# bib

id: ccsj-84
author: Pompas, Renata
title: Michel Pastoureau “Rosso. Storia di un colore”
date: 2017
pages: 2
extension: .pdf
mime: application/pdf
words: 1052
sentence: 55
flesch: 62
cache: cache/ccsj-84.pdf
txt: txt/ccsj-84.txt
summary:
  Pastoureau conclude scrivendo che, pur non essendo più in testa alle preferenze dell’Occidente è il colore che: “rimane insuperato sul piano simbolico”. Cultura e Scienza del Colore - Color Culture and Science 78 Cultura e Scienza del Colore - Color Culture and Science | 07 | 2017 | Pompas R. ISSN 2384-9568 Renata Pompas Michel Pastoureau ha presentato, come aveva promesso, il quarto libro della serie dedicata alla storia


id: ccsj-111
author: Pompas, Renata
date: 2018
pages: 3
extension: .pdf
mime: application/pdf
words: 1105
sentence: 62
flesch: 58
cache: cache/ccsj-111.pdf
txt: txt/ccsj-111.txt
title:
  Review Andrea Dall’Asta e light splendour of truth. Paths among art, architecture and theology from early Christian to baroque Ancora Editrice, Milan, 2018.

summary:
  L’interessante libro di Andrea Dall’Asta – Direttore della Galleria e del Museo San Fedele di Milano e della raccolta Lercaro di Bologna – indaga l’aspetto teologico della rappresentazione della luce nella pittura e negli edifici religiosi, con una scrittura limpida ed erudita. la luce emessa da diversi tipi di illuminanti è materia e soggetto di numerose opere, ma lo è stata sin dall’antichità nelle sue rappresentazioni pittoriche e nell’organizzazione dei volumi e dell’illuminazione degli edifici.


id: ccsj-75
author: Rossi, Maurizio
title: Index&Editorial
date: 2017
pages: 6
extension: .pdf
mime: application/pdf
words: 1904
sentence: 63
flesch: 36
cache: cache/ccsj-75.pdf
txt: txt/ccsj-75.txt
summary:
  La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, con questo numero 7 è approdata al quarto anno di pubblicazione. Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU)


id: ccsj-39
author: Rossi, Maurizio
title: Index&Editorial
date: 2019
pages: 6
extension: .pdf
mime: application/pdf
words: 1883
sentence: 80
flesch: 39
cache: cache/ccsj-39.pdf
txt: txt/ccsj-39.txt
summary:
  Francesca Valan, color designer (IT), for the topics of color and communication, marketing: graphics, communication, packaging, lettering, exposure, advertising. And also the topics on color and psychology: phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects.


id: ccsj-30
author: Rossi, Maurizio
title: Index&Editorial
date: 2018
pages: 6
extension: .pdf
mime: application/pdf
words: 2182
sentence: 68
flesch: 32
cache: cache/ccsj-30.pdf
txt: txt/ccsj-30.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Cultura e Scienza del Colore - Color Culture and Science 09 18 riv is ta s em es tra le | ha lf- ye ar ly jo ur na l | D OI : 1 0. 23 73 8/ CC SJ .0 0 Rivista dell’Associazione Italiana Colore www.gruppodelcolore.it DOI: 10.23738/ccsj.i92018.00 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE 09NUMERO 09 - MAGGIO 2018 NUMBER 09 - MAY 2018 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista semestrale dell’Associazione Italiana Colore http://jcolore.gruppodelcolore.it/ ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE E227716 DIRETTORE RESPONSABILE | EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT)


id: ccsj-45
author: Farini, Alessandro; Baldanzi, Elisabetta; Raffaelli, Marco; Russo, Francesco
title: Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case.
date: 2019
pages: 6
extension: .pdf
mime: application/pdf
words: 2211
sentence: 123
flesch: 60
cache: cache/ccsj-45.pdf
txt: txt/ccsj-45.txt
summary:
  41 Color Culture and Science Journal Vol. 11 (1) DOI: 10.23738/CCSJ.110105 Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case. ABSTRACT Football fans express their identification with their team especially with colours of football shirts.


id: ccsj-100
author: Mikkelsen, Maria Kirk
title: A Colour Palette Methodology
date: 2018
pages: 6
extension: .pdf
mime: application/pdf
words: 3030
sentence: 156
flesch: 59
cache: cache/ccsj-100.pdf
txt: txt/ccsj-100.txt
summary:
  Since a design process is influenced and controlled by various methods, this project suggests using a defined methodology in the work with colour palettes in order to give more variety to the design of colour schemes. THE COLOUR COMBINATION CARDS The Colour Combination Cards (Mikkelsen 2018) is a colour palette methodology developed for design students.


