B L A K E

VOLUME 54  NUMBER 2 FALL 2020 



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, Bishop Grosseteste University
Robert N. Essick, University of California, Riverside

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A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 54 NUMBER 2  FALL 2020

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www.blakequarterly.org

Articles

Interpreting Blake’s The Magdalene at the Sepulchre
By G. A. Rosso

Translating Blake’s Prophetic Poetry: The Case of Milton
By Juliana Steil and Lawrence Flores Pereira

Minute Particulars

James Blake of Rotherhithe, Timber Merchant
By Wayne C. Ripley

An Overannotated “Auguries of Innocence”
By Alexander S. Gourlay

Review

Sendak and Blake Illustrating “Songs of Innocence” with an 
Essay by Prof. Robert N. Essick
Reviewed by Mark Crosby

© 2020  Copyright Morris Eaves and Morton D. Paley
Cover:  Detail of Blake, The Magdalene at the Sepulchre (c. 1805). Watercolor, 43.8 x 31.1 cm. Yale Center for British Art, Paul Mellon 

Collection. B1975.4.1794. 

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editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451