# bib

id: ccsj-165
author: Rossi, Maurizio
title: Claudio Oleari Memorial
date: 2018-05-01
pages: 1
extension: .pdf
mime: application/pdf
words: 324
sentence: 14
flesch: 56
cache: cache/ccsj-165.pdf
txt: txt/ccsj-165.txt
summary:
  This page has been intentionally left white Claudio Oleri Memorial The Associazione Italiana Colore, with all its members would like to express its deepest condolences for the premature death of Claudio Oleari on 23 January 2018, together with all who have known him, read his books, listened to his conferences or lectures. Moreover in 1995 he started the Gruppo in Colorimetria e Reflectoscopia which later became the Associazione Italiana Colore.


id: ccsj-121
author: Pompas, Renata
title: Jean-Gabriel Causse, Lo stupefacente potere dei colori Ponte alle Grazie, Milano, 2015
date: 2015-10-01
pages: 2
extension: .pdf
mime: application/pdf
words: 726
sentence: 27
flesch: 50
cache: cache/ccsj-121.pdf
txt: txt/ccsj-121.txt
summary:
  “A costo di darvi una delusione, vi informo che il colore non esiste!” e prosegue sostenendo che se le teorie contemporanee sulla luce intesa come trasferimento di energia (fascio di fotoni) si sono affermate da poco è perché “c’è chi non ha avuto abbastanza coraggio si mandare in pensione l’amico Goethe”. E sebbene il colore preferito in tutto il mondo sia il Blu e quello che genera unanime ostilità sia il giallo, Casse suggerisce di ascoltare istintivamente qual è il nostro colore preferito per trarne benessere: raccomandazione consigliata da un color designer che progetta cartelle tendenze colore e che ne mostra un’apertura notevole.


id: ccsj-144
author: Rossi, Maurizio
title: Index&Editorial
date: 2015-05-01
pages: 3
extension: .pdf
mime: application/pdf
words: 686
sentence: 18
flesch: 27
cache: cache/ccsj-144.pdf
txt: txt/ccsj-144.txt
summary:
  Giulio Bertagna (B&B Colordesign, IT) Aldo Bottoli (B&B Colordesign, IT) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Elizabeth Condemine (Couleur & Marketing Paris, FR) Osvaldo Da Pos (Università degli Studi di Padova, IT) Bepi De Mario (CRASMI, IT)


id: ccsj-178
author: Pompas, Renata
title: BOOK REVIEW: Nature & Colour - New perspectives on dyeing.
date: 2019-12-01
pages: 2
extension: .pdf
mime: application/pdf
words: 795
sentence: 32
flesch: 51
cache: cache/ccsj-178.pdf
txt: txt/ccsj-178.txt
summary:
  Part two – Dyeing processes This is the most substantial section of the book which, beginning with the textile fibers and their preparation handling, describes the process of gathering and drying of plants, the different types of color dips and their final fixation. - Direct dyeing, by immersion in water of the dye vegetable and of the untreated textile fibers. Nature & Colour - New perspectives on dyeing.


id: ccsj-131
author: Pompas, Renata
title: James Hillman, Psicologia alchemica. Adelphi edizioni, Milano, 2013.
date: 2014-06-01
pages: 3
extension: .pdf
mime: application/pdf
words: 862
sentence: 31
flesch: 47
cache: cache/ccsj-131.pdf
txt: txt/ccsj-131.txt
summary:
  Nigredo (nero), albedo (bianco) e rubedo (rosso) sono i tre colori principali dell’opus alchemico a cui Hillman aggiunge la citrinitas (giallo), presente nei testi fino al XVI secolo e poi soppresso, e il blu a cui dedica molte pagine. Blu immaginativo Tra il nero e il bianco inserisce il blu, in cui la disposizione esistenziale depressiva del nero si scioglie in tristezza; colore puritano e malinconico, della sobrietà e della saggezza, che rappresenta l’immaginazione.


id: ccsj-142
author: Luzzatto, Lia; De Biase, Daniela
title: Scrivere con la luce
date: 2014-12-01
pages: 3
extension: .pdf
mime: application/pdf
words: 1111
sentence: 40
flesch: 48
cache: cache/ccsj-142.pdf
txt: txt/ccsj-142.txt
summary:
  Il Foro di Augusto La divina gloria di Roma dell’epoca augustiana, fondamento di civiltà, di pace, di prosperità e di abbondanza è alla base della simbologia illuministica di questo Foro. i misteri della visione, attraverso l’ esperienza personale, maturata in tanti anni di lavoro e di vita, e quella catturata nei testi dei filosofi, nelle teorie degli scienziati, nelle opere dei pittori, negli scatti della fotografia dove luce e oscurità si relativizzano e, uscendo dall’assolutezza senza luogo dell’inizio del tempo, diventano oggetti di percezione, generando nel loro dialogo, colori, ombre e forme.


id: ccsj-160
author: Orlando, Emanuela
title: I colori di Gualtiero Marchesi - Gualtiero Marchesi’s colours
date: 2015-10-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1210
sentence: 38
flesch: 52
cache: cache/ccsj-160.pdf
txt: txt/ccsj-160.txt
summary:
  Ha saputo tradurre il suo amore per l’arte in piatti memorabili plasmando le materie prime in forme e colori che diventano a loro volta arte, prima che cibo. Fa parte a buon diritto dello stile italiano al pari di altre forme riconosciute come il design industriale, la moda, la musica e l’arte in generale.


id: ccsj-111
author: Pompas, Renata
date: 2018-12-01
pages: 3
extension: .pdf
mime: application/pdf
words: 1105
sentence: 64
flesch: 59
cache: cache/ccsj-111.pdf
txt: txt/ccsj-111.txt
title:
  Review Andrea Dall’Asta e light splendour of truth. Paths among art, architecture and theology from early Christian to baroque Ancora Editrice, Milan, 2018.

summary:
  Il libro La luce splendore del vero. The interesting book by Andrea Dall’Asta - Director of the Gallery and 130 Cultura e Scienza del Colore - Color Culture and Science | 10 | 2018 | Pompas R. ISSN 2384-9568 of the San Fedele Museum in Milan and of the Lercaro collection in Bologna - investigates the theological aspect of the representation of light in ancient painting and in religious buildings, with a clear and erudite writing.


id: ccsj-152
author: Pompas, Renata
title: Manlio Brusatin, Verde. Storie di un colore
date: 2015-05-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1303
sentence: 61
flesch: 61
cache: cache/ccsj-152.pdf
txt: txt/ccsj-152.txt
summary:
  Il cavaliere Verde: prende in considerazione i colori delle fazioni circensi giustinianee, con il loro retroterra politico e ideologico, i colori dello sport, del calcio e dei ‘green tartan’ del golf, per approdare al romanzo cavalleresco del ‘Cavaliere Verde’, assorbito nell’Ordine della Giarrettiera e al verde del battesimo e dell’eucarestia. Solo per non far sentire la mancanza di una storia del verde (in realtà già annunciata dal Pastoureau.


id: ccsj-140
author: Neiva, Miguel
title: ColorADD . Color identi cation system for colorblind people
date: 2014-12-01
pages: 5
extension: .pdf
mime: application/pdf
words: 1552
sentence: 69
flesch: 46
cache: cache/ccsj-140.pdf
txt: txt/ccsj-140.txt
summary:
  3. MATERIALS AND METHODS Using primary colors, represented through simple symbols, the system was constructed through a process of logical association and direct comprehension, allowing its rapid inclusion in the “visual vocabulary” of the user. Based on these results a conceptual basis was defined, capable of constituting a universal method of graphic color identification, easy to comprehend and memorize.


id: ccsj-129
author: Valan, Francesca
title: The perception of colour from 3 years of age
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2214
sentence: 105
flesch: 65
cache: cache/ccsj-129.pdf
txt: txt/ccsj-129.txt
summary:
  Gli stimoli devono essere adeguati alle capacità visive e cognitive del bambino; i colori, come le figure e le dimensioni e i patterns dovrebbero variare con la crescita. Oggetti di un unico colore e di diverso materiale (monocromatici e polimaterici) portano in secondo piano il colore e gli consentono di apprezzare differenze di materiale:legno, plastica, metallo; e di finitura: lucido, opaco, ruvido… BIBLIOGRAFIA Occhio, cervello e visione, David H.Hubel – Zanichelli Editore 1989 Forma e Colore nel mondo visivo dei bambini, Giorgio Tampieri – Cappelli Editore 1970


id: ccsj-123
title: Digital colour restoration: an appearance-based approach
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2145
sentence: 107
flesch: 51
cache: cache/ccsj-123.pdf
txt: txt/ccsj-123.txt
author:
  Berolo, Anna J. ; Rizzi, Alessandro; Marini, Daniele; Gadia, Davide; Bonanomi, Cristian; Sabatini, Desirée

summary:
  In questo articolo presentiamo un approccio alternativo al classico restauro digitale del colore, basato sull’idea di recuperare l’apparenza del colore piuttosto che il segnale originale. [6] R. Bonisoli and A. Rizzi, “Restauro digitale del colore: il caso de il racconto della Stura,” Atti della II Conferenza nazionale del Gruppo del Colore (SIOF), Milan (Italia), 2006.


id: ccsj-125
author: da Pos, Osvaldo; Brunettin, Chiara
title: Reproduction of colours partially concealed by transparent veils
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2465
sentence: 130
flesch: 61
cache: cache/ccsj-125.pdf
txt: txt/ccsj-125.txt
summary:
  Prima di terminare l’aggiustamento di un Mondrian, gli osservatori sono stati invitati a verificare che il suo aspetto globale apparisse uguale al Mondrian da riprodurre e di aggiungere ulteriori regolazioni fino a raggiungere l’uguaglianza ritenuta migliore possibile. Il dato utilizzato per la elaborazione finale consisteva nella deviazione del colore aggiustato rispetto a quello test, e questa deviazione è stata calcolata in termini di differenze di colore in CIECAM02_ UCS (∆E’).


id: ccsj-150
author: Bellia, Laura; Agresta, Nicola; Rossi, Luigi; Spada, Gennaro
title: Measured color changes under fluorescent and LED lamps
date: 2015-05-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2614
sentence: 113
flesch: 64
cache: cache/ccsj-150.pdf
txt: txt/ccsj-150.txt
summary:
  L* a* b* C* ab h ab 1.Fluo 2700K 40.74 -8.44 -32.79 33.86 1.32 2.Fluo 6500K 47.09 6.85 -73.70 74.02 -1.48 3.LED 2900K 34.53 -14.15 -65.54 67.05 1.35 4.LED 6100K 45.17 14.12 -60.83 62.45 -1.34 L* a* b* C* ab h ab 1.Fluo 2700K 60.43 -10.58 -16.84 19.88 1.01 2.Fluo 6500K 63.75 -7.45 -60.21 60.67 1.45 3.LED 2900K 58.57 -17.14 -38.36 42.01 1.15 4.LED 6100K 64.14 -3.68 -34.89 35.08 1.47 L* a* b* C* ab h ab 1.Fluo 2700K 51.82 -46.39 40.21 61.39 -0.71 2.Fluo 6500K 31.51 -61.32 24.41 66.00 -0.38 3.LED 2900K 46.18 -61.33 37.27 71.77 -0.55 4.LED 6100K 48.58 -64.74 49.76 81.65 -0.65 L* a* b* C* ab h ab 1.Fluo 2700K 94.95 10.21 93.53 94.09 1.46 2.Fluo


id: ccsj-100
author: Mikkelsen, Maria Kirk
title: A Colour Palette Methodology
date: 2018-09-03
pages: 6
extension: .pdf
mime: application/pdf
words: 3030
sentence: 159
flesch: 59
cache: cache/ccsj-100.pdf
txt: txt/ccsj-100.txt
summary:
  KEYWORDS Colour, design, method cards, design students, didactics, colour harmonies CITATION: Kirk Mikkelsen M. (2018) ‘A Colour Palette Methodology’, Cultura e Scienza del Colore - Color Culture and Science Journal, 10, pp. 43-48, DOI: 10.23738/ccsj.i102018.05 Received 05 July 2018; Revised 30 August 2018; Accepted 03 September 2018 Maria Kirk Mikkelsen is senior lecturer at Kolding School of Design in Denmark. The Colour Combination Cards (Mikkelsen 2018) is a colour palette methodology developed for design students.


id: ccsj-127
author: Marchiafava, Veronica; Bartolozzi, Giovanni; Cucci, Costanza; De Vita, Marco; Picollo, Marcello
title: Colour measurements for the characterisation and monitoring of contemporary works of art
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2733
sentence: 113
flesch: 50
cache: cache/ccsj-127.pdf
txt: txt/ccsj-127.txt
summary:
  Le misure effettuate sulle campiture verde e blue mostrano spettri con andamento simile, sebbene con assorbimenti in posizioni diverse, che permettono di ipotizzare l’impiego di due pigmenti della stessa natura (Figura 2). Una campagna diagnostica a supporto dell’intervento di restauro, finanziato dal Progetto CoPAC (Conservazione Preventiva dell’Arte Contemporanea), dal Comune di Pisa e dall’associazione “Friends of Heritage Preservation” (USA), è stata realizzata al fine di comprendere i materiali e il loro stato di degrado.


id: ccsj-148
author: Alekseeva, Natalia; Cirafici, Alessandra; Senese, Vincenzo Paolo
date: 2015-05-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3060
sentence: 161
flesch: 55
cache: cache/ccsj-148.pdf
txt: txt/ccsj-148.txt
title:
  Interaction of color scheme and noise in the metro interior. Multisensory evaluation and subjective testing

summary:
  Cultura e Scienza del Colore - Color Culture and Science 3303/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Natalia Alekseeva natalia-alekseeva@yandex.ru 2 Alessandra Cirafici alessandra.cirafici@unina2.it 3 Vincenzo Paolo Senese vincenzopaolo.senese@unina2.it 1 PhD in Environmental Technical Physics 2 Department of Architecture and Industrial Design «Luigi Vanvitelli», The Second University of Naples 3 Department of Psychology, The Second University of Naples Interaction of color scheme and noise in the metro interior. The graphic model was designed by means of Google SketchUp 7.0 software, simulating geometrical constructions according to actual dimensions, and elaborated color schemes.


id: ccsj-136
author: Clini, Paolo; Quattrini, Ramona; Nespeca, Romina; Sagone, Luigi
date: 2014-12-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3498
sentence: 172
flesch: 49
cache: cache/ccsj-136.pdf
txt: txt/ccsj-136.txt
title:
  Colour, reflectance and temperature. From the case study of Villa Trissino to new integrated applications of terrestrial lidar data for surveying and diagnostics

summary:
  Naturalmente questa esperienza è concepita per fare una valutazione qualitativa riguardo una possibile correlazione tra variazioni di riflettanza in presenza di infiltrazioni di acqua. Si può affermare quindi che la termografia ha il vantaggio di essere un metodo non distruttivo molto efficace e di fornire una rapida lettura delle aree interessate da fenomeni di risalita capillare.


id: ccsj-176
author: Siniscalco, Andrea
title: A case study on light and colour for monuments and cultural assets
date: 2019-12-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4032
sentence: 164
flesch: 51
cache: cache/ccsj-176.pdf
txt: txt/ccsj-176.txt
summary:
  Current technologies related to lighting sources allow us much greater flexibility, without compromising the efficiency of the sources. With the new control systems and a specifically customised user interface, it is possible to offer the municipality a tool to make the monumental complex of Neptune, a veritable scenographic element, easily controllable and scalable for festivals and events that can take place on-site; all without sacrificing classic white lighting, designed to enhance colors, shapes and materials, limiting glare towards passers-by and guarantee a good usability of the cultural site.


id: ccsj-113
author: Valdegamberi, Veronica; Paggetti, Giulia; Menegaz, Gloria
title: On the perceptual/linguistic origin of the twelfth basic color term in the Italian color lexicon
date: 2015-10-01
pages: 6
extension: .pdf
mime: application/pdf
words: 4111
sentence: 193
flesch: 56
cache: cache/ccsj-113.pdf
txt: txt/ccsj-113.txt
summary:
  Comparison with B&O and S&W Basic color terms: The psychological saliency of the eleven basic color terms was confirmed by the experiment. BIBLIOGRAPHY [1] Berlin, B., Kay, P.: Basic color terms: their universality and evolution.


id: ccsj-117
author: Schumacher, Jada
date: 2015-10-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3715
sentence: 163
flesch: 54
cache: cache/ccsj-117.pdf
txt: txt/ccsj-117.txt
title:
  Color, Mon Dieu: A Case-Study Comparison Between the Church Of the Epiphany (New York City) and Kresge Chapel (Cambridge, Massachusetts)

summary:
  the continuum of religious space design. The visitor discovers, once inside, that the two squat towers are the light wells for the holy niches edging the entry and sanctuary spaces: the baptismal font and side prayer chapel.


id: ccsj-146
author: Burattini, Chiara; Gugliermetti, Franco; Marchetti, Mario; Bisegna, Fabio
title: The role of colour in the design of a living module for the International Space Station
date: 2015-05-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3849
sentence: 154
flesch: 45
cache: cache/ccsj-146.pdf
txt: txt/ccsj-146.txt
summary:
  Il modello utilizzato per lo studio è un piccolo habitat contenuto all’interno di un cilindro del diametro di 3,85 m e lungo 13,65 m che accoglie gli alloggi personali per gli astronauti: il modulo ha una distribuzione secondo l’asse 1503/15 | Cultura e Scienza del Colore - Color Culture and Science di orientamento rispetto a quelli Americani ed Europei, perché un maggior numero di soggetti riesce a posizionarsi correttamente rispetto all’orientamento del modulo e soprattutto in minor tempo. Il presente lavoro si propone di analizzare le possibili soluzioni adottabili per facilitare l’orientamento dell’essere umano in uno spazio extra-atmosferico come la Stazione Spaziale Internazionale dove la gravità è assente: come mezzo di indagine si è utilizzato un ipotetico ambiente tridimensionale progettato e modellato come un prototipo di modulo abitativo 3.


id: ccsj-138
date: 2014-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 4013
sentence: 134
flesch: 58
cache: cache/ccsj-138.pdf
txt: txt/ccsj-138.txt
author:
  Gianni, Liliana; Adriaens, Annemie; Cavallini, Mauro; Natali, Stefano; Volpe, Valerio; Zortea, Laura

title:
  Reflectance curves and CIE L* a* b* parameters to describe patina characteristics and corrosion mechanism on bronze alloys

summary:
  These data are confirmed by the lightness and DE values which show a large decrease during the first weeks for the 3% and 7% samples and much less for the 20% sample (Figure 3b; Table 1: 3% of tin sample exposed to urban environment L* a* b* ΔE clean 83.63 10.35 14.17 37.06 2 weeks 49.48 18.21 26.24 9.82 4 weeks 45.12 12.78 19.31 10.94 6 weeks 45.15 6.11 10.63 2.67 8 weeks 44.68 8.37 11.97 7.11 10 weeks 40.51 4.77 7.46 Table 2: 7% of tin sample exposed to urban environment L* a* b* ΔE clean 84.07 8.26 14.63 25.50 2 weeks 59.58 6.98 21.64 6.61 4 weeks 53.16 6.14 22.96 2.55 6 weeks 55.7 6.32 22.77 2.79 8 weeks 54.48 6.25 20.26 9.21 10 weeks 49.61 4.01 12.76 Table 3: 20% of tin sample exposed to urban environment L* a* b* ΔE clean 81.76 2.99 11.94 9.85 2 weeks 76.44 5.29 19.91 8.95 4 weeks 68.35 4.34 16.18 3.31 6 weeks 65.65 2.46 16.59 3.09 8 weeks 65.99 1.84 13.58 3.05 10 weeks 63.23 1.27 14.76 b)a) Figure 3 - The CIEL* a* b* parameters detected for the samples exposed to urban environment. In the 3% of tin samples the green grows continuously whilst for the 7% and 20% it decreases in the second month as a* values underline (Figure 7; Tables1-3).