id: ccsj-66
author: Biasi, Valeria; Bonaiuto, Paolo
title: Emotional Qualities of Colours Added to Humorous Illustrations
date: 2016
pages: 6
extension: .pdf
mime: application/pdf
words: 2712
sentence: 138
flesch: 48
cache: cache/ccsj-66.pdf
txt: txt/ccsj-66.txt
summary:
  Biasi V. and Bonaiuto P. (2016) ‘Emotional Qualities of Colours Added to Humorous Illustrations’, Cultura e Scienza del Colore - Color Culture and Science Journal, 06, pp. [7] V. Biasi, P. Bonaiuto, “The graphic-pictorial language of stress (conflict) and comfort (agreement) in fairy tale illustrations”.


id: ccsj-57
author: Kwiatkowska - Lubanska, Agata
date: 2017
pages: 5
extension: .pdf
mime: application/pdf
words: 2945
sentence: 101
flesch: 47
cache: cache/ccsj-57.pdf
txt: txt/ccsj-57.txt
title:
  Colour as a mass product. Designing of the collection of interior paint colours for the Polish market

summary:
  Designing colour collections for two large Polish companies over several years has allowed me to make certain interesting observations concerning the specific colour preferences of the Polish customer, based on both sales results and the colour trends established by the Polish market, which are often different from the trends of Western Europe. As it has been shown by the research carried out by the Institute of Industrial Design in Warsaw in 2011, the basic reasons for choosing interior colours are as follows: individual colour preferences of consumers (48%), price (18%), colours of other furnishings (15%), family and friends’ advice (8%), designs derived from the interior and architectural magazines (5%), sale special offers (4%), others (2%).


id: ccsj-76
author: Tallarita, Anna Luana
title: Red: the symbol in history
date: 2017
pages: 5
extension: .pdf
mime: application/pdf
words: 3705
sentence: 167
flesch: 63
cache: cache/ccsj-76.pdf
txt: txt/ccsj-76.txt
summary:
  è venuto con acqua e sangue, Gesù Cristo; non con acqua soltanto, ma con l’acqua, e con il sangue. La storia attribuisce al rosso i simboli del potere, della religione e della guerra.


id: ccsj-117
author: Schumacher, Jada
date: 2015
pages: 7
extension: .pdf
mime: application/pdf
words: 3715
sentence: 163
flesch: 54
cache: cache/ccsj-117.pdf
txt: txt/ccsj-117.txt
title:
  Color, Mon Dieu: A Case-Study Comparison Between the Church Of the Epiphany (New York City) and Kresge Chapel (Cambridge, Massachusetts)

summary:
  A thorough scouring of Western religious buildings throughout the entirety of architectural history could further enlighten on chronological developments and refinements in techniques outlined here, as well as point out some innovative one-off moments or oddities in Figure12 – Toolkit for Sacred Light 42 Cultura e Scienza del Colore - Color Culture and Science | 04/15 the continuum of religious space design. The cross- shaped architectural plans of cathedrals were oriented with the altar area space facing toward the East; this placement allowed for light to shine through the stained glass windows and illuminate the holy altar area to magnify the divine effect.


id: ccsj-49
author: Fiorentin, Pietro; Pedrotti, Elena; da Pos, Osvaldo; Metellini, Ariella
title: Semantic resonance to light sources of different correlated colour temperature
date: 2019
pages: 8
extension: .pdf
mime: application/pdf
words: 4142
sentence: 198
flesch: 51
cache: cache/ccsj-49.pdf
txt: txt/ccsj-49.txt
summary:
  Semantic resonance to light sources of different correlated colour temperature. In the entrance room a commercial viewing booth with different light sources was placed on a table; a large poster was hanging on the wall above and showed the main characteristics of the cabinet sources and the ways of measuring them by appropriate instruments.


id: ccsj-88
author: Mastropietro von Rautenkrantz, Marina
title: Colour in Food Packaging Strategies and Rules
date: 2016
pages: 10
extension: .pdf
mime: application/pdf
words: 4384
sentence: 213
flesch: 60
cache: cache/ccsj-88.pdf
txt: txt/ccsj-88.txt
summary:
  Mastropietro von Rautenkrantz M. (2016) ‘Colour in Food Packaging Strategies and Rules’, Cultura e Scienza del Colore - Color Culture and Science Journal, Special Issue on Food and Colour, 05, pp. 21-30, DOI: 10.23738/ccsj.i52016.03 Received 07 July 2015; Revised 22 February 2016; Accepted 02 March 2016 Cultura e Scienza del Colore - Color Culture and Science | Special Issue on Food Color | 05 | 2016 | 21 - 30 22 Mastropietro von Rautenkrantz M. ISSN 2384-9568 DOI: 10.23738/ccsj.i52016.03 1. FOOD PACKAGING Originally conceived to prevent diseases deriving from poor sanitary conditions, food packaging means more than a mere food package. Changes and adaptations of product packaging, shape and colour are common to meet country specific expectation.


