B L A K E

Vol. 53, no. 4
Spring 2020



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, Bishop Grosseteste University
Robert N. Essick, University of California, Riverside

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A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 53 NUMBER 4  SPRING 2020

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www.blakequarterly.org

Article

Blake in the Marketplace, 2019
By Robert N. Essick

Reviews

William Blake, Tate Britain, 11 September 2019–2 February 
2020
Martin Myrone and Amy Concannon, with an afterword by 
Alan Moore, William Blake
Reviewed by Luisa Calè

James Rovira, ed., Rock and Romanticism: Blake, 
Wordsworth, and Rock from Dylan to U2
Reviewed by R. Paul Yoder

Minute Particular

The Publisher Not Mad
By Karen Mulhallen

© 2020  Copyright Morris Eaves and Morton D. Paley
Cover:  Edward Young, Night Thoughts (1797), detail of pl. 34. Colored copy BB, Essick collection.

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editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451