id: ccsj-162
date: 2018-12-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4391
sentence: 191
flesch: 56
cache: cache/ccsj-162.pdf
txt: txt/ccsj-162.txt
author:
  Melgosa, Manuel;  Cui, Guihua;  Oleari, Claudio;  Pardo, Pedro J.; Huang, Min; Li, Changjun; Ronnier Luo, Ming

title:
  Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula?

summary:
  New weighting functions for weighted CIELAB color difference formula’. She has undertaken some projects mainly focused on color difference evaluation and colorimetric observer categories and their applications.


id: ccsj-119
author: Bianco, Simone; Schettini, Raimondo
title: Adaptive Illuminant Estimation and Correction for Digital Photography
date: 2015-10-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4114
sentence: 204
flesch: 48
cache: cache/ccsj-119.pdf
txt: txt/ccsj-119.txt
summary:
  An extension of this idea could be to use “memory objects” in the scene for color constancy. If we are able to automatically recognize objects and logos that have intrinsic colors, we can use them for color constancy.


id: ccsj-168
author: Ajò, David; Elettivo, Giuseppe; Fenzi, Federica; Nunziante Cesaro, Stella ; Tegani, Sabrina
title: The Colored Chemistry
date: 2019-12-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3957
sentence: 193
flesch: 49
cache: cache/ccsj-168.pdf
txt: txt/ccsj-168.txt
summary:
  The synthesis modalities of such materials are investigated, among the others, for restoration: the advantage for a chemist in fact consists in the possibility of having, obviously not in all cases, items available to compare with the materials of the artifact. KEYWORDS Chemistry, Restoration, Gemology, Colored metals, Synthetic materials, Treated materials, Effective Microorganisms RECEIVED 30 March 2019; REVISED 10 June 2019; ACCEPTED 30 July 2019


id: ccsj-184
author: Premier, Alessandro
title: Colour design of textile architectural envelopes: an initial study
date: 2020-03-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4408
sentence: 299
flesch: 59
cache: cache/ccsj-184.pdf
txt: txt/ccsj-184.txt
summary:
  Colour and function The study of the relationships between colour and function of the textile surface shows that, although whitish colours are the most widespread for all the three functions, there seems to be a strong preference for their use in claddings. Another important aspect is the function of the object: building envelopes, claddings, solar shadings and canopies have all different needs when dealing with colour design, especially if we consider the intended use of the artefact.


id: ccsj-182
author: Białobłocka, Karolina
title: Three colour design proposals for the Market Square in Warsaw
date: 2020-03-01
pages: 9
extension: .pdf
mime: application/pdf
words: 4801
sentence: 249
flesch: 57
cache: cache/ccsj-182.pdf
txt: txt/ccsj-182.txt
summary:
  Corresponding author: Karolina Białobłocka (karolina.bialoblocka@gmail.com) ABSTRACT Research on the history and theory of colour planning in the built environment has been undertaken as the need to regulate colour and has become crucial as the proliferation of unlimited hues of artificial paints that, when applied without guidelines, may easily lead to visual chaos in the built environment. This particular study concentrates on colour planning for the Market Square in Warsaw.


id: ccsj-171
date: 2019-12-01
pages: 9
extension: .pdf
mime: application/pdf
words: 5429
sentence: 217
flesch: 54
cache: cache/ccsj-171.pdf
txt: txt/ccsj-171.txt
author:
  Picollo, Marcello; Cucci,  Costanza; Stefani, Lorenzo; Jiménez-Garnica, Reyes; Fuster-López, Laura; Vila, Anna

title:
  Chromatic values in Pablo Picasso’s early work: a comparison of hues in “Science and Charity” (1897) and its three oil sketches

summary:
  Bacci M., Picollo M., Trumpy G., Tsukada M., Kunzelman D. (2007) ‘Non- invasive identification of white pigments on 20th century oil paintings by using fiber optic reflectance spectroscopy’, Journal of the American Institute for Conservation, 46, pp. 27-37. ABSTRACT This paper deals with the chromatic and colorimetric analysis of one of the most representative paintings by Pablo Picasso (1881-1973) of his formative years, “Science and Charity” (Ciencia y Caridad, 1897), and its three oil sketches of the Museu Picasso in Barcelona.


id: ccsj-143
author: Pompas, Renata
date: 2014-12-01
pages: 2
extension: .pdf
mime: application/pdf
words: 678
sentence: 24
flesch: 48
cache: cache/ccsj-143.pdf
txt: txt/ccsj-143.txt
title:
  Guy Deutscher, La lingua colora il mondo. Come le parole trasformano la realtà. Bollati Boringhieri, Torino, 2013.

summary:
  Riporta la grande controversia natura- cultura investì le riflessioni sul colore per la relazione tra ciò che l’occhio è in grado di vedere e ciò che il linguaggio è in grado di descrivere; esaminando da una parte le concezioni universaliste, innatiste e dall’altra quelle relativiste, culturaliste che infervorarono il dibattito novecentesco e cioè se la maggior parte della grammatica del linguaggio, ossia tutte le lingue umane, è innata, codificata nel nostro DNA, o se viceversa le strutture grammaticali sono conseguenza dell’evoluzione culturale e dell’esigenza di comunicare in maniera efficiente, come sostiene la concezione relativista. è rimasta realmente priva di eccezioni è quella che indica nel rosso il primo colore dopo il bianco e il nero a ricevere un nome.


id: ccsj-115
author: Sandford, Jodi L.
date: 2015-10-01
pages: 9
extension: .pdf
mime: application/pdf
words: 6053
sentence: 292
flesch: 60
cache: cache/ccsj-115.pdf
txt: txt/ccsj-115.txt
title:
  A Cognitive Linguistic Usage Perspective: What is Italian Blu, azzurro, celeste? Do English agree on BLUE semantics?

summary:
  The results of the four phases of this study converge to suggest that contemporary Italian use of BLUE color terms reveals a twelfth BCT, a tone of BLUE. it must be psychologically salient, i.e., occur at the beginning of elicited lists of color terms, and have stability of reference across informants and occasion of use, v. if doubtful it should have the same distributional potential [1].


id: ccsj-174
author: Marotta, Anna
title: Two theories for a model: the “querelle” between Klee and Ostwald
date: 2019-12-01
pages: 10
extension: .pdf
mime: application/pdf
words: 6722
sentence: 248
flesch: 46
cache: cache/ccsj-174.pdf
txt: txt/ccsj-174.txt
summary:
  Now other colour theories have also been formulated; today two are being discussed: Wingler notes in particular: On the rotating spinning top, cardboard discs with printed segments in different colours or eccentric coloured circles could be thrown onto the pole.


id: ccsj-167
author: Rossi, Maurizio
title: Index&Editorial
date: 2019-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 1591
sentence: 58
flesch: 46
cache: cache/ccsj-167.pdf
txt: txt/ccsj-167.txt
summary:
  Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, UK) Paula Csillag (ESPM University, BR) Marcello Picollo (IFAC-CNR, IT) Renata Pompas (AFOL Milano-Moda, IT) Boris Pretzel (Victoria & Albert Museum, UK) Noel Richard (University of Poitiers, FR) Katia Ripamonti (Cambridge Research System, UK)


id: ccsj-134
author: Zuccoli, Franca
title: School of colour. Thoughts and words of teachers and children
date: 2014-12-01
pages: 9
extension: .pdf
mime: application/pdf
words: 6692
sentence: 244
flesch: 48
cache: cache/ccsj-134.pdf
txt: txt/ccsj-134.txt
summary:
  Pensieri e parole di insegnanti e di bambini 1. [30] il progetto è stato realizzato nella scuola dell’infanzia di Cardano al Campo, nell’anno scolastico 2009/2010, con venticinque bambini, grazie a un’azione di gioco e di scoperta, arrivando poi alla conoscenza diretta e sperimentale di alcune riproduzioni delle opere di Wassilij Kandinskij.


id: ccsj-133
author: Siniscalco, Andrea; Seassaro, Alberto; Tinelli, Paolo; Conio, Claudio
title: The Shapes of Light: Project didactics with coloured neon sources
date: 2014-12-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2065
sentence: 85
flesch: 53
cache: cache/ccsj-133.pdf
txt: txt/ccsj-133.txt
summary:
  Per sottolineare quanto sia diversa la natura di questi due modi di usare la luce, basti pensare al fatto che mentre l’illuminazione di un ambiente richiede una particolare attenzione allo smorzamento dei gradienti di luminanza, nell’uso della luce come messaggio, i contrasti, risultano invece molto importanti. A destra, “Rainbow City” di E. Bertolini, M. Menini, R. Nicoli, C. Pastormerlo, N. Piccaluga Figura 10 – Alcune fasi della realizzazione dei progetti. 8 Cultura e Scienza del Colore - Color Culture and Science | 02/14 (i vincoli stabilivano un numero limitato di colori e tubi utilizzabili) di un arcobaleno.


id: ccsj-122
author: Rossi, Maurizio
title: Index&Editorial
date: 2014-06-01
pages: 7
extension: .pdf
mime: application/pdf
words: 2170
sentence: 76
flesch: 44
cache: cache/ccsj-122.pdf
txt: txt/ccsj-122.txt
summary:
  Molti membri del Centro presero parte alla Conferenza di Pescara (2004) e contribuirono alla nascita del Gruppo del Colore. Lia Luzzatto La percezione del colore nascita ai 3 anni di Francesca Valan Coloured Lighting, Urban Underground and Human Beings: relationship inquiry through showcase analysis by Daria Casciani and Maurizio Rossi James Hillman, Psicologia alchemica, Adelphi Edizioni, Milano, 2013 a cura di Renata Pompas SOMMARIO | SUMMARY ITALIANO ENGLISH RECENSIONI 01 4 8 13 16 21 26 31 35 40 45 4 Cultura e Scienza del Colore - Color Culture and Science | 01/14 MAURIZIO ROSSI Molte realtà inerenti la scienza, cultura e professione del Colore, operanti in Italia da tanti anni sono confluite nel tempo nella nostra associazione, che ha nella Conferenza Nazionale del Colore il suo principale momento di aggregazione annuale.


id: ccsj-124
author: Bottoli, Aldo; Bertagna, Giulio
title: Colours, signs, conventions and colour-blindness
date: 2014-06-01
pages: 3
extension: .pdf
mime: application/pdf
words: 1556
sentence: 62
flesch: 50
cache: cache/ccsj-124.pdf
txt: txt/ccsj-124.txt
summary:
  Gli apparati segnaletici orientativi dovrebbero essere organizzati per categorie orientative in modo da adattarsi ai diversi ruoli e compiti da svolgere di un utenza molto diversificata. Il termine daltonismo prende origine da John Dalton, un fisico e chimico inglese che nel 1798 descrisse un’anomalia congenita della visione dei colori di cui era affetto lui stesso.


id: ccsj-153
author: Siniscalco, Andrea
title: Didactic for building professionals. The experience of Lighting Design and Color Design masters
date: 2015-05-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2410
sentence: 97
flesch: 44
cache: cache/ccsj-153.pdf
txt: txt/ccsj-153.txt
summary:
  Color for fashion design Study of the color texturing in fashion with the aim of being able to offer the same product with different color variation, in order to reach culturally different markets and to offer the sensation of a personal choice to individual consumers. The experience of Lighting Design and Color Design masters Figure 1 - Students attending the first lectures of the eleventh edition of the master in Lighting Design & LED Technology DIDACTICS 5703/15 | Cultura e Scienza del Colore - Color Culture and Science that went through.


id: ccsj-112
author: Catanese, Rossella
title: Repainting the mechanical ballet. Restoration of colours in ‘Ballet mécanique’ by Fernand Léger
date: 2015-10-01
pages: 4
extension: .pdf
mime: application/pdf
words: 2458
sentence: 104
flesch: 52
cache: cache/ccsj-112.pdf
txt: txt/ccsj-112.txt
summary:
  This restoration has not been finished: one of Haghefilm’s requests (improving of research on film restoration and dissemination of its results) was that the hand coloured print of the film had to be made available by EYE to the Haghefilm Foundation for exhibition in educational, research, and outreach activities with mention of EYE as the source of the material. Of course this negative event should be a chance to think about the mission of films restoration, about the free spread of research and its results.


id: ccsj-128
author: Luzzatto, Lia; Pompas, Renata
title: Cyber Colours
date: 2014-06-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1835
sentence: 75
flesch: 45
cache: cache/ccsj-128.pdf
txt: txt/ccsj-128.txt
summary:
  Viaggio tra antiche e nuove simbologie del colore; in: La psicologia del colore; Ed. In natura la formazione e la conoscenza del colore passa attraverso la materia e attiva la complessità di tutti i sensi che, nel ricordo, si fissano nell’immagine trasmessa dalla vista.


id: ccsj-137
author: Evans, Stig
title: The Portland Colour Chart
date: 2014-12-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1595
sentence: 75
flesch: 62
cache: cache/ccsj-137.pdf
txt: txt/ccsj-137.txt
summary:
  Examples for non-specific names: ‘Turning Tide’, ‘Deep Blue Dive’, ‘Stormy Sea’, ‘Navy Blue,’ ‘Beach Hut Blue’, Examples of specific names: ‘Deadmans Storm,’ ‘The Race,’ ‘Viper’s Burgloss,’ ‘Portland Blue.’ Based on the colour Library this time I was interested to see if the public, when asked, would use colour names more specific to a place or area, rather than general ‘paint industry’ colour terminology that was apparent in the original colour library.


id: ccsj-141
author: Rossi, Michela
title: Color design in the Bauhaus laboratory of wall-painting
date: 2014-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2923
sentence: 98
flesch: 39
cache: cache/ccsj-141.pdf
txt: txt/ccsj-141.txt
summary:
  The first one is directly connected to the experimentation of color in his formal and perceptive relationship with the spatial environment and it documents the development of Bauhaus’s chromatic research in the choice of colors such as the one in representation. Even more abstract is the solution adopted by Le Corbusier; in 1927 he attached the real samples of color in the project documents for the Maison Citrohan and later on even pen-drawings illustrating the “Polichromie Architecturale” (1956), he indicated the combination of colors on a schematic perspective box with numbers and letters, giving up the simulation of color completely [8].


id: ccsj-161
author: Pandini, Davide; Ludwig, Nicola; Gragano, Marco; Moneta, Annalisa
title: Methodologies for studying paint pigment mixtures with fibre-optic spectrometry
date: 2015-05-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3049
sentence: 126
flesch: 55
cache: cache/ccsj-161.pdf
txt: txt/ccsj-161.txt
summary:
  5. APPLICAZIONE A MISCELE BINARIE Una volta costruito un database di valori di K ed S relativo a diversi pigmenti, è quindi possibile, in linea di principio, ricavare in modo analitico lo spettro di riflettanza di miscele di pigmenti. Nel caso di mescolanze di n pigmenti in concentrazioni ci note, K ed S sono ottenuti come somma pesata sulle concentrazioni di ciascun pigmento, per cui il rapporto K/S (λ) assume la forma: (1.2) Per poter correlare la forma dello spettro di riflettanza con il tipi di pigmento impiegato è necessario conoscere


id: ccsj-180
author: Bartlett, Lynne
title: An overview of the history of the use of colour in jewellery
date: 2017-12-17
pages: 6
extension: .pdf
mime: application/pdf
words: 3328
sentence: 156
flesch: 57
cache: cache/ccsj-180.pdf
txt: txt/ccsj-180.txt
summary:
  The first identifiable piece of designed titanium jewellery is a belt buckle. The Ancient Egyptians used turquoise, lapis and coral with gold to produce vibrant multi-coloured jewellery.


id: ccsj-120
author: Rossi, Maurizio
title: Index&Editorial
date: 2015-10-01
pages: 3
extension: .pdf
mime: application/pdf
words: 643
sentence: 21
flesch: 37
cache: cache/ccsj-120.pdf
txt: txt/ccsj-120.txt
summary:
  Cultura e Scienza del Colore - Color Culture and Science 04 15 riv is ta s em es tr al e | h al f- ye ar ly jo ur na l Rivista dell’Associazione Italiana Colore www.gruppodelcolore.it CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE http://www.gruppodelcolore.it CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista dell’Associazione Italiana Colore http://jcolore.gruppodelcolore.it/ ISSN 2384-9568 DIRETTORE RESPONSABILE | EDITOR-IN-CHIEF Maurizio Rossi VICEDIRETTORE | DEPUTY EDITOR Davide Gadia COMITATO SCIENTIFICO | SCIENTIFIC COMMITTEE John Barbur (City University London, UK) Berit Bergstrom (NCS Colour AB, SE) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, UK)


id: ccsj-130
author: Casciani, Daria; Rossi, Maurizio
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2859
sentence: 107
flesch: 39
cache: cache/ccsj-130.pdf
txt: txt/ccsj-130.txt
title:
  Coloured Lighting, Urban Underground and Human Beings: relationship inquiry through showcase analysis

summary:
  Heinrich Frieling [10] presented the findings of a study on the psychological effects of coloured light on human beings. The subjects of this study were asked to look into red, yellow, 42 Cultura e Scienza del Colore - Color Culture and Science | 01/14 green, and blue light.


id: ccsj-126
author: De Mario, Bepi
title: Colour and Tourism: Sociology of tourist hospitality
date: 2014-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 3640
sentence: 181
flesch: 57
cache: cache/ccsj-126.pdf
txt: txt/ccsj-126.txt
summary:
  Evitare il rosso che può causare disturbi del sonno. Nelle camere per lo studio vanno impiegati toni come il bianco e il giallo, che risvegliano la concentrazione e la fantasia, ma per gli ansiosi e gli irritabili sono meglio l’azzurro e il verde. i colori dello spettro solare quello più felice e luminoso, evoca il sole che genera la vita, è simbolo di speranza e di saggezza.


id: ccsj-163
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2018-12-01
pages: 3
extension: .pdf
mime: application/pdf
words: 1715
sentence: 66
flesch: 45
cache: cache/ccsj-163.pdf
txt: txt/ccsj-163.txt
summary:
  The answer I gave is already somehow present in the previous edition of this column, namely that the research in question clarifies the fundamental relationships between physical stimuli, colour perception and verbal language of colour, relationships that are often only implicitly assumed in colour studies or even misunderstood (Figure 1). The talk of Prof. Da Pos was not directly related to technical features of the Munsell system, but it coped with the more general problem of the meaning and the relationships among colour perception, stimuli, and colour terminology, that we partially investigated in our previous column.


