id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
catalyst-35069	Tikka, Heidi	The Body, the Threshold, and the Cut: The Aesthetics and the Ethics of Measuring in Interactive Media Art	2021	8	.pdf	application/pdf	2833	120	44	An example of how such a state change would appear to a visitor of the Mother, Child installation is that if the “child is crying,” the software plays a moving image sequence of a “nursing child” after the visitor has been swaying the projection fabric to “calm the child.” Catalyst: Feminism, Theory, Technoscience 7 (1): 1–7. http://www.catalystjournal.org | ISSN: 2380-3312 © Heidi Tikka, 2021 | Licensed to the Catalyst Project under a Creative Commons Attribution Non- Commercial No Derivatives license The Body, the Threshold, the Cut: The Aesthetics and Ethics of Measuring in Interactive Media Art Heidi Tikka Aalto University, School of Arts, Design and Architecture heidi.tikka@aalto.fi Abstract New media artists working on interactive installations often rely on different monitoring techniques, such as variable sensors in the design and the production of responsive environments and objects.	cache/catalyst-35069.pdf	txt/catalyst-35069.txt
