id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
contemporaneity-349	Copeland, Huey	Questionnaire: Response	2025	4	.pdf	application/pdf	1420	47	37	Rather than assume the redemptive power of art, I have increasingly turned away from art history and toward black studies in order to explore the constitutive (yet often unthought) relationship between the capture of black life and the production of cultural property in the transatlantic world. Cast in this light, my work can be broadly understood as what early modern theatre historian Noémie Ndiaye would call reparanoid, which is to say, “grounded simultaneously in a reparative desire to account for Afro-diasporic life that exceeds the painful heinousness of racial formations, and in a paranoid distrust of the comfort and complacency that accounts of black life can easily elicit among twenty-first-century readers prepared for any number of reasons to minimize the transhistorical reality of antiblackness.	cache/contemporaneity-349.pdf	txt/contemporaneity-349.txt