id: ccsj-37
author: Calvo Ivanovic, Ingrid
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 4705
sentence: 161
flesch: 50
cache: cache/ccsj-37.pdf
txt: txt/ccsj-37.txt
title:
  Symbolic Color Associations in Goethe’s Farbenlehre and its application in the pictorial work of its early receptors

summary:
  In this article will be recognized the main contributions of Goethe in relation to a symbolic consideration of color for its use in the pictorial practice, from the connection of the chromatic polarities theory proposed by Goethe in the Farbenlehre with its section on the ‘Effect of Color with Reference to Moral Associations’. Goethe, Theory of Colors, Chromatic Polarities, Symbology of Color, Farbenlehre, Pictorial Color, Color Circle CITATION:


id: ccsj-48
author: Barbato, Giuseppe; Bellia, Laura; Morone, Alfonso
date: 2019
pages: 7
extension: .pdf
mime: application/pdf
words: 5078
sentence: 220
flesch: 45
cache: cache/ccsj-48.pdf
txt: txt/ccsj-48.txt
title:
  How the colours of objects and light affect human emotions, performance and health. The need for a holistic approach to design indoor environment.

summary:
  It appears necessary to establish reciprocal interactions among the different disciplines involved in the choice of objects and light colours, and namely among researchers in medical science, psychology, lighting and industrial design, in order to assess an interdisciplinary methodology that can be applied to indoor design. Given these premises, it appears necessary to establish reciprocal knowledge and interactions among the different disciplines involved in the choices for objects and light colours, and namely among researchers in medical science, psychology, lighting design and industrial design.


id: ccsj-62
author: Rossi, Maurizio
title: Index&Editorial
date: 2016
pages: 6
extension: .pdf
mime: application/pdf
words: 2099
sentence: 73
flesch: 38
cache: cache/ccsj-62.pdf
txt: txt/ccsj-62.txt
summary:
  La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, è giunta al suo terzo anno di vita con la pubblicazione di questo numero sei. Giulia Pellegri, organizer of Conferenza del Colore 2014, within themes of analytical drawing and representation, 6 Cultura e Scienza del Colore - Color Culture and Science | 06


id: ccsj-36
author: Lecca, Michela; Rizzi, Alessandro; Gianini, Gabriele
title: Review and Comparison of Random Spray Retinex and of its variants STRESS and QBRIX
date: 2018
pages: 10
extension: .pdf
mime: application/pdf
words: 5433
sentence: 279
flesch: 58
cache: cache/ccsj-36.pdf
txt: txt/ccsj-36.txt
summary:
  Random spray Retinex and its variants STRESS and QBRIX: comparison and experiments on public color images. The th random spray ( ) is a set of image pixels , belonging to a circular neighborhood centered at .


id: ccsj-99
title: Light and colors in the “Villa dei Misteri”
date: 2018
pages: 11
extension: .pdf
mime: application/pdf
words: 5933
sentence: 222
flesch: 53
cache: cache/ccsj-99.pdf
txt: txt/ccsj-99.txt
author:
  Bellia, Laura; Osanna , Massimo ; Spada , Gennaro ; Mauro , Annamaria ; Donzella , Chiara ; Fragliasso , Francesca ; Stefanizzi , Emanuela 

summary:
  For example, Graphs 4-5 report results referred to RO area characterized by a so-called Pompeiian red and to L area that is perceived as greyish-blue colored. Then, the wall- painting was divided in several chromatic areas based on its predominant colors.


id: ccsj-38
author: Lecca, Michela; da Pos, Osvaldo
title: Coloumn
date: 2018
pages: 4
extension: .pdf
mime: application/pdf
words: 1904
sentence: 84
flesch: 54
cache: cache/ccsj-38.pdf
txt: txt/ccsj-38.txt
summary:
  An interesting example for this is given by the recent web discussion about the colour names and colour perception by ancient Greeks [1][2][3]. As already discussed in the previous number of this column, colour perception is something more than colour sensation, as it entails a number of interactions between different stimulated areas of the retina; moreover it can be also strongly influenced by previous experience and cultural heritage.


id: ccsj-71
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2016
pages: 3
extension: .pdf
mime: application/pdf
words: 1317
sentence: 48
flesch: 46
cache: cache/ccsj-71.pdf
txt: txt/ccsj-71.txt
summary:
  Michela Lecca gave some examples of color as communication tool in science: colors τό διαλέγησθαι εστί τό μήγιστον αγαθόν The dialog is the highest good. An example of color based synesthesia was reported also by Francesca Valan, industrial designer with strong competences on color.


