id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
blake-115	Fosso, Kurt	Blake’s “Introduction” and Hesiod’s Theogony	2013		.htm	application/xhtml+xml	2667	96	55	R. T. Davies and B. G. Beatty (New York: Barnes & Noble, 1976) 19-35; W. J. T. Mitchell, Blake’s Composite Art: A Study of the Illuminated Poetry (Princeton: Princeton University Press, 1978) 4-9; Zachary Leader, Reading Blake’s “Songs” (Boston: Routledge & Kegan Paul, 1981) 70; Heather Glen, Vision and Disenchantment: Blake’s “Songs” and Wordsworth’s “Lyrical Ballads” (Cambridge: Cambridge University Press, 1983) 65-66; Stanley Gardner, Blake’s “Innocence” and “Experience” Retraced (New York: Palgrave Macmillan, 1986) 18-19; Andrew Lincoln, ed., Songs of Innocence and of Experience (Princeton: Princeton University Press, 1991) 143-44; Nicholas M. Williams, Ideology and Utopia in the Poetry of William Blake (Cambridge: Cambridge University Press, 1998) 56-58; and Robert N. Essick, ed., Songs of Innocence and of Experience (San Marino: Huntington Library, 2008) 29-32. See David Wagenknecht, Blake’s Night: William Blake and the Idea of Pastoral (Cambridge, MA: Belknap Press, 1973) 13-14, 69, and Joseph Wicksteed, Blake’s Innocence and Experience: A Study of the Songs and Manuscripts (New York: E. P. Dutton, 1928) 81.	cache/blake-115.htm	txt/blake-115.txt