id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
cinej-44	Kaymaz, Özlem Tuğçe	The Thin Blue Line: How can we destroy actuality with editing?	2012	7	.pdf	application/pdf	2971	172	65	According to Murch, ideal cut for fictional film editing has some principles , such as, it is true to the emotion of the moment, it advances the story, it occurs at a moment the is rhythmically interesting and “right”, it acknowledges what you might call “eye-trace” that is concern with the location and movement of the viewer’s focus of interest within the frame , it respects “planarity” which is grammar of three dimensions transposed by photography to two, and it respects the three dimensional continuity of the actual space (Sokolov, 2008: 45). In fictional film editing, viewer accepts that this is fiction and wants to believe it.	cache/cinej-44.pdf	txt/cinej-44.txt