable World date: 2014 words: 1146 flesch: 68 summary: What  is  important  to  remember  about  jazz  and  its  power  as  an  analogy,  is  that  jazz   was  not  only  the  creation  of  a  new  music,  but  of  a  new  musical  language.   In  jazz  –  and  I  am  not  aware  of  any  other  art  form  that  has  a  parallel  term  –  we  use   the  word  “stretch”  to  describe  a  moment  when  the   improviser  reaches  beyond  their  own   knowledge,   their   own   comfort   zone,   and   beyond   their   own   known   abilities   to   say   something   new;   giving   voice   to   something   yet   realized,   to   “speak   the   truth.”   keywords: authors; intrapreneurism; jazz cache: artivate-31.pdf plain text: artivate-31.txt item: #72 of 135 id: artivate-35 author: Roberts, Joseph title: Editor's Introduction date: 2019 words: 472 flesch: 60 summary: As we launch the Winter 2015 issue, 4 (1) with much fanfare and excitement, we start by congratulating our publisher, The Pave Program in Arts Entrepreneurship at Arizona State University for receiving The United States Association of Small Business and Entrepreneurship (USASBE) award for Excellence in Entrepreneurship Education Specialty Program, namely Arts Entrepreneurship. We hope that such perspectives can provoke dialogue, diversity in thought and action, recognition of the need to always answer the “so what” question, and postulate a global platform for realistic and reasonable Arts Entrepreneurship dialogue. keywords: arts; entrepreneurship cache: artivate-35.pdf plain text: artivate-35.txt item: #73 of 135 id: artivate-36 author: Taylor, E. Andrew; Bonin-Rodriguez, Paul; Essig, Linda title: Perspectives on Arts Entrepreneurship, Part 1 date: 2015 words: 2486 flesch: 50 summary: Copyright © 2015, the authors PERSPECTIVES ON ARTS ENTREPRENEURSHIP, PART 1 E. Andrew Taylor, American University Paul Bonin-Rodriguez, The University of Texas at Austin Linda Essig, Arizona State University As the first peer reviewed research journal in the field of arts entrepreneurship, Artivate: A Journal of Arts Entrepreneurship takes its role as a framer of the discourse in and around arts entrepreneurship seriously. For these pieces we asked contributors to consider open-ended questions to which they could respond in whole or in part: what is their position in relation to arts entrepreneurship; how is arts entrepreneurship situated in relation to other disciplines or fields; what are the problems we are grappling with as scholars, practitioners, teachers, and artists; and what are the research questions we are attempting to answer individually or as a field? keywords: artists; artivate; arts; entrepreneurship; management; new cache: artivate-36.pdf plain text: artivate-36.txt item: #74 of 135 id: artivate-37 author: Smith, Gareth; Gillett, Alex title: Creativities, Innovation, and Networks in Garage Punk Rock: A Case Study of the Eruptörs date: 2015 words: 8797 flesch: 50 summary: Artivate 4 (1) 10 common with other punk bands and punk musicians an “assumptive frame of reference” (Tiryakian, 1973, p. 199; Jorgensen, 2003, 29); acknowledging the “we-pole” orientation (Tiryakian, 1973, p. 193) or the “emic” perspective (Feleppa, 1986, p. 244) on our ways of working that we share with others in the punk community. Rather, we are aware through our work as a band and in the members’ other musical activities (including working in other bands of various sorts and, for one of us, in popular music in higher education) that many bands work with similar – although different and necessarily unique – practices (Burnard, 2012; McKinna, 2014; Shank, 1994; Smith, 2013a). keywords: band; coin; creativities; creativity; education; eruptörs; gillett; gloor; marketing; music; musicians; punk; record; rock; smith; u.k cache: artivate-37.pdf plain text: artivate-37.txt item: #75 of 135 id: artivate-38 author: Goldberg-Miller, Shoshanah title: Creative Toronto: Harnessing the Economic Development Power of Arts and Culture date: 2015 words: 13030 flesch: 44 summary: These efforts often include inherent dangers, such as misguided metrics regarding measurement of the effects of cultural economic development (Markusen and Schrock, 2006). Was cultural policy tied to the ways that arts and culture gained a role on Toronto’s municipal agenda in the economic development toolkit in the 2000s? keywords: agenda; arts; city; community; creative; cultural; culture; decade; development; economic; economy; miller; planning; policy; power; public; sector; toronto; urban cache: artivate-38.pdf plain text: artivate-38.txt item: #76 of 135 id: artivate-39 author: Vakharia, Neville title: A Review of Performing Policy: How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century date: 2015 words: 1810 flesch: 66 summary: Support models for practicing artists and career expectations of emerging artists are addressed in two cases that exemplify the author’s artist-producer approach while also building on the current definitions of the “artist entrepreneur.” Bonin-Rodriguez draws extensively from his own experiences as a performing artist, teacher, and scholar to elevate the role of artists in cultural policy and to document their importance in being at the “policy table.” keywords: artists; arts; bonin; policy; rodriguez cache: artivate-39.pdf plain text: artivate-39.txt item: #77 of 135 id: artivate-4 author: Nytch, Jeffrey title: The Case of the Pittsburgh New Music Ensemble: An Illustration of Entrepreneurial Theory in an Artistic Setting date: 2012 words: 6610 flesch: 40 summary: It is important to stress that the Theatre of Music has never amounted to a “dumbing down” of the artistic product for the sake of hopefully reaching new audiences, an unfortunate mistake many classical music organizations make. My observations of classical music groups across the country reveal that the first mistake made when trying to attract new audiences is to assume audience members are incapable of interacting with the music on a sophisticated level. keywords: artistic; artists; arts; audience; case; demand; experience; music; new; pnme; product cache: artivate-4.pdf plain text: artivate-4.txt item: #78 of 135 id: artivate-40 author: Essig, Linda title: Editor's Introduction date: 2015 words: 443 flesch: 36 summary: Taken together, these four articles on arts entrepreneurship theory, practice, and pedagogy, along with the perspectives of our editorial board members, represent an important step forward in the developing discourse in and about the field of arts entrepreneurship. Woong Jo Chang and Margaret Wyszomirski examine journals in the fields of arts management, cultural policy, entrepreneurship, and nonprofit marketing published 2003-2013 to assess