VOLUME 56  NUMBER 2 FALL 2022

B L A K E



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, University of Lincoln
Robert N. Essick, University of California, Riverside

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A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 56 NUMBER 2  FALL 2022

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www.blakequarterly.org

Articles

The House of Aumont and Blake’s French Revolution
By Matthew M. Davis

Printing Imperfections in William Blake’s Virgil Wood 
Engravings and What They Reveal
By Louise Wilson

Reviews

Mike Goode, Romantic Capabilities: Blake, Scott, Austen and 
the New Messages of Old Media
Reviewed by James Rovira

Marsha Keith Schuchard, A Concatenation of Conspiracies: 
“Irish” William Blake and Illuminist Freemasonry in 1798
Reviewed by Josephine A. McQuail

Fernando Castanedo, ed. and trans., William Blake, Augurios 
de inocencia
Reviewed by Alexander S. Gourlay

© 2022  Copyright Morris Eaves and Morton D. Paley
Cover:  Detail of “Unyoked Heifers Loitering Homeward, Low.”  National Gallery of Victoria, Melbourne. 1886-5.

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editors: Morris Eaves and Morton D. Paley
review editor: Alexander S. Gourlay
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley
bibliographer (music): Jason Whittaker

managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451