id: ccsj-145
date: 2015-05-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4271
sentence: 176
flesch: 51
cache: cache/ccsj-145.pdf
txt: txt/ccsj-145.txt
author:
  Alberghina, Maria Francesca; Barraco, Rosita; Brai, Maria; Pellegrino, Lorella; Prestileo, Fernanda; Tranchina, Luigi

title:
  Use of Principal Component Analysis for statistical analysis of colorimetric data of mosaic floor tiles 

summary:
  Per quanto riguarda la porzione musiva in corrispondenza della Maschera A, dal confronto dei valori colorimetrici dei punti campione acquisiti prima della pulitura e di quelli relativi agli stessi punti misurati dopo la prima fase consistente in impacchi di carbonato di ammonio, è stato possibile rilevare la presenza di forti variazioni cromatiche dovute soprattutto ad un aumento della luminosità L* e, in quasi tutti i casi, una leggera diminuzione dei valori colorimetrici a* e b*, come mostrato dalle differenze calcolate e riportate in tabella 1 e dal grafico in figura 3. Per ovviare a tale inconveniente, e quindi valutare nella maniera più immediata e corretta gli effetti generati sulle superfici in seguito ai trattamenti di pulitura e di consolidamento, l’analisi delle componenti principali (PCA – Principal Component Analysis) è stata applicata ai dati colorimetrici acquisiti sulle tessere musive, proponendo in tal modo una possibile lettura più intuitiva dei fenomeni generati dalle variazioni colorimetriche.


id: ccsj-149
author: Fibiani, Marta; Rotino, Giuseppe L.; Toppino, Laura; Mennella, Giuseppe; Lo Scalzo, Roberto
date: 2015-05-01
pages: 5
extension: .pdf
mime: application/pdf
words: 3255
sentence: 190
flesch: 57
cache: cache/ccsj-149.pdf
txt: txt/ccsj-149.txt
title:
  Pigment variation by colorimetric analysis in raw, grilled and boiled eggplant (Solanum melongena L.) fruits

summary:
  Eggplant anthocyanins have simple profiles generally characterized by a single delphinidin-glycoside [5] [6]. Unlike other phenolic compounds such as caffeic acid derivatives, eggplant anthocyanins were strongly depleted after cooking, being boiling (a mild heating process) more preservative than grilling.


id: ccsj-151
author: Brun, Giulia
date: 2015-05-01
pages: 5
extension: .pdf
mime: application/pdf
words: 4370
sentence: 278
flesch: 57
cache: cache/ccsj-151.pdf
txt: txt/ccsj-151.txt
title:
  De Coloribus: new perspectives on a series of recipes for making pigments within the Compositiones lucenses tradition

summary:
  Additional ingredients are also required for different hues and De coloribus lists verdigris, cinnabar, saffron, vitriol, white lead, and lime. The reds of De coloribus are made up of two different compounds.


id: ccsj-118
author: Tavast, Arvi; Uusküla, Mari
title: How blue is azzurro? Representing probabilistic equivalency of colour terms in a dictionary
date: 2015-10-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3126
sentence: 190
flesch: 52
cache: cache/ccsj-118.pdf
txt: txt/ccsj-118.txt
summary:
  [21] I. R. L. Davies and G. G. Corbett, “A practical field method for identifying probable basic colour terms,” Languages of the World, vol. 9, no. 1, pp. Representing probabilistic equivalency of colour terms in a dictionary 1.


id: ccsj-147
author: Emmer, Michele
title: Colours and Soap Bubbles
date: 2015-05-01
pages: 5
extension: .pdf
mime: application/pdf
words: 3376
sentence: 134
flesch: 64
cache: cache/ccsj-147.pdf
txt: txt/ccsj-147.txt
summary:
  It is very interesting to study the parallel story of soap bubbles and soap films in art and science. Soap bubbles and soap films were one of the matters of his conference, which was entirely devoted to the Soft Matter.


id: ccsj-177
author: Plutino, Alice; Grechi, Laura; Rizzi, Alessandro
title: Evaluation of the perceived colour difference under different lighting for museum applications
date: 2019-12-01
pages: 8
extension: .pdf
mime: application/pdf
words: 3868
sentence: 193
flesch: 51
cache: cache/ccsj-177.pdf
txt: txt/ccsj-177.txt
summary:
  Subsequently, the efficiency of different illuminants for the identification of colour differences between two objects was tested. The experiment we are presenting can be divided into two main parts: evaluation of light sources and evaluation of colour differences.


id: ccsj-183
author: Barlet, Aline; Bousigues, Audrey; Herbert, Alice
title: Color as a sign of urban transition in the city of Bordeaux
date: 2020-03-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3621
sentence: 215
flesch: 58
cache: cache/ccsj-183.pdf
txt: txt/ccsj-183.txt
summary:
  Jean-Philippe Lenclos (1982) talks about the “Geography of Color” as the result of close interactions between the use of materials found on-site and the application of colors linked to local traditions. Color is complex to manipulate, this is why there are different systems and tools available, such as color charts, to help deal with color in the city, especially in a historic city.


id: ccsj-206
author: Pompas, Renata
title: BOOK REVIEW: L'anima e la magia dei COLORI. Uso consapevole dei colori nella vita
date: 2020-07-01
pages: 2
extension: .pdf
mime: application/pdf
words: 714
sentence: 32
flesch: 48
cache: cache/ccsj-206.pdf
txt: txt/ccsj-206.txt
summary:
  Then Di Donato looks at the significance and function of colours through myths, rituals, alchemy, and holistic therapies, with the aim of evoking a journey of knowledge. In conclusion Di Donato in the twelve chapters of the book presents a wide and diverse outline of the various fields of knowledge in which colour is the protagonist, quick and essential points in which the content stirs the comparison between cultures and applications, searching for similarities and differences.


id: ccsj-139
author: Musante, Fulvio; Rossi, Maurizio
title: An overview for colour rendering indices in Solid State Lighting
date: 2014-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3652
sentence: 149
flesch: 49
cache: cache/ccsj-139.pdf
txt: txt/ccsj-139.txt
summary:
  Most of these investigations involved visual experiments where observers ranked the appearance of illuminated scenes (containing real object or color samples) using lamps with different CRIs. In addition, selected samples do not cover the gamut of possible colors in proper manner as instead can make color samples extracts from other collections like Macbeth Colour Checker.


id: ccsj-172
author: Zuccoli, Franca
date: 2019-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 4070
sentence: 161
flesch: 53
cache: cache/ccsj-172.pdf
txt: txt/ccsj-172.txt
title:
  Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni

summary:
  […] If one wishes to prepare objects that serve, for example, to distinguish between colours, it is necessary to build them with the same substance, form and dimension and differentiate them only by colour” (Montessori 2013). In 1877, he published a small pamphlet called L'arte dei bambini (The art of children), which included a special reflection about the theme of colour.


id: ccsj-114
author: Arrighetti, Walter
title: Motion Picture Colour Science and film ‘Look’: the maths behind ACES 1.0 and colour grading
date: 2015-10-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4678
sentence: 146
flesch: 47
cache: cache/ccsj-114.pdf
txt: txt/ccsj-114.txt
summary:
  For this reason the continuum formalism may be well abandoned at this stage, and replaced by a ColorLUT (colour look-up table, or cluT, [6]) which is a discrete-mapping representation of it on a finite, m-dimensional grid of N points per input colour channel, with each point being a n-tuple in the output colour space (e.g. in the shape of a N×N×N RGB cube). Within ACES colour pipeline the image is considered as virtually captured by a Reference Input Capture Device (RICD), which is an idealized digital ‘camera’ recording in a RGB colour space called SMPTE2065 after the standard that defines it.


id: ccsj-246
author: Pompas, Renata
title: Book Review: Yellow, the history of a color
date: 2021-04-09
pages: 2
extension: .pdf
mime: application/pdf
words: 923
sentence: 51
flesch: 62
cache: cache/ccsj-246.pdf
txt: txt/ccsj-246.txt
summary:
  Chapter An equivocal color (6th-15th centuries) From this century on yellow turns towards negative judgements. The case of Clodius in which Cicero's mockery of Clodius is reported, describes him as a debauchee who wears yellow clothes, a purely feminine color.


id: ccsj-185
author: Yu, Beichen ; Bell, Simon
title: Emerging colours: new trends, demands and challenges in contemporary urban environments
date: 2020-03-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4944
sentence: 258
flesch: 47
cache: cache/ccsj-185.pdf
txt: txt/ccsj-185.txt
summary:
  Since the 1960s, studies on environmental colour design have explored the relationship between architectural colours and elements including space, form, structure, light and function (e.g., McLachlan et al. 2015, Nemcsics 1993), principles for urban colour planning (e.g., Brino 2009; Spillmann 2009) and environmental colour design in a contemporary context (e.g., Lenclos 2009, Porter and Mikellides 2009). Through the comparison between examples of the new phenomenon and traditional environmental colour use, notable differences and tendencies of colour design in contemporary urban environments can be identified.


id: ccsj-194
author: Schindler, Verena M.; A. Griber, Yulia
title: Index&Editorial
date: 2020-03-01
pages: 8
extension: .pdf
mime: application/pdf
words: 1915
sentence: 81
flesch: 45
cache: cache/ccsj-194.pdf
txt: txt/ccsj-194.txt
summary:
  Robin Kingsburgh (York University, Toronto, CA) Maggie Maggio (AIC Study Group on Colour Education, US) Fiona McLachlan (University of Edinburgh, GB) Inez Michiels (CITY OF 8 Design Semantics, BE) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, GB) Paula Csillag (ESPM University, BR)


id: ccsj-186
author: Aroua, Ichraf; Hussein, Faten
title: Color analysis of birth space ambiances
date: 2020-03-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4346
sentence: 281
flesch: 59
cache: cache/ccsj-186.pdf
txt: txt/ccsj-186.txt
summary:
  In terms of ambiance, color creates ‘welcoming’, ‘homey’ and ‘pleasurable’ ambiances to ease the stress of patients by the use of warmer colors, to improve satisfaction and help patients sleep (Dalke et al. 2006). When choosing the fields of study, two different cultures are taken into consideration to explore a diversity of color space experiences, which are the French and the Tunisian ones (Fig. 1).


id: ccsj-116
author: Valentini, Paola
title: Society in colour: Italian television and the switch to colour
date: 2015-10-01
pages: 5
extension: .pdf
mime: application/pdf
words: 4419
sentence: 138
flesch: 49
cache: cache/ccsj-116.pdf
txt: txt/ccsj-116.txt
summary:
  While Italy was proudly celebrating the advent of its own television system on 3 January 1954 and the first official broadcasts were starting to go out, at around the same time, the United States saw the arrival of colour television. Indeed, in December 1953, the Federal Communications Commission (FCC) approved the standard for colour television set out by the National Television System Committee (the same one that established the 525 line standard in 1941).


id: ccsj-188
author: Quattrer, Milena; Zonatti, Welton Fernando; Gouveia, Anna Paula Silva
title: Color Lab IFRJ: practical color exercises for fashion courses
date: 2020-03-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3145
sentence: 154
flesch: 54
cache: cache/ccsj-188.pdf
txt: txt/ccsj-188.txt
summary:
  ABSTRACT This paper is part of a research project called Color Lab IFRJ (Laboratório de Cor – IFRJ, in Portuguese) that aims, among other things, to analyze and propose practical color exercises for fashion courses at the Federal Institute of Rio de Janeiro – IFRJ Campus Belford Roxo. KEYWORDS Color Education, Color Literacy, Practical Exercises, Fashion Design, Doll RECEIVED 07 October 2019; REVISED 25 November 2019; ACCEPTED 27 November 2019 Color Lab IFRJ: practical color exercises for fashion courses 58 Color Culture and Science Journal Vol. 12


id: ccsj-237
author: Cereda, Matteo; Plutino, Alice; Rizzi, Alessandro
title: Quick Gamut mapping for simplified color correction
date: 2021-04-09
pages: 6
extension: .pdf
mime: application/pdf
words: 2381
sentence: 128
flesch: 63
cache: cache/ccsj-237.pdf
txt: txt/ccsj-237.txt
summary:
  Color gamut mapping. Introduction When talking about color reproduction in digital systems it is fundamental to define the concept of color gamut.


id: ccsj-197
author: Ferrini, Maria Fernanda
title: ???? ???????? (Peri chr?mat?n): Colour formation and investigation method.
date: 2020-07-01
pages: 5
extension: .pdf
mime: application/pdf
words: 4075
sentence: 181
flesch: 54
cache: cache/ccsj-197.pdf
txt: txt/ccsj-197.txt
summary:
  Other colours derive from these, as can easily be seen, by combining and mixing with each other. […]. Other colours must then be observed in the processes of ripening since they are produced in plants, fruits, hair, feathers and so on».[6]


id: ccsj-222
author: Attademo, Greta
title: Color and/is narration. The narrative role of color in Wes Anderson’s filmic images
date: 2021-04-09
pages: 7
extension: .pdf
mime: application/pdf
words: 3650
sentence: 180
flesch: 48
cache: cache/ccsj-222.pdf
txt: txt/ccsj-222.txt
summary:
  The choice of specific colors and the variation of saturation scales of the tones, in fact, become emblematic in the construction of underlying meanings Color and/is narration. KEYWORDS Wes Anderson, color palette, films, chromatic perception, narrative color, movies sequences RECEIVED 21/01/2021; REVISED 28/03/2021; ACCEPTED 31/03/2021 Color and/is narration.


id: ccsj-170
author: Martini, Berta; Tombolato, Monica; D’Ugo, Rossella
date: 2019-12-01
pages: 9
extension: .pdf
mime: application/pdf
words: 6841
sentence: 323
flesch: 52
cache: cache/ccsj-170.pdf
txt: txt/ccsj-170.txt
title:
  Primary colors as a source of possible misconceptions: an insight into teaching and learning about color

summary:
  Primary colors as a source of possible misconceptions: an insight into teaching and learning about color 28 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110203 In Newton’s definition of primary colors is outlined the distinction between monochromatic spectral colors (simple), characterized by a particular wavelength (between 380 nm and 780 nm), and colors obtained by mixing lights (compound). KEYWORDS Misconceptions, Primary colors, Additive and subtractive color mixing, Teaching and learning process, Constructive theory of learning, Newton’s prism RECEIVED 31 March 2019; REVISED 11 July 2019; ACCEPTED 03 September 2019


id: ccsj-199
author: Magnaghi-Delfino, Paola; Mele, Giampiero; Norando, Tullia
title: Francesco Algarotti explains Newton’s prism experiment to Ladies
date: 2020-07-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3881
sentence: 207
flesch: 57
cache: cache/ccsj-199.pdf
txt: txt/ccsj-199.txt
summary:
  Francesco Algarotti: a Venetian Polymath Count Francesco Algarotti (1712–1764) was an eclectic scholar: philosopher, poet, essayist, art critic and art collector. KEYWORDS Optics, Colour, Enlightenment, Algarotti RECEIVED 18/10/2019; REVISED 10/01/2020; ACCEPTED 12/02/2020 Francesco Algarotti explains Newton’s prism experiment to Ladies 32 Color Culture and Science Journal Vol. 12 (2) DOI: 10.23738/CCSJ.120204 1.


id: ccsj-175
author: Gaiani, Marco; Apollonio, Fabrizio
title: Under the lens of ISLe: Leonardo da Vinci’s "Landscape" drawing analysed by colourimetry
date: 2019-12-01
pages: 9
extension: .pdf
mime: application/pdf
words: 5530
sentence: 208
flesch: 49
cache: cache/ccsj-175.pdf
txt: txt/ccsj-175.txt
summary:
  Using ISLe, Landscape drawing has been examined as a graphic artefact through visual and colourimetric analysis. Technically, ISLe aims to provide a unified answer to two distinct and complementary questions: the first is the creation of drawing archives that can accurately describe the information of the original analogical physical system; the second is related to the methods for the collection and rendering of 3D drawings, i.e those systems and techniques that allow for the reproduction and systematically show a perception of the form three-dimensionally thus creating a visual evaluation of the current state of conservation of the drawing, of the superimposed sedimentation and of any restorations received over time.


id: ccsj-192
author: Kovanova, Yulia
title: Approaching ecological ambiguity through a non-divisionary understanding of colour in art
date: 2020-03-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4008
sentence: 208
flesch: 46
cache: cache/ccsj-192.pdf
txt: txt/ccsj-192.txt
summary:
  KEYWORDS Ambiguity, Art, Colour, Ecology, Entanglements RECEIVED 01 November 2019; REVISED 06 December 2019; ACCEPTED 07 December 2019 Approaching ecological ambiguity through a non-divisionary understanding of colour in art 83 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ. Buether, A. (2014) ‘The function of colour – an introduction to colour theory and a definition of terms’, Colour: design principles, planning strategies, visual communication, Buether, A. (ed.)


id: ccsj-135
author: Bertagna, Giulio; Bottoli, Aldo
title: Textures: The fascination of apparent textures
date: 2014-12-01
pages: 9
extension: .pdf
mime: application/pdf
words: 4732
sentence: 199
flesch: 46
cache: cache/ccsj-135.pdf
txt: txt/ccsj-135.txt
summary:
  Possiamo ipotizzare che una certa attivazione del completamento amodale si attivi anche quando la profondità breve si riduce, così che una superficie, verticale oppure orizzontale che sia, ci appaia dotata di una certa permeabilità e di una tessitura fine tale da ridurne l’aspetto di artificialità, avvicinandone la percettibilità a quella degli elementi naturali. QUINTE DI PROFONDITÁ Si può notare che in un campo di osservazione i diversi elementi si configurano come appartenenti a diverse quinte.


id: ccsj-224
author: Costa Pinheiro Monteiro, Gisela; Assis Peres Silva, Camila
date: 2021-04-09
pages: 8
extension: .pdf
mime: application/pdf
words: 3915
sentence: 200
flesch: 58
cache: cache/ccsj-224.pdf
txt: txt/ccsj-224.txt
title:
  The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear

summary:
  Regarding its application in the fashion market, the company presents the Pantone® Textile Color System which is separated in two sort of color charts - the colors The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 26 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130103 references in dyed cotton (TC or TCX) and the colors references printed on paper (TP or TPX). Methods and materials To carry out a case study of the trendy color chart, we selected color charts from the same year and the same season (winter) of four similar companies were analyzed.


id: ccsj-267
author: Tosini, Paolo
title: Two Prizma Color films, a curious finding in the Mexican National Film archive
date: 2022-04-30
pages: 5
extension: .pdf
mime: application/pdf
words: 2365
sentence: 107
flesch: 55
cache: cache/ccsj-267.pdf
txt: txt/ccsj-267.txt
summary:
  Prizma color was a coloring technique invented by the Prizma Company, a company created by William van Doren Kelley, in the ’10s. The Negotiation of Innovation 1900-1955”, BFI Flueckiger B., Historical film colors: A guest entry from Barbara Flueckiger, Available at: http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a- guest-entry-from-barbara-flueckiger/ (Accessed: 3 November2021).


id: ccsj-227
author: Luzzatto, Lia; del Zoppo, Laura
title: Zhang Ymou: great master of color
date: 2021-11-09
pages: 6
extension: .pdf
mime: application/pdf
words: 4211
sentence: 151
flesch: 58
cache: cache/ccsj-227.pdf
txt: txt/ccsj-227.txt
summary:
  Different colors to represent the inner worlds and situations of the different characters. 7 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130101 Zhang Yimou: great master of color Lia Luzzatto 1 , Laura del Zoppo 2 1 Color and Colors, Milan, luzzattolia@gmail.com 2 Film Director, London, lau.dz@libero.it Corresponding author:


id: ccsj-279
author: Rossi, Maurizio
title: Index & Editorial
date: 2021-11-09
pages: 6
extension: .pdf
mime: application/pdf
words: 1526
sentence: 75
flesch: 44
cache: cache/ccsj-279.pdf
txt: txt/ccsj-279.txt
summary:
  Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic, and diagnostic aspects. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.