the defining characteristics of arts entrepreneurship in this body of literature and suggest a management-oriented definition of “arts entrepreneurship” as well as a road map for further research. keywords: arts; entrepreneurship cache: artivate-40.pdf plain text: artivate-40.txt item: #79 of 135 id: artivate-41 author: Gartner, William; Roberts, Joseph; Rabideau, Mark title: Perspectives on Arts Entrepreneurship, Part 2 date: 2015 words: 3296 flesch: 49 summary: Copyright © 2015, the authors PERSPECTIVES ON ARTS ENTREPRENEURSHIP, PART 2 William B. Gartner, Copenhagen Business School and California Lutheran University Joseph Roberts, Webster University Mark Rabideau, DePauw University This is the second in our opinion series, “Perspectives,” in which we invite Artivate’s editorial board members and contributors to respond to open-ended prompts about their position in relation to arts entrepreneurship; how arts entrepreneurship is situated in relation to other disciplines or fields; what problems we are grappling with as scholars, practitioners, teachers, and artists; and what are the research questions we are attempting to answer individually or as a field. Arts Entrepreneurship: Scope, Practice and Community William B. Gartner Copenhagen Business School and California Lutheran University I have struggled with writing this short article on arts entrepreneurship. keywords: artivate; arts; entrepreneurship; field; gartner; new; perspectives cache: artivate-41.pdf plain text: artivate-41.txt item: #80 of 135 id: artivate-42 author: Chang, Woong; Wyszomirski, Margaret title: What Is Arts Entrepreneurship? Tracking the Development of its Definition in Scholarly Journals date: 2015 words: 10848 flesch: 41 summary: Only by tracing these additional streams of arts entrepreneurship literature can we piece together a more holistic understanding of the emergence of the concept of arts entrepreneurship as it currently exists. In this study, we investigate the ways in which arts entrepreneurship has been operationalized and defined in the literature. keywords: articles; artists; artivate; arts; arts entrepreneurship; business; cultural; definition; development; entrepreneurial; entrepreneurship; journal; leadership; literature; management; marketing; new; policy cache: artivate-42.pdf plain text: artivate-42.txt item: #81 of 135 id: artivate-43 author: Seman, Michael title: What If Hewlett and Packard Had Started a Band Instead? An Examination of a Music Scene as an Economic Cluster date: 2015 words: 8917 flesch: 51 summary: Prior research tangentially acknowledges that music scenes function as economic clusters, but little detailing of their dynamics as such exists. Of specific interest are music scenes – the spatially-based cultural agglomerations of human and physical capital that include musicians, consumers, entrepreneurs, technicians, venues, and studios all working together (often in a volunteer, “Do-It-Yourself” or “DIY” nature) to facilitate the creation and performance of music (Bennett & Peterson, 2004; Connell & Gibson, 2003; Florida & Jackson, 2010). keywords: bands; city; cluster; communication; denton; development; economic; economy; firms; innovation; january; music; new; participants; porter; production; scene; seman cache: artivate-43.pdf plain text: artivate-43.txt item: #82 of 135 id: artivate-44 author: Thom, Marco title: The Entrepreneurial Value of Arts Incubators: Why Fine Artists Should Make Use of Professional Arts Incubators date: 2015 words: 10918 flesch: 49 summary: Considering that the crucial skills for fine artists’ economic success in the arts have not been identified in the literature, recent studies on the reasons for business failure and entrepreneurial success in other, similar professions to fine art are used for this study. Fine art degree programs encompass, in the context of this study, the single subjects fine art, photography, sculpture, and painting. keywords: artists; arts; business; germany; heis; incubators; institutions; market; professional; programs; skills; students; study; thom; use; value; work cache: artivate-44.pdf plain text: artivate-44.txt item: #83 of 135 id: artivate-45 author: BasSheva Manjon, Sonia; Guo, Wen title: Think Tank: A Collaborative Approach to Student Learning, Organizational Assessment, and Community-Based Arts date: 2015 words: 9581 flesch: 43 summary: The cultural arts field has evolved to include concepts and terminology like art and social justice, social innovation, and cultural equity, but continue to receive limited resources to address the legacy of underfunding and defunding of community arts organizations. Community- based arts organizations are faced with barriers to growth due to funding inequities. keywords: approach; artists; arts; community; entrepreneurship; learning; manjon; members; new; non; organizations; phase; process; profit; shir; structure; tank; think; trust cache: artivate-45.pdf plain text: artivate-45.txt item: #84 of 135 id: artivate-47 author: Essig, Linda title: Editor's Introduction to the Winter 2016 Issue date: 2016 words: 675 flesch: 35 summary: Responding to the needs and challenges of arts entrepreneurs: An exploratory study of arts entrepreneurship in North Carolina higher education. Two earlier articles in Artivate, Pollard and Wilson (2014) and Welsh, et al. (2014), also identify arts entrepreneurial skills through empirical inquiry. keywords: arts; entrepreneurship; skills cache: artivate-47.pdf plain text: artivate-47.txt item: #85 of 135 id: artivate-48 author: Thom, Marco title: Crucial Skills for the Entrepreneurial Success of Fine Artists date: 2016 words: 8968 flesch: 42 summary: Keywords: entrepreneurial skills, entrepreneurial success, fine artist Introduction Research Aim The article aims to define crucial skills for the entrepreneurial success of working fine artists as these skills have not yet been clearly identified for this professional group. Due to the fact that there are hardly any full-time and permanent employment opportunities for fine artists in the arts and only opportunities to pursue work on a freelance and self- employed basis, working fine artists need to develop entrepreneurial skills and operate like entrepreneurs (Menger, 1999; Swedberg, 2006; keywords: artists; arts; business; entrepreneurs; failure; finance; lack; literature; management; market; opportunity; order; planning; skills; success; survey; thinking; thom cache: artivate-48.pdf plain text: artivate-48.txt item: #86 of 135 id: artivate-49 author: Brandenburg, Stephan; Roosen, Tim; Veenstra, Mettina title: Toward an Adapted Business Modeling Method to Improve Entrepreneurial Skills among Art Students date: 2016 words: 3487 flesch: 45 summary: Business