id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
contemporaneity-141	Shine, Tyler	Taboo Icons: The Bodily Photography of Andres Serrano	2015	21	.pdf	application/pdf	9571	412	49	The committee selected ten artists, including Serrano, from a pool of five hundred ninety- nine applicants and each artist received a monetary fellowship and would participate in the 6 Mieke Bal connects Serrano’s dramatic use of light to Baroque aesthetics in Quoting Caravaggio, while Amelia Arenas describes Serrano’s photographs as conjuring up a Baroque theatricality for aesthetic overload in her essay “The Revelations of Andres Serrano,” in Andres Serrano: Body and Soul, ed. 184. 75 See for example Michael Kimmelman, “Serrano Focuses on Death,” New York Times, February 5 1993, C3; Peter Schjeldahl, “Art after Death,” The Village Voice, February 16 1993, 91; Andrea D. Fitzpatrick, “Reconsidering the Dead in Andres Serrano’s The Morgue: Identity, Agency, Subjectivity,” Canadian Art Review (2008), 33.	cache/contemporaneity-141.pdf	txt/contemporaneity-141.txt