Nelson Hilton, University of Georgia
Josephine A. McQuail, independent scholar
Robert W. Rix,  University of Copenhagen
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, The Nottingham Trent University

Martin Butlin, Tate Gallery, London, retired
Tristanne J. Connolly, University of Waterloo
Detlef W. Dörrbecker, University of Trier, retired
Sibylle Erle, University of Lincoln
Robert N. Essick, University of California, Riverside
Angela Esterhammer, Victoria College, University of Toronto

A     D     V     I     S     O     R    Y         B     O     A     R     D

A N  I L L U S T R A T E D  Q U A R T E R L Y

VOLUME 58 NUMBER 4  SPRING 2025

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www.blakequarterly.org

© 2025  Copyright Blake/An Illustrated Quarterly
Cover: Adapted from “A Catalogue of Curious and True Original Pictures, by the Best Italian and Other Masters,” broadside 

advertisement, 1712. Yale Center for British Art, Paul Mellon Collection. Rare Books and Manuscripts, Folio A 2011 9.

E     D     I     T     O     R     S

editors: Morton D. Paley, Tilar J. Mazzeo
editor, 1970–2024: Morris Eaves
book review editor: Sibylle Erle
exhibitions editor: Luisa Calè
bibliographer (criticism): Wayne C. Ripley

bibliographer (music): Camila Oliveira
sales review editor: Mark Crosby
managing editor: Sarah Jones   sarah.jones@rochester.edu 
production office: Department of English, University of 
Rochester, Rochester NY 14627-0451

News

Our New Co-Editor
By Morton D. Paley

Articles

Blake in the Marketplace, 2024
By Mark Crosby

Blake’s Juxtapositional Prosodic Method in 
“Holy Thursday” (Innocence)
By Francesca Cauchi

Reviews

Jason Whittaker, Jerusalem: Blake, Parry, and the Fight for 
Englishness
Reviewed by Camila Oliveira

Jason Whittaker, Divine Images: The Life and Work of William 
Blake
Reviewed by Matthew Leporati

Timothy Morton, Hell: In Search of a Christian Ecology
Reviewed by William Ilan Rubel

Joshua Schouten de Jel, William Blake’s Divine Love: Visions 
of Oothoon
Reviewed by Ramazan Saral