Color Culture and Science Cultura e Scienza del Colore Special Issue on FRCC2019 Editors: Verena M. Schindler, Yulia A. Griber CCSJ Volume 12 Number 1 2020 ISSN 2384-9568 COLOR CULTURE AND SCIENCE (CCSJ) CULTURA E SCIENZA DEL COLORE jcolore.gruppodelcolore.it ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE E227716 ROAD: the Directory of Open Access scholarly Resources Registrazione presso il Tribunale di Milano n. 233: 24/06/2014 Volume 12, number 1, March 2020 DOI 10.23738/CCSJ.120100 PUBLISHER Gruppo del Colore – Associazione Italiana Colore www.gruppodelcolore.org Registered office: Piazza Carlo Caneva, 4 - 20154 Milan (IT) PEER REVIEW PROCESS All articles submitted to the Color Culture and Science Journal are peer-reviewed according to the following procedure: First review level The Associate Editors evaluate each article in order to determine if the topic and content are of interest to the journal. Once the article passes the initial review, the Associate Editors select several referees from the Editorial Board based on their expertise in a particular subject area or topic. Second review level Each article is reviewed by two or three referees and submitted to a double-blind peer review process where both the authors and the reviewers are kept anonymous. Referees are asked to evaluate the manuscript based on the following criteria: − Originality − Relevance to the journal’s aims and scope − Technical merit and/or validity − Soundness of methodology − Completeness of the reported work − Conclusions supported by the data − Correct acknowledgment of the work of others through reference − Effectiveness of the manuscript (organization and writing) − Clarity of tables, graphs, and illustrations − Importance to color researchers − Relevance to color practices If the article is accepted with major revisions by the referees, the author(s) are asked to improve the article according to the suggestions of the referees. The revised article will then be submitted to a further review. After collecting the referees' reports, the Associate Editors make a recommendation on the acceptability of the article to the Editor-in-Chief. EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT) DEPUTY EDITOR Alessandro Rizzi (Università degli Studi di Milano, IT) ASSOCIATE EDITORS José Luis Caivano (Universidad de Buenos Aires, AR) Vien Cheung (University of Leeds, GB) Marco Gaiani (Alma Mater Studiorum Università di Bologna, IT) Robert Hirschler (Serviço Nacional de Aprendizagem Industrial, BR) Agata Kwiatkowska-Lubańska (Academy of Fine Arts, Kraków, PL) Marcello Picollo (IFAC-CNR, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Renzo Shamey (NC State University, US) Francesca Valan (Studio Valan, IT) EDITORIAL BOARD MEMBERS John Barbur (City University London, GB) Giovanni Bartolozzi (IFAC-CNR, IT) Laura Bellia (Università di Napoli Federico II, IT) Berit Bergström (NCS Colour AB, SE) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, GB) Aldo Bottoli (B&B Colordesign, IT) José Luis Caivano (Universidad de Buenos Aires, AR) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, GB) Paula Csillag (ESPM University, BR) Osvaldo Da Pos (Università degli Studi di Padova, IT) Hélène DeClermont-Gallernade (Chanel Parfum beauté, FR) Reiner Eschbach (Xerox, US) Alessandro Farini (INO-CNR, IT) Christine Fernandez-Maloigne (University of Poitiers, FR) Renato Figini (Konica-Minolta Sensing Europe, EU) Raffaella Fontana (INO-CNR, IT) Davide Gadia (Università degli Studi di Milano, IT) Marco Gaiani (Alma Mater Studiorum Università di Bologna, IT) Robert Hirschler (Serviço Nacional de Aprendizagem Industrial, BR) Takahiko Horiuchi (Chiba University, JP) Sandra Krasovec (Fashion Institute of Technology, US) Agata Kwiatkowska-Lubańska (Academy of Fine Arts, Kraków, PL) Francisco Imai (Canon, USA) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, GB) Veronica Marchiafava (GdC-Associazione Italiana Colore, IT) Gabriel Marcu (Apple, US) Anna Marotta (Politecnico di Torino, IT) Manuel Melgosa (Universidad de Granada, ES) Anna Grazia Mignani (IFAC-CNR, IT) Annie Mollard-Desfour (CNRS, FR) Maria Luisa Musso (Universidad