modeling tools in the Art & Technology program Several business modeling tools are currently used in the Art & Technology program to facilitate the development of entrepreneurial skills: Business Model Generation (Osterwalder and Pigneur, 2010), The Lean Startup (Ries, 2011) and Creating Robust Business Models (Haaker, 2012). All of the participants are experienced in working with a wide range of business modeling tools commonly used in the professional field. keywords: art; business; education; modeling; skills; students; tools cache: artivate-49.pdf plain text: artivate-49.txt item: #87 of 135 id: artivate-5 author: Lord, Clayton title: Shattering the Myth of the Passive Spectator: Entrepreneurial Efforts to Define and Enhance Participation in "Non-participatory" Acts date: 2012 words: 9264 flesch: 60 summary: There is an equal need for arts experiences that rely on active creation by the audience and for arts experiences that instead engender (and enhance) the participation that is already occurring between audience and actor on an unconscious level simply by virtue of the form. Abstract What does “participation” mean in the context of presentational art forms like live theatre, dance performance or classical music? keywords: art; arts; audience; brown; engagement; experience; impact; lord; new; participation; participatory; presentational; rohd; theatre; work cache: artivate-5.pdf plain text: artivate-5.txt item: #88 of 135 id: artivate-50 author: Bonin-Rodriguez, Paul title: Creating Cultural Capital: Cultural Entrepreneurship in Theory, Pedagogy and Practice date: 2016 words: 1085 flesch: 25 summary: Through these semantic shifts, as well as the careful attention to place and context, the editors align cultural entrepreneurship with “social entrepreneurship,” which found purchase in the academy more than a decade ago, with some accounts dating it back even further. Copyright © 2016, the author BOOK REVIEW Creating Cultural Capital: Cultural Entrepreneurship in Theory, Pedagogy and Practice Edited by Olaf Kuhlke, Annick Schramme, Rene Kooyman Reviewed by Paul Bonin-Rodriguez, University of Texas at Austin This ambitious volume eloquently frames cultural entrepreneurship as a “critical paradigm” for artistic creators, scholars, students, and policymakers to ethically engage the communities where they work. keywords: arts; book; entrepreneurship; practice cache: artivate-50.pdf plain text: artivate-50.txt item: #89 of 135 id: artivate-51 author: Packard, Sally title: Entrepreneurship for the Creative and Cultural Industries: Mastering Management in the Creative and Cultural Industries date: 2016 words: 975 flesch: 49 summary: Copyright © 2016, the author BOOK REVIEW Entrepreneurship for the Creative and Cultural Industries: Mastering Management in the Creative and Cultural Industries By Bonita M. Kolb Reviewed by Sally Packard, Texas Christian University Entrepreneurship for the Creative and Cultural Industries is an earnest attempt to assist artists who are interested in starting a business, offering a comprehensive layout of the nuts and bolts of the business planning process. It is significant to note that Entrepreneurship for the Creative and Cultural Industries is unique, in that it targets artists (“creative”) and their particular business startup challenges. keywords: artist; arts; entrepreneurship cache: artivate-51.pdf plain text: artivate-51.txt item: #90 of 135 id: artivate-52 author: Essig, Linda title: Editor's Introduction to the Summer 2016 Issue date: 2016 words: 496 flesch: 35 summary: Founding editorial board members Gordon Shockley and Laura Zabel are joined by our newest editorial board member Neville Vakharia in sharing their perspective on arts entrepreneurship as a field of practice and inquiry. Shockley positions arts entrepreneurship historically in the context of evolving federal policy decisions. keywords: arts; entrepreneurship cache: artivate-52.pdf plain text: artivate-52.txt item: #91 of 135 id: artivate-53 author: Vakharia, Neville; Shockley, Gordon; Zabel, Laura title: Perspectives on Arts Entrepreneurship, Part 3 date: 2016 words: 2143 flesch: 51 summary: Copyright © 2016, the authors PERSPECTIVES ON ARTS ENTREPRENEURSHIP, PART 3 Neville Vakharia, Drexel University Gordon Shockley, Arizona State University Laura Zabel, Springboard for the Arts We offer this as the third installment in our opinion series, “Perspectives,” in which we invite Artivate’s editorial board members and contributors to respond to open-ended prompts about: their position in relation to arts entrepreneurship; how arts entrepreneurship is situated in relation to other disciplines or fields; what problems we are grappling with as scholars, practitioners, teachers, and artists; and what are the research questions we are attempting to answer individually or as a field. Individual artists, too, face challenges of sustainability and relevance in their own careers, though there is limited research on the role of knowledge creation and artists. keywords: artists; arts; entrepreneurship; knowledge; work cache: artivate-53.pdf plain text: artivate-53.txt item: #92 of 135 id: artivate-54 author: Hausmann, Andrea; Heinze, Anne title: Entrepreneurship in the Cultural and Creative Industries: Insights from an Emergent Field date: 2016 words: 7648 flesch: 47 summary: Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu´s alternative capitals. As a first step, the relevant databases were searched for the occurrence of the keywords “arts entrepreneurship,” “arts entrepreneurs,” “creative entrepreneurship,” “creative entrepreneurs,” “cultural entrepreneurship,” “cultural entrepreneurs,” and “culturepreneurs.” keywords: articles; artivate; arts; authors; entrepreneurship; hausmann; industries; journal; management; research; sector; terms cache: artivate-54.pdf plain text: artivate-54.txt item: #93 of 135 id: artivate-55 author: Patten, Tena title: Creative?..."Entrepreneur?"