id: ccsj-35
author: Siniscalco, Andrea; Guarini, Gianluca
title: Digital Visualization of a Luminaire: From blueprint to Photorealistic Representation
date: 2018
pages: 10
extension: .pdf
mime: application/pdf
words: 6441
sentence: 260
flesch: 50
cache: cache/ccsj-35.pdf
txt: txt/ccsj-35.txt
summary:
  Real luminaires, in most cases, have a spatial distribution of the lighting intensity more complex than those achievable through OpenGL lights. 5. CASE STUDIES Five case studies of digital representation of real luminaires will be described below, but before starting, a little premise is necessary: the described techniques, both for modelling and for rendering, are not the only ones that can be used.


id: ccsj-70
author: Pompas, Renata
title: Food, colour and art
date: 2016
pages: 2
extension: .pdf
mime: application/pdf
words: 652
sentence: 26
flesch: 60
cache: cache/ccsj-70.pdf
txt: txt/ccsj-70.txt
summary:
  Originally it was the name of a performance by Bice Perrini at the Galleria Bluorg in Bari, it has now become a brand known for its tagline ‘Eating with eyes’, dealing with food production and sale, catering, food tasting, workshops, and art events. However, the general public and many artists too have recently focused more and more on the colours of food.


id: ccsj-60
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2017
pages: 4
extension: .pdf
mime: application/pdf
words: 2049
sentence: 89
flesch: 48
cache: cache/ccsj-60.pdf
txt: txt/ccsj-60.txt
summary:
  In this framework, many issues have to be addressed, first of all the definition of color sensation and color perception. The debate between Anglo-Saxon and American theories opens the problem to determine which features are captured and/or involved in color sensation and in color perception.


id: ccsj-46
author: Bracci, Susanna; Magrini, Donata; Bartolozzi, Giovanni
title: Painted or not painted? Discovering color traces of ancient stones
date: 2019
pages: 10
extension: .pdf
mime: application/pdf
words: 4593
sentence: 231
flesch: 49
cache: cache/ccsj-46.pdf
txt: txt/ccsj-46.txt
summary:
  Understanding ancient polychromy is indeed a crucial issue since the lack of attention to this theme leads to a significant misunderstanding of both the artwork itself and of the artistic culture it represents. Today, despite important results achieved within the last few years, research on ancient polychromy is still at an early stage and shows some obvious limitations pertaining to the transferability of methodologies or findings (Gasanova 2018).


id: ccsj-94
author: Benkhedda, Meriem; Tabet Aoul , Kheira
title: Color on Ceramics in the Medieval Architecture of Tlemcen, Algeria: Light, Ambiance and Symbolism
date: 2018
pages: 6
extension: .pdf
mime: application/pdf
words: 3994
sentence: 210
flesch: 57
cache: cache/ccsj-94.pdf
txt: txt/ccsj-94.txt
summary:
  Comparatively, little has been done in terms of the study of color design and arrangements. This research attempts to explore first, an untapped ancestral know-how or “savoir- faire” and second, to demonstrate that this architectural heritage has a colorful atmosphere, whose evolution is linked to the relationship between shapes, lights, materials and colors as well as its socio-cultural context.


id: ccsj-81
author: Sandford, Jodi L.
title: Color categorial perception and second language acquisition
date: 2017
pages: 8
extension: .pdf
mime: application/pdf
words: 5132
sentence: 238
flesch: 54
cache: cache/ccsj-81.pdf
txt: txt/ccsj-81.txt
summary:
  Jodi L. Sandford jodi.sandford@unipg.it University of Perugia Color categorial perception and second language acquisition ABSTRACT This paper illustrates results of perceptual and linguistic experiments conducted to verify “categorial perception”, naming, and comprehension of color terms in Italian as mother tongue and in English as a second language. Sandford J. L., (2017) ‘Color categorial perception and second language acquisition’, Cultura e Scienza del Colore - Color Culture and Science Journal, 07, pp.


id: ccsj-87
author: Musso, Maria Luisa
title: Colour as a Code in Food Packaging: an Argentine Case
date: 2016
pages: 6
extension: .pdf
mime: application/pdf
words: 2297
sentence: 137
flesch: 60
cache: cache/ccsj-87.pdf
txt: txt/ccsj-87.txt
summary:
  In Spain, for instance, light products began to appear in the 80’s proposed as healthy products. Big companies of massive consumer products invested heavily in communication to encourage the establishing of an expressive symbolic code.


