id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
brj-24406	Hamdan, Sinin; M. Duin, Ezra Alfandy; Mohamad Said, Khairul Anwar; Kipli, Kuryati; Sinin, Aaliyawani Ezzerin; Musib, Ahmad Fauzi	Sundatang-Sabah’s Lost Lute of Borneo	2025	18	.pdf	application/pdf	5314	241	72	Open string 1 and the fret from sundatang A was tuned to E4(330), G4#(410), A4#(465), C5#(546), D5(569), and F5(692) where E4-G4#:2Tone, G4#-A4#:1Tone, A4#-C5#:2Tone, C5#- D5:1Tone, D5-F5:2Tone, simplified become 2TT2TT2T. Open string 1 and the fret from sundatang B it was tuned to C4#(277), E4(329), F4(340), F4#(361), G4(389), G4#(425) where C4#-E4:1.5Tone, E4-F4:1Semitone, F4-F4#:1Semitone, F4#-G4:1Semitone, G4-G4#:1Semitone simplified become 1.5TSSSS. The Linear Equation (Harmonic number versus frequency) for Open String 1 and Fret 1 to Fret 5 from Sundatang A and Sundatang B Open String and Fret Number Sundatang A Sundatang B Open string 1 Y = 333.6x - 5.7 Y = 277.6x - 0.5 Fret 1 Y = 413.7x - 6.7 Y = 324.6x + 2.7 Fret 2 Y = 467.8x - 4.2 Y = 341.7x - 2.4 Fret 3 Y = 546x – 1 Y = 360.4x + 0.6 Fret 4 Y = 691.7x - 242.9 Y = 389.4x - 0.8 Fret 5 Y = 694.1x - 4.5 Y = 426.3x - 1 The open string 1 and fret number versus frequency for sundatang A, sundatang B and sundatang 1, 2, 3 and 4 from Batahong and Dayou (2016) are shown in Fig.	cache/brj-24406.pdf	txt/brj-24406.txt