ACRL News Issue (B) of College & Research Libraries 656 / C&RL News ■ October 1998 A Cultural Awakening: The Harlem Renaissance revisited Due to the lack o f diver­ sity at the University of V erm on t (U V ) and its community, I wanted to broaden experiences by bringing a sampling o f the African American ex­ perience via the Harlem R e n a is s a n c e to th e s e communities. I wrote, received, and administered a grant in the spring o f 1998 to de­ v e lo p a t h r e e - c r e d i t course, “The Harlem Re­ naissance Revisited.” The M a rily n Nelson, course, offered through th e University o f the Division o f Continu­ Howe Library's ( s ig n a tu r e p a ining Education, was aug­ "P o rtra it o f th e mented by a number of M ilto n Derr. N university-wide events: Instructional Inc January 15-March 15, t h e p r o v o s t 19 9 8 , “T h e L egacy o f a d m in is te re d , ta u g h t "The Ha Arthur S c h o m b u rg ,” a Revisited." traveling d isplay, was hung in the Bailey/ H o w e L ib rary ’s H. Lawrence McCrorey Gallery o f Multicultural Art at UV. Schomburg’s collections o f the black experience in books, manuscripts, and art form the core o f the New York Public Library’s Schomburg Center for Research in Black Culture. Professor Mary Jane Dickerson opened our “Spring Calendar o f Events” with a discussion of Ann Douglas’s Terrible Hon­ esty: Mongrel New York in the 1920s. February offered a compelling lecture and slide presentation, “The Face and Heart of the Black Renaissance,” by Edmund Barry Gaither, director o f the Museum o f the Na­ tional Center o f Afro-American Artists in Boston, and “Aspects o f the Harlem Renais­ sance,” a faculty panel and open discussion led by UV’s Professor Donald Grinde with professors from Dartmouth, Middlebury, and Bennington colleges. UV alumnus William O. Boyd, who as a boy w orked for Langston Hughes, w as ou r sp e cial guest. Bailey/ H ow e’s February Film Festival included V M t el e a n d rl “F ro m T h e s e R o o t s ,” “T w o D o lla r s a n d a Dream,” “Black Artist of the USA," and “Harlem R e n a is s a n c e and B e ­ yond.” In March, “Tw o Cre­ ative Women in the Har­ lem Renaissance Ethos: The 1920s Anne Spencer and the 1990s D olores S a n d o v a l,” w as in tro ­ duced with a brief biog­ raphy on Spencer. The 1920s iconoclast was a w r ite r a n d lib r a r ia n seen here w ith erm ont's Bailey/ w hose Lynchburg, Vir­ cCrorey Gallery) ginia, ho m e b e ca m e a in g , t h e 1975 haven for many o f the Black M a n ," by 1920s black intelligentsia. son n e tte d an ntive g ra n t from Sadly, two legendary li­ d o rg a n iz e d , brarians, Augusta Baker e v e lo p e d , and a n d J e a n B la c k w e ll em Renaissance Hutson, died in February as their contributions to the Schomburg hung in the Bailey/Howe Li­ brary. O ur clo sin g sp e aker, Linda P erkins, Hunter College, lectured from her newly pub­ lished essay, “The African American Female Elite: The Early History o f African American W omen in the Seven Sister Colleges, 1 8 8 0 - 1960.” The finale in April featured “Music o f th e H a rlem R e n a i s s a n c e ,” b y Larry McCrorey’s “Just Jazz.” The mixtures of sights, sounds, and colors at each event recalled the am bience o f a Harlem Renaissance soi­ ree. T he reawakening was deem ed a success and best summed up by a staff member who said, “I was unaware o f the Harlem Renais­ s a n c e , e x c e p t fo r th e m u sic o f D u k e Ellington. During this cultural awakening I becam e aware of Black American history, art, and literature.” My objective exactly!— Marilyn Nelson, library assistant professor, Bailey/Howe Library, University o f Vermont, e-mail: mxnelson@zoo.uvm.eduM