id: ccsj-112
author: Catanese, Rossella
title: Repainting the mechanical ballet. Restoration of colours in ‘Ballet mécanique’ by Fernand Léger
date: 2015
pages: 4
extension: .pdf
mime: application/pdf
words: 2458
sentence: 104
flesch: 52
cache: cache/ccsj-112.pdf
txt: txt/ccsj-112.txt
summary:
  This emulsion may have a wide range of components, including salts such as silver nitrate or chromogenic couplers in the emulsions of colour film, but it is interesting to know that the function of emulsifier is given by the gelatine, an organic product. This restoration has not been finished: one of Haghefilm’s requests (improving of research on film restoration and dissemination of its results) was that the hand coloured print of the film had to be made available by EYE to the Haghefilm Foundation for exhibition in educational, research, and outreach activities with mention of EYE as the source of the material.


id: ccsj-44
author: Giannattasio, Carlo
title: The Tropical Aquarium: a case of polychrome decoration in the architecture of the early 1900s
date: 2019
pages: 6
extension: .pdf
mime: application/pdf
words: 2586
sentence: 133
flesch: 52
cache: cache/ccsj-44.pdf
txt: txt/ccsj-44.txt
summary:
  The covering was manufactured by the Ceramiche di Posillipo factory, but the design and construction were carried out by Paolo Ricci, a friend and colleague of Carlo Cocchia. The ornamentation was created by the majolica factory Ceramica di Posillipo, and specifically by Paolo Ricci, an eclectic artist of the 1900s.


id: ccsj-43
author: Boeri, Cristina
title: Color emotion as a feasible tool in a participatory project for a Primary School
date: 2019
pages: 9
extension: .pdf
mime: application/pdf
words: 4334
sentence: 160
flesch: 44
cache: cache/ccsj-43.pdf
txt: txt/ccsj-43.txt
summary:
  KEYWORDS color emotion, color design, color preference, color in educational environments RECEIVED 16 May 2019; Color emotion as a feasible tool in a participatory project for a Primary School.


id: ccsj-58
author: Casciani, Daria; Rossi, Maurizio
date: 2017
pages: 10
extension: .pdf
mime: application/pdf
words: 5474
sentence: 182
flesch: 40
cache: cache/ccsj-58.pdf
txt: txt/ccsj-58.txt
title:
  Exploring the relationship between LEDs Lighting, Urban materials chromaticity and People: measurements, design and evaluation

summary:
  A preliminary selection of urban material, representative of different “urban colourscapes”, was then followed by the definition of several lighting receipts (illuminants) which were defined by three research hypotheses. This paper aims at investigating the urban colourscape by night, considering issues related to urban materials, lighting design practice and LEDs lighting technologies.


id: ccsj-83
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2017
pages: 5
extension: .pdf
mime: application/pdf
words: 2074
sentence: 97
flesch: 58
cache: cache/ccsj-83.pdf
txt: txt/ccsj-83.txt
summary:
  In this column, we focus our attention on the topic “Food & Colour” that is of great interest for all of us, because color- based food visual inspection allows to decide about the freshness of the food, and food color often unawares influences our food choices. These images show the large variety of food colors and they are an example of how food can stimulate the human creativity.


id: ccsj-56
author: Tallarita, Anna Luana
title: The meanings of the Red
date: 2017
pages: 12
extension: .pdf
mime: application/pdf
words: 8609
sentence: 420
flesch: 65
cache: cache/ccsj-56.pdf
txt: txt/ccsj-56.txt
summary:
  Come il mito di Persefone che soggiorna nel regno [...] che la fenice more e poi rinasce, quando al cinquecentesimo appressa erba ne biada in sua vita non pasce, ma sol d’incenso lacrima e d’amomo, e nardo e mirra son l’ultime fasce.


id: ccsj-96
author: Besenecker, Ute; Krueger, Ted; Pearson, Zachary; Bullough , John D. ; Gerlach , Robert
title: The experience of equivalent luminous colors at architectural scale
date: 2018
pages: 8
extension: .pdf
mime: application/pdf
words: 4004
sentence: 192
flesch: 47
cache: cache/ccsj-96.pdf
txt: txt/ccsj-96.txt
summary:
  Figure 3 -Spectral power distributions of cyan conditions 2-7 in relation to condition 1 (scaled for relative light level). Further to exploring the differences between the luminous color conditions, the studies showed differences between luminous color and illuminated colored paint (illuminated color).