id: ccsj-285
author: Pompas, Renata
title: BOOK REVIEW: Andrea dall'Asta Light - the color of desire
date: 2022-04-30
pages: 2
extension: .pdf
mime: application/pdf
words: 918
sentence: 30
flesch: 51
cache: cache/ccsj-285.pdf
txt: txt/ccsj-285.txt
summary:
  The author, continuing the path of analysis and research on the tension towards light, asks himself whether in contemporary art light is symbolic, physical, or simply functional, and answers in seven chapters: seven interdisciplinary paths starting from Impressionism to monochromy, through the icon-works of some artists, including at the end of the book, also sacred architecture, photography and cinema. Light - the color of desire Renata Pompas Andrea dall'Asta: Light - the color of desire, Ancora Editrice, Milan, 2021.


id: ccsj-202
author: Di Roma, Annalisa ; Scarcelli, Alessandra
title: Food waste: potential bioresource for the colour of polymers
date: 2020-07-01
pages: 9
extension: .pdf
mime: application/pdf
words: 4915
sentence: 202
flesch: 44
cache: cache/ccsj-202.pdf
txt: txt/ccsj-202.txt
summary:
  In order to obtain material samples, it was necessary to make moulds in which to pour the composite of curl and resin. What distinguishes Caffil from other experimented materials is the desire to define a new material class, rather than a defined and finished product, able to open infinite creative possibilities and to generate classes of products from new material qualities.


id: ccsj-241
author: Peruzzi, Greta; Cucci, Costanza; Picollo, Marcello; Quercioli, Franco; Stefani, Lorenzo
date: 2021-04-09
pages: 9
extension: .pdf
mime: application/pdf
words: 4615
sentence: 229
flesch: 54
cache: cache/ccsj-241.pdf
txt: txt/ccsj-241.txt
title:
  Non-invasive identification of dyed textiles by using VIS-NIR FORS and hyperspectral imaging techniques

summary:
  KEYWORDS Natural dyes, wool fiber, FORS, hyperspectral imaging, textiles, non-invasive RECEIVED 17/20/2021; REVISED 28/03/2021; ACCEPTED 06/04/2021 Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 62 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 1. Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 63 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Among the selected dyes, nine are from plants (Alkanna Tinctoria, Anthemis Tinctoria, Indigofera Tinctoria, Haematoxylum Campechianum, Rubia Tinctorum, Carthamus Tinctorius, Curcuma Longa, Juglans Regia, Reseda Luteola), two are insect dyes (Dactylopius Coccus Cacti and Kerria Lacca) and one is a lichen (Roccella Tinctoria).


id: ccsj-260
author: Csillag, Paula; Cavallini, Joyce C.
title: Visual grouping: a study on preponderances of color or shape in Match-three games
date: 2021-11-09
pages: 8
extension: .pdf
mime: application/pdf
words: 4169
sentence: 208
flesch: 60
cache: cache/ccsj-260.pdf
txt: txt/ccsj-260.txt
summary:
  The final games found that visual color groups were perceived more quickly by players, as soon as the programs accounted for a total of 644 color grouping and 435 form grouping made by the participants. Both games have a black background and differ from other games in the Market that have complex and/or textured backgrounds.


id: ccsj-252
date: 2022-04-30
pages: 8
extension: .pdf
mime: application/pdf
words: 4815
sentence: 229
flesch: 37
cache: cache/ccsj-252.pdf
txt: txt/ccsj-252.txt
author:
   Valge, Claudia; Ceccarelli, Sofia;  Bertacchi, Silvia; Uueni, Andres; Hiiop, Hilkka; Randla, Anneli ; Apollonio, Fabrizio Ivan 

title:
  Colour measurement and documentation in historical buildings: the case study of the Kirna Manor House in Estonia 

summary:
  On the other hand, although the L*a*b* spectral data received with a spectrophotometer allows to preserve the most accurate and reproducible information about historical paint colours. 5. Conclusions The workshop was a successful first attempt at determining the correlation and the differences between colour measurements obtained with visual, digital and spectrophotometric analyses.


id: ccsj-231
title: Does gender have an impact on the color preferences in fashion products?
date: 2021-04-09
pages: 9
extension: .pdf
mime: application/pdf
words: 5312
sentence: 335
flesch: 62
cache: cache/ccsj-231.pdf
txt: txt/ccsj-231.txt
author:
  Dantas, Ítalo José de Medeiros; Freire, Aline Gabriel; Solino, Livia Juliana Silva; Nascimento, Mariana Nunes do; Alves, Heloisa Mirelly Ferreira

summary:
  Thus, this paper aims to identify how color preferences in fashion products change as the differences between genders are observed. It was concluded that genders play a certain role in color preferences in fashion products, identifying socially constructed characteristics through the history of colors as being responsible for those tendencies.


id: ccsj-195
author: Rossi, Maurizio
title: Index&Editorial
date: 2020-07-01
pages: 6
extension: .pdf
mime: application/pdf
words: 1732
sentence: 103
flesch: 39
cache: cache/ccsj-195.pdf
txt: txt/ccsj-195.txt
summary:
  Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.


id: ccsj-274
author: Negri, Sabrina
title: Fine Arts on Film: The Hand-Painted Work of Stan Brakhage
date: 2022-04-30
pages: 6
extension: .pdf
mime: application/pdf
words: 4154
sentence: 152
flesch: 54
cache: cache/ccsj-274.pdf
txt: txt/ccsj-274.txt
summary:
  Digital technology hardly changes this; if anything, film preservation highlights some continuity from the analogue era by showing that certain technological elements cannot be reproduced regardless of whether the restoration is performed digitally or analogically (Fossati, 2018). The direct intervention of the artist on film materials is key to Brakhage’s poetics, as a way to both work around the limitations of the camera and leave a distinctly authorial mark on his work.


id: ccsj-258
author: Le Guern, Nicolas
date: 2022-04-30
pages: 9
extension: .pdf
mime: application/pdf
words: 5364
sentence: 295
flesch: 57
cache: cache/ccsj-258.pdf
txt: txt/ccsj-258.txt
title:
  The long-term development of three-color Kodachrome. An odyssey from the additive to the subtractive method of color reproduction.

summary:
  When they graduated from university, they started to work full time as professional musicians but were still experimenting during their spare time on color processes. The effect of parallax occurred with color additive processes, when the spatial viewpoint of each lens to record a color was slightly offset from the viewpoints of the other lenses.


id: ccsj-276
author: Tarajko-Kowalska, Justyna
date: 2022-04-30
pages: 7
extension: .pdf
mime: application/pdf
words: 4329
sentence: 198
flesch: 58
cache: cache/ccsj-276.pdf
txt: txt/ccsj-276.txt
title:
  Is a house named “yellow” really yellow? Survey on the perception and naming of the yellow color on building facades depending on its hue, lightness and saturation

summary:
  doi: 10.1364/JOSAA.383588 Tarajko-Kowalska, J. (2021) ‘Yellow color in European architecture and built environment: traditions and contemporary application’, Potential yellow color subcategories, depended on the parameters of hue, lightness and saturation.


id: ccsj-214
author: Falzone, Patrizia
title: Bramante and his work of Painted Façades: Bergamo and Lombardy
date: 2021-04-09
pages: 10
extension: .pdf
mime: application/pdf
words: 4645
sentence: 259
flesch: 67
cache: cache/ccsj-214.pdf
txt: txt/ccsj-214.txt
summary:
  Introduction Within the decades-long field of study of painted façades of historical architecture, and of the relationship between painted façades and architecture, the specific theme of Bramante’s activity as a painter of façades is here addressed. As far as colors are concerned, here too there is a recurring range of few fundamental colors, often complementary, declined in different hues, with a good color saturation and a strong chiaroscuro.


id: ccsj-283
author: Magrin-Chagnolleau, Ivan
title: The Relationship between Photo Retouching and Color Grading
date: 2022-04-30
pages: 8
extension: .pdf
mime: application/pdf
words: 5436
sentence: 328
flesch: 67
cache: cache/ccsj-283.pdf
txt: txt/ccsj-283.txt
summary:
  ABSTRACT This paper deals with photo retouching and color grading. Introduction The aim of this paper is to explore the relationship between photo retouching and color grading.


id: ccsj-106
author: Martone, Maria; Papa, Floriana
title: Colors, lights and shapes in the Naples underground. The “art stations” of Line 1
date: 2018-07-09
pages: 16
extension: .pdf
mime: application/pdf
words: 11576
sentence: 532
flesch: 59
cache: cache/ccsj-106.pdf
txt: txt/ccsj-106.txt
summary:
  Si è venuto quindi anche a sviluppare un nuovo modo di concepire la stazione ferroviaria (Cascetta, Cartenì, Henke, 2014), non più solo nodo di un sistema dei trasporti, ma anche centro culturale, di scambi sociali, di shopping e di ristorazione, partecipando attivamente alla vita della città e dei cittadini. In basso: la copertura vetrata e il rivestimento in vetro bianco, il secondo ingresso con la testa di cavallo dei “Carafa”, la sequenza di fotografie in bianco e nero di Mimmo Jodice e il volume esterno rosso pompeiano.


id: ccsj-263
author: Bellotti, Serena; Venturini, Simone
title: Digital Struggles for Film Restoration: La battaglia dall’Astico al Piave
date: 2022-04-30
pages: 9
extension: .pdf
mime: application/pdf
words: 6337
sentence: 256
flesch: 51
cache: cache/ccsj-263.pdf
txt: txt/ccsj-263.txt
summary:
  We made further comparisons with other films from the end of the 1920s onwards, such as Resistere (1918), The Other Army (1917), Il piave mormorò (1934), Guerra Nostra (1928), Gloria – La Grande Guerra (1934), and, like witness “TO” described above, we found them to contain minor parts of La battaglia, identifying relationships and contaminations between several films from the period. They display the code “R37” in the bottom- right corner to identify the film, which is the same for the Italian and the French version (in which an “F” has been added for French); in the bottom-left corner, it is possible to see the number of the intertitle, which helped us to find them in other films too, as was the case for intertitle 26, recently found in the film Dio segnò


id: ccsj-187
author: Boeri, Cristina
title: An educational experience about color emotion and its design implications
date: 2020-03-01
pages: 9
extension: .pdf
mime: application/pdf
words: 4411
sentence: 157
flesch: 41
cache: cache/ccsj-187.pdf
txt: txt/ccsj-187.txt
summary:
  An educational experience about color emotion and its design implications 49 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120106 1. The research project is focused on the possible relationships between the approaches, methods and outcomes of color research that deals with color emotion and the approaches, methods and tools developed in the field of design research and practice that deals with color and the emotional and sensorial qualities.


id: ccsj-193
author: Schindler, Verena M.
title: COLUMN: BOOK REVIEWS
date: 2020-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 2217
sentence: 97
flesch: 52
cache: cache/ccsj-193.pdf
txt: txt/ccsj-193.txt
summary:
  The Atelier’s focus was on colour design in urban planning, architecture, and for industrial sites. Gasser also describes how in 1943 Winterthur’s city core became a protected zone – including in terms of colour design – and that the Urban Planning Act of 1975 states that the overall colour character should be preserved in the old city centre.


id: ccsj-190
author: Lobo, Carla
title: Ceramic products and their chromatic ‘DNA’ markers
date: 2020-03-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4030
sentence: 198
flesch: 54
cache: cache/ccsj-190.pdf
txt: txt/ccsj-190.txt
summary:
  Ceramic colour imagery (from left to right): Country comparisons of Picular ceramic colour schemes with ceramic artefacts: a. Turkish ceramic colours: Turkish creamer, early 20th century (Photo: © Kütahya Tiles and Ceramics Collection Courtesy of Suna and İnan Kıraç Foundation Pera Museum) and tiles, 18th-century (Photo: Carla Lobo); Picular was used in an attempt to establish a connection between the collective imagery of ceramic colour from a country, and its ceramic creation and production.


id: ccsj-247
author: Siniscalco, Andrea
title: Lighting and color design in the live music show between new technologies and practice
date: 2021-04-09
pages: 9
extension: .pdf
mime: application/pdf
words: 4541
sentence: 229
flesch: 58
cache: cache/ccsj-247.pdf
txt: txt/ccsj-247.txt
summary:
  From those Lighting and color design in the live music show between new technologies and practice 45 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130105 years onwards, stage lighting has become dynamic in live music shows, theater and television stages. 43 Color Culture and Science Journal Vol. 13(1) DOI: 10.23738/CCSJ.130105 Lighting and color design in the live music show between new technologies and practice Andrea Siniscalco Dipartimento di Design, Politecnico di Milano, andrea.siniscalco@polimi.it ABSTRACT


id: ccsj-203
author: Miraglia, Francesco
date: 2020-07-01
pages: 5
extension: .pdf
mime: application/pdf
words: 1938
sentence: 111
flesch: 52
cache: cache/ccsj-203.pdf
txt: txt/ccsj-203.txt
title:
  The restoration of the Basilica Minore di Maria SS. Incaldana in Mondragone (northern Campania): the role of color

summary:
  The choice of new colors for the interiors is based on the observation of the absence of historicized colors (evidently eliminated during previous interventions); this allowed the choice of the colors in order to meet the renewed needs of the worship building. Fig. 4. Basilica Minore di Maria SS.


id: ccsj-291
author: Covarsí, Laura
title: The Jos-Pe process in the Jacob Merkelbach collection at the Rijksmuseum in Amsterdam
date: 2022-04-30
pages: 8
extension: .pdf
mime: application/pdf
words: 3704
sentence: 239
flesch: 62
cache: cache/ccsj-291.pdf
txt: txt/ccsj-291.txt
summary:
  Thanks to the transparency of the printing plates, the superposition of the three images was easy if compared with other color printing processes with opaque matrices. The three Jos-Pe dyes are common in the literature of dye imbibition processes and were also used in the Pinatype.


id: ccsj-240
author: Paes de Barros Camara de Lucia Beltramini, Luiza; Castral, Paulo César
title: The red of Lina and Oscar
date: 2021-11-09
pages: 7
extension: .pdf
mime: application/pdf
words: 3851
sentence: 222
flesch: 61
cache: cache/ccsj-240.pdf
txt: txt/ccsj-240.txt
summary:
  A primeira reforma do edifício do Museu de Arte de São Paulo’. PhD thesis, Escola de Engenharia de São Carlos, Universidade de São Paulo, São Carlos.


id: ccsj-249
author: Poli, Annamaria
date: 2021-11-09
pages: 14
extension: .pdf
mime: application/pdf
words: 9126
sentence: 365
flesch: 48
cache: cache/ccsj-249.pdf
txt: txt/ccsj-249.txt
title:
  A didactics of colour based on an innovative educational approach at the Hochschule für Gestaltung in Ulm

summary:
  Hannes Meyer e la HfG Ulm, Riccini R. (ed.), Tomás Maldonado Bauhaus. KEYWORDS: didactics of colour, Tomás Maldonado, visual education, visual methods, scientific approach to visual culture, interdisciplinarity, transdisciplinarity, Hochschule für Gestaltung in Ulm, RECEIVED 15/01/2020; REVISED 25/10/2020; ACCEPTED 07/04/2021 mailto:annamaria.poli@unimib.it A didactics of colour based on an innovative educational approach at the Hochschule für Gestaltung in Ulm 14 Color Culture and Science Journal Vol. 13


id: ccsj-200
author: Paiato, Maria Letizia
title: Light and Colour at the Theatre in Paolo Bini's Works for Francesco De Gregori
date: 2020-07-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4063
sentence: 154
flesch: 54
cache: cache/ccsj-200.pdf
txt: txt/ccsj-200.txt
summary:
  The landscape, colour, and environment work Cromatismo emozionale in ritmo variabile in the interaction between light and colour Paolo Bini was born in Battipaglia, in the province of Salerno, in 1984. Catricalà V. (2018), Naufragi Rosso e Oro nell’opera di Paolo Bini, in Mediterraneo Rosso e Oro, catalogo della mostra, Polo Museale Regionale d'Arte Moderna e Contemporanea, Museo Riso – Cappella dell'Incoronata, Palermo.


id: ccsj-301
author: Bonanomi, Cristian; Sathaye, Kedar
title: Imaging colorimeters to evaluate Camera Monitor Systems image quality
date: 2023-03-17
pages: 7
extension: .pdf
mime: application/pdf
words: 3926
sentence: 186
flesch: 46
cache: cache/ccsj-301.pdf
txt: txt/ccsj-301.txt
summary:
  Top row: CMS camera, bottom row: CMS display However, since exterior mirrors are fundamental for the safety, it is important to evaluate if a CMS can be a source of reduced safety or provide equal or more information to the driver. In the following section we are going to focus only on image quality tests.


id: ccsj-223
author: Silva, Camila; Oliveira Clementino, Thamyres ; Oliveira Gonçalves, Thalita
title: The contribution of black color to visual rhetoric of Brazilian packaging of hair care products
date: 2021-04-09
pages: 9
extension: .pdf
mime: application/pdf
words: 4628
sentence: 261
flesch: 53
cache: cache/ccsj-223.pdf
txt: txt/ccsj-223.txt
summary:
  In this paper, we present the analysis and discussions related to the self-acceptance approach, taking to account the use of black color in hair care cosmetic product packaging. The contribution of black color to visual rhetoric of Brazilian packaging of hair care products.


id: ccsj-282
author: Gökmenoğlu, Firdevs; Akbay, Saadet
title: Virtual interior environment: Influence of colour on the sense of immersion
date: 2023-03-17
pages: 6
extension: .pdf
mime: application/pdf
words: 3582
sentence: 148
flesch: 40
cache: cache/ccsj-282.pdf
txt: txt/ccsj-282.txt
summary:
  ABSTRACT This article investigates the effects of colour on the sense of immersion in virtual interior environments. The study aims to investigate how the sense of immersion in virtual interior environments varies depending on hue, saturation, and lightness and to examine the extent to which colour dimensions influence the sense of immersion in VEs.


id: ccsj-293
author: Kooroshnia, Marjan; Dumitrescu , Delia ; Lewis , Erin ; Walters , Kathryn
date: 2023-03-17
pages: 8
extension: .pdf
mime: application/pdf
words: 4350
sentence: 254
flesch: 58
cache: cache/ccsj-293.pdf
txt: txt/ccsj-293.txt
title:
  The colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 

summary:
  KEYWORDS electroluminescent printing, smart textiles, textile design, texture, colour mixing RECEIVED 30/03/22; REVISED 18/11/22; ACCEPTED 05/11/22 Colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 28 Color Culture and Science Journal Vol. 15 (1) DOI: 10.23738/CCSJ.150104 1. This leaves space for further research exploring the design potential of the raw material – printed EL ink – in terms of expanding its colour palette and aesthetic range by experimenting with textile design methods – forming diverse colour mixtures, overprinting, and halftones.


id: ccsj-244
author: Kmita, Anna
date: 2021-11-09
pages: 7
extension: .pdf
mime: application/pdf
words: 3601
sentence: 215
flesch: 48
cache: cache/ccsj-244.pdf
txt: txt/ccsj-244.txt
title:
  Color and material in interior Design of coloring in aspect of didactics Case study “Study of the project of unusual area for playing and relaxation”

summary:
  Introduction This article presents the findings of an educational project concerning colors design and CMF (color, material, finish) implementation in public space, interiors, and product. The Academy of Fine Arts in Katowice conducts research and didactic program regarding color design.


id: ccsj-277
author: Trini Castelli, Clino
title: Umbrella Diagram: 1981-2021, five decades of forecasts and CMF design
date: 2021-11-09
pages: 7
extension: .pdf
mime: application/pdf
words: 1933
sentence: 95
flesch: 52
cache: cache/ccsj-277.pdf
txt: txt/ccsj-277.txt
summary:
  Umbrella Diagram graph: − Color Arches (Historical Trend arch, Fashion Trend arch). The Philosopher of Color Clino Castelli.