--Understanding the Creative Industries Entrepreneur date: 2016 words: 10284 flesch: 48 summary: Research findings have implications for the education and support of creative industry entrepreneurs, and for policy- makers. Creative industry entrepreneurs draw on their creative expertise within a domain and build entrepreneurial possibilities around this expertise. keywords: business; creativity; entrepreneurship; individuals; industries; journal; knowledge; management; opportunities; opportunity; people; research; work cache: artivate-55.pdf plain text: artivate-55.txt item: #94 of 135 id: artivate-56 author: Kelsey, Patrick title: Arts Management, an Entrepreneurial Approach by Carla Walter date: 2016 words: 1098 flesch: 60 summary: Though not a requirement, and a rarity among arts management texts, Arts Management does not itself provide the benefit of instructor resources, but it does provide the needed readings for the student to understand Kelsey Book Review: Arts Management, an Entrepreneurial Approach ______________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________ Arts Management: An Entrepreneurial Approach is a compendium of all aspects of commerce, ranging from finance, production, and marketing to legal, talent management, and technology, “to provide a university upper-division undergraduate and graduate-level text that covers the principles of arts management and entrepreneurship” (Walter, 2015, p. xvii). keywords: arts; management; text; walter cache: artivate-56.pdf plain text: artivate-56.txt item: #95 of 135 id: artivate-57 author: Essig, Linda title: Editor's Introduction to the Winter 2017 Issue date: 2017 words: 901 flesch: 36 summary: While one author indicates that arts entrepreneurship is unique because of the product created by individual artists, another differentiates arts entrepreneurship as being within a specific economic sector defined by its core workers. Artivate: A Journal of Entrepreneurship in the Arts is pleased to partner with the Kresge Foundation on a special issue devoted to arts entrepreneurship and creative placemaking. keywords: arts; entrepreneurship; issue cache: artivate-57.pdf plain text: artivate-57.txt item: #96 of 135 id: artivate-58 author: Badger Booth, Susan; Ragsdale, Diane title: Perspectives on Arts Entrepreneurship, Part 4 date: 2017 words: 2420 flesch: 56 summary: Margo Jones Theatre. Artivate 5 (2) 5 Margo Jones is generally credited by theater historians with having founded the prototypical nonprofit-but-professional resident theater in Dallas, Texas in 1947. keywords: arts; entrepreneurship; jones; nonprofit; theater; theatre cache: artivate-58.pdf plain text: artivate-58.txt item: #97 of 135 id: artivate-59 author: Artivate Editors title: Call for Submissions to Summer 2017 Special Issue date: 2017 words: 422 flesch: 35 summary: This brings artists, arts organizations, and artistic activity into the suite of placemaking strategies pioneered by Jane Jacobs and her colleagues, who believed that community development must be locally informed, human-centric, and holistic.” However, little attention has yet been paid in the scholarly literature to the role of the arts entrepreneur or the entrepreneurial behavior of arts organizations in creative placemaking theory or practice, including in the policy domain. keywords: arts; placemaking cache: artivate-59.pdf plain text: artivate-59.txt item: #98 of 135 id: artivate-6 author: Beckman, Gary title: Editor's Introduction date: 2012 words: 288 flesch: 37 summary: Joseph Robert’s Infusing entrepreneurship within non-business disciplines: Preparing artists and others for self-employment and entrepreneurship, is a somewhat reflective account on many years of teaching arts entrepreneurship. Frameworks for educating the artist of the future: Teaching habits of mind for arts entrepreneurship, authored by Linda Essig, is an examination and extrapolation of Howard Gardner’s Five Minds for the Future. keywords: entrepreneurship cache: artivate-6.pdf plain text: artivate-6.txt item: #99 of 135 id: artivate-60 author: White, Jason title: Analyzing Entrepreneurship in the U.S. Arts Sector: Identifying Arts Entrepreneurs' Demographics and Shared Characteristics date: 2017 words: 11012 flesch: 46 summary: Notably, in discussing entrepreneurs in the arts, Varbanova (2013) situates her frame of entrepreneurship within a distinct sectoral context, and refers to arts entrepreneurship as, “…a socio-cultural activity based on innovations, exploitation of opportunities and risk taking behavior” (2013, p. 17). In considering the above examples collectively, arts entrepreneurship seems to be less a predetermined process of new business creation, and more broadly the discovery, creation, and exploitation of new venture opportunities across the broader arts sector (Alvarez, Barney & Anderson, 2013; Alvarez & Barney, 2010; Short, Ketchen, Shook & Ireland, 2010; Mckenzie, Ugbah & Smothers, 2007). keywords: artivate; arts; arts entrepreneurship; business; core; education; entrepreneurship; industries; journal; management; new; organizations; profit; research; sector; study; survey; u.s; white cache: artivate-60.pdf plain text: artivate-60.txt item: #100 of 135 id: artivate-62 author: Newton, Travis title: LSO Live: An Entrepreneurial Venture date: 2017 words: 6676 flesch: 55 summary: St. Luke’s has been very useful for the LSO, but is not acoustically suitable for capturing LSO Live recordings. Abstract This case study, grounded in entrepreneurship theory, explores LSO Live, the sixteen- year-old record label wholly owned and operated by the London Symphony Orchestra (LSO). keywords: arts; digital; entrepreneurship; label; lees; live; london; lso; music; new; orchestra; recordings; symphony; year cache: artivate-62.pdf plain text: artivate-62.txt item: #101 of 135 id: artivate-63 author: Gangi, Jonathan title: Towards Consensus: Suggested Foundational Building Blocks for Arts Entrepreneurship Research and Pedagogy date: 2017 words: 8303 flesch: 53 summary: Keywords: arts entrepreneurship; effectuation There is a steady increase in the development and implementation of higher education arts and design programs focused on arts entrepreneurship education (Korzen, 2015). Can arts entrepreneurship faculty truly be effective as pedagogues if, as researchers, no agreement exists regarding what arts entrepreneurship “is” in terms of definitions and theories to inform teaching, and the emergent field of arts entrepreneurship education struggles to articulate a unified vision? keywords: artists; arts; business; consensus; effectuation; entrepreneurship; logic; new; sarasvathy; value; venture cache: artivate-63.pdf plain text: artivate-63.txt item: #102 of 135 id: artivate-66 author: Rosario Jackson, Maria; Esser, Greg title: Editors' Introduction to Special Issue: Creative Placemaking and Arts Entrepreneurship date: 2017 words: 2147 flesch: 37 summary: Recent and longstanding research contributing to the rise of Creative Placemaking points to the roles of artists, arts organizations, and formal and informal participatory art practices in community contexts and their contributions to the strengthening of social fabric, civic engagement, stewardship, physical transformation, and narrative of place as well as economic, education, and health outcomes among others (Jackson and Herranz, 2003; Wali, 2010; Stern and Seifert, 2013). On this trajectory, as Creative Placemaking and related practices continue to proliferate and be topical in arts entrepreneurship, we