id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
contemporaneity-46	Kim, Gyewon	Review: The New Woman International: Representations in Photography and Film from the 1870s through the 1960s edited by Elizabeth Otto and Vanessa Rocco	2012	5	.pdf	application/pdf	2078	68	36	On the other hand, other essays suggest that film-based technologies were not only the main locus wherein New Woman figures were represented, but also spaces where those figures could perform themselves, prominently featuring their freedom, mobility, and artistic sensibility. By highlighting the active visual engagement of the New Woman, this book invites us to the yet uncharted territory of “feminine modernism,” shaped and reshaped as a parallel to the emergence of new visual technologies, democracy, and urban culture.5 Ultimately, The New Woman International attempts to move beyond the general historiography of modernism that has tended to place the male viewer and creator at the center of culture.	cache/contemporaneity-46.pdf	txt/contemporaneity-46.txt