id: ccsj-287
author: Caumon, Lorrain
title: Colours, light and well-being: characterisation of chromatic phenomena in collective housing.
date: 2022-10-25
pages: 7
extension: .pdf
mime: application/pdf
words: 4269
sentence: 202
flesch: 47
cache: cache/ccsj-287.pdf
txt: txt/ccsj-287.txt
summary:
  Thus, the luminance indices of each recommended colour are between 0.6 and 0.9 for light colours and between 0.2 and 0.45 for dark colours, and finally, a contrast of 70% has been respected between the various important media so that they can be perceived by a visually impaired person, whose sensitivity to contrasts is still operating. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories to allow better discrimination of spatial elements.


id: ccsj-198
author: Paglierani, Pietro; Liberini, Simone ; Rizzi, Alessandro; Valan, Francesca
title: Graphical interpolation of Munsell data
date: 2020-07-01
pages: 10
extension: .pdf
mime: application/pdf
words: 6007
sentence: 281
flesch: 50
cache: cache/ccsj-198.pdf
txt: txt/ccsj-198.txt
summary:
  (Newhall et al. 1943) gave a fundamental contribution to the Munsell to CIE conversion problem, by providing the Munsell Renotation Data (MRD) - i.e a collection of reference Munsell notations with the corresponding CIE Yxy coordinates, and outlining a graphical conversion Graphical interpolation of Munsell data 23 Colour Culture and Science Journal Vol. 12 (2) DOI: 10.23738/CCSJ.120202 procedure based on specific MRD charts available in (ASTM Standard D 1535-14 2014). ABSTRACT This paper analyzes the problem of converting Munsell color notations (hue, value and chroma) into CIE 1931 Yxy coordinates using the graphical method outlined in 1943 by the Optical Society of America (OSA).


id: ccsj-335
author: Picollo, Marcello
title: BOOK REVIEW: I colori sono di tutti? 22 domande curiose sul colore
date: 2023-03-17
pages: 1
extension: .pdf
mime: application/pdf
words: 566
sentence: 23
flesch: 53
cache: cache/ccsj-335.pdf
txt: txt/ccsj-335.txt
summary:
  Among the many, and among the ones that most intrigued and fulfilled me personally, I would like to mention those related to such questions as 'Does everyone own color?', 'Is color tasty?' [Italian Language] Since the early years of the last century, color, and the world surrounding it, has attracted increasing interest of professionals from various fields.


id: ccsj-233
author: Prencipe, Nicoletta; Provenzi, Edoardo
title: Geometric models for color perception
date: 2021-11-09
pages: 7
extension: .pdf
mime: application/pdf
words: 3970
sentence: 187
flesch: 51
cache: cache/ccsj-233.pdf
txt: txt/ccsj-233.txt
summary:
  Geometric models for color perception 54 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130206b Schrödinger’s axioms can be summarized stating that the space of perceived colors of trichromatic observes has the geometric structure of a convex regular cone of dimension 3. The wide range of color spaces proposed for digital and industrial applications clearly shows that the choice of these three parameters is far from being trivial.


id: ccsj-226
author: Bideaux, Kévin
title: Is white skin really pink? : Flesh color as a pink color in art and culture in Occident
date: 2021-11-09
pages: 8
extension: .pdf
mime: application/pdf
words: 5285
sentence: 321
flesch: 63
cache: cache/ccsj-226.pdf
txt: txt/ccsj-226.txt
summary:
  KEYWORDS Flesh color, Skin color, Pink, Race, History of Color RECEIVED 30/01/2021; REVISED 28/03/2021; ACCEPTED 19/09/2021 Is white skin really pink? Skin color is one of the main criteria for forming these categories and the category of white people, to which the color flesh pink refers, is then symbolically and socially opposed to a broader set of non-white people


id: ccsj-230
author: Marotta, Anna
title: Color in architecture among futurism, neoplasticism, rationalism (and more...)
date: 2021-04-09
pages: 11
extension: .pdf
mime: application/pdf
words: 5312
sentence: 239
flesch: 47
cache: cache/ccsj-230.pdf
txt: txt/ccsj-230.txt
summary:
  In 1927, according to a similar but more complex concept, Theo created (together with Hans Arp and his wife Sophie Taeuber) the Café Aubette in Strasbourg, one of the most ambitious designs of the architectural culture of the time: here his spatial vision through formal synthesis and pure colors is evident (Marotta, 2019). And van Doesburg concludes that in modern architecture the surfaces ask to be animated, that is, to be composed with the help of pure color, the color of space (van Doesburg, 1925).


id: ccsj-269
author: Trott, Louisa
title: The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur
date: 2022-04-30
pages: 8
extension: .pdf
mime: application/pdf
words: 5183
sentence: 225
flesch: 50
cache: cache/ccsj-269.pdf
txt: txt/ccsj-269.txt
summary:
  [7] The name Agfacolor was later used for other color processes made by Agfa. KEYWORDS Color motion picture film, Amateur motion picture film, Additive color processes, Historical color processes RECEIVED 03/11/2021; REVISED 03/01/2022; ACCEPTED 25/01/2022


id: ccsj-303
author: Guerry, Estelle
title: An analysis of chromatic and luminous environment of healthcare establishment.
date: 2023-03-17
pages: 9
extension: .pdf
mime: application/pdf
words: 5565
sentence: 338
flesch: 52
cache: cache/ccsj-303.pdf
txt: txt/ccsj-303.txt
summary:
  The study is divided into three phases: color observation, light observation and observation of interactive movements. [6] are mainly used and are the only ones used for warm colors


id: ccsj-289
author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano ; Rossi, Maurizio; Palumbo, Riccardo
title: About the influence of color perceived lightness on psychological functions
date: 2022-04-30
pages: 11
extension: .pdf
mime: application/pdf
words: 8343
sentence: 449
flesch: 51
cache: cache/ccsj-289.pdf
txt: txt/ccsj-289.txt
summary:
  Motoki, K. et al. (2019) ‘Light colors and comfortable warmth: Crossmodal correspondences between thermal sensations and color lightness influence consumer behavior’, Food Quality and Preference, 72(November 2018), pp. In this regard, color lightness can influence all these factors by modulating the cognitive performance of individuals (Rossi, 2019).


id: ccsj-253
title: A Test on color discrimination in complex scenes for a better comprehension of color blindness
date: 2021-11-09
pages: 12
extension: .pdf
mime: application/pdf
words: 5089
sentence: 270
flesch: 58
cache: cache/ccsj-253.pdf
txt: txt/ccsj-253.txt
author:
  Plutino, Alice; Scipioni, Sofia; Lombardi, Chiara Andrea; Giuliani, Luca; Mazzoni, Andrea; Marcucci, Roberta; Rizzi, Alessandro

summary:
  Opsin genes, cone photopigments, color vision, and color blindness. Bef ore the beginning of the test, we made a short survey asking to the participants for sex, age, and potential color blindness, we did not f ocus on the type of color blindness.


id: ccsj-307
author: Voss, Lupe; Wong, Sherman
title: More Than a Tube of Color - The Emotion
date: 2022-10-25
pages: 8
extension: .pdf
mime: application/pdf
words: 4379
sentence: 267
flesch: 57
cache: cache/ccsj-307.pdf
txt: txt/ccsj-307.txt
summary:
  3. Method Two questionnaires were developed to investigate the behaviors and opinions of hair color consumers and professional hair colorists. Introduction A tube of hair color has a broad impact on lives.


id: ccsj-38
author: Lecca, Michela; da Pos, Osvaldo
title: Coloumn
date: 2018-04-19
pages: 4
extension: .pdf
mime: application/pdf
words: 1904
sentence: 82
flesch: 54
cache: cache/ccsj-38.pdf
txt: txt/ccsj-38.txt
summary:
  Different theories has been proposed and many experiments have been designed to disentangle the relationship between colour stimulus and colour names. An interesting example for this is given by the recent web discussion about the colour names and colour perception by ancient Greeks [1][2][3].


id: ccsj-275
author: Avci, Ayse Nihan; Akbay, Saadet
title: A Review based on OLED Lighting Conditions and Human Circadian System
date: 2023-03-17
pages: 6
extension: .pdf
mime: application/pdf
words: 4243
sentence: 226
flesch: 48
cache: cache/ccsj-275.pdf
txt: txt/ccsj-275.txt
summary:
  In any case, advances in technology can provide useful tools for designing circadian lighting. Her research interests include human-centric lighting, circadian lighting design, artificial lighting technologies, and color and light.


id: ccsj-250
author: Rizzi, Alessandro
title: Index & Editorial
date: 2021-04-09
pages: 6
extension: .pdf
mime: application/pdf
words: 1492
sentence: 84
flesch: 47
cache: cache/ccsj-250.pdf
txt: txt/ccsj-250.txt
summary:
  The narrative role of color in Wes Anderson’s filmic images 7 Greta Attademo DOI: 10.23738/CCSJ.130101 Bramante and his work of Painted Façades: Bergamo and Lombardy 14 Patrizia Falzone DOI: 10.23738/CCSJ.130102 The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 24 Gisela Costa Pinheiro Monteiro, Camila Assis Peres Silva DOI: 10.23738/CCSJ.130103 Color in architecture among futurism, neoplasticism, rationalism (and more...) 32 Anna Marotta DOI: 10.23738/CCSJ.130104 Lighting and color design in the live music show between new technologies and practice 43 Andrea Siniscalco DOI: 10.23738/CCSJ.130105 Does gender have an impact on the color preferences in fashion products? Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects.


id: ccsj-310
author: Cortina Maruenda, Francisco Javier; Serra Lluch, Juan; Torres Barchino, Ana; Llopis Verdú, Jorge
title: Digital applications to train color ordering in three dimensions for architects and designers
date: 2022-10-25
pages: 7
extension: .pdf
mime: application/pdf
words: 3792
sentence: 183
flesch: 49
cache: cache/ccsj-310.pdf
txt: txt/ccsj-310.txt
summary:
  Among all the types of games used for learning, digital color puzzles are good alternatives to train these abilities. Introduction In the acquisition of skills to work with the color for an architect or an interior designer, it is important to train the visual discrimination of colors and to gain the sensitivity to display different colors in order.


id: ccsj-259
author: Maaruf, Nayla; Pénichon, Sylvie; Kokkori, Maria
title: The Flexichrome: visual examination and scientific analysis of an overlooked color process.
date: 2022-04-30
pages: 9
extension: .pdf
mime: application/pdf
words: 5093
sentence: 284
flesch: 56
cache: cache/ccsj-259.pdf
txt: txt/ccsj-259.txt
summary:
  Making dye imbibition prints usually consists of successively transferring dyes from a yellow-, magenta- and cyan-dyed relief matrix onto a receiving sheet of paper coated with gelatin. The dyes used for dye imbibition processes fall under the family of acid dyes, which belong to the larger class of synthetic organic dyes (Colton and Thronson, 1940).


id: ccsj-262
author: Herrero-Cortell, Miquel; Artoni, Paola; Picollo, Marcello; Raïch, Marta; Zalbidea, Maria Antonia
date: 2021-11-09
pages: 8
extension: .pdf
mime: application/pdf
words: 6156
sentence: 305
flesch: 64
cache: cache/ccsj-262.pdf
txt: txt/ccsj-262.txt
title:
  The Changes of Transparent Colours in Being Laid upon Others’: Considerations for a New Perception of Glazes with Historical Pigments and Dyes

summary:
  Most of the pigments available on the palette from the 15th to the 18th century were translucent to a certain extent, especially when applied thinly, and more translucent still are dyes, which become lake pigments when they are precipitated on an inorganic substrate such as rock alum, calcium carbonate or sodium carbonate. The use of lake pigments applied over pigments was much more common than is generally believed; moreover, it was essential to the development of a whole range of tones that made it possible to blur the colour and expand the chromatic possibilities (Thompson, 1956; Bruquetas, 2003; Herrero-Cortell, 2019).


id: ccsj-45
author: Farini, Alessandro; Baldanzi, Elisabetta; Raffaelli, Marco; Russo, Francesco
title: Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case.
date: 2019-05-23
pages: 6
extension: .pdf
mime: application/pdf
words: 2217
sentence: 119
flesch: 60
cache: cache/ccsj-45.pdf
txt: txt/ccsj-45.txt
summary:
  41 Color Culture and Science Journal Vol. 11 (1) DOI: 10.23738/CCSJ.110105 Evolution of colours in football shirts through colorimetric measurements: alessandro.farini@ino.it, elisabetta.baldanzi@ino.it, marco.raffaelli@ino.it 2 franci.russo91@gmail.com Corresponding author: Alessandro Farini 1 (alessandro.farini@ino.it) ABSTRACT Football fans express their identification with their team especially with colours of football shirts.


id: ccsj-284
author: DE CLERMONT-GALLERANDE, Helene; MAUGER, Emmanuelle; ROLLAND, Nicolas
title: A comparative study of lipstick shades preferences by geographical areas
date: 2023-03-17
pages: 8
extension: .pdf
mime: application/pdf
words: 4293
sentence: 238
flesch: 66
cache: cache/ccsj-284.pdf
txt: txt/ccsj-284.txt
summary:
  Italy and France were the two markets most representative in terms of lipstick shades. They are both in cluster 7, which gives the impression that this cluster represents lipstick shades which are appreciated whatever the culture and geographical area (Premium Beauty News, 2017).


id: ccsj-34
author: Uusküla, Mari; Eessalu, Martin
date: 2018-04-19
pages: 6
extension: .pdf
mime: application/pdf
words: 3613
sentence: 147
flesch: 53
cache: cache/ccsj-34.pdf
txt: txt/ccsj-34.txt
title:
  Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages

summary:
  We investigate the selection of colour stimuli shown to subjects during psycholinguistic (field) experiments, or more precisely, the surface of the selected stimuli. As black had almost no dominance in the experiments using Munsell stimuli (Group II), other colour terms occupied the area that could be expected to be called ‘black’.


id: ccsj-51
author: Pompas, Renata
title: Two books that describe pigments and dyes, in a different and complementary way.
date: 2019-07-22
pages: 3
extension: .pdf
mime: application/pdf
words: 1536
sentence: 102
flesch: 64
cache: cache/ccsj-51.pdf
txt: txt/ccsj-51.txt
summary:
  It is a rich and complex text, divided into eight sections entrusted to different authors, who analysed pigments and dyes, described the materials, the production techniques, their history and application in painting and in textile dyeing. (Including numerous examples of over- dyes, or mixing of dyeing colors, to obtain the desired gradation, which debunk the myth of only-one dye substance used at a time).


id: ccsj-266
author: Pfluger, David; Garmsen, Lutz; Trumpy, Giorgio
title: Modern methods for the visualization of lenticular film colors
date: 2022-04-30
pages: 9
extension: .pdf
mime: application/pdf
words: 4735
sentence: 273
flesch: 51
cache: cache/ccsj-266.pdf
txt: txt/ccsj-266.txt
summary:
  KEYWORDS Lenticular film, Kodacolor, Color reconstruction, Deep learning, Film digitization RECEIVED 31/10/2021; REVISED 04/01/2022; ACCEPTED 19/02/2022 Modern methods for the visualization of lenticular film colors 65 Color Culture and Science Journal Vol. 14 An efficient approach to obtain digital color images from lenticular film is to scan the film in high-resolution—with the emulsion facing the imaging system—and let a software extract the encoded color information.


id: ccsj-309
author: Espinosa-Zaragoza, Isabel
title: “Perpetual plum”: Colour naming strategies in Maybelline’s lip products
date: 2023-03-17
pages: 7
extension: .pdf
mime: application/pdf
words: 4613
sentence: 194
flesch: 49
cache: cache/ccsj-309.pdf
txt: txt/ccsj-309.txt
summary:
  Thus, cosmetic colour names in general, but specially in lipsticks, do much more than simply describe or designate hues: these “constructed nameables” instil lip products with a distinctive touch that helps relating them to their brand and also serve as an organising tool where all the colours in a collection are named in a coherent and homogeneous way in hopes of capturing customer attention. On the subject of the use of romance as a theme in cosmetic colour names (see Espinosa-Zaragoza, 2002), there is a patent ambivalence with the customer both seducing and being seduced.


id: ccsj-59
author: Pompas, Renata
date: 2017-07-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1925
sentence: 128
flesch: 55
cache: cache/ccsj-59.pdf
txt: txt/ccsj-59.txt
title:
  Riccardo Falcinelli, CROMORAMA. How color changed our gaze. Einaudi Stile Libero Extra, Torino, 2017.

summary:
  Idee e miti del mondo antico” parla di ricettari e relazione tra la materia colorante e il suo simbolismo. I contrasti cromatici fondamentali” riprende i sette contrasti di Itten e ne aggiunge altri due che propone di chiamare: “contrasto di cromaticità” (tra un singolo colore e il bianco e nero) e “contrasto di coppia” (tra due tinte unite, piatte e omogenee che si contendono il campo con pari dignità).


id: ccsj-70
author: Pompas, Renata
title: Food, colour and art
date: 2016-11-01
pages: 2
extension: .pdf
mime: application/pdf
words: 652
sentence: 25
flesch: 59
cache: cache/ccsj-70.pdf
txt: txt/ccsj-70.txt
summary:
  Originally it was the name of a performance by Bice Perrini at the Galleria Bluorg in Bari, it has now become a brand known for its tagline ‘Eating with eyes’, dealing with food production and sale, catering, food tasting, workshops, and art events. However, the general public and many artists too have recently focused more and more on the colours of food.


id: ccsj-302
author: Giani, Camilla; Boeri, Cristina
date: 2023-03-17
pages: 6
extension: .pdf
mime: application/pdf
words: 3604
sentence: 175
flesch: 47
cache: cache/ccsj-302.pdf
txt: txt/ccsj-302.txt
title:
  An experimentation on children’s colour preferences in generic terms and applied to a school context 

summary:
  In particular, two experiments have been planned and partially conducted in order to evaluate both the differences that may be found between colour preferences expressed in generic terms and contextualized in a school environment, and the differences that may be found between digital simulations displayed on the computer and experimented using the CAVE technology. KEYWORDS Colour design, colour preference, school design, children colour preference RECEIVED 30/03/22; REVISED 30/12/22; ACCEPTED 30/12/22


id: ccsj-62
author: Rossi, Maurizio
title: Index&Editorial
date: 2016-11-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2100
sentence: 75
flesch: 39
cache: cache/ccsj-62.pdf
txt: txt/ccsj-62.txt
summary:
  This page has been intentionally left white 5 Cultura e Scienza del Colore - Color Culture and Science | 06 | 2016 ISSN 2384-9568 La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, è giunta al suo terzo anno di vita con la pubblicazione di questo numero sei. In una prima fase la rivista raccoglieva solo articoli, rieditati, di autori che partecipano alla Conferenza del Colore.


id: ccsj-294
author: Csillag, Paula; Sabao, Amanda
title: PIXAR’s Colorscripts: Chromatic Analyses of Four Films Using Sens|Org|Int Model
date: 2022-10-25
pages: 6
extension: .pdf
mime: application/pdf
words: 3182
sentence: 194
flesch: 59
cache: cache/ccsj-294.pdf
txt: txt/ccsj-294.txt
summary:
  Research interests are related to color communication, visual language, color perception and color trends. Colorscript of the film “Finding Nemo” Source: The art of Pixar (2011) 2. Color in Cinema To review the origin of color in cinema, the following authors were used: Barbosa (2007); Misek (2010); Costa (2005); Neale (1985); Reis (2016); Bordwell, Staiger, Thompson (1985); Sagen (2015); Braga (2000, 2011) and Hercules (2012), referring to the painting methods used, companies that stood out and the importance of color in narratives.