id: ccsj-97
title: The changing colour of CHANEL’s lipstick ranges from 1960 to 2015
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 6437
sentence: 255
flesch: 68
cache: cache/ccsj-97.pdf
txt: txt/ccsj-97.txt
author:
  de Clermont- Gallerande, Hélène; Rolland, Nicolas; Doucet, Patrick; Deydier, Julie; Varichon, Anne; Blin-Barrois, Barbara

summary:
  Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7 Bengale 19 Rouge N°1957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azaléa 34 Sirocco44 Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7 Bengale 19 Rouge N°1957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azaléa 34 Sirocco44


id: ccsj-59
author: Pompas, Renata
date: 2017
pages: 4
extension: .pdf
mime: application/pdf
words: 1925
sentence: 131
flesch: 56
cache: cache/ccsj-59.pdf
txt: txt/ccsj-59.txt
title:
  Riccardo Falcinelli, CROMORAMA. How color changed our gaze. Einaudi Stile Libero Extra, Torino, 2017.

summary:
  Vestirsi per amare e per significare” indaga sul significato recondito del blu in letteratura. How color changed our gaze” ISSN 2384-9568 Renata Pompas L’argomento colore conosce ultimamente un grande interesse da parte del pubblico, sollecitato da numerosi articoli (si pensi alla rubrica “Sfumature” pubblicata settimanalmente dal quotidiano La Repubblica) pubblicazioni varie e libri.


id: ccsj-105
author: Paglierani, Pietro; Valan, Francesca
title: A digital framework for color design and education
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 4897
sentence: 224
flesch: 48
cache: cache/ccsj-105.pdf
txt: txt/ccsj-105.txt
summary:
  For instance, the Munsell interpolation tool in (Colour Science for Python, 2018), which can transform Munsell colors into CIE 1931 Yxy coordinates and vice-versa, can be applied only when the Munsell Value is in the range In fact, for any two color C1 and C2 inside the human visual gamut, any linear combination of such colors still is within the gamut (Richter, 2012).


id: ccsj-51
author: Pompas, Renata
title: Two books that describe pigments and dyes, in a different and complementary way.
date: 2019
pages: 3
extension: .pdf
mime: application/pdf
words: 1536
sentence: 103
flesch: 65
cache: cache/ccsj-51.pdf
txt: txt/ccsj-51.txt
summary:
  It is a rich and complex text, divided into eight sections entrusted to different authors, who analysed pigments and dyes, described the materials, the production techniques, their history and application in painting and in textile dyeing. 1. Brown and orange pigments known since the antiquity.


id: ccsj-78
author: Lecca, Michela
title: Using Color and Local Binary Patterns for Texture Retrieval
date: 2017
pages: 10
extension: .pdf
mime: application/pdf
words: 4782
sentence: 204
flesch: 53
cache: cache/ccsj-78.pdf
txt: txt/ccsj-78.txt
summary:
  Her research interests include color image processing, object recognition, image retrieval and labeling, and low-level image processing for embedded vision systems. In fact, the change of image colors due to an illuminant change is well approximated by the von Kries diagonal map between the color responses captured under the varied lights


id: ccsj-93
author: Rossi, Maurizio
title: Index&Editorial
date: 2018
pages: 6
extension: .pdf
mime: application/pdf
words: 2275
sentence: 69
flesch: 37
cache: cache/ccsj-93.pdf
txt: txt/ccsj-93.txt
summary:
  The experience of equivalent luminous colors at architectural scale by Ute Besenecker, Ted Krueger, John Bullough, Zachary Pearson, Robert Gerlach The changing colour of CHANEL’s lipstick ranges from 1960 to 2015 by Hélène de Clermont-Gallerande, Nicolas Rolland, Patrick Doucet, Julie Deydier, Anne Varichon, Barbara Blin-Barrois Light and colors in the “Villa dei Misteri” by Laura Bellia, Massimo Osanna, Gennaro Spada, Annamaria Mauro, Chiara Donzella, Francesca Fragliasso, Emanuela Stefanizzi A Colour Palette Methodology by Maria Kirk Mikkelsen Blue color traditions in Polish wooden architecture – valuable cultural heritage and a source of inspiration by Justyna Tarajko-Kowalska Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula? by Manuel Melgosa, Guihua Cui, Claudio Oleari, Pedro J. Pardo, Min Huang, Changjun Li, Ming Ronnier Luo From decoration to industrial design: Gio Ponti and color in architectural innovation by Michela Rossi and Giorgio Buratti The contribution of colour in the artistic representation of the sacred. Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (GdC-Associazione Italiana Colore, IT)


id: ccsj-91
author: Chambers , Paul ; Patera , Marianne ; Cox , Trevor
title: A Look into Cross-modal Associations between Taste, Color and Music
date: 2016
pages: 6
extension: .pdf
mime: application/pdf
words: 4136
sentence: 204
flesch: 60
cache: cache/ccsj-91.pdf
txt: txt/ccsj-91.txt
summary:
  Color showed a statistically significant effect on sweet taste perception, with red and green being linked to higher sweetness scores than blue or white. Color was found to have a significant effect on taste perception with a significance value of p = 0.0005 (F= (3, 54) = 7.292), which also returned a partial Eta squared effect size of η2= 0.757.


