id	sid	eid	entity	type
contemporaneity-155	1	1	microsoft	ORG
contemporaneity-155	1	2	177	CARDINAL
contemporaneity-155	1	3	7-27	DATE
contemporaneity-155	1	4	4	CARDINAL
contemporaneity-155	1	5	issn 2155-1162	ORG
contemporaneity-155	1	6	contemp.2015.155	PERSON
contemporaneity-155	1	7	gao minglu	PERSON
contemporaneity-155	1	8	madeline eschenburg	PERSON
contemporaneity-155	1	9	ellen larson	PERSON
contemporaneity-155	1	10	dong li hui	PERSON
contemporaneity-155	1	11	three	CARDINAL
contemporaneity-155	1	12	gao minglu	PERSON
contemporaneity-155	1	13	madeline eschenburg	PERSON
contemporaneity-155	1	14	ellen larson	PERSON
contemporaneity-155	1	15	dong li hui	PERSON
contemporaneity-155	2	1	chinese	NORP
contemporaneity-155	3	1	li shan	PERSON
contemporaneity-155	3	2	ma kelu	PERSON
contemporaneity-155	3	3	zhang wei	PERSON
contemporaneity-155	4	1	beijing	GPE
contemporaneity-155	4	2	the early 1960s	DATE
contemporaneity-155	4	3	the early 1980s	DATE
contemporaneity-155	5	1	soviet	NORP
contemporaneity-155	8	1	chinese	NORP
contemporaneity-155	8	2	china	GPE
contemporaneity-155	9	1	chinese	NORP
contemporaneity-155	10	1	first	ORDINAL
contemporaneity-155	10	2	1979	DATE
contemporaneity-155	11	1	issn 2155-1162	ORG
contemporaneity-155	11	2	dong li hui	PERSON
contemporaneity-155	14	1	zhang hui	PERSON
contemporaneity-155	15	1	其实我一个人糊里糊涂的，基本差不多了	ORG
contemporaneity-155	17	1	那，对您的艺术作品来讲，作品有没有被改变	LANGUAGE
contemporaneity-155	34	1	很想画好画，其实我觉得越画越不好。很想画，真的很想画，但是呢，我现在有	PRODUCT
contemporaneity-155	35	1	ma kelu	PERSON
contemporaneity-155	48	1	gao minglu	PERSON
contemporaneity-155	48	2	madeline eschenburg	PERSON
contemporaneity-155	48	3	ellen larson	PERSON
contemporaneity-155	48	4	dong li hui	PERSON
contemporaneity-155	52	1	issn 2155-1162	ORG
contemporaneity-155	53	1	gao minglu	PERSON
contemporaneity-155	53	2	ellen larson	PERSON
contemporaneity-155	53	3	zhang wei	PERSON
contemporaneity-155	53	4	li shan	PERSON
contemporaneity-155	53	5	ma kelu	PERSON
contemporaneity-155	53	6	gao minglu contemporary art center	ORG
contemporaneity-155	54	1	first	ORDINAL
contemporaneity-155	57	1	li hui	PERSON
contemporaneity-155	57	2	the 1970s	DATE
contemporaneity-155	57	3	today	DATE
contemporaneity-155	61	1	zhang wei	PERSON
contemporaneity-155	68	1	zhang wei’s	PERSON
contemporaneity-155	71	1	the nineties	DATE
contemporaneity-155	72	1	today	DATE
contemporaneity-155	76	1	zhang wei	PERSON
contemporaneity-155	77	1	刚才我说的你	PRODUCT
contemporaneity-155	78	1	t h e r	ORG
contemporaneity-155	78	2	issn 2155-1162	ORG
contemporaneity-155	79	1	contemp.2015.155	GPE
contemporaneity-155	79	2	这个层次语言。所以呢你产生这个困惑，	GPE
contemporaneity-155	79	3	。 下面，我也说我自己。我的变化可能要比他大一些，但是观念也不太一样。我要比他在某点上要保守。就是	ORG
contemporaneity-155	79	4	deeper然后所以我对绘画	PERSON
contemporaneity-155	80	1	。 dlh:	PERSON
contemporaneity-155	83	1	first	ORDINAL
contemporaneity-155	84	1	today	DATE
contemporaneity-155	85	1	董：所以您们刚刚说的就是风格的改变，但是您们对艺术的看法有没有受改变？比如说您们觉得艺术那个时	PERSON
contemporaneity-155	90	1	qizhi	PERSON