id: ccsj-292
author: Stanulevich, Nadezhda
date: 2022-04-30
pages: 9
extension: .pdf
mime: application/pdf
words: 5331
sentence: 354
flesch: 52
cache: cache/ccsj-292.pdf
txt: txt/ccsj-292.txt
title:
  Prokudin-Gorskii’s technique of colour photography: colour separation, additive projection and pigment printing

summary:
  Gorskii emphasized the merits of colour reproduction, indicated the considerable labour input in production and long exposure that embarrassed the photographing animate objects (Prokudin-Gorskii, 1899). Two months later, on 19th March 1899, Sergei Prokudin- Gorskii showed at IRTS a stereoscopic photochromoscope by Lumière (The photography section of the IRTS meeting journal on 19th March 1899, 1899).


id: ccsj-43
author: Boeri, Cristina
title: Color emotion as a feasible tool in a participatory project for a Primary School
date: 2019-06-20
pages: 9
extension: .pdf
mime: application/pdf
words: 4336
sentence: 165
flesch: 45
cache: cache/ccsj-43.pdf
txt: txt/ccsj-43.txt
summary:
  KEYWORDS color emotion, color design, color preference, color in educational environments RECEIVED 16 May 2019; In the study by Park (2014), the correlations between color attributes and color preferences in children were analyzed using scale models of rooms.


id: ccsj-308
author: Picollo, Marcello; Cattaneo, Barbara
title: Editorial
date: 2022-04-30
pages: 6
extension: .pdf
mime: application/pdf
words: 1891
sentence: 77
flesch: 32
cache: cache/ccsj-308.pdf
txt: txt/ccsj-308.txt
summary:
  An odyssey from the additive to the subtractive method of color reproduction 24 Nicolas Le Guern DOI: 10.23738/CCSJ.140103 Prokudin-Gorskii’s technique of colour photography: colour separation, additive projection and pigment printing 33 Nadezhda Stanulevich DOI: 10.23738/CCSJ.140104 Two Prizma Color films, a curious finding in the Mexican National Film Archive 42 Paolo Tosini DOI: 10.23738/CCSJ.140105 The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur 47 Louisa Trott DOI: 10.23738/CCSJ.140106 Digital Struggles for Film Restoration: La battaglia dall’Astico al Piave 55 Serena Bellotti, Simone Venturini DOI: 10.23738/CCSJ.140107 4 Color Culture and Science Journal Vol. 14 (1) ISSN 2384-9568 Modern methods for the visualization of lenticular film colors 64 David Pfluger, Lutz Garmsen, Giorgio Trumpy DOI: 10.23738/CCSJ.140108 Fine Arts on Film: The Hand-Painted Work of Stan Brakhage 73 Sabrina Negri DOI: 10.23738/CCSJ.140109 The Relationship between Photo Retouching and Color Grading 79 Ivan Magrin-Chagnolleau DOI: 10.23738/CCSJ.140110 What about discoloration in plastic artifacts? Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.


id: ccsj-40
author: Borsotti, Marco
title: Contemporary architecture and colour: final definitions for mapping intent
date: 2019-02-25
pages: 12
extension: .pdf
mime: application/pdf
words: 5236
sentence: 224
flesch: 41
cache: cache/ccsj-40.pdf
txt: txt/ccsj-40.txt
summary:
  Introduction This text illustrates the third and final contribution – the first and second appeared in Colour and colorimetry VIII (Borsotti in Rossi, Siniscalco, 2012) and Colour and colorimetry X volumes (Borsotti, in Rossi, Marchiafava, 2014) – on the reflection that, moving between identification of contemporary paradigmatic case studies and hypotheses of classification of their outcomes within defined areas referring to common attitudes, look at the use of colour as a true design tool; a real “material” for the realisation of an architectural program. Here, there is an intentionality to delve deeper into the idea of spatiality, designed as a layering of layers, which, as on a computer screen, are distinguished and managed through the attribution of different colours.


id: ccsj-75
author: Rossi, Maurizio
title: Index&Editorial
date: 2017-06-01
pages: 6
extension: .pdf
mime: application/pdf
words: 1905
sentence: 64
flesch: 36
cache: cache/ccsj-75.pdf
txt: txt/ccsj-75.txt
summary:
  Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (Associazione Italiana Colore, IT) CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista dell’Associazione Italiana Colore Registrazione presso il Tribunale di Milano al n. 233 ISSN 2384-9568 La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, con questo numero 7 è approdata al quarto anno di pubblicazione.


id: ccsj-39
author: Rossi, Maurizio
title: Index&Editorial
date: 2019-02-25
pages: 6
extension: .pdf
mime: application/pdf
words: 1884
sentence: 76
flesch: 37
cache: cache/ccsj-39.pdf
txt: txt/ccsj-39.txt
summary:
  And also the topics on color and psychology: phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects. Francesca Valan, color designer (IT), for the topics of color and communication, marketing: graphics, communication, packaging, lettering, exposure, advertising.


id: ccsj-66
author: Biasi, Valeria; Bonaiuto, Paolo
title: Emotional Qualities of Colours Added to Humorous Illustrations
date: 2016-10-21
pages: 6
extension: .pdf
mime: application/pdf
words: 2712
sentence: 127
flesch: 47
cache: cache/ccsj-66.pdf
txt: txt/ccsj-66.txt
summary:
  Alarming and serious colours CITATION: Biasi V. and Bonaiuto P. (2016) [6] A.M., Giannini, V. Biasi, P. Bonaiuto, “Un nuovo esperimento sui processi percettivi di attenuazione o risalto di anomalie strutturali, influenzati dal colore”, Comunicazioni Scient.


id: ccsj-49
author: Fiorentin, Pietro; Pedrotti, Elena; da Pos, Osvaldo; Metellini, Ariella
title: Semantic resonance to light sources of different correlated colour temperature
date: 2019-06-27
pages: 8
extension: .pdf
mime: application/pdf
words: 4146
sentence: 195
flesch: 51
cache: cache/ccsj-49.pdf
txt: txt/ccsj-49.txt
summary:
  In the entrance room a commercial viewing booth with different light sources was placed on a table; a large poster was hanging on the wall above and showed the main characteristics of the cabinet sources and the ways of measuring them by appropriate instruments. The research aimed to highlight how young naive people perceive, discriminate, and judge indoor illuminations produced by different light sources.


id: ccsj-318
author: Rossi, Maurizio; Plutino, Alice
title: Editorial
date: 2022-10-25
pages: 6
extension: .pdf
mime: application/pdf
words: 1297
sentence: 67
flesch: 39
cache: cache/ccsj-318.pdf
txt: txt/ccsj-318.txt
summary:
  Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic, and diagnostic aspects.


id: ccsj-84
author: Pompas, Renata
title: Michel Pastoureau “Rosso. Storia di un colore”
date: 2017-06-01
pages: 2
extension: .pdf
mime: application/pdf
words: 1052
sentence: 54
flesch: 62
cache: cache/ccsj-84.pdf
txt: txt/ccsj-84.txt
summary:
  Dice infatti lo studioso che “Le questioni relative al colore hanno un carattere strettamente culturale (perciò) ogni storia del colore deve essere prima di tutto un storia sociale (…) che evidenzi come in qualunque società per quanto riguarda il colore la funzione primaria è la tassonomia: classificare, accostare, contrapporre, gerarchizzare”. Storia di un colore” ISSN 2384-9568 religiosi e le loro applicazioni tintorie, accompagnandole da curiosi aneddoti; tra questi la divertente caricatura teatrale del barbaro germanico: “un uomo “gigantesco, obeso, riccio, rubicondo e rosso di capelli”.


id: ccsj-321
author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo
title: The promise of color in marketing: use, applications, tips and neuromarketing
date: 2023-03-17
pages: 10
extension: .pdf
mime: application/pdf
words: 7495
sentence: 462
flesch: 50
cache: cache/ccsj-321.pdf
txt: txt/ccsj-321.txt
summary:
  Color preferences influence various daily tasks. Thus, it is necessary to place color preferences at the center of marketing strategies.


id: ccsj-68
author: Pellegri, Giulia
title: Chromatic and decorative planning choices: geometry, knowledge and survey
date: 2016-09-23
pages: 9
extension: .pdf
mime: application/pdf
words: 4337
sentence: 125
flesch: 32
cache: cache/ccsj-68.pdf
txt: txt/ccsj-68.txt
summary:
  The approach exemplifying the types of decorative facades led to the identification of three basic types: Monochrome Bottom front and basement with simple decorative elements (frames) - Monochrome Bottom front with monochrome base or ashlars with decorative elements or simple (and frames antheridia) and Monochrome bottom front with base monochrome ashlars or complex with decorative elements (frames- antheridia-pilasters-panels and other decorative elements). It’s fundamental to highlight how the drawing and the color are related to the potential conditionings that may accentuate, mitigate, reduce or differentiate the individual elements, making a proportionate or perceptually distorted building, through the research about the drawing of the patterns and the visual perception of painted decoration.


id: ccsj-71
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2016-10-01
pages: 3
extension: .pdf
mime: application/pdf
words: 1317
sentence: 48
flesch: 46
cache: cache/ccsj-71.pdf
txt: txt/ccsj-71.txt
summary:
  Michela Lecca gave some examples of color as communication tool in science: colors τό διαλέγησθαι εστί τό μήγιστον αγαθόν The dialog is the highest good. An example of color based synesthesia was reported also by Francesca Valan, industrial designer with strong competences on color.


id: ccsj-52
author: Rossi, Maurizio
title: Index&Editorial
date: 2017-07-24
pages: 6
extension: .pdf
mime: application/pdf
words: 2289
sentence: 77
flesch: 40
cache: cache/ccsj-52.pdf
txt: txt/ccsj-52.txt
summary:
  Il contrasto di quantità nella Teoria di Itten: la spettrofotometria per la verifica degli enunciati by Agapito Di Tommaso, Vincenzo Garro, Anna Maria Gueli, Sabina Martusciello, Maria Dolores Morelli, Stefania Pasquale Nell’articolo “Il contrasto di quantità nella Teoria di Itten: la spettrofotometria per la verifica degli enunciati”, Agapito Di Tommaso, Vincenzo Garro, Anna Maria Gueli, Sabina Martusciello, Maria Dolores Morelli e Stefania Pasquale, tramite un’analisi storica e metrologica, partendo dagli scritti di Schopenhauer, trattano il tema della paternità del concetto di contrasto di quantità dei sei colori primari della teoria di Itten.


id: ccsj-60
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2017-07-01
pages: 4
extension: .pdf
mime: application/pdf
words: 2049
sentence: 88
flesch: 48
cache: cache/ccsj-60.pdf
txt: txt/ccsj-60.txt
summary:
  In this framework, many issues have to be addressed, first of all the definition of color sensation and color perception. The debate between Anglo-Saxon and American theories opens the problem to determine which features are captured and/or involved in color sensation and in color perception.


id: ccsj-30
author: Rossi, Maurizio
title: Index&Editorial
date: 2018-04-19
pages: 6
extension: .pdf
mime: application/pdf
words: 2183
sentence: 65
flesch: 30
cache: cache/ccsj-30.pdf
txt: txt/ccsj-30.txt
summary:
  Infine Ingrid Calvo Ivanovic, in “Symbolic Color Associations in Goethe’s Farbenlehre and its application in the pictorial work of its early receptors”, presenta un’interessante analisi nell’ambito della cultura del colore, in merito ai contributi teorici di Johann Wolfgang Goethe in relazione agli aspetti simbolici del colore nell’ambito della pratica pittorica. Simbolismo Internazionale fra Otto e Novecento by Anna Mazzanti Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc by Laurence Pauliac Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages by Mari Uusküla and Martin Eessalu Digital Visualization of a Luminaire: From blueprint to Photorealistic Representation by Andrea Siniscalco and Gianluca Guarini Review and Comparison of Random Spray Retinex and of its variants STRESS and QBRIX by Michela Lecca, Alessandro Rizzi, Gabriele Gianini Symbolic Color Associations in Goethe’s Farbenlehre and its application in the pictorial work of its early receptors by Ingrid Calvo Ivanovic Communications and Comments by Michela Lecca and Osvaldo da Pos Claudio Oleari Memorial by Gruppo del Colore – Associazione Italiana Colore COLOUMN ENGLISH 4 Cultura e Scienza del Colore - Color Culture and Science | 09 | 2018 ISSN 2384-9568


id: ccsj-54
author: Di Tommaso, Agapito ; Garro, Vincenzo; Gueli, Anna Maria; Martusciello, Sabina; Pasquale, Stefania
title: Colour quantity contrast in Itten’s Theory: Spectrophotometry for verifying statements
date: 2017-11-13
pages: 12
extension: .pdf
mime: application/pdf
words: 6893
sentence: 313
flesch: 53
cache: cache/ccsj-54.pdf
txt: txt/ccsj-54.txt
summary:
  Questi, ad eccezione del rosso, sono stati corretti con quantità note di pigmento verde (verde smeraldo), per il blu e di pigmento rosso (cinabro), per il giallo. i valori di luminosità in valori armonici di quantità, i rapporti numerici vanno invertiti: cioè, il giallo ad esempio essendo tre volte più luminoso dovrebbe occupare una superficie tre volte più piccola del suo complementare viola” (Itten, 1997).


id: ccsj-86
author: Hidaka, Kyoko
title: A Comparison of Color Schemes and Images in the Package Design of Sweets in the US and Japan
date: 2016-02-08
pages: 8
extension: .pdf
mime: application/pdf
words: 2623
sentence: 106
flesch: 60
cache: cache/ccsj-86.pdf
txt: txt/ccsj-86.txt
summary:
  In the US, marketing to children and color scheme of American comics deeply influence the design and colors of sweets packages. Figure 9 illustrates a list Figure 1 - Japanese Sweets (left) Figure 2 - US Sweets (right) of typical colors used in packages, sequenced from the first to fifth place.


id: ccsj-305
author: Martini, Berta; Monica Tombolato; Rossella D'Ugo
date: 2022-10-25
pages: 10
extension: .pdf
mime: application/pdf
words: 5467
sentence: 259
flesch: 42
cache: cache/ccsj-305.pdf
txt: txt/ccsj-305.txt
title:
  Integrating knowledge about color within the STEM/STEAM approach: some instructional procedural principles

summary:
  Some scholars believe that the addition of “A” is unnecessary, and that the application of creativity and the arts is a natural premise of STEM education. While professional meetings and science education conferences are increasingly geared toward STEM and new textbooks and websites are popping up to advise teachers on how to implement STEM practices, STEM curricula lack an awareness of what STEM is and what STEM programs should include.


id: ccsj-33
author: Pauliac, Laurence
title: Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc
date: 2018-04-19
pages: 10
extension: .pdf
mime: application/pdf
words: 6137
sentence: 226
flesch: 50
cache: cache/ccsj-33.pdf
txt: txt/ccsj-33.txt
summary:
  In this context, it is very interesting to notice the ambiguity of the architect’s attitude facing monumental exterior colour setting. 31 Cultura e Scienza del Colore - Color Culture and Science | 09 | 2018 | 29 - 38 Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc ISSN 2384-9568 And adds: «A notre avis, le temps a manqué pour compléter les conceptions premières.


id: ccsj-290
author: Broeder, Peter
title: Colours of Emotion, Trust, and Exclusivity: A Cross-Cultural Study
date: 2022-10-25
pages: 8
extension: .pdf
mime: application/pdf
words: 5391
sentence: 371
flesch: 55
cache: cache/ccsj-290.pdf
txt: txt/ccsj-290.txt
summary:
  Cultural differentiations Adams and Osgood (1973) provided a good example of a classic study on cultural colour differentiations. Therefore, this study aims to investigate variations in colour associations across cultures.


id: ccsj-81
author: Sandford, Jodi L.
title: Color categorial perception and second language acquisition
date: 2017-06-10
pages: 8
extension: .pdf
mime: application/pdf
words: 5132
sentence: 236
flesch: 54
cache: cache/ccsj-81.pdf
txt: txt/ccsj-81.txt
summary:
  [1] have shown that young children demonstrate categorial color perception across the green- blue, blue-purple hue boundaries, and across the red-pink lightness and saturation boundaries. [1] states that “infant color categorial perception has been found in British and American infants, but no such tests have been made on infants from other language groups”, this research evinces that young Italian children also demonstrate categorial perception.


id: ccsj-46
author: Bracci, Susanna; Magrini, Donata; Bartolozzi, Giovanni
title: Painted or not painted? Discovering color traces of ancient stones
date: 2019-06-06
pages: 10
extension: .pdf
mime: application/pdf
words: 4595
sentence: 227
flesch: 48
cache: cache/ccsj-46.pdf
txt: txt/ccsj-46.txt
summary:
  Understanding ancient polychromy is indeed a crucial issue since the lack of attention to this theme leads to a significant misunderstanding of both the artwork itself and of the artistic culture it represents. Today, despite important results achieved within the last few years, research on ancient polychromy is still at an early stage and shows some obvious limitations pertaining to the transferability of methodologies or findings (Gasanova 2018).


id: ccsj-93
author: Rossi, Maurizio
title: Index&Editorial
date: 2018-12-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2277
sentence: 72
flesch: 38
cache: cache/ccsj-93.pdf
txt: txt/ccsj-93.txt
summary:
  The experience of equivalent luminous colors at architectural scale by Ute Besenecker, Ted Krueger, John Bullough, Zachary Pearson, Robert Gerlach The changing colour of CHANEL’s lipstick ranges from 1960 to 2015 by Hélène de Clermont-Gallerande, Nicolas Rolland, Patrick Doucet, Julie Deydier, Anne Varichon, Barbara Blin-Barrois Light and colors in the “Villa dei Misteri” by Laura Bellia, Massimo Osanna, Gennaro Spada, Annamaria Mauro, Chiara Donzella, Francesca Fragliasso, Emanuela Stefanizzi A Colour Palette Methodology by Maria Kirk Mikkelsen Blue color traditions in Polish wooden architecture – valuable cultural heritage and a source of inspiration by Justyna Tarajko-Kowalska Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula? by Manuel Melgosa, Guihua Cui, Claudio Oleari, Pedro J. Pardo, Min Huang, Changjun Li, Ming Ronnier Luo From decoration to industrial design: Gio Ponti and color in architectural innovation by Michela Rossi and Giorgio Buratti The contribution of colour in the artistic representation of the sacred. Italian innovations from the end of XIX century to the first part of the XX century by Anna Mazzanti Improvement of a lamp construction with a highly reflective material by Eszter Dudás and Ágnes Urbin A digital framework for color design and education by Pietro Paglierani and Francesca Valan Colors, lights and shapes in the Naples underground.


id: ccsj-44
author: Giannattasio, Carlo
title: The Tropical Aquarium: a case of polychrome decoration in the architecture of the early 1900s
date: 2019-06-18
pages: 6
extension: .pdf
mime: application/pdf
words: 2588
sentence: 134
flesch: 53
cache: cache/ccsj-44.pdf
txt: txt/ccsj-44.txt
summary:
  The covering was manufactured by the Ceramiche di Posillipo factory, but the design and construction were carried out by Paolo Ricci, a friend and colleague of Carlo Cocchia. The ornamentation was created by the majolica factory Ceramica di Posillipo, and specifically by Paolo Ricci, an eclectic artist of the 1900s.