id: ccsj-53
author: Rossi, Michela; Iarossi, Maria Pompeiana; Mele, Giampiero
date: 2017
pages: 16
extension: .pdf
mime: application/pdf
words: 9939
sentence: 376
flesch: 48
cache: cache/ccsj-53.pdf
txt: txt/ccsj-53.txt
title:
  Principles and applications. Consistency and experimentation in the work of Piero Bottoni, from the “Cromatismi” to Sesto San Giovanni

summary:
  E’ proprio questo spazio pubblico aperto il luogo da cui si può meglio cogliere il sistema di relazioni in cui per Bottoni il colore, da attributo ornamentale degli edifici, si trasforma in strumento di costruzione del paesaggio urbano. L’autore spiega che si tratta di situazioni immaginate per studiare il rapporto tra il vuoto e il colore insieme ai “valori di posizione”, rispetto ai


id: ccsj-55
author: Sabatini, Desirée; Forte, Ivano; Schiavitti, Ilma; Sabatini, Mauro; Pietrini, Alessio
date: 2017
pages: 12
extension: .pdf
mime: application/pdf
words: 8366
sentence: 275
flesch: 44
cache: cache/ccsj-55.pdf
txt: txt/ccsj-55.txt
title:
  The recovery of the original colour of the archive material: the digital colour correction of the ancient anti- Semitic discourse of the Duce in 1938

summary:
  (mezzi toni, alte e basse luci) e della gradazione di bianco e nero a livello globale, mentre sui fotogrammi che risultavano maggiormente sbiaditi (primi piani di Mussolini) Il montaggio del documentario permette allo spettatore di seguire tutte le fasi dello sfarzoso arrivo nel porto di Trieste del Duce; seguono sequenze panoramiche e del trasferimento in auto scoperta verso il centro della città: quando Mussolini raggiunge finalmente piazza dell’Unità e, dopo aver salutato con un cenno della mano


id: ccsj-123
title: Digital colour restoration: an appearance-based approach
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2145
sentence: 110
flesch: 52
cache: cache/ccsj-123.pdf
txt: txt/ccsj-123.txt
author:
  Berolo, Anna J. ; Rizzi, Alessandro; Marini, Daniele; Gadia, Davide; Bonanomi, Cristian; Sabatini, Desirée

summary:
  La principale caratteristica di ACE è la correzione cromatica data-driven: l’algoritmo è in grado di correggere dominanti cromatiche non conosciute a priori e di eseguire un’estensione del contrasto e del range dinamico dell’immagine . La variante utilizzata per il restauro digitale, chiamata ACEforFilm [5], presenta inoltre una serie di funzioni che permettono di ottenere naturalezza nelle immagini restaurate e preservare la forma dell’istogramma originale in numerose situazioni di degrado avanzato .


id: ccsj-85
author: Mignani, Anna Grazia; Farini, Alessandro
title: Index&Editorial
date: 2016
pages: 5
extension: .pdf
mime: application/pdf
words: 1342
sentence: 45
flesch: 40
cache: cache/ccsj-85.pdf
txt: txt/ccsj-85.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (Associazione Italiana Colore, IT) Gabriel Marcu (Apple, USA)


id: ccsj-40
author: Borsotti, Marco
title: Contemporary architecture and colour: final definitions for mapping intent
date: 2019
pages: 12
extension: .pdf
mime: application/pdf
words: 5233
sentence: 227
flesch: 41
cache: cache/ccsj-40.pdf
txt: txt/ccsj-40.txt
summary:
  Introduction This text illustrates the third and final contribution – the first and second appeared in Colour and colorimetry VIII (Borsotti in Rossi, Siniscalco, 2012) and Colour and colorimetry X volumes (Borsotti, in Rossi, Marchiafava, 2014) – on the reflection that, moving between identification of contemporary paradigmatic case studies and hypotheses of classification of their outcomes within defined areas referring to common attitudes, look at the use of colour as a true design tool; a real “material” for the realisation of an architectural program. Here, there is an intentionality to delve deeper into the idea of spatiality, designed as a layering of layers, which, as on a computer screen, are distinguished and managed through the attribution of different colours.


id: ccsj-106
author: Martone, Maria; Papa, Floriana
title: Colors, lights and shapes in the Naples underground. The “art stations” of Line 1
date: 2018
pages: 16
extension: .pdf
mime: application/pdf
words: 11543
sentence: 521
flesch: 59
cache: cache/ccsj-106.pdf
txt: txt/ccsj-106.txt
summary:
  i colori del cielo sulle pareti semilucide, smorzando il bianco e creando un ambiente sui toni soffusi del celeste. In alto: sezione sul “cratere di luce” e pianta del mezzanino.