contemporaneity-155	91	1	qizhi	PERSON
contemporaneity-155	93	1	qizhi	PERSON
contemporaneity-155	93	2	today	DATE
contemporaneity-155	94	1	qizhi	PERSON
contemporaneity-155	96	1	three	CARDINAL
contemporaneity-155	99	1	1978 or 1979	DATE
contemporaneity-155	101	1	马：肯定是有改变，不可能没有改变。但是其中有一点点你想改变也改变不了，就你不管你的观念，艺术的 观念不是不动产，不是房地产。它是随着人的成长，这是结构的开拓漫漫你会产生得变化，但是变不了我觉 得是气质，气质这个东西其实是最重要的。甚至比你知识还重要，这点贯穿到一开始的作品，到现在的作品	PRODUCT
contemporaneity-155	101	2	。 从一开始你们知道《无名》的时候基本你的对艺术切入点从一种比较古典的角	PERSON
contemporaneity-155	101	3	li shan	PERSON
contemporaneity-155	101	4	zhang wei	PERSON
contemporaneity-155	101	5	ma kelu	PERSON
contemporaneity-155	106	1	ma kelu	PERSON
contemporaneity-155	110	1	today	DATE
contemporaneity-155	114	1	1 8 1	TIME
contemporaneity-155	118	1	issn 2155-1162	ORG
contemporaneity-155	119	1	李：我很简单。我一贯如此。所以我觉得那个时候是没好生活是有意思的，现在是一样的呗。我的现在不没	ORG
contemporaneity-155	120	1	second	ORDINAL
contemporaneity-155	124	1	the united states	GPE
contemporaneity-155	126	1	us	GPE
contemporaneity-155	129	1	us	GPE
contemporaneity-155	129	2	american	NORP
contemporaneity-155	129	3	american	NORP
contemporaneity-155	130	1	new york	GPE
contemporaneity-155	133	1	us	GPE
contemporaneity-155	134	1	every day	DATE
contemporaneity-155	136	1	one	CARDINAL
contemporaneity-155	137	1	china	GPE
contemporaneity-155	142	1	americans	NORP
contemporaneity-155	143	1	one	CARDINAL
contemporaneity-155	144	1	us	GPE
contemporaneity-155	145	1	china	GPE
contemporaneity-155	146	1	so many years	DATE
contemporaneity-155	146	2	the united states	GPE
contemporaneity-155	147	1	什么原因造成的促成的。到美国以后我觉得美国的生活和美国的每天接触的人和了解的美国文化方面真正有	PERSON
contemporaneity-155	148	1	画儿	ORG
contemporaneity-155	148	2	today	DATE
contemporaneity-155	148	3	paris	GPE
contemporaneity-155	148	4	new york	GPE
contemporaneity-155	152	1	new york	GPE
contemporaneity-155	153	1	new york	GPE
contemporaneity-155	158	1	1 8 2	QUANTITY
contemporaneity-155	158	2	issn 2155-1162	ORG
contemporaneity-155	159	1	new york	GPE
contemporaneity-155	160	1	马：在纽约作为一个艺术家不管你在这个艺术的这个主流里面或者你是	ORG
contemporaneity-155	163	1	ellen larson	PERSON
contemporaneity-155	163	2	li shan	PERSON
contemporaneity-155	164	1	the united states	GPE
contemporaneity-155	165	1	ellen larson：那李老师，您为什么也不选去美国生活一段时间	PERSON
contemporaneity-155	166	1	us	GPE
contemporaneity-155	167	1	us	GPE
contemporaneity-155	168	1	four	CARDINAL
contemporaneity-155	169	1	4	CARDINAL
contemporaneity-155	172	1	zhang wei	PERSON
contemporaneity-155	174	1	us	GPE
contemporaneity-155	175	1	china	GPE
contemporaneity-155	176	1	one	CARDINAL
contemporaneity-155	176	2	us	GPE
contemporaneity-155	176	3	english	LANGUAGE
contemporaneity-155	177	1	zhang wei	PERSON
contemporaneity-155	180	1	他们出去了太容易了。比如说张伟老师吧	CARDINAL
contemporaneity-155	180	2	去了之后把你的困难都给我了。 el:	PERSON
contemporaneity-155	180	3	two	CARDINAL
contemporaneity-155	183	1	american	NORP
contemporaneity-155	184	1	american	NORP
contemporaneity-155	185	1	the united states	GPE
contemporaneity-155	185	2	the 1980s	DATE
contemporaneity-155	186	1	the united states	GPE
