B L A K E
VOLUME 52, NUMBER 4, SPRING 2019



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, Bishop Grosseteste University
Robert N. Essick, University of California, Riverside

A     D     V     I     S     O     R    Y         B     O     A     R     D

A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 52 NUMBER 4  SPRING 2019

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www.blakequarterly.org

Articles

Blake in the Marketplace, 2018
By Robert N. Essick

“Jerusalem” Set to Music: A Selected Discography
By Jason Whittaker

Reviews

Mark Crosby, ed., “William Blake’s Manuscripts,” Huntington 
Library Quarterly 80.3 (autumn 2017)
Reviewed by Bruce Graver

G. A. Rosso, The Religion of Empire: Political Theology in 
Blake’s Prophetic Symbolism
Reviewed by R. Paul Yoder

© 2019  Copyright Morris Eaves and Morton D. Paley
Cover: Detail of “Christie’s Auction Room,” aquatint by J. Bluck after A. C. Pugin and T. Rowlandson (Ackermann, 1808). Image from 

the Metropolitan Museum of Art. Harris Brisbane Dick Fund, 1917. Accession number 17.3.1167-146.

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editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451