id: ccsj-85
author: Mignani, Anna Grazia; Farini, Alessandro
title: Index&Editorial
date: 2016-02-01
pages: 5
extension: .pdf
mime: application/pdf
words: 1345
sentence: 43
flesch: 39
cache: cache/ccsj-85.pdf
txt: txt/ccsj-85.txt
summary:
  CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista semestrale dell’Associazione Italiana Colore http://jcolore.gruppodelcolore.it/ ISSN 2384-9568 DOI: 10.23738/CCSJ.00 DIRETTORE RESPONSABILE | EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT) REDAZIONE | ASSOCIATE EDITORS Aldo Bottoli (B&B Colordesign, IT) Daria Casciani (Politecnico di Milano, IT) Alessandro Farini (INOA-CNR, IT) Davide Gadia | Deputy Editor (Università degli Studi di Milano, IT) Marco Gaiani (Università di Bologna, IT) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (Associazione Italiana Colore, IT) Gabriel Marcu (Apple, USA) Anna Marotta (Politecnico di Torino, IT) Manuel Melgosa (Universidad de Granada, ES) Anna Grazia Mignani (IFAC-CNR, IT) Annie Mollard-Desfour (CNRS, FR) Maria Luisa Musso (Universidad de Buenos Aires, RA)


id: ccsj-56
author: Tallarita, Anna Luana
title: The meanings of the Red
date: 2017-05-31
pages: 12
extension: .pdf
mime: application/pdf
words: 8609
sentence: 420
flesch: 65
cache: cache/ccsj-56.pdf
txt: txt/ccsj-56.txt
summary:
  della fertilità, dove il rosso in tal caso è simbolo di vita, di fertilità e di rinascita. Proprio come il sole che è sempre lo stesso e risorge solo dopo che il sole precedente è tramontato, di Fenice ne esisteva sempre un unico esemplare per volta.


id: ccsj-64
author: Versaci, Antonella; Cardaci, Alessio
title: The restoration of color in the French historic cities: approaches, methods and experiences
date: 2016-09-28
pages: 14
extension: .pdf
mime: application/pdf
words: 7953
sentence: 282
flesch: 43
cache: cache/ccsj-64.pdf
txt: txt/ccsj-64.txt
summary:
  i n e - secteurs-proteges) pregi, i limiti e le carenze di una sperimentazione che sembra globalmente confermare l’ipotesi di una efficacia strettamente vincolata alle qualità dei suoi attuatori. Al di là di alcuni casi particolari, il tema delle coloriture nei centri storici sembra svincolato dalle altre preoccupazioni inerenti la tematica del restauro e più che alla tutela e alla conservazione di determinate tinte legate a dati ambienti storicizzati e alle connesse stratificazioni storiche, sembra predominare l’interesse verso la pianificazione di nuove cromie da attribuire ai fronti degli antichi edifici e all’edilizia di accompagnamento. 35 Cultura e Scienza del Colore - Color Culture and Science | 06 | 2016 | 23 - 36 The restoration of color in the French historic cities: approaches, methods and experiences ISSN 2384-9568 CONFLICT OF INTEREST


id: ccsj-42
author: Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo
date: 2019-05-24
pages: 7
extension: .pdf
mime: application/pdf
words: 3262
sentence: 129
flesch: 41
cache: cache/ccsj-42.pdf
txt: txt/ccsj-42.txt
title:
  'Khrôma' the first software for management of the Color and Decoration Plan for small historic villages

summary:
  28 Color Culture and Science Journal Vol. 11 (1) DOI: 10.23738/CCSJ.110103 'Khrôma' the first software for management of the Color and Decoration Plan for small historic villages Filippo Cherubini 1 , Andrea Casini 1 , Costanza Cucci 1 , Marcello Picollo 1 , Lorenzo Stefani 1 1 Istituto di Fisica applicata ABSTRACT The 'Khrôma' project is aimed at creating the first software for the management of the Color and Decoration Plan that can be applied to small historic villages.


id: ccsj-88
author: Mastropietro von Rautenkrantz, Marina
title: Colour in Food Packaging Strategies and Rules
date: 2016-03-02
pages: 10
extension: .pdf
mime: application/pdf
words: 4384
sentence: 192
flesch: 58
cache: cache/ccsj-88.pdf
txt: txt/ccsj-88.txt
summary:
  FOOD PACKAGING Originally conceived to prevent diseases deriving from poor sanitary conditions, food packaging means more than a mere food package. Changes and adaptations of product packaging, shape and colour are common to meet country specific expectation.


id: ccsj-47
author: Perdomo, Lina
title: Industrial colour invention: a comparative analysis from the perspective of the colourist designer
date: 2019-06-10
pages: 10
extension: .pdf
mime: application/pdf
words: 10698
sentence: 335
flesch: 55
cache: cache/ccsj-47.pdf
txt: txt/ccsj-47.txt
summary:
  3.1 Fan deck company A (Latin America) – 1407 colours (colour tool A) In comparison with colour tool A, this first group does not introduce the whole range of colours that we find in the tool as it covers only five colour families of the NCS colour circle (-G80Y, - G90Y, -Y, -Y50R, -R).


id: ccsj-91
author: Chambers , Paul ; Patera , Marianne ; Cox , Trevor
title: A Look into Cross-modal Associations between Taste, Color and Music
date: 2016-02-08
pages: 6
extension: .pdf
mime: application/pdf
words: 4136
sentence: 206
flesch: 60
cache: cache/ccsj-91.pdf
txt: txt/ccsj-91.txt
summary:
  Color showed a statistically significant effect on sweet taste perception, with red and green being linked to higher sweetness scores than blue or white. Color was found to have a significant effect on taste perception with a significance value of p = 0.0005 (F= (3, 54) = 7.292), which also returned a partial Eta squared effect size of η2= 0.757.


id: ccsj-35
author: Siniscalco, Andrea; Guarini, Gianluca
title: Digital Visualization of a Luminaire: From blueprint to Photorealistic Representation
date: 2018-04-19
pages: 10
extension: .pdf
mime: application/pdf
words: 6441
sentence: 259
flesch: 50
cache: cache/ccsj-35.pdf
txt: txt/ccsj-35.txt
summary:
  Real luminaires, in most cases, have a spatial distribution of the lighting intensity more complex than those achievable through OpenGL lights. CASE STUDIES Five case studies of digital representation of real luminaires will be described below, but before starting, a little premise is necessary: the described techniques, both for modelling and for rendering, are not the only ones that can be used.


id: ccsj-76
author: Tallarita, Anna Luana
title: Red: the symbol in history
date: 2017-05-31
pages: 5
extension: .pdf
mime: application/pdf
words: 3705
sentence: 160
flesch: 62
cache: cache/ccsj-76.pdf
txt: txt/ccsj-76.txt
summary:
  S. Giovanni dirà: Questi è colui che è venuto con acqua e sangue, Gesù Cristo; non con acqua soltanto, ma con l’acqua, e con il sangue. Il fuoco è la base della luce che si dimensiona in quella parte della giornata in cui si svolge l’azione umana e per tale ragione rappresenta l’azione in genere e come tale o come simbolo dell’attacco e della conquista è complementare al verde che rappresenta il colore della conservazione e della difesa e simboleggia il dio Marte, il dio della guerra Marte rappresenta il colore rosso nel suo aspetto negativo legato alla forza, alla violenza e allo spargimento di sangue.


id: ccsj-96
author: Besenecker, Ute; Krueger, Ted; Pearson, Zachary; Bullough , John D. ; Gerlach , Robert
title: The experience of equivalent luminous colors at architectural scale
date: 2018-08-03
pages: 8
extension: .pdf
mime: application/pdf
words: 4004
sentence: 183
flesch: 46
cache: cache/ccsj-96.pdf
txt: txt/ccsj-96.txt
summary:
  Figure 3 -Spectral power distributions of cyan conditions 2-7 in relation to condition 1 (scaled for relative light level). In theaters and studios, seven- color light emitting diode (LED) systems are being used increasingly to replace traditional filtered tungsten sources.


id: ccsj-67
author: Bollini, Letizia
title: Topos vs. Iris. Colour design in Web 3.0 mobile app and OS: a critical review
date: 2016-07-01
pages: 7
extension: .pdf
mime: application/pdf
words: 4089
sentence: 145
flesch: 48
cache: cache/ccsj-67.pdf
txt: txt/ccsj-67.txt
summary:
  If the first generation of Internet adopts a set of colours to indicate the different states of the interaction of a link or a button – i.e. link: blue, active link: red, visited link: purple – in Web 2.0, the semantic of colour becomes more complex. A way to admit that colour meaning and mood, if correctly used to highlight or put elements in evidence, are stronger than standard —not designed— solutions inherited by the software culture.


id: ccsj-50
author: Bideaux, Kévin
title: Millennial pink: gender, feminism and marketing. A critical Analysis of a color trend
date: 2019-07-02
pages: 8
extension: .pdf
mime: application/pdf
words: 4344
sentence: 260
flesch: 61
cache: cache/ccsj-50.pdf
txt: txt/ccsj-50.txt
summary:
  Pink but not really, millennial pink could be described as almost pink. I intend to analyze this trend through the lens of gender studies, as it appears that millennial pink, far from being genderless, is actually a new form of gendered marketing.


id: ccsj-77
author: Marotta, Anna
title: Art and Colour in the Requali cation of Urban Areas and Landscapes
date: 2017-05-31
pages: 16
extension: .pdf
mime: application/pdf
words: 9762
sentence: 388
flesch: 48
cache: cache/ccsj-77.pdf
txt: txt/ccsj-77.txt
summary:
  criteri apparenti a partire dal dopoguerra, progressivamente abbandonate al degrado, ghettizzate, con problemi di manutenzione, viabilità, inquinamento, necessità di un maggior numero di servizi, di luoghi di incontro, di spazi pubblici adeguati, di una maggiore identità locale, a lungo trascurate in favore della rinascita del centro storico. [2]; e ancora «il concetto di periferia è comunemente associato ad una immagine di degrado, di mancanza di infrastrutture, di povertà economica e culturale.


id: ccsj-87
author: Musso, Maria Luisa
title: Colour as a Code in Food Packaging: an Argentine Case
date: 2016-02-19
pages: 6
extension: .pdf
mime: application/pdf
words: 2297
sentence: 132
flesch: 59
cache: cache/ccsj-87.pdf
txt: txt/ccsj-87.txt
summary:
  In Spain, for instance, light products began to appear in the 80’s proposed as healthy products. Big companies of massive consumer products invested heavily in communication to encourage the establishing of an expressive symbolic code.


id: ccsj-83
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2017-06-01
pages: 5
extension: .pdf
mime: application/pdf
words: 2074
sentence: 96
flesch: 57
cache: cache/ccsj-83.pdf
txt: txt/ccsj-83.txt
summary:
  In this column, we focus our attention on the topic “Food & Colour” that is of great interest for all of us, because color- based food visual inspection allows to decide about the freshness of the food, and food color often unawares influences our food choices. These images show the large variety of food colors and they are an example of how food can stimulate the human creativity.


id: ccsj-79
author: Apollonio, Fabrizio Ivan; Ballabeni, Andrea; Gaiani , Marco
date: 2017-06-02
pages: 19
extension: .pdf
mime: application/pdf
words: 10126
sentence: 466
flesch: 47
cache: cache/ccsj-79.pdf
txt: txt/ccsj-79.txt
title:
  Highlight and Specular reflection removal in photogrammetric techniques applied to Architectural Heritage 3D modeling

summary:
  [25] G.J. Klinker, et al., “The measurement of highlights in color images”, IJCV, 1988, Vol. 2, N. 1, pp 7-32. [26] K. Schluns, A. Koschan, “Global and local highlight analysis in color images”, CGIP ‘2000 Proceedings, 2000, pp.


id: ccsj-57
author: Kwiatkowska - Lubanska, Agata
date: 2017-08-31
pages: 5
extension: .pdf
mime: application/pdf
words: 2945
sentence: 104
flesch: 48
cache: cache/ccsj-57.pdf
txt: txt/ccsj-57.txt
title:
  Colour as a mass product. Designing of the collection of interior paint colours for the Polish market

summary:
  Designing colour collections for two large Polish companies over several years has allowed me to make certain interesting observations concerning the specific colour preferences of the Polish customer, based on both sales results and the colour trends established by the Polish market, which are often different from the trends of Western Europe. As it has been shown by the research carried out by the Institute of Industrial Design in Warsaw in 2011, the basic reasons for choosing interior colours are as follows: individual colour preferences of consumers (48%), price (18%), colours of other furnishings (15%), family and friends’ advice (8%), designs derived from the interior and architectural magazines (5%), sale special offers (4%), others (2%).


id: ccsj-69
author: Cavaleri, Tiziana; Clonier, Isabelle; Croveri, Paola; Giovagnoli, Annamaria; Piccirillo, Anna
date: 2016-09-30
pages: 9
extension: .pdf
mime: application/pdf
words: 5265
sentence: 163
flesch: 44
cache: cache/ccsj-69.pdf
txt: txt/ccsj-69.txt
title:
  Colorimetric and spectrophotometric analyses for an ecoinnovative application of natural dyeing in textile conservation

summary:
  Considering CRITT samples simulating the triangle’s sides, one problem about the use of natural dyes emerges soon: ΔE 00 calculated between close natural samples (table 1) are high and non-homogenous, suggesting that operator SAMPLES OF COLOURS ALONG THE YMG TRIANGLE’S SIDES Pre-metallized YM mixtures CRITT natural dyeing Pre-metallized YG mixtures CRITT natural dyeing Pre-metallized MG mixtures CRITT natural dyeing Magenta % ΔE 00 between close samples ΔE 00 be- tween close samples Grey % ΔE 00 between close samples ΔE 00 between close samples Grey % ΔE 00 between close sam- ples ΔE 00 between close samples 0 0 0 10 19.2 19.1 10 26.3 12.4 10 5.2 6.2 20 11.3 12.2 20 9.2 21.3 20 4.1 11.3 30 5.1 11.4 30 6.4 14.5 30 2.2 7.4 40 4.3 6.3 40 4.1 5.1 40 2.1 3.3 50 1.2 7.2 50 3.2 50 2.3 4.1 60 3.4 7.3 60 3.1 18.2 60 2.3 5.2 70 2.1 15.3 70 3.1 5.4 70 2.1 4.2 80 2.2 7.2 80 2.4 6.1 80 2.4 5.3 90 2.4 2.2 90 2.2 4.1 90 1.2 4.1 100 3.3 3.4 100 2.1 3.2 100 1.3 3.2 Table 1 - Trends of the ΔE 00 calculated between couples of close samples along the YMG triangle’ sides and between their respective couples of samples reproduced by CRITT with natural ingredients 74 Cultura e Scienza del Colore - Color Culture and Science | 06 NATURAL DYES AND NON-TOXIC MORDANTS BEHAVIOR Inside the collection of natural samples made by CRITT, many recipes contain more than one dye and/or more than one mordant.


id: ccsj-94
author: Benkhedda, Meriem; Tabet Aoul , Kheira
title: Color on Ceramics in the Medieval Architecture of Tlemcen, Algeria: Light, Ambiance and Symbolism
date: 2018-11-30
pages: 6
extension: .pdf
mime: application/pdf
words: 4018
sentence: 225
flesch: 58
cache: cache/ccsj-94.pdf
txt: txt/ccsj-94.txt
summary:
  In this floral composition, the color contrast is very pronounced, creating a raised pattern effect: the floral decor in dark brown seems to stand out from its white background (color contrast between advancing and receding colors). Comparatively, little has been done in terms of the study of color design and arrangements.


id: ccsj-63
author: Colonnese, Fabio
date: 2016-09-30
pages: 16
extension: .pdf
mime: application/pdf
words: 9210
sentence: 355
flesch: 48
cache: cache/ccsj-63.pdf
txt: txt/ccsj-63.txt
title:
  Chromatic gradation as a symbolic and spatial device in the European context: Piero Bottoni’s Cromatismi architettonici

summary:
  I CROMATISMI DALL’ACQUERELLO AL DIGITALE E AL REALE Gran parte dell’innegabile fascino dei disegni di Bottoni risiede non solo nella visione ordinata e cromaticamente sinfonica della città e nelle atmosfere poetiche e vagamente inquietanti, ma anche nella tecnica utilizzata: l’acquarello inevitabilmente evoca l’idea del lavoro manuale, dell’impronta umana oltre che un certo senso di arte, di gioco e, oggi, anche di nostalgia. Ombre proprie e portate sono simulate mediante l’applicazione di velature di grigio.


id: ccsj-89
author: Casciani , Daria ; Musante, Fulvio ; Rossi , Maurizio
title: Domestic Horticultural - Centric Lighting Design
date: 2015-12-15
pages: 10
extension: .pdf
mime: application/pdf
words: 3989
sentence: 148
flesch: 38
cache: cache/ccsj-89.pdf
txt: txt/ccsj-89.txt
summary:
  More than this, the aim was to gather insights in terms of desired features to better define a domestic horticultural-centric LEDs based lighting system. Finally, LEDs were recognized as a more efficient technology for indoor growing compared to traditional lighting systems not only in terms of lower energy consumption but also in terms of the lighting quality provided that responds more precisely to plants’ needs, thus defining a more productive growing system.


id: ccsj-48
author: Barbato, Giuseppe; Bellia, Laura; Morone, Alfonso
date: 2019-06-03
pages: 7
extension: .pdf
mime: application/pdf
words: 5081
sentence: 208
flesch: 44
cache: cache/ccsj-48.pdf
txt: txt/ccsj-48.txt
title:
  How the colours of objects and light affect human emotions, performance and health. The need for a holistic approach to design indoor environment.

summary:
  Light colours for walls are to be preferred for most applications, in order to increase adaptation luminance and illuminances both for visual comfort and energy saving. It appears necessary to establish reciprocal interactions among the different disciplines involved in the choice of objects and light colours, and namely among researchers in medical science, psychology, lighting and industrial design, in order to assess an interdisciplinary methodology that can be applied to indoor design.


id: ccsj-65
author: Gregoris, Chiara
title: Colour and light in communication of fabric façades
date: 2016-09-30
pages: 10
extension: .pdf
mime: application/pdf
words: 6404
sentence: 235
flesch: 45
cache: cache/ccsj-65.pdf
txt: txt/ccsj-65.txt
summary:
  Grazie alle sue caratteristiche di leggerezza e flessibilità il materiale tessile può essere impiegato per esplorare nuove forme e soluzioni, in grado di adattarsi alle richieste dello stile di vita contemporaneo. Se di giorno il disegno è composto da sfumature di grigio, di notte i colori si fanno accesi e variano dall’azzurro pallido al blu/viola intenso.


id: ccsj-92
author: Poli, Anna
title: Food Perception Without Colors
date: 2016-01-22
pages: 7
extension: .pdf
mime: application/pdf
words: 5203
sentence: 197
flesch: 50
cache: cache/ccsj-92.pdf
txt: txt/ccsj-92.txt
summary:
  But if a person lacks the sensorial perception of food colors does the stimulation of gastric juices always rely on the visual channel? What effects does this lack of color perception have on their nutrition?


id: ccsj-55
author: Sabatini, Desirée; Forte, Ivano; Schiavitti, Ilma; Sabatini, Mauro; Pietrini, Alessio
date: 2017-11-13
pages: 12
extension: .pdf
mime: application/pdf
words: 8366
sentence: 281
flesch: 45
cache: cache/ccsj-55.pdf
txt: txt/ccsj-55.txt
title:
   The recovery of the original colour of the archive material: the digital colour correction of the ancient anti- Semitic discourse of the Duce in 1938

summary:
  Queste operazioni sono state utili per poter applicare le giuste correzioni a seconda dei disturbi riscontrati, in particolare è stata effettuata una omogeneizzazione della luminosità (mezzi toni, alte e basse luci) e della gradazione di bianco e nero a livello globale, mentre sui fotogrammi che risultavano maggiormente sbiaditi (primi piani di Mussolini) è stata applicata una maschera di contrasto che ha permesso, quindi, un intervento selettivo. Tuttavia, dato il tipo di codec e di formato, e tenuto conto delle macchine a disposizione per il lavoro, il progetto di restauro in questo caso è stato impostato in uno spazio colore RGB lineare a 8 bit.


id: ccsj-78
author: Lecca, Michela
title: Using Color and Local Binary Patterns for Texture Retrieval
date: 2017-05-14
pages: 10
extension: .pdf
mime: application/pdf
words: 4782
sentence: 203
flesch: 53
cache: cache/ccsj-78.pdf
txt: txt/ccsj-78.txt
summary:
  Her research interests include color image processing, object recognition, image retrieval and labeling, and low-level image processing for embedded vision systems. In fact, the change of image colors due to an illuminant change is well approximated by the von Kries diagonal map between the color responses captured under the varied lights [14], [16], i.e. where the s are real strictly positive numbers, called von Kries coefficients, and is the intensity value of the -th color channel ( = 0, 1, 2, i.e. red, green, blue) of the RGB input image.


id: ccsj-97
title: The changing colour of CHANEL’s lipstick ranges from 1960 to 2015
date: 2018-08-27
pages: 9
extension: .pdf
mime: application/pdf
words: 6437
sentence: 256
flesch: 68
cache: cache/ccsj-97.pdf
txt: txt/ccsj-97.txt
author:
  de Clermont- Gallerande, Hélène; Rolland, Nicolas; Doucet, Patrick; Deydier, Julie; Varichon, Anne; Blin-Barrois, Barbara

summary:
  Rose Aurore 3 Rose Mousseline 4 Rose Tendre 55 Ispahan22 Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7 Rose Aurore 3 Rose Mousseline 4 Rose Tendre 55 Ispahan22 Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7


id: ccsj-80
author: Nishi, Shogo; Kimachi, Akira; Doi, Motonori; Tominaga, Shoji
date: 2017-05-31
pages: 10
extension: .pdf
mime: application/pdf
words: 5809
sentence: 292
flesch: 49
cache: cache/ccsj-80.pdf
txt: txt/ccsj-80.txt
title:
  Image Registration for a Multispectral Imaging System Using Interference Filters and Application to Digital Archiving of Art Paintings

summary:
  Although luminance is an important image feature that is utilized in many registration methods, this feature is not available for registration because the luminance of spectral image varies between wavelength bands. Although a non-linear image registration method can be used to calibrate the distortion caused by misregistration, the method cannot be easily adapted for spectral images with considerable changes in luminance values.