can expect to see areas of scholarship and pedagogy blending. keywords: arts; community; design; entrepreneurship; placemaking cache: artivate-66.pdf plain text: artivate-66.txt item: #103 of 135 id: artivate-7 author: Roberts, Joseph title: Infusing Entrepreneurship within Non-business Discipline: Preparing Artists and Others for Self-Employment and Entrepreneurship date: 2012 words: 5362 flesch: 48 summary: Artivate  1  (2)               56   to agree that it is the beneficiary of arts entrepreneurship education is the economic viability economic viability of arts and cultural industries that benefit from arts entrepreneurship, education, and training, not just individual arts entrepreneurs. To advance arts entrepreneurship, the latter approach is better. keywords: artists; artivate; arts; business; coleman; education; entrepreneurship; faculty; journal; skills; students cache: artivate-7.pdf plain text: artivate-7.txt item: #104 of 135 id: artivate-70 author: Novak-Leonard, Jennifer; Skaggs, Rachel title: Public Perceptions of Artists in Communities: A Sign of Changing Times date: 2017 words: 9251 flesch: 50 summary: Discussion In light of the seeming paradigm shift underway that is hailing artists as entrepreneurs, agents for social change, and problem-solvrs in public life, the goal of our study was to gauge if this concept of artist is Novak-Leonard and Skaggs Public Perceptions of Artists in Communities _____________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________ When asked in cognitive interviews, individuals who perceive artists in their local community to collaborate with local individuals and organizations referenced a tea shop owner who collaborates with local chefs for special events; the community of makers and hackers who collaborate to bridge the gap between artistry and innovation; artists working with the Red Cross and other relief organizations when there are disasters and tragedies like the East Tennessee wildfires in 2016 or a local shooting that targeted an Army recruitment storefront in Chattanooga, TN; opportunities for children to work with local artists through the school system; and numerous arts and music festivals or events. keywords: artists; arts; communities; community; indicators; individuals; interviews; leonard; novak; perceptions; pilot; policy; public; respondents; survey; test; work cache: artivate-70.pdf plain text: artivate-70.txt item: #105 of 135 id: artivate-71 author: Whitaker, Amy title: Partnership Strategies for Creative Placemaking in Teaching Entrepreneurial Artists date: 2017 words: 4604 flesch: 63 summary: Abstract As entrepreneurship education for artists expands, business strategy itself gets adapted to the particular ways in which artists and other creative placemakers work. In reimagining business strategy more holistically, this approach is also part of a larger pedagogy toward a principles-based, rather than rules-based, model of teaching business as a creative design medium itself. keywords: artists; arts; business; new; partnership; placemaking; power; strategy; supplier; teaching; whitaker cache: artivate-71.pdf plain text: artivate-71.txt item: #106 of 135 id: artivate-72 author: Wilson, Kevin; Mantie, Roger title: Inspiring Soulful Communities: Connecting Arts Entrepreneurship Education and Community Development Via Creative Placemaking date: 2017 words: 6645 flesch: 42 summary: The capacity for community music projects to facilitate a sense of empowerment was recognized by one of the community development students, who, in reflecting on the recycled instruments event, remarked, “This project was something that anyone could do. Acts of hospitality: The community in community music. keywords: aee; artivate; arts; communities; community; development; entrepreneurship; event; music; placemaking; projects; students cache: artivate-72.pdf plain text: artivate-72.txt item: #107 of 135 id: artivate-73 author: Borrup, Tom title: Just Planning: What Has Kept the Arts and Urban Planning Apart? date: 2017 words: 6828 flesch: 48 summary: Community cultural planning: A guidebook for community leaders. It surveys the history, theory, and practice of cultural planning and its relationship to urban planning. keywords: arts; cities; city; communities; community; culture; development; planners; planning; policy; practice; urban cache: artivate-73.pdf plain text: artivate-73.txt item: #108 of 135 id: artivate-74 author: Arroyo, Kiley title: Creative Democracy: Applying the Lessons of Creative Placemaking to Policymaking date: 2017 words: 9112 flesch: 34 summary: The authors advocate for the integration of arts and culture into community development systems, practices, and comprehensive plans. Over the past decade, work at the nexus of social justice, cultural vitality, environmental resilience, and community wellbeing have emerged with greater regularity and have energized efforts to advance creative systems change across the United States. keywords: change; community; cultural; democracy; development; new; participatory; placemaking; policy; policymaking; practices; public; social; systems; ways cache: artivate-74.pdf plain text: artivate-74.txt item: #109 of 135 id: artivate-75 author: Essig, Linda title: Editor's Introduction to the Winter 2018 Issue date: 2018 words: 526 flesch: 32 summary: Each of the three articles in this issue tease out subtle ways in which arts entrepreneurship, sometimes called in these articles “cultural entrepreneurship,” differs from entrepreneurship in other sectors and from arts management more generally. The seven-year record of Artivate evidences the legitimization of arts entrepreneurship as a discipline. keywords: arts; entrepreneurship cache: artivate-75.pdf plain text: artivate-75.txt item: #110 of 135 id: artivate-76 author: Bissonnette, Joëlle; Arcand, Sébastien title: Music Entrepreneurs in a Linguistic Minority Context: Effectuation as Adaptation to the Paradoxes of Digital Technologies date: 2018 words: 11209 flesch: 45 summary: Using an abductive approach, we suggest that the attitudes and practices implemented by music entrepreneurs in these societies can be interpreted according to the four principles of the effectuation theory (Sarasvathy, 2001): 1) by predetermining affordable losses; 2) by harnessing contingencies rather than avoiding them; 3) by relying on strategic alliances rather than competition; and 4) by drawing on the means rather than the ends, these entrepreneurs are able to take advantage of the possibilities offered by digital technologies while mitigating the threats. We then suggest that effectuation theory (Sarasvathy, 2001) provides the means to understand the practices implemented by music entrepreneurs in specific contexts to adapt to the paradoxes brought about by digital technologies. keywords: canada; context; digital; effectuation; entrepreneurs; industry; minority; music; new; participants; practices; societies; technologies; theory cache: artivate-76.pdf plain text: artivate-76.txt item: #111 of 135 id: artivate-77 author: Goldberg-Miller, Shoshanah; Xiao, Yan title: Arts Entrepreneurship and Cultural Policy Innovation in Beijing date: 2018 words: 12888 flesch: 56 summary: We find that, while the Chinese economy, arts policies, and arts entities are experiencing globalization, they retain unique cultural characteristics. We look at the core concepts of MS in terms of the three arts entities, adapting the framework into a tool for the analysis of arts policy in China, as summarized in Table 2. 