id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
cinej-275	Keskin, Suphi; Baykan, Burcu	Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos	2020	37	.pdf	application/pdf	9388	363	48	Throughout the movie, he recurrently ruptures the unity of animal faces by a series of extreme close-ups in line with Deleuze’s (2003) statement on the face: “the face is a structured, spatial organization” (p. 20), and it “has a great future, but only if it is destroyed, dismantled” (Deleuze & Guattari, 1987, p. 171). As discussed earlier, Erdem also matches highly unsettling and extreme close-ups of animal faces with the dramatic and emotive human faces or situations throughout the movie.	cache/cinej-275.pdf	txt/cinej-275.txt