id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
contemporaneity-27	Susik, Abigail	The Man of these Infinite Possibilities: Max Ernst’s Cinematic Collages	2011	27	.pdf	application/pdf	13179	675	52	Although it is well known that a few years after this initial essay on Ernst in 1921, Breton formulated a defense of the medium of painting in his tract Surrealism and Painting (written 1925-1928), it is arguable that even while Breton envisioned a continued role for painting in the twentieth-century, he likewise understood this survival to be predicated upon a thorough restructuring of conventional avenues of representation and 7 André Breton, Surrealism and Painting, 64. 8 This short essay first appeared in the catalog for the 1921 Au Sans Pareil bookstore exhibition in Paris (3 May-3 June 1921) and was then republished in Breton’s collection of essays, Les Pas perdus of 1924 (Gallimard, Nouvelle revue français). Athough Breton is bound up in a dialogue of progress and innovation in his essay on Ernst, Therefore, in many ways, the kind of filmic illusion to which Breton refers in his essay was anachronistic from the standpoint of the post-World War I years, excepting its digested and subsumed presence in select moments of popular films and its sustained life in certain demonstrations of avant- garde cinema.	cache/contemporaneity-27.pdf	txt/contemporaneity-27.txt