798 Arts District NCPA Today Art Museum Problem Stream • Possible demolition of the arts area • keywords: artivate; arts; arts entrepreneurship; beijing; china; chinese; contemporary; development; district; entrepreneurship; field; goldberg; government; innovation; journal; management; miller; museum; national; policy; process; public; streams; today cache: artivate-77.pdf plain text: artivate-77.txt item: #112 of 135 id: artivate-78 author: French, Tyler title: Keying In: Getting Close to 186 Carpenter, Creative Placemaking, and the Artist Entrepreneur date: 2018 words: 8647 flesch: 61 summary: The report importantly highlights the various connections between informal and formal arts and cultural spaces and activities. Rather than more “case studies,” further research could participate in the activities of other spaces, create new narratives of how artists produce alternative cultures of support, or fail to reproduce funder-determined models. keywords: activities; artists; arts; carpenter; cultural; door; ketten; organizers; placemaking; profit; providence; space cache: artivate-78.pdf plain text: artivate-78.txt item: #113 of 135 id: artivate-79 author: Taylor, Johanna title: Book Review of Creative Justice: Cultural Industries, Work and Inequality by Mark Banks date: 2018 words: 1441 flesch: 61 summary: In recognizing the problematic role that cultural industries play, Banks proposes that we can move toward what Nancy Fraser has termed a “parity of participation” (2008; 2013) to redistribute opportunities and financial gain. This book is particularly vital for arts entrepreneurs who are working to shift and expand cultural industries. keywords: banks; industries; justice cache: artivate-79.pdf plain text: artivate-79.txt item: #114 of 135 id: artivate-8 author: Essig, Linda title: Frameworks for Educating the Artist of the Future: Teaching Habits of Mind for Arts Entrepreneurship date: 2012 words: 4102 flesch: 47 summary: Briefly listed here, Costa & Kallick’s (2008) sixteen habits of mind can be mapped onto Gardner’s five cognitive minds and Duening’s entrepreneurial minds: • Persisting • Managing Impulsivity • Listening with Understanding and Empathy • Thinking Flexibly • Thinking about Thinking (Metacognition) • Striving for Accuracy • Questioning and Posing Problems Essig     Frameworks  for  Educating  the  Artist  of  the  Future   ______________________________________________________________________________________________________________________________________________________________   _____________________________________________________________________________________________________________________________________________________________   FRAMEWORKS FOR EDUCATING THE ARTIST OF THE FUTURE: TEACHING HABITS OF MIND FOR ARTS ENTREPRENEURSHIP Linda Essig, Arizona State University Abstract This essay looks at pedagogies that can be deployed to teach the habits of mind that support arts entrepreneurship through the lenses of frameworks developed by Gardner, Duening, and Costa & Kallick for conceptualizing ways of thinking. keywords: arts; entrepreneurship; frameworks; future; gardner; habits; mind; students cache: artivate-8.pdf plain text: artivate-8.txt item: #115 of 135 id: artivate-80 author: Essig, Linda title: Editor's Introduction to the Summer 2018 Isue date: 2018 words: 563 flesch: 44 summary: Special Issue: Asian Perspectives on Arts Entrepreneurship; Woong Jo Chang and Margaret Wyszomirski, guest editors; submission deadline October 15, 2020. Special Issue: Arts Entrepreneurship and the Revitalization of Detroit; Susan Badger-Booth guest editor; submissions due October 15, 2019. keywords: arts; entrepreneurship; issue cache: artivate-80.pdf plain text: artivate-80.txt item: #116 of 135 id: artivate-81 author: Rubião, Rafael title: A Short but Deep Dive into the Economics of Arts: Art Entrepreneurs in a Peripheral Market date: 2018 words: 12641 flesch: 54 summary: We also found that there are two kinds of art galleries providing solutions to this. In order to achieve this objective, we designed a field research based in a semi-structured questionnaire to be applied in the city’s whole universe of art galleries. keywords: art; art market; artists; artivate; arts; belo; business; dealers; economics; entrepreneurship; galleries; gallery; horizonte; innovation; macedo; market; new; type cache: artivate-81.pdf plain text: artivate-81.txt item: #117 of 135 id: artivate-82 author: Friedrichs, Andrew title: Suggestions for Incorporating Entrepreneurship Education in the Classical Performance Studio date: 2018 words: 6795 flesch: 45 summary: Thornton, L. & Bergee, M. Career choices among music education students at major schools of music. Keywords: music entrepreneurship pedagogy; brass studio; brass pedagogy A relatively nascent field, entrepreneurship education has grown exponentially since its inception and is quickly becoming a popular subject in music schools (Katz, 2003; Beckman, 2007). keywords: areas; brass; business; content; education; entrepreneurship; learning; music; professors; students; studio; suggestions; survey cache: artivate-82.pdf plain text: artivate-82.txt item: #118 of 135 id: artivate-83 author: Peters, Jeremy title: Book Review of The Entrepreneurial Muse: Inspiring Your Career in Classical Music date: 2018 words: 1310 flesch: 62 summary: Nytch’s book aligns, in many ways, with a general business education, and at minimum is a helpful reference guide for classical musicians attempting to make their way in a world with fewer and fewer institutional opportunities to perform and support music-making. If partnered along with or inside of an artistic training curriculum that supports it, the learnings could be transformational and help new generations of classical musicians embrace the power of the entrepreneurial method to renew and revive the artform that they and we hold so dear. keywords: book; business; music; nytch cache: artivate-83.pdf