publications exhibitions music B 57.1 a e kl Angela Esterhammer, Victoria College, University of Toronto Nelson Hilton, University of Georgia Tilar J. Mazzeo, Colby College Robert W. Rix, University of Copenhagen Joseph Viscomi, University of North Carolina at Chapel Hill David Worrall, The Nottingham Trent University Martin Butlin, Tate Gallery, London, retired Tristanne J. Connolly, University of Waterloo Detlef W. Dörrbecker, University of Trier Sibylle Erle, University of Lincoln Robert N. Essick, University of California, Riverside A D V I S O R Y B O A R D A N I L L U S T R A T E D Q U A R T E R L Y VOLUME 57 NUMBER 1 SUMMER 2023 C O N T E N T S www.blakequarterly.org © 2023 Copyright Morris Eaves and Morton D. Paley Cover: Detail of Thomas Rowlandson, “Dr. Syntax and Bookseller” (1815). Minneapolis Institute of Art, Minnich Collection, Ethel Morrison Van Derlip Fund, 1966. P.17,414. E D I T O R S editors: Morris Eaves and Morton D. Paley review editor: Alexander S. Gourlay exhibitions editor: Luisa Calè bibliographer (criticism): Wayne C. Ripley bibliographer (music): Jason Whittaker managing editor: Sarah Jones sarah.jones@rochester.edu production office: Department of English, University of Rochester, Rochester NY 14627-0451 Articles William Blake and His Circle: A Checklist of Scholarship in 2022 By Wayne C. Ripley, with works in Romance languages contributed by Fernando Castanedo, works in Japanese contributed by Hikari Sato, works in Turkish contributed by Hüseyin Alhas, and works in Russian contributed by Vera Serdechnaia Blake and Exhibitions, 2022 By Luisa Calè Blake and Music, 2022 By Camila Oliveira and Jason Whittaker