de Buenos Aires, AR) Galina Paramei (Liverpool Hope University, GB) Laurence Pauliac (Historienne de l’Art et de l’Architecture, Paris, FR) Silvia Piardi (Politecnico di Milano, IT) 3 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 Marcello Picollo (IFAC-CNR, IT) Renata Pompas (AFOL Milano-Moda, IT) Boris Pretzel (Victoria & Albert Museum, GB) Noël Richard (University of Poitiers, FR) Katia Ripamonti (Cambridge Research System, GB) Alessandro Rizzi (Università degli Studi di Milano, IT) Maurizio Rossi (Politecnico di Milano, IT) Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Mari Uusküla (Tallinn University, EE) Francesca Valan (Studio Valan, IT) Ralf Weber (Dresden University, DE) Stephen Westland (University of Leeds, GB) Alexander Wilkie (Charles University in Prague, CZ) ADDITIONAL EDITORIAL BOARD MEMBERS FOR THIS SPECIAL ISSUE Kine Angelo (Norwegian University of Science and Technology, Trondheim, NO) Doreen Balabanoff (OCAD University, Toronto, CA) Ingrid Calvo Ivanovic (Universidad de Chile, CL) Verónica Conte (University of Lisbon, PO) Elisa Cordero-Jahr (Austral University of Chile, CL) Annamaria Di Cara (Design Research Associates, Sydney, AU) Maria João Durão (University of Lisbon, PO) Paul Green-Armytage (Curtin University, Perth, AU) Domicele Jonauskaite (University of Lausanne, CH) Ivar Jung (Linnaeus University, SE) Robin Kingsburgh (York University, Toronto, CA) Maggie Maggio (AIC Study Group on Colour Education, US) Fiona McLachlan (University of Edinburgh, GB) Inez Michiels (CITY OF 8 Design Semantics, BE) Gabriela Nirino Larroquette (University of Buenos Aires, AR) Zena O’Connor (Colour Collective Sydney, AU) Jada Schumacher (Fashion Institute of Technology, New York, US) Justyna Tarajko-Kowalska (Cracow University of Technology, PL) Jinghong Wang (Central Academy of Fine Arts Beijing, CN) Country codes compliant with ISO 3166-1 alpha-2 standard 4 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 Table of Contents Editorial 6 Verena M. Schindler, Yulia A. Griber Three colour design proposals for the Market Square in Warsaw 9 Karolina Białobłocka DOI: 10.23738/CCSJ.120101 Color as a sign of urban transition in the city of Bordeaux 18 Aline Barlet, Audrey Bousigues, Alice Herbert DOI: 10.23738/CCSJ.120102 Colour design of textile architectural envelopes: an initial study 25 Alessandro Premier DOI: 10.23738/CCSJ.120103 Emerging colours: new trends, demands and challenges in contemporary urban environments 32 Beichen Yu, Simon Bell DOI: 10.23738/CCSJ.120104 Color analysis of birth space ambiances 40 Ichraf Aroua, Faten Hussein DOI: 10.23738/CCSJ.120105 An educational experience about color emotion and its design implications 48 Cristina Boeri DOI: 10.23738/CCSJ.120106 Color Lab IFRJ: practical color exercises for fashion courses 57 Milena Quattrer, Welton Fernando Zonatti, Anna Paula Silva Gouveia DOI: 10.23738/CCSJ.120107 5 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 Does chromatic lightness have an impact on the perceived odor of Brazilian perfumes? 63 Camila Assis Peres Silva, Clice de Toledo Sanjar Mazzilli DOI: 10.23738/CCSJ.120108 Ceramic products and their chromatic ‘DNA’ markers 75 Carla Lobo DOI: 10.23738/CCSJ.120109 Approaching ecological ambiguity through a non-divisionary understanding of colour in art 82 Yulia Kovanova DOI: 10.23738/CCSJ.120110 Column BOOK REVIEWS: 89 Jean-Philippe Lenclos: Painter & Designer (2017) Colour Strategies in Architecture (2015) Farbraum Stadt: Farbkultur in Winterthur (2019) Verena M. Schindler 6 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 Editorial The First Russian Congress on Color (FRCC2019) was held at Smolensk State University on 18–20 September 2019. Smolensk is one of the oldest cities of European Russia and is located on the Dnieper River. The congress was organized by the Smolensk State University, the Research and Education Center ‘Color Lab’ of Smolensk State University, and the Study Group on Environmental Colour Design of the International Colour Association. Famous Russian scientists and colour experts from around the world presented their latest findings in such fields