Color Culture and Science Cultura e Scienza del Colore CCSJ Volume 11 Number 2 2019 ISSN 2384-9568 COLOR CULTURE AND SCIENCE (CCSJ) CULTURA E SCIENZA DEL COLORE jcolore.gruppodelcolore.it ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE E227716 ROAD: the Directory of Open Access scholarly Resources Registrazione presso il Tribunale di Milano n. 233: 24/06/2014 Volume 11, number 2, Dec. 2019, DOI 10.23738/CCSJ.110200 PUBLISHER Gruppo del Colore – Associazione Italiana Colore www.gruppodelcolore.org Registered office: Piazza Carlo Caneva, 4 - 20154 Milan (IT) PEER REVIEW PROCESS All articles submitted to the " Color Culture and Science Journal are peer-reviewed according to the following procedure: First review level The Associate Editors evaluate each article in order to determine if the topic and content are of interest to the journal. Once the article passes the initial review, the Associate Editors select several referees in the Editorial Board based on their expertise in a particular subject area or topic. Second review level Each article is reviewed by two or three referees and submitted to a double-blind peer review process where both the authors and the reviewers are kept anonymous. Referees are asked to evaluate the manuscript based on the following criteria:  Originality  Relevance to journal’s aims and scope  Technical merit and/or validity  Soundness of methodology  Completeness of the reported work  Conclusions supported by the data  Correct acknowledgment of the work of others through reference  Effectiveness of the manuscript (organization and writing)  Clarity of tables, graphs, and illustrations  Importance to color researchers  Relevance to color practices If the article is accepted with major revisions by the referees, the author(s) are asked to improve the article according to the suggestions of the referees. The revised article will then be submitted to a further review. After collecting the referees' reports, the Associate Editors make a recommendation on the acceptability of the article to the Editor-in-Chief. EDITORIAL BOARD MEMBERS John Barbur (City University London, UK) Giovanni Bartolozzi (IFAC-CNR, IT) Laura Bellia (Università di Napoli Federico II, IT) Berit Bergstrom (NCS Colour AB, SE) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, UK) Aldo Bottoli (B&B Colordesign, IT) José Luis Caivano (Universidad de Buenos Aires, AR) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, UK) Paula Csillag (ESPM University, BR) Osvaldo Da Pos (Università degli Studi di Padova, IT) Hélène DeClermont-Gallernade (Chanel Parfum beauté, FR) Reiner Eschbach (Xerox, USA) Alessandro Farini (INO-CNR, IT) Christine Fernandez-Maloigne (University of Poitiers, FR) Renato Figini (Konica-Minolta Sensing Europe, EU) Raffaella Fontana (INO-CNR, IT) Davide Gadia (Università degli Studi di Milano, IT) Marco Gaiani (Alma Mater Studiorum Università di Bologna, IT) Robert Hirschler (Serviço Nacional de Aprendizagem Industrial, BR) Takahiko Horiuchi (Chiba University, JP) Sandra Krasovec (Fashion Institute of Technology, USA) Agata Kwiatkowska-Lubańska (Academy of Fine Arts, Kraków, Pl) Francisco Imai (Canon, USA) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (GdC-Associazione Italiana Colore, IT) Gabriel Marcu (Apple, USA) Anna Marotta (Politecnico di Torino, IT) Manuel Melgosa (Universidad de Granada, ES) Anna Grazia Mignani (IFAC-CNR, IT) Annie Mollard-Desfour (CNRS, FR) Maria Luisa Musso (Universidad de Buenos Aires, RA) Galina Paramei (Liverpool Hope University, UK) Laurence Pauliac (Historienne de l’Art et de l’Architecture, Paris, FR) Silvia Piardi (Politecnico di Milano, IT) Marcello Picollo (IFAC-CNR, IT) Renata Pompas (AFOL Milano-Moda, IT) Boris Pretzel (Victoria & Albert Museum, UK) Noel Richard (University of Poitiers, FR) Katia Ripamonti (Cambridge Research System, UK) Alessandro Rizzi (Università degli Studi di Milano, IT) Maurizio Rossi (Politecnico di Milano, IT) Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Mari UUsküla (Tallinn University, EE) Francesca Valan (Studio Valan, IT) Ralf Weber (Dresden University, DE) Stephen Westland (University of Leeds, UK) Alexander Wilkie (Charles University in Prague, CZ) ASSOCIATE EDITORS José Luis Caivano (Universidad de Buenos Aires, AR) Vien Cheung (University of Leeds, UK) Marco Gaiani (Alma Mater Studiorum Università di Bologna, IT) Robert Hirschler (Serviço Nacional de Aprendizagem Industrial, BR) Agata Kwiatkowska-Lubańska (Academy of Fine Arts, Kraków, Pl) Marcello Picollo (IFAC-CNR, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Renzo Shamey (NC State University, USA) Francesca Valan (Studio Valan, IT) DEPUTY EDITOR Alessandro Rizzi (Università degli Studi di Milano, IT) EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT) 3 Color Culture and Science Journal Vol. 11 (2) ISSN 2384-9568 Table