contemporaneity-155	186	2	americans	NORP
contemporaneity-155	190	1	europe	LOC
contemporaneity-155	190	2	paris	GPE
contemporaneity-155	191	1	new york	GPE
contemporaneity-155	192	1	1 8 3	TIME
contemporaneity-155	196	1	issn 2155-1162	ORG
contemporaneity-155	196	2	contemp.2015.155 zh	PERSON
contemporaneity-155	196	3	new york	GPE
contemporaneity-155	196	4	chinese	NORP
contemporaneity-155	197	1	ten	CARDINAL
contemporaneity-155	198	1	beijing	GPE
contemporaneity-155	199	1	us	GPE
contemporaneity-155	202	1	europe	LOC
contemporaneity-155	202	2	germany	GPE
contemporaneity-155	205	1	us	GPE
contemporaneity-155	206	1	germany	GPE
contemporaneity-155	206	2	france	GPE
contemporaneity-155	207	1	gao minglu	PERSON
contemporaneity-155	207	2	france	GPE
contemporaneity-155	209	1	张：是	PERSON
contemporaneity-155	209	2	the 1980s	DATE
contemporaneity-155	209	3	china	GPE
contemporaneity-155	211	1	china	GPE
contemporaneity-155	216	1	two years	DATE
contemporaneity-155	217	1	china	GPE
contemporaneity-155	217	2	the 1980s	DATE
contemporaneity-155	217	3	china	GPE
contemporaneity-155	222	1	first	ORDINAL
contemporaneity-155	222	2	germany	GPE
contemporaneity-155	223	1	sweden	GPE
contemporaneity-155	224	1	us	GPE
contemporaneity-155	226	1	chinese	NORP
contemporaneity-155	227	1	china	GPE
contemporaneity-155	228	1	china	GPE
contemporaneity-155	228	2	the united states	GPE
contemporaneity-155	229	1	issn 2155-1162	ORG
contemporaneity-155	229	2	contemp.2015.155	PERSON
contemporaneity-155	230	1	sweden	GPE
contemporaneity-155	234	1	china	GPE
contemporaneity-155	234	2	chinese	NORP
contemporaneity-155	235	1	china	GPE
contemporaneity-155	235	2	chinese	NORP
contemporaneity-155	236	1	zhang zhixin’s	PERSON
contemporaneity-155	239	1	six	CARDINAL
contemporaneity-155	248	1	儿呢我们那个时候并没有说出去是上学，他也是，我也是。所以就是基本中国人的精神状态就是能够走的就	NORP
contemporaneity-155	250	1	所以呢，正好我在国内的时候，见到这个原来的美国副大使在我出国之前然后这个跟我说了，就是你要遇到 什么问题，然后给我写信。然后我就想起来了，想起来了以后我就写信，我在瑞典收到了他的信。我的朋友	PERSON
contemporaneity-155	250	2	88	CARDINAL
contemporaneity-155	253	1	china	GPE
contemporaneity-155	259	1	china	GPE
contemporaneity-155	265	1	twenty years	DATE
contemporaneity-155	266	1	nineteen years	DATE
contemporaneity-155	267	1	china	GPE
contemporaneity-155	268	1	first	ORDINAL
contemporaneity-155	268	2	netherlands	GPE
contemporaneity-155	271	1	paris	GPE
contemporaneity-155	271	2	holland	GPE
contemporaneity-155	274	1	马：我并没有那么想。没有。真的没有。我的情况，我没有，我有爱人孩子在，我这时候还没想到我有能力 把他们搬出去，我也不知道我最后能够在什么地方。后来我还给我自己一个年限，跟自己说过，不象有的艺	ORG
contemporaneity-155	274	2	。 madeline eschenburg	PERSON
contemporaneity-155	277	1	madeline eschenburg	PERSON
contemporaneity-155	277	2	我有一个关于你年轻的时候，都没在艺术学院上学，对吧。所以我想知道对您的	PERSON
contemporaneity-155	280	1	issn 2155-1162	ORG
contemporaneity-155	280	2	contemp.2015.155 zh	PERSON
contemporaneity-155	293	1	。 zh	PERSON
contemporaneity-155	298	1	americans	NORP
contemporaneity-155	308	1	one	CARDINAL
contemporaneity-155	308	2	beijing	GPE
contemporaneity-155	315	1	today	DATE
contemporaneity-155	316	1	tomorrow	DATE
