Microsoft Word - CINEJ8.1.BooksReceived.docx Books received Murat Akser, m.akser@ulster.ac.uk Books Received In 2019-20 we have received a variety of books on cinema and media from these publishers: Bloomsbury Academic, Brill, Columbia University Press, IB Tauris, Intellect, John Wiley & Sons, Manchester University Press, Oxford University Press, Palgrave Macmillan, Wayne State University Press. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Volume 8.1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.280 | http://cinej.pitt.edu CINEJ Cinema Journal: Books Received Volume 8.1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.280 | http://cinej.pitt.edu Books received Murat Akser In 2019-20 we have received a variety of books on cinema and media from these publishers: Bloomsbury Academic, Brill, Columbia University Press, IB Tauris, Intellect, John Wiley & Sons, Manchester University Press, Oxford University Press, Palgrave Macmillan, Wayne State University Press. Bibliography: Barnett, K. (2020). Fathers on film: paternity and masculinity in 1990s hollywood. London: Bloomsbury Publishing. Barton, R. (2019). Irish cinema in the twenty-first century. Manchester: Manchester University Press. Bergfelder, T., Carter, E., Göktürk, D., & Sandberg, C. (Eds.). (2020). The German cinema book 2nd edition. London: British Film Institute. Breger, C. (2020). Making worlds: Affect and collectivity in contemporary european cinema. New York: Columbia University Press. Çamoğlu, D. Y. (2019). Re/Presenting gender and love. Leiden: Brill. Coover, R. (2020). The digital imaginary: Literature and cinema of the database. London: Bloomsbury Academic. Diken, B., Gilloch, G. P., & Hammond, C. (2018). The cinema of nuri bilge ceylan: The global vision of a turkish filmmaker. London: IB Tauris. Dinç , E. (2020) Atatürk on screen: Documentary film and the making of a leader. London: IB Tauris. Fenwick, J. (2018). Understanding Kubrick's 2001: A Space Odyssey. London: Intellect. Fisher, J. (2019). Treme. Detroit: Wayne State University Press. Ginsberg, Terri, Lippard, Chris (Eds.) (2020). Cinema of the arab world: contemporary directions in theory and practice. Palgrave Macmillan. Glynn, B. (2019). The Mummy on screen: Orientalism and monstrosity in horror cinema. London: Bloomsbury Academic. Grossman, J., & Scheibel, W. (2020). Twin peaks. Detroit: Wayne State University Press. Grant, B. K. (2020). The twilight zone. Detroit: Wayne State University Press. Hill, J. (Ed.). (2019). A companion to british and irish cinema. London: John Wiley & Sons. Kobus, A., & Muniowski, L. (Eds.). (2020). Sex, death and resurrection in altered carbon: Essays on the netflix series. McFarland. 300 CINEJ Cinema Journal: Murat Akser Volume 8.1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.280 | http://cinej.pitt.edu Marchessault, J., & Straw, W. (Eds.). (2019). The Oxford Handbook of Canadian Cinema. Oxford: Oxford University Press. Monahan, B. (2018). The films of lenny abrahamson: a filmmaking of philosophy. New York: Bloomsbury Publishing USA. Ormrod, J. (2020). Wonder woman: the female body and popular culture. London: Bloomsbury Publishing. Özcan, E. (2019). Mainstreaming the headscarf: Islamist politics and women in the turkish media. London: IB Tauris. Plotz, B. (2020). Fat on film: gender, race and body size in contemporary hollywood cinema. London: Bloomsbury Publishing. Richards, J. (2020). The lost worlds of john ford: Beyond the western. London: Bloomsbury. Roche, D., & Maury, C. (Eds.). (2020). Women who kill: gender and sexuality in film and series of the post-feminist era. London: Bloomsbury Publishing. Saka, E. (2019). Social media and politics in turkey: A journey through citizen journalism, political trolling, and fake news. Lexington Books. Slugan, M. (2019). Fiction and imagination in early cinema: A philosophical approach to film history. London: Bloomsbury Academic. 301