plain text: artivate-83.txt item: #119 of 135 id: artivate-84 author: Bonin-Rodriguez, Paul; Vakharia, Neville title: Co-Editors' Introduction to the Winter 2019 Issue date: 2019 words: 644 flesch: 38 summary: This issue features three very different approaches to arts entrepreneurship in practice and scholarship, providing new insights and implications for learning, policy, and education. Benjamin Toscher’s “Entrepreneurial Learning in Arts Entrepreneurship Education” begins with his well-researched provocation: the growth of research on arts entrepreneurship in the classroom has opened up a space for more study on how entrepreneurship is actually learned. keywords: arts; entrepreneurship cache: artivate-84.pdf plain text: artivate-84.txt item: #120 of 135 id: artivate-85 author: Toscher, Ben title: Entrepreneurial Learning in Arts Entrepreneurship Education: A Conceptual Framework date: 2019 words: 8720 flesch: 35 summary: The utility and value of declarative knowledge for arts entrepreneurship students should not be ignored or abandoned. The amount of research focusing on the teaching of arts entrepreneurship has followed closely behind the growth in arts entrepreneurship education – but what about research on learning arts entrepreneurship? keywords: activities; artivate; arts; career; competencies; context; education; entrepreneurship; framework; journal; learning; music; new; research; students cache: artivate-85.pdf plain text: artivate-85.txt item: #121 of 135 id: artivate-86 author: Heidelberg, Brea title: Learning from Negative Space: Categorizing Success in Arts Policy Entrepreneurship date: 2019 words: 10445 flesch: 53 summary: However, investigating Frohmayer’s time as the agency’s leader through the lens of policy entrepreneurship helps better articulate exactly why he was unsuccessful as a policy entrepreneur and elucidates paths to policy entrepreneurship success that are obscured by less nuanced definitions of success and failure in the public policy arena. From accord to discord: Arts policy during and after the culture wars. keywords: access; advocacy; agency; argument; artists; arts; coalition; entrepreneurship; frohnmayer; funding; learning; nea; policy; public; space; success; tenure; time cache: artivate-86.pdf plain text: artivate-86.txt item: #122 of 135 id: artivate-87 author: Hanson, Josef title: Entrepreneurship Among Public School Arts Educators: The Case of Music Teachers in New York State date: 2019 words: 10320 flesch: 38 summary: As arts entrepreneurship continues to grow in significance within academia, the lack of consensus regarding its very nature begs a different Hanson Entrepreneurship Among Public School Arts Educators _____________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________ Few music teachers—4.3% of all respondents (n = 24)—received instruction in arts entrepreneurship in their postsecondary education. keywords: artivate; arts; business; coursework; education; educators; entrepreneurship; ese; experience; familiarity; music; new; research; respondents; school; support; teachers; teaching cache: artivate-87.pdf plain text: artivate-87.txt item: #123 of 135 id: artivate-88 author: Munnelly, Karen title: Book Review: The 21CM Introduction to Music by Mark Rabideau date: 2019 words: 1046 flesch: 43 summary: He has a way of encouraging excitement about a new way of thinking for many students. Copyright © 2019, Karen Munnelly BOOK REVIEW The 21CM Introduction to Music by Mark Rabideau Reviewed by Karen Munnelly, Ph.D., University of Texas at Austin Abstract Created for students and instructors alike, Mark Rabideau’s The 21CM Introduction to Music Entrepreneurship provides a cohesive curriculum for a semester-long course in arts entrepreneurship. keywords: course; entrepreneurship; music; students cache: artivate-88.pdf plain text: artivate-88.txt item: #124 of 135 id: artivate-89 author: Blackshire, Scott title: Book Review: Classroom Exercises for Entrepreneurship: A Cross Disciplinary Approach date: 2019 words: 1340 flesch: 43 summary: To those ends, classroom exercises mimic real world, day-to-day entrepreneurial work, which bode well both for creative classroom settings and for instructors and students who are less inclined to “play.” Hart knows classroom activities inform students’ future actions, so he stewards students toward entrepreneurial actions through experiential learning. keywords: classroom; entrepreneurship; hart; students cache: artivate-89.pdf plain text: artivate-89.txt item: #125 of 135 id: artivate-9 author: Shockley, Gordon; Frank, Peter title: Dostoevsky's "The Grand Inquisitor": Adding an Ethical Component to the Teaching of Non-Market Entrepreneurship date: 2012 words: 6738 flesch: 56 summary: In non-market entrepreneurship, such as arts entrepreneurship, social enterprise, or social entrepreneurship, at least one other purpose instead of or in addition to profit motivates acting entrepreneurially. In this essay we show how we add an ethical component to teaching social entrepreneurship in a discussion-based seminar in an American university. keywords: brothers; component; dostoevsky; entrepreneurship; father; inquisitor; ivan; social; teaching; zossima cache: artivate-9.pdf plain text: artivate-9.txt item: #126 of 135 id: artivate-90 author: Keyhani, Mohammad; Mohaghegh Neyshabouri, Safaneh ; Hosseini Amereii, Abbas title: Crowdfunding Canadian Theatre: An Exploratory Analysis of Kickstarter Data with US Comparison date: 2020 words: 13923 flesch: 58 summary: We limit our scope to theatre crowdfunding on the Kickstarter ARTIVATE 9.1 104 platform and in the country of Canada, although our data allows some comparative analyses with theatre crowdfunding projects in the United States, where the bulk of Kickstarter projects (~78% of all projects and ~80% of theatre projects) are located. Our quantitative analysis finds that many theatre projects in Canada are successfully raising funds on Kickstarter, with the success rate being similar to that of theatre projects in the US, but on a relatively smaller scale in terms of the amount of money raised. keywords: artivate; arts; backers; blurb; ca$; cad; canada; canadian; crowdfunding; data; date; entrepreneurship; goal; kickstarter; launch; location; number; play; projects; significance; subcategory; theatre; theatre projects; title; url cache: artivate-90.pdf plain text: artivate-90.txt item: #127 of 135 id: artivate-91 author: Arthur, Keren Naa Abeka; Arthur, Albert Kwame title: The Student Entrepreneurial Journey: Motivations, Entrepreneurial Engagements, and Challenges among Recent Graduates of Visual Arts Academic Programs in Ghana date: 2020 words: 8265 flesch: 39 summary: Despite the benefits associated with student