as, e.g., psychology, sociology, political science, literary studies, gender studies, philosophy, art history, product design, art, architecture, urban design, landscape architecture and colour vision. Over the three days of the conference, participants delivered sixty-eight presentations in Russian and English in three different forms: as oral presentations, Skype talks, and posters. In total, more than 300 people from nineteen regions of the Russian Federation and twenty different countries participated in the congress. This special issue of Colour Culture and Science gathers together a selection of extended papers presented at the First Russian Congress on Color, which were published in Volume 1 of The Scientific Notes of the Color Society of Russia, Smolensk State University Press. All contributions of this special issue have been double-blind peer reviewed, revised, and rigorously edited to ensure a high quality standards. We warmly thank the twenty-two reviewers for their excellent work. The first four papers cover relevant topics related to colour in architecture and the urban environment: Karolina Białobłocka (Poland) discloses precious archive documents she unearthed about colour design proposals for Warsaw’s historic Market Square, which was restored after World War I, and later rebuilt after its complete destruction in World War II. Aline Barlet, Audrey Bousigues and Alice Herbert (France) analyze the colours of distinct new buildings that mark transition zones in the urban fabric and contribute to the development and modernization of the French city of Bordeaux. Alessandro Premier (New Zealand) explores the colours of temporary and permanent textile architectural envelopes/façades of the 21st century including tensile structures, architectural installations, and buildings around the world. Beichen Yu and Simon Bell (United Kingdom) identify a new trend in the design of public and semi-public space whereby saturated colours are used to meaningfully impact an urban place. The so-called ‘new phenomenon’ is analyzed in the context of the visual culture of the new digital society. The next two papers deal with colour in interior architecture: Ichraf Aroua and Faten Hussein (Tunisia) inquire into the effects of colour in delivery and maternity spaces in France and Tunisia via on-site colour analysis, surveys, and electrodermal activity tracking of women giving birth. Their aim is to identify elements that are fundamental to creating an ambience in harmony with function, shape, texture, and the cultural context. 7 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 Cristina Boeri (Italy) employs colour emotion theory to develop an educational approach to colour design for interior space. The next four papers concern themes in different fields of research, such as fashion, perfume packaging, ceramics, and art: Milena Quattrer, Welton Fernando Zonatti and Anna Paula Silva Gouveia (Brazil) make use of subtractive colour theory in their practical colour exercises for fashion courses to deal with colour contrast and colour harmony. Camila Assis Peres Silva and Clice de Toledo Sanjar Mazzilli (Brazil) show research results based on their experiments concerning the relationship between the perceived fragrance of perfumes and the chromatic lightness of primary packaging. Carla Lobo (Portugal), explores the history of ceramic products, their migration over the centuries, and how foreign colours merge with local conditions to form a very distinct chromatic ‘DNA marker’. Yulia Kovanova (United Kingdom) discusses colour from an ecological perspective as developed through a gradualist and non-divisional approach and her own artworks. We wish you a very interesting, instructive, and joyful time reading! January, 2020 Guest Editors of this special issue on the FRCC2019 Verena M. Schindler, Art and Architectural Historian, Zollikon (Switzerland) Yulia A. Griber, Smolensk State University, Smolensk (Russia) Co-chairs of the Study Group on Environmental Colour Design of the International Colour Association (AIC) 8 Color Culture and Science Journal Vol. 12 (1) ISSN 2384-9568 This page intentionally left blank