B L A K E
VOLUME 55  NUMBER 4 SPRING 2022



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, Bishop Grosseteste University
Robert N. Essick, University of California, Riverside

A     D     V     I     S     O     R    Y         B     O     A     R     D

A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 55 NUMBER 4  SPRING 2022

C     O     N     T     E     N     T     S

www.blakequarterly.org

Articles

Blake in the Marketplace, 2021
By Robert N. Essick

“Seen in my visions”: Klüver Form-Constant Visual 
Hallucinations in William Blake’s Paintings and Illuminated 
Books
By David Worrall

Reviews

Linda Freedman, William Blake and the Myth of America: 
From the Abolitionists to the Counterculture
Reviewed by Luke Walker

Adam Komisaruk, Sexual Privatism in British Romantic 
Writing: A Public of One
Reviewed by Marsha Keith Schuchard

Erasmus Darwin, The Botanic Garden, ed. Adam Komisaruk 
and Allison Dushane
Reviewed by Alexander S. Gourlay

© 2022  Copyright Morris Eaves and Morton D. Paley
Cover:  America a Prophecy copy Q, plate 7 (composed 1793, printed c. 1829 by Catherine Blake, and hand tinted in the early 

twentieth century). Special Collections, Princeton University Library. Image courtesy of the William Blake Archive.

E     D     I     T     O     R     S

editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451