B L A K E vol. 53, no. 3

winter 2019–20



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, Bishop Grosseteste University
Robert N. Essick, University of California, Riverside

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A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 53 NUMBER 3  WINTER 2019–20

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www.blakequarterly.org

Articles

Network Theory and Ecology in Blake’s Jerusalem
By Jade Hagan

Blake’s “Holy Thursday” and “The Martyrdom of St. Paul’s”
By Clare A. Simmons

Remembrance

Blake and Bloom, a Memorial Note
By Kenneth Gross

Reviews

Kathryn S. Freeman, A Guide to the Cosmology of William 
Blake
Reviewed by James Rovira

Sibylle Erle and Morton D. Paley, eds., The Reception of 
William Blake in Europe
Reviewed by Silvia Riccardi

Sarah Haggarty, ed., William Blake in Context
Reviewed by Alexander S. Gourlay

© 2020  Copyright Morris Eaves and Morton D. Paley
Cover:  Design based on “Holy Thursday” (Innocence) from Songs copy L (composed 1789, 1794; printed 1795). Yale Center for British 

Art, Paul Mellon Collection. B1992.8.13(10). Image courtesy of the William Blake Archive.

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editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451