entrepreneurship explained above, the survival instinct in humans can cause excessive risk taking among students, especially, because findings from the study show a fairly positive belief among respondents that they are capable of managing student entrepreneurial activity and academic work effectively with little evidence to support this. According to Houser (2014, cited in Bergmann, Hundt & Sternberg 2016), student entrepreneurial activities create a platform for an understanding of one’s entrepreneurial capabilities. keywords: 2004; activities; arts; business; challenges; education; entrepreneurship; journal; respondents; student; study; time; university; work cache: artivate-91.pdf plain text: artivate-91.txt item: #128 of 135 id: artivate-92 author: Gallagher, B Kathleen title: The Roots of Great Innovation: Entrepreneurial Climate and the Sustainability of Arts and Culture Organizations date: 2020 words: 7101 flesch: 50 summary: Scholars and research institutes are examining data in order to better understand and facilitate sustainability for arts organizations. The data here may indicate that there is a shift away from the 501(c)(3) form among arts organizations. keywords: 2004; arts; culture; data; economy; entrepreneurial; entrepreneurship; new; nonprofit; npacos; organizations; population; state cache: artivate-92.pdf plain text: artivate-92.txt item: #129 of 135 id: artivate-93 author: Taylor, Jeffrey; Cardenas, Mayela; Edwards, Stephanie title: Measuring Art Markets: The Colorado Art Market in 2017 date: 2019 words: 5109 flesch: 51 summary: Art markets function by prioritizing privileged information, and that inevitably produces obscurity in the gathering of reliable economic data. This report includes both sectors of the art market distinguished as the primary art market and secondary art market. keywords: art; art market; artists; arts; colorado; data; design; industry; market; percent; sales; sector cache: artivate-93.pdf plain text: artivate-93.txt item: #130 of 135 id: artivate-94 author: Whitaker , Amy title: Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts date: 2019 words: 13411 flesch: 55 summary: DOI: https://doi.org/10.34053/artivate.8.2.2 Blockchain—the distributed append-only ledger technology associated with cryptocurrencies such as Bitcoin—is a rapidly evolving area of arts entrepreneurship. Blockchain’s complex and decentralizing potential activates questions of strategy and possibility for artists (Catlow, Garrett, Jones & Skinner ; Brekke ), organizations (Schneider ; Bailey ; Adam, ), and systems of arts entrepreneurship (Beckman & Essig ; Chang & Wyszomirski ; Essig ; Ragsdale ; Welter ; White ; Gartner ). keywords: artists; arts; arts entrepreneurship; bitcoin; blockchain; companies; computer; digital; entrepreneurship; haber; investment; journal; law; management; market; nakamoto; new; ownership; paper; research; stornetta; structures; technology; time; whitaker; work; ; ; ; ; ;  cache: artivate-94.pdf plain text: artivate-94.txt item: #131 of 135 id: artivate-95 author: White, Jason C. title: A Theory of Arts Entrepreneurship as Organizational Attack date: 2019 words: 6235 flesch: 42 summary: Given that the academic field of arts entrepreneurship is still emerging, it is not surprising that arts entrepreneurship theory is underdeveloped. Similarly, in the arts entrepreneurship literature, White suggests that there are few proposed theories specific to arts entrepreneurship (White ). keywords: action; aesthetic; arts; arts entrepreneurship; artworld; attack; entrepreneurship; hop; support; theory; work; ; ;  cache: artivate-95.pdf plain text: artivate-95.txt item: #132 of 135 id: artivate-96 author: Callander, Adrienne title: Artmaking as Entrepreneurship: Effectuation and Emancipation in Artwork Formation date: 2019 words: 8548 flesch: 47 summary: Accordingly, this article seeks to not only broaden the discussion of how art and entrepreneurship interact but also to lessen the burden on the field of arts entrepreneurship to defend the presence of entrepreneurship in art pedagogy and practice. In “Arts Entrepreneurship vs. the Sum of Its Parts,” E. Andrew Taylor () resists disaggregation of the entrepreneur, the entrepreneuring, and the enterprise: What if the unique and compelling aspect of arts entrepreneurship is not its separate parts, nor the paths between them, but its complete integration as a system? keywords: art; artist; arts; arts entrepreneurship; artwork; business; charity; clark; effectuation; entrepreneurial; entrepreneurship; food; formation; making; matta; new; practice; processes; restaurant; shop; social;  cache: artivate-96.pdf plain text: artivate-96.txt item: #133 of 135 id: artivate-97 author: Bonin-Rodriguez, Paul; Vakharia, Neville title: Editors’ Introduction to the Summer 2019 Issue date: 2019 words: 703 flesch: 41 summary: Adrienne is assistant professor of art and entrepreneurship cross-appointed to the J. William Fulbright College of Arts and Sciences and the Sam M. Walton College of Business. In “Art and the Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts,” Amy Whitaker demonstrates how blockchain, a technol- ogy often associated with cryptocurrency, is emerging to become a viable tool for artists and arts entrepreneurs. keywords: arts; entrepreneurship; issue cache: artivate-97.pdf plain text: artivate-97.txt item: #134 of 135 id: artivate-98 author: Badger Booth, Susan title: CALL FOR SUBMISSIONS: ARTIVATE SPECIAL ISSUE: Detroit’s Cultural Renaissance: Research on the Impact of Culture in Urban Revitalization date: 2019 words: 617 flesch: 48 summary: Microsoft Word - E2.docx CALL FOR SUBMISSIONS ARTIVATE SPECIAL ISSUE Detroit’s Cultural Renaissance: Research on the Impact of Culture in Urban Revitalization Artivate’s Winter  issue will highlight the role of arts entrepreneurship in Detroit. What is the role of arts entrepreneurship in the Renaissance of Detroit? keywords: arts; city; detroit cache: artivate-98.pdf plain text: artivate-98.txt item: #135 of 135 id: artivate-99 author: Mitchell, Marc title: Artists Re:Thinking the Blockchain: Edited by Ruth Catlow, Marc Garrett, Nathan Jones, and Sam Skinner date: 2019 words: 1258 flesch: 45 summary: This novel merger of traditional book and participatory art allows readers to engage in blockchain technology in a manner that is easily unraveled and playful. 80 While not a traditional textbook, the collection of thematically organized essays estab- lishes a baseline knowledge for those individuals who seek to explore the transdisciplinary nature of new technologies and understand how these systems can support artistic practices. keywords: blockchain; book; essays; readers cache: artivate-99.pdf plain text: artivate-99.txt