id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
cinej-20	Kumar, Akshaya	Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998)	2011	10	.pdf	application/pdf	5757	268	56	While the tapori figure provided a counterpoint to the mainstream star, this residual city rendered an alternative star persona to the official images of Bombay city. When the protagonist of Satya enters Bombay through VT station without any past whatsoever or even a memory-trap to be invoked repeatedly, his journey through the Bombay underworld narrates a “politics of urban space” (151), one of the many stories of Bombay city itself.	cache/cinej-20.pdf	txt/cinej-20.txt