# url

id: ccsj-184
domain: repository.tudelft.nl
url:
  https://repository.tudelft.nl/islandora/object/uuid:0aca38e7-81ae-4ca79b1f-ffcf0f2e33fc?collection=education


id: ccsj-184
domain: www.architonic.com
url:
  https://www.architonic.com/en/story/susanne-fritz-the-very-fabric-ofarchitecture-textile-use-in-construction/7000625


id: ccsj-185
domain: www.dezeen.com
url:
  https://www.dezeen.com/2018/12/05/i-amsterdam-sign-removedcouncil-masstourism/?fbclid=iwar1rntpl2ksphd9duivyv0nq3qvseomnu89t73jit1


id: ccsj-267
domain: www.davidbordwell.net
url:
  http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-aguest-entry-from-barbara-flueckiger


id: ccsj-267
domain: www.davidbordwell.net
url:
  http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a-guest-entry-from-barbara-flueckiger


id: ccsj-202
domain: www.dezeen.com
url:
  www.dezeen.com/2017/12/04/dutch-designers-ericklarenbeek-maartje-dros-convert-algae-biopolymer-3dprinting-good-design-bad-world


id: ccsj-202
domain: www.dezeen.com
url:
  http://www.dezeen.com/2017/12/04/dutch-designers-eric-klarenbeek-maartje-dros-convert-algae-biopolymer-3d-printing-good-design-bad-world


id: ccsj-222
domain: deadline.com
url:
  https://deadline.com/2015/02/grand-budapest-hotel-adam-stockhausenwes-anderson-oscar-nominated-production-design-1201371523


id: ccsj-258
domain: www.lemonde.fr
url:
  https://www.lemonde.fr/culture/article/2020/11/28/un-ete-a-la-garoupedans-l-intimite-surrealiste-de-pablo-picasso-dora-maar-et-leursamis_6061512_3246.html


id: ccsj-258
domain: www.lemonde.fr
url:
  https://www.lemonde.fr/culture/article/2020/11/28/un-ete-a-la-garoupe-dans-l-intimite-surrealiste-de-pablo-picasso-dora-maar-et-leurs-amis_6061512_3246.html


id: ccsj-106
domain: divisare.com
url:
  https://divisare.com/projects/6285lorenzo-capobianco-restyling-della-stazione-di-piazzavanvitelli-linea-1-metropolitana-di-napoli


id: ccsj-247
domain: magazine.artland.com
url:
  https://magazine.artland.com/fritz-langs-metropolis-howthe-iconic-silent-film-took-inspiration-from-art-movements


id: ccsj-301
domain: www.abiresearch.com
url:
  https://www.abiresearch.com/press/abi-research-forecasts-8-millionvehicles-ship-sae-level-3-4-and-5-autonomous-technology-2025


id: ccsj-226
domain: www.telerama.fr
url:
  https://www.telerama.fr/sortir/ettore-spalletti,-une-oeuvre-radicalementminimaliste,-tactile-et-metaphysique,n5620234.php


id: ccsj-226
domain: www.buzzfeed.com
url:
  https://www.buzzfeed.com/fr/rokhayadiallo/le-sparadrapgate-montrecomment-les-specificites-physiques#.mt6kloobl


id: ccsj-224
domain: www.pantone.com
url:
  https://www.pantone.com/about/press-releases/2015/new-tpg-pantonefashion-home-interiors-color-references-produced-with-theenvironment-in-mind


id: ccsj-224
domain: www.pantone.com
url:
  https://www.pantone.com/customer-service/help/?t=difference-between-the-tc/tcx-and-tp/tpx-suffix-after-the-pantone-color-number


id: ccsj-307
domain: www.businessinsider.com
url:
  https://www.businessinsider.com/if-you-have-any-of-these-20-physicalfeatures-your-pay-check-will-probably-be-higher-2011-2


id: ccsj-284
domain: www.semanticscholar.org
url:
  https://www.semanticscholar.org/paper/cultural-influence-to-the-colorpreference-to-sakamoto/173dc6c4794e92c014f4a2e75f9988


id: ccsj-309
domain: www.forbes.com
url:
  https://www.forbes.com/sites/richardkestenbaum/2017/06/19/how-thebeauty-industry-is-adapting-to-change/?sh=584190103681


id: ccsj-292
domain: www.delcampe.net
url:
  https://www.delcampe.net/en_us/collectibles/engravings/lot-de-3tableaux-province-de-france-sous-verre-45-x-54-cm-photos-gorsky1947-1948-voir-7-photos-159030833.html


id: ccsj-240
domain: www.archdaily.com.br
url:
  https://www.archdaily.com.br/br/904239/o-que-acontece-com-ospavilhoes-da-serpentine-gallery-quando-sao-desmontados


id: ccsj-223
domain: theculturetrip.com
url:
  https://theculturetrip.com/africa/south-africa/10-designers-whorebringing-south-africas-style-to-the-world


id: ccsj-223
domain: www.embelleze.com
url:
  https://www.embelleze.com/creme-de-tratamento-novex-meus-cachossanto-black-poderoso/p?idsku=158&gclid=cjwkcaiar6abhafeiwado4sfqpjhi9y0caj6vqxlcn55sjkgwgrjjdfi5xti_tjmev4r9


id: ccsj-198
domain: www.munsellcolourscienceforpainters.com
url:
  http://www.munsellcolourscienceforpainters.com/munsellandkubelkamunktoolbox/munsellandkubelkamunktoolbox.html


id: ccsj-38
domain: it.quora.com
url:
  https://it.quora.com/qual-%c3%a8-una-possibileinterpretazione-dellepiteto-omerico-οἶνοψ-πόντοςmare-color-del-vino


id: ccsj-42
domain: www.icomos.org
url:
  https://www.icomos.org/en/what-we-do/focus/179-articlesenfrancais/ressources/charters-and-standards/159-charter-for-theconservation-of-historic-towns-and-urban-areas


id: ccsj-42
domain: www.icomos.org
url:
  https://www.icomos.org/en/what-we-do/focus/179-articlesen-francais/ressources/charters-and-standards/159-charter-for-the-conservation-of-historic-towns-and-urban-areas


id: ccsj-50
domain: www.lokidesign.net
url:
  https://www.lokidesign.net/journal/2016/2/22/the-propaganda-ofpantone-colour-and-subcultural-sublimation


# ent

id: ccsj-120
sid: 5
eid: 32
type: ORG
entity:
  italiana colore registrazione presso il tribunale di milano al n. 233 del 24.06.2014 http://www.gruppodelcolore.it sommario


id: ccsj-152
sid: 22
eid: 5
type: ORG
entity:
  attraversato i secoli sin dalla fondazione dell’urbe e la costruzione dei giardini cittadini (italiano


id: ccsj-129
sid: 32
eid: 2
type: ORG
entity:
  stimoli più importanti dei primi giorni di vita sono le strutture orizzontali e verticali dello spazio


id: ccsj-129
sid: 81
eid: 1
type: ORG
entity:
  crescendo la percezione del colore sarà sempre meno una sensazione emozionale e sempre più una attività cognitiva.


id: ccsj-125
sid: 9
eid: 1
type: ORG
entity:
  introduzione da un punto di vista percettivo la trasparenza fenomenica consiste semplicemente nella possibilità di vedere qualcosa dietro e


id: ccsj-125
sid: 49
eid: 1
type: ORG
entity:
  suoi occhi è determinata dalla combinazione di radiazioni provenienti sia dai veli trasparenti che dallo sfondo retrostante


id: ccsj-161
sid: 18
eid: 6
type: ORG
entity:
  che la radiazione interagente con ciascuna particella subisca diffusione nella stessa direzione della radiazione incidente


id: ccsj-126
sid: 146
eid: 11
type: ORG
entity:
  dei colori nella sociologia del turismo il colore e la luce sono gli elementi che esercitano il maggiore impatto psicologico e fisiologico sull’ambiente


id: ccsj-184
sid: 211
eid: 1
type: PERSON
entity:
  https://repository.tudelft.nl/islandora/object/uuid:0aca38e7-81ae-4ca79b1f-ffcf0f2e33fc?collection=education bauman


id: ccsj-145
sid: 139
eid: 9
type: PERSON
entity:
  di approfondire le osservazioni deducibili dalla sola analisi dell’andamento dei valori delle coordinate colorimetriche e della riflettanza.


id: ccsj-111
sid: 12
eid: 1
type: PERSON
entity:
  alla compagnia di gesù spiega la profonda preparazione con cui analizza la relazione tra arte e teologia


id: ccsj-123
sid: 16
eid: 1
type: ORG
entity:
  gli effetti percettivi del decadimento si traducono nella comparsa di una alterazione cromatica predominante


id: ccsj-122
sid: 4
eid: 15
type: PERSON
entity:
  di giulio bertagna e aldo bottoli riproduzione di colori parzialmente nascosti da veli trasparenti di osvaldo da pos e


id: ccsj-122
sid: 6
eid: 1
type: ORG
entity:
  sociologia dell’ospitalità turistica di bepi de mario misure di colore per la caratterizzazione e il monitoraggio di


id: ccsj-127
sid: 17
eid: 6
type: ORG
entity:
  controllare la resa cromatica dei ritocchi o di altri processi di restauro e monitorare il comportamento


id: ccsj-127
sid: 46
eid: 2
type: ORG
entity:
  del rutilo anche negli spettri acquisiti sulle campiture di colore fa supporre che l’artista lo abbia impiegato


id: ccsj-136
sid: 16
eid: 2
type: ORG
entity:
  tecniche di mappatura delle immagini fotografiche alla nuvola di punti consentono di completare punto


id: ccsj-136
sid: 22
eid: 1
type: ORG
entity:
  letteratura si dimostra che le variabili maggiormente influenti su r sono l’angolo di incidenza e l’indice di rifrazione del materiale


id: ccsj-136
sid: 93
eid: 2
type: ORG
entity:
  posizionamento della presa laser ha mirato alla riduzione delle zone d’ombra valutando adeguatamente l’angolo presa


id: ccsj-134
sid: 95
eid: 1
type: ORG
entity:
  nido o nella scuola dell’infanzia, le altre attività si riferivano invece alla coloritura o alla pittura


id: ccsj-146
sid: 90
eid: 3
type: ORG
entity:
  un ruolo centrale ed imprescindibile all’interno degli habitat extraatmosferici migliorando il grado


id: ccsj-135
sid: 24
eid: 1
type: ORG
entity:
  la struttura superficiale è uno dei tre elementi di discriminazione della giulio bertagna aldo bottoli


id: ccsj-135
sid: 96
eid: 3
type: ORG
entity:
  superficiale è quella vista e valutata concentrando l’osservazione su di una porzione della superficie dell’oggetto


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sid: 96
eid: 9
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  http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-aguest-entry-from-barbara-flueckiger/


id: ccsj-267
sid: 97
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id: ccsj-276
sid: 191
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  10.1167/19.1 https://drive.google.com/drive/folders/1f5efcwpu3f_moaadmp1vvwidbp0oybo2?usp=sharing https://drive.google.com/drive/folders/1f5efcwpu3f_moaadmp1vvwidbp0oybo2?usp=sharing


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  https://magazine.artland.com/fritz-langs-metropolis-howthe-iconic-silent-film-took-inspiration-from-art-movements/


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id: ccsj-262
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sid: 342
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  https://ilgiornaledellarchitettura.com/web/2018/12/04/tomas-maldonado-1922-2018/ https://ilgiornaledellarchitettura.com/web/2018/12/04/tomas-maldonado-1922-2018/


id: ccsj-223
sid: 209
eid: 6
type: NORP
entity:
  https://theculturetrip.com/africa/south-africa/10-designers-whorebringing-south-africas-style-to-the-world/


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sid: 279
eid: 1
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  http://www.munsellcolourscienceforpainters.com/munsellandkubelkam unktoolbox/munsellandkubelkamunktoolbox.html


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  adeguarsi agli standard richiesti senza stravolgere la natura multidisciplinare della rivista e le motivazioni per cui è nata


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eid: 3
type: ORG
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  l’utilizzo della luce e del colore sulle facciate degli edifici viene approfondito da chiara gregoris analizzando alcune


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eid: 4
type: ORG
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  nella stazione di toledo di tusquest blanca la stazione toledo di oscar tusquest blanca si colloca nell’intersezione tra


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sid: 277
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  un insieme di immagini serigrafiche di celebri artisti contemporanei che, affiancate l’una all’altra


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sid: 403
eid: 1
type: ORG
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  testimonianza della cinta bastionata della cittadella aragonese è l’antemurale con torrione emerso dagli scavi


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  mailto:luca.giuliani@studenti.unimi.it mailto:alice.plutino@unimi.it mailto:alessandro.rizzi@unimi.it


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sid: 68
eid: 2
type: ORG
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  dalla fenice ai rituali sciamanici il rosso-simbolo del fuoco dello spirito santo inspira altresì il sapere e infonde


id: ccsj-39
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eid: 1
type: PERSON
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  https://projekte.sueddeutsche.de/artikel/wissen/angriff-auf-die-wissenschaft-e398250/?reduced=true bauer


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sid: 59
eid: 7
type: ORG
entity:
  presentano una dissertazione scientifico bibliografica sulla differenza tra la sensazione cromatica fisiologica e la percezione cromatica cognitiva.


id: ccsj-65
sid: 37
eid: 4
type: ORG
entity:
  una nuova identità grazie alle caratteristiche di semitrasparenza che consentono di creare effetti smaterializzati e


id: ccsj-30
sid: 19
eid: 4
type: ORG
entity:
  elaborano e inviano al direttore responsabile un giudizio riassuntivo sull’accettazione o meno dell’articolo.


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sid: 16
eid: 4
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entity:
  elaborano ed inviano al direttore responsabile un giudizio riassuntivo sull’accettazione o meno dell’articolo


id: ccsj-55
sid: 152
eid: 4
type: ORG
entity:
  soluzione nel fissaggio viene normalmente recuperato tramite elettrolisi dal bagno di fissaggio stesso


id: ccsj-55
sid: 245
eid: 5
type: PERSON
entity:
  contrasto che ha permesso di restituire maggiore definizione alle aree che apparivano particolarmente


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sid: 182
eid: 10
type: PERSON
entity:
  identificando nel colore la traduzione di simbolismi e significati ricorrenti nell’accezione generalizzata di ciascun patrimonio culturale


id: ccsj-33
sid: 202
eid: 7
type: ORG
entity:
  colorés d’une étendue sensible et en particulier des arts du tapissier des gobelins et du tapissier de la savonnerie


id: ccsj-63
sid: 86
eid: 1
type: ORG
entity:
  stessi presupposti si ritrovano nell’utilizzo delle gradazioni cromatiche nella russia rivoluzionaria


id: ccsj-63
sid: 179
eid: 2
type: ORG
entity:
  fasce cromatiche orizzontali presentano una gradazione costante e ininterrotta della luminosità verso l’alto o


id: ccsj-63
sid: 199
eid: 2
type: ORG
entity:
  pari alla altezza degli interpiani ha la conseguenza di evidenziare i piani di cui si compone ogni edificio e


id: ccsj-63
sid: 256
eid: 2
type: ORG
entity:
  colorazione da utilizzare per facciate che presentano una struttura gerarchica antagonista alle fasce orizzontali


id: ccsj-64
sid: 38
eid: 11
type: PERSON
entity:
  di tali porzioni di territorio e contraddistinte da una visione democratica e partecipativa, il tema del colore dell’architettura


id: ccsj-64
sid: 133
eid: 8
type: ORG
entity:
  la valutazione degli elementi minerali e vegetali presenti nonché la determinazione della qualità della luce


id: ccsj-64
sid: 208
eid: 10
type: ORG
entity:
  sommariamente con vernici acriliche che inevitabilmente conducevano alla perdita dei colori e dei decori originali


# pos

id: ccsj-267
sid: 97
tid: 10
pos: INTJ
token:
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lemma:
  http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a-guest-entry-from-barbara-flueckiger/


id: ccsj-222
sid: 144
tid: 4
pos: PROPN
token:
  https://deadline.com/2015/02/grand-budapest-hotel-adam-stockhausenwes-anderson-oscar-nominated-production-design-1201371523/

lemma:
  https://deadline.com/2015/02/grand-budapest-hotel-adam-stockhausenwes-anderson-oscar-nominated-production-design-1201371523/


id: ccsj-240
sid: 154
tid: 8
pos: NOUN
token:
  https://www.archdaily.com.br/br/904239/o-que-acontece-com-ospavilhoes-da-serpentine-gallery-quando-sao-desmontados

lemma:
  https://www.archdaily.com.br/br/904239/o-que-acontece-com-ospavilhoes-da-serpentine-gallery-quando-sao-desmontado