contemporaneity-155	322	1	today	DATE
contemporaneity-155	325	1	就是画画的，我的朋友说的比较强调这点，另外一个抽	PERSON
contemporaneity-155	325	2	他说他要说我也是一个画家觉得很烦。我宁愿说我就是一个画画我觉得这个最好。你在一个最自然的	ORG
contemporaneity-155	325	3	6	CARDINAL
contemporaneity-155	325	4	issn 2155-1162	ORG
contemporaneity-155	325	5	contemp.2015.155	PERSON
contemporaneity-155	325	6	为了生活。难免会带有这些东西在里边。很有可能有眼力的人能看出来	DATE
contemporaneity-155	335	1	不会说你的画好	NORP
contemporaneity-155	335	2	这个颜色不对吧。什么对结构不对吧。都这样被说	GPE
contemporaneity-155	335	3	的若干年以前的画也是经过了那么长时间。也是过了很长很长时间才逐步被认可。不是说立刻就卖出去。 zh	PERSON
contemporaneity-155	335	4	the 1970s	DATE
contemporaneity-155	337	1	those years	DATE
contemporaneity-155	344	1	张：我有一个朋友他说他要做一个纪录片七十年代。那我说为什么你要做这个。他说有意思就是当时骑个破 自行车，然后背一破包，里面呢夹着一卷画，从来没有觉得这个画可以卖钱或者被认可。被关注能怎么样	DATE
contemporaneity-155	354	1	zhao wenliang	PERSON
contemporaneity-155	355	1	several hours	TIME
contemporaneity-155	360	1	张：都是为了给自己看，或者朋友看一看。没有想到过从来画画我们想到需要签名。但是自从有了市场以后	ORG
contemporaneity-155	361	1	的正面去签因为这个画面的感觉已经很完整的。多一个签名就很多余。赵文亮的画因为画画时需要用图钉	CARDINAL
contemporaneity-155	362	1	1 8 7	TIME
contemporaneity-155	365	1	issn 2155-1162	ORG
contemporaneity-155	365	2	contemp.2015.155	PERSON
contemporaneity-155	367	1	one	CARDINAL
contemporaneity-155	368	1	forty plus years	DATE
contemporaneity-155	379	1	chinese	NORP
contemporaneity-155	385	1	january of 1971	DATE
contemporaneity-155	385	2	first	ORDINAL
contemporaneity-155	385	3	beijing	GPE
contemporaneity-155	386	1	first	ORDINAL
contemporaneity-155	387	1	first	ORDINAL
contemporaneity-155	388	1	this day	DATE
contemporaneity-155	394	1	so many years	DATE
contemporaneity-155	400	1	the central academy	ORG
contemporaneity-155	402	1	germany	GPE
contemporaneity-155	403	1	the first year	DATE
contemporaneity-155	412	1	one	CARDINAL
contemporaneity-155	416	1	number two	CARDINAL
contemporaneity-155	420	1	但是我觉得这极无趣的事情。一张素描还没画完，然后就画了夜里面，特别困。我画不了了。然后就画颜	CARDINAL
contemporaneity-155	421	1	issn 2155-1162	ORG
contemporaneity-155	421	2	为你的能力去发挥你的最个人的东西。我有一个朋友在德国教过学生，说在德国教学生第一年，老师不允许	CARDINAL
contemporaneity-155	421	3	然后我最近有很多朋友，他们一要画画。就问我怎么画啊？后来我跟他们说画画其实特别简单，你想画你就	GPE
contemporaneity-155	421	4	专业训练是一件特别自由的事儿。 gm	PERSON
contemporaneity-155	422	1	1973	DATE
contemporaneity-155	425	1	inner mongolia	GPE
contemporaneity-155	427	1	inner mongolia	LOC
contemporaneity-155	428	1	张：你在内蒙古插队，对吧。 gm	PERSON
contemporaneity-155	430	1	soviet	NORP
contemporaneity-155	431	1	china	GPE
contemporaneity-155	432	1	li shan	PERSON
contemporaneity-155	434	1	li shan	PERSON
contemporaneity-155	437	1	all these years	DATE
contemporaneity-155	442	1	张：《无名》的这么多年都是比较边缘，比较放松。如果要是为了利益的话，我们画不出这样的画来。现在 更多都越来越明白你只有放轻松的时候你的画才自由。你越是看过去的那些很紧张的话，越离不开那个。老	TIME
contemporaneity-155	442	2	1 8 9	TIME
contemporaneity-155	446	1	issn 2155-1162	ORG
contemporaneity-155	446	2	10.5195	CARDINAL
contemporaneity-155	446	3	4.0	CARDINAL
contemporaneity-155	446	4	united states	GPE
contemporaneity-155	447	1	the university of pittsburgh	ORG
contemporaneity-155	447	2	the university of pittsburgh	ORG