March 2020 155 C&RL News

Joni R. Roberts is associate university librarian for public 
services and collection development at Willamette 
University, email: jroberts@willamette.edu, and Carol 
A. Drost is associate university librarian for technical 
ser vices at Willamette University, email: cdrost@
willamette.edu 

I n t e r n e t  R e v i e w sJoni R. Roberts and Carol A. Drost

Costs of War Project. Access: https://wat-
son.brown.edu/costsofwar/.
The human and financial costs of com-

bat are immense and eye-opening. Accord-
ing to the Costs of War Project website, the 
budgetary costs of post-9/11 wars is $6.4 
trillion with a direct death toll of 801,000 
people. As of this writing, tensions between 
the United States and Iran are mounting 
after the U.S. killing of Major General 
Qassim Suleimani. Documenting the hid-
den expenses of war is imperative, as the 
United States confronts another potential 
conflict in the Middle East. 

Housed at the Watson Institute for 
International and Public Affairs at Brown 
University, the Costs of War website as-
sembles news articles, academic papers, 
data and figures, and details about the 
social and political, economic, and hu-
man costs of warfare, and all focused on 
post-9/11 wars. The project directors, con-
tributors, and board members include an 
impressive list of scholars from prestigious 
institutions, such as Boston University, 
Brown University, Harvard University, and 
a dozen others. 

Within the costs section, various schol-
ars set out the significant elements of each 
cost, providing crucial data and illustra-
tions, commentary, key findings, and rec-
ommendations. One of the project’s goals 
is to shed light on all deaths caused by 
battle, including the jarring data concern-
ing Afghani, Iraqi, and Pakistani civilian 
deaths, contractor and journalist deaths, as 
well as information about the displacement 
of refugees. 

The economic costs include a compre-
hensive analysis of the long-term health-

care expenses for U.S. veterans and U.S. 
expenditures for direct war appropriations, 
as well as the budgets for the Department 
of Homeland Security, the Pentagon, and 
foreign assistance spending. The section 
on social and political costs of war con-
tains fascinating material considering the 
impacts of such things as human rights, the 
lack of objectivity and media coverage of 
the wars, and the effects of ongoing envi-
ronmental damage. 

The Costs of War project team effectively 
provides meaningful and vital information 
within a visually appealing and engaging 
interface. Social media links and a search 
box are available at the top of each page. 
For those researching the often camou-
flaged and mind-boggling costs of war, this 
site is essential.—Colleen Lougen, SUNY-
New Paltz, lougenc@newpaltz.edu

The Watercolour World. Access: https://
www.watercolourworld.org.
Long before photography became the 

standard means of recording the people, 
places, and events we witnessed and ex-
perienced throughout history, watercolor 
paintings filled hundreds of thousands of 
books, desktops, hidden files, museums 
and archives, parlors, family histories, and 
untold other venues of historical expression. 
An easily portable, inexpensive and acces-
sible medium, watercolor has been used 
for centuries and across the globe to record 
painters’ impressions of their lands, cities, 
natural environments, cultures, and conflicts.

The Watercolour World seeks to make 
publicly available the collected watercolor 
paintings that documented the world be-
fore the 20th century. By compiling digi-
tized watercolors from public and private 
collections around the world into a search-
able database, the site illuminates place 
and time in human history, in vivid color. 

Funded by the Marandi Foundation, 
which “supports children’s health and 

mailto:jroberts%40willamette.edu?subject=
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https://www.watercolourworld.org
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C&RL News March 2020 156

education, cultural history and art,” this 
U.K. project builds its online, public access 
image collections by partnering with pub-
lic and private collectors to locate, select, 
digitize, and share watercolor paintings on 
The Watercolour World website.

The site provides two primary ways 
to search for images. Visitors may enter 
keywords or browse by location. Search 
results are displayed as an unnumbered list 
of thumbnails, longer lists load with infinite 
scroll. Searches can be refined by continent, 
country, owning collection, artist, category, 
tag, or date range. In addition to keyword 
and location searching and browsing, the 
site offers a “Features” page, with curated 
exhibits, collections, and themes to browse, 
giving context to the selected images to 
guide the viewer through them.

Images published on the site are licensed 
by the owners. Some allow for reuse, while 
others maintain all rights reserved. Use re-
strictions and full metadata about each piece 
are displayed in the details, along with links 
to the original collections.

Although challenged with slow load times 
for each search initiated, filter applied, and 
image page opened, the potential for image 
discovery is apparently limitless. Overall, 
The Watercolour World is a beautifully 
presented database that is sure to make a 
valuable impact, connecting researchers, 
students, authors, artists, and wanderers to 
the visual record of history as told through 
watercolor.—Sarah-Lynda Johnson, Lewis & 
Clark Law School, sarahjohnson@lclark.edu 

We l l c o m e  L i b r a r y.  A c c e s s :  h t t p s : / / 
wellcomelibrary.org/.
If browsing a virtual collection of intrigu-

ing and artistic medical curiosities sounds 
like your cup of tea, or if extensive medicinal 
history research materials or contemporary 
scientific literature is what you need, the 
digital collections at the Wellcome Library 
may have just what you are looking for. 

The library was founded on the col-
lections of Henry Solomon Wellcome 
(1853–1936). Born and educated in the 

United States, Wellcome lived his adult life in 
London, where he built a prosperous phar-
maceutical business, Burroughs Wellcome 
and Co., with partner, Silas Burroughs. The 
company thrived under Wellcome’s leader-
ship and became known internationally as 
a key pharmaceutical research business and 
lab. Wellcome was also a voracious book 
and artifact collector. His collecting areas 
included the history of medicine, scientific 
literature, anthropology, and ethnography, 
as well as alchemy and witchcraft. The 
Wellcome Trust, established after his death, 
was used to support research in biomedical 
sciences and to maintain medical research 
museums and libraries. 

The Wellcome Library, part of the Well-
come Collection located in central London, 
develops its collections in the following 
areas, “Archives and Manuscript,” “History 
of Medicine Collection,” “Medical Collec-
tion,” “Art Collection,” “Asian Collection,” 
and “Moving Image and Sound Collection.”

There are multiple entry points to the 
rich materials found in the library. A di-
rect link to “Collections” is located on the 
navigation bar at the top of each page. 
It leads to a browsing list of all digitized 
items in the collection, including books, 
posters, photographs, and film and sound 
recordings. Users can also find online 
subject guides and detailed information 
concerning the breadth and depth of each 
library collection area. 

The library is on an ambitious track to 
digitize a substantial portion of its world-class 
holdings. It is committed to open access and 
providing free public access to most of its ma-
terials. Staff are working with developers to 
build open source tools that can be used by 
researchers and cultural heritage profession-
als and institutions to present digital content 
online. The Wellcome Library is continuing 
the legacy of Henry Solomon Wellcome by 
making these rich and comprehensive medi-
cal history collections openly available to 
researchers and citizen scholars around the 
globe.—Sarah Goodwin Thiel, University of 
Kansas Libraries, sgthiel@ku.edu 

mailto:sarahjohnson%40lclark.edu?subject=
https://wellcomelibrary.org/
https://wellcomelibrary.org/
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