of Contents Editorial 5 Maurizio Rossi The Colored Chemistry 7 David Ajò, Giuseppe Elettivo, Federica Fenzi, Stella Nunziante Cesaro, Sabrina Tegani DOI: 10.23738/CCSJ.110201 The colours of the ancient Greek architecture 14 Rossana Netti DOI: 10.23738/CCSJ.110202 Primary colors as a source of possible misconceptions: an insight into teaching and learning about color 25 Berta Martini, Monica Tombolato, Rossella D’Ugo DOI: 10.23738/CCSJ.110203 Chromatic values in Pablo Picasso’s early work: a comparison of hues in “Science and Charity” (1897) and its three oil sketches 34 Marcello Picollo, Costanza Cucci, Lorenzo Stefani, Reyes Jiménez-Garnica, Laura Fuster-López, Anna Vila DOI: 10.23738/CCSJ.110204 Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni 43 Franca Zuccoli DOI: 10.23738/CCSJ.110205 From Dots to Atoms: “Light and Color’’ Techniques in Fifteenth and Sixteenth Centuries’ Painting 49 Carmen Di Meo DOI: 10.23738/CCSJ.110206 4 Color Culture and Science Journal Vol. 11 (2) ISSN 2384-9568 Two theories for a model: the “querelle” between Klee and Ostwald 63 Anna Marotta DOI: 10.23738/CCSJ.110207 Under the lens of ISLe: Leonardo da Vinci’s "Landscape" drawing analysed by colourimetry 73 Marco Gaiani, Fabrizio Ivan Apollonio DOI: 10.23738/CCSJ.110208 A case study on light and colour for monuments and cultural assets 82 Andrea Siniscalco DOI: 10.23738/CCSJ.110209 Evaluation of the perceived colour difference under different lighting for museum applications 90 Alice Plutino, Laura Grechi, Alessandro Rizzi DOI: 10.23738/CCSJ.110210 Coloumn REVIEW: Nature & Colour - New perspectives on dyeing 98 Renata Pompas 5 Color Culture and Science Journal Vol. 11 (2) ISSN 2384-9568 Editorial Dear Readers, with vol 11 n. 2 we close a six-year cycle and go on for a future of consolidation of our journal in the next year. As announced, the journal web management is now available online via the Open Journal System and DOI database has been updated accordingly, given that the old joomla site has been discontinued and the URLs of all the previously published papers have been changed. This will allow a better indexing of the published articles and will guarantee the compatibility with Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH). Since 2014 we have published 11 volumes for a total of 12 issues, adopting from 2019 the new numbering which publishes one volume per year with two or more issues for each year. Since 2015 we have applied the double blind peer review and since 2016 we have applied the Digital Object Identifier System. This has been possible thanks to the voluntary support of the members of the "Associazione Italiana Colore" who work in the editorial committee, thanks to the members of the editorial board, thanks to the deputy editor Alessandro Rizzi and the President of our association Marcello Picollo who, from the beginning of his mandate, has guaranteed support to the CCSJ. A special thanks goes to Filippo Cherubini of IFAC-CNR who oversaw the migration of our archive to the Open Journal System, to Veronica Marchiafava, the secretary of our association, for the management of DOI database and to Andrea Sinicalco, the vice- president of our association, for the graphic support for the new layout. After six year of publishing of the CCSJ it is also useful to recall the importance of the concept of double open access under which our journal is managed and published: the journal is completely free for both readers and authors. Since 2019 we have also had the significant support of the Associate editors and from this issue we also have a new entry, Agata Kwiatkowska-Lubańska of the Academy of Fine Arts of Kraków (Poland), who will support the peer review process of the papers in the area of Color and Design: furniture, design, fashion, textiles, cosmetics, food design, museography. The peculiarity of our journal, also written in the statute of our publisher, the Associazione Italiana Colore, is to collect papers on color and related areas in a multidisciplinary way. This basically means that in our peer review process we could have papers ranging from the science of colorimetry to the culture of color in the history of art. Moreover, these papers have very different styles and ways of writing, as diverse is the group of the peer reviewers that constitutes our editorial board. This multidisciplinarity is a richness for the mind, for color science and for color culture, and I will not get tired of repeating it to all those who collaborate in the journal or at the Conferenza del Colore, and specially to those few people who tend cyclically and obstinately to forget it. December, 2019 The Editor-in-Chief Maurizio Rossi Full professor of Lighting Design and Design Methods Politecnico di Milano 6 Color Culture and Science Journal Vol. 11 (2) ISSN 2384-9568 This page intentionally left blank