B L A K E
vol. 58
no. 1

summer 2024



Angela Esterhammer, Victoria College, University of Toronto
Nelson Hilton, University of Georgia
Tilar J. Mazzeo, Colby College
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier
Sibylle Erle, University of Lincoln
Robert N. Essick, University of California, Riverside

A     D     V     I     S     O     R    Y         B     O     A     R     D

A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 58 NUMBER 1  SUMMER 2024

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www.blakequarterly.org

© 2024  Copyright Morton D. Paley
Cover:  Detail of Pietro Antonio Martini (after Johann Heinrich Ramberg), “The Exhibition of the Royal Academy, 1787.”  Yale Center 

for British Art, Paul Mellon Collection.  B1977.14.12779.

E     D     I     T     O     R     S

editor: Morton D. Paley
co-editor, 1970–2024: Morris Eaves
book review editor: Sibylle Erle
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley

bibliographers (music): Camila Oliveira, Jason Whittaker 
sales review editor: Mark Crosby
managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451

Articles

William Blake and His Circle: A Checklist of Scholarship 
in 2023
By Wayne C. Ripley, with works in Romance languages 
contributed by Fernando Castanedo, works in Japanese 
contributed by Hikari Sato, works in Turkish contributed by 
Hüseyin Alhas, and works in Russian contributed by Vera 
Serdechnaia

Blake and Exhibitions, 2023
By Luisa Calè

Blake and Music, 2023
By Camila Oliveira and Jason Whittaker