id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
cinej-41	Mascha, Katrin B	Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)	2012	13	.pdf	application/pdf	8136	352	53	Despite or in alliance with the fact that film production in Germany and Europe is becoming more and more a transnational affair, film scholar Sabine Hake argues for a “growing significance of German film and media culture to the self-representation of the Berlin Republic.” Films such as Roman Polanski’s The Pianist (2002), Marc Rothemund’s Sophie Scholl.	cache/cinej-41.pdf	txt/cinej-41.txt