id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
cinej-1	Dima, Vlad	Strangers No More: the Initial Hitchcock murder	2011	9	.pdf	application/pdf	5578	275	65	| ISSN 2158-8724 (online) | DOI 10.5195/cinej.2011.1 | http://cinej.pitt.edu https://service.gmx.net/de/cgi/g.fcgi/mail/new?CUSTOMERNO=70674140&t=de2036625062.1317033377.e11e60a6&to=dimav%40union.edu http://www.library.pitt.edu/ http://www.pitt.edu/ http://www.library.pitt.edu/articles/digpubtype/index.html http://www.upress.pitt.edu/upressIndex.aspx CINEJ Cinema Journal: Strangers no More … Special Issue 1 (2011) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2011.1 | http://cinej.pitt.edu 171 Strangers no More: The Initial Hitchcock Murder If we compare murder scenes from distinct periods in Alfred Hitchcock’s oeuvre, we find a sharp gradation in the intensity of visual depiction from the first talkie, Blackmail (1929), to Strangers on a Train (1951), and to his penultimate film, Frenzy (1972), which essentially marks the end of the director’s career. A structural space for the audience is thus born, as Hitchcock targets a particular reaction through “the equation victim=audience” (Clover 52).	cache/cinej-1.pdf	txt/cinej-1.txt