id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
csm-1342	Akkan, Goksu Gigi	Midnight Express as a Product of Hollywood Orientalism	2018	7	.pdf	application/pdf	3495	132	50	Published: April 19, 2018 doi:10.22158/csm.v1n1p20 URL: http://dx.doi.org/10.22158/csm.v1n1p20 Abstract The concept of Orientalism has been a forthcoming issue in film studies, be it the (mis)representation of minority groups in Hollywood, or white-washing people of color characters in remakes of films from “the Orient”, or through a complete omission of representation of these characters. Although he does not directly mention Foucault, Said also acknowledges the importance of power relations in Orientalist discourse: “unbroken arc of knowledge and power connects the European or Western statesman and the Western Orientalists” (Said, 1979, p. 104), which brings us to the question of the legitimizing forces of such Orientalist films as producing “true” knowledge about the East.	cache/csm-1342.pdf	txt/csm-1342.txt