id: ccsj-67
author: Bollini, Letizia
title: Topos vs. Iris. Colour design in Web 3.0 mobile app and OS: a critical review
date: 2016
pages: 7
extension: .pdf
mime: application/pdf
words: 4053
sentence: 149
flesch: 48
cache: cache/ccsj-67.pdf
txt: txt/ccsj-67.txt
summary:
  KEYWORDS Colour design, Visual language of colour, Colour in Web 3.0, Colour in social media, Colour blindness accessibility CITATION: If the first generation of Internet adopts a set of colours to indicate the different states of the interaction of a link or a button – i.e. link: blue, active link: red, visited link: purple – in Web 2.0, the semantic of colour becomes more complex.


id: ccsj-42
author: Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo
date: 2019
pages: 7
extension: .pdf
mime: application/pdf
words: 3257
sentence: 129
flesch: 40
cache: cache/ccsj-42.pdf
txt: txt/ccsj-42.txt
title:
  'Khrôma' the first software for management of the Color and Decoration Plan for small historic villages

summary:
  ABSTRACT The 'Khrôma' project is aimed at creating the first software for the management of the Color and Decoration Plan that can be applied to small historic villages. ‘Khrôma’ the first software for management of the Color and Decoration Plan for small historic villages.


id: ccsj-77
author: Marotta, Anna
title: Art and Colour in the Requali cation of Urban Areas and Landscapes
date: 2017
pages: 16
extension: .pdf
mime: application/pdf
words: 9730
sentence: 378
flesch: 47
cache: cache/ccsj-77.pdf
txt: txt/ccsj-77.txt
summary:
  Definire la parola “brutto” equivale a confrontarsi con una problematica complessa: /brutto/ rimanda comunemente a ciò che viene definito “sgradevole, che non piace, che crea disagio, non adatto, che va contro la morale” spesso, nella storia dell’Architettura come dell’Arte, associato a concetti di nuovo e contemporaneo: a titolo esemplificativo, 17 Cultura e Scienza del Colore - Color Culture and Science Nel nuovo paesaggio di suburbi, lo spazio restante tra gli agglomerati perde il carattere di filtro e assume quello di terra di nessuno»


id: ccsj-34
author: Uusküla, Mari; Eessalu, Martin
date: 2018
pages: 6
extension: .pdf
mime: application/pdf
words: 3613
sentence: 143
flesch: 52
cache: cache/ccsj-34.pdf
txt: txt/ccsj-34.txt
title:
  Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages

summary:
  We investigate the selection of colour stimuli shown to subjects during psycholinguistic (field) experiments, or more precisely, the surface of the selected stimuli. Cultura e Scienza del Colore - Color Culture and Science 39 Cultura e Scienza del Colore - Color Culture and Science | 09 | 2018 ISSN 2384-9568 1Mari Uusküla mari.uuskula@tlu.ee 2Martin Eessalu eessalu@gmail.com 1Tallinn University, School of Humanities 2 Independent researcher Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages ABSTRACT Since Berlin and Kay’s seminal monograph, most studies on colour vocabulary and categorization have concentrated on the three main characteristics of colour – hue, lightness and saturation – which play a major role in the semantics of colour terms.


id: ccsj-50
author: Bideaux, Kévin
title: Millennial pink: gender, feminism and marketing. A critical Analysis of a color trend
date: 2019
pages: 8
extension: .pdf
mime: application/pdf
words: 4344
sentence: 260
flesch: 61
cache: cache/ccsj-50.pdf
txt: txt/ccsj-50.txt
summary:
  These two micro-genres of electronic music framed a visual aesthetic putting pink color as a driving element. The success of millennial pink lies in its ability to capture the consumer's attention aesthetically, symbolically and politically.


id: ccsj-92
author: Poli, Anna
title: Food Perception Without Colors
date: 2016
pages: 7
extension: .pdf
mime: application/pdf
words: 5203
sentence: 214
flesch: 52
cache: cache/ccsj-92.pdf
txt: txt/ccsj-92.txt
summary:
  But if a person lacks the sensorial perception of food colors does the stimulation of gastric juices always rely on the visual channel? What effects does this lack of color perception have on their nutrition?


id: ccsj-147
author: Emmer, Michele
title: Colours and Soap Bubbles
date: 2015
pages: 5
extension: .pdf
mime: application/pdf
words: 3376
sentence: 132
flesch: 63
cache: cache/ccsj-147.pdf
txt: txt/ccsj-147.txt
summary:
  It is very interesting to study the parallel story of soap bubbles and soap films in art and science. Soap bubbles and soap films were one of the matters of his conference, which was entirely devoted to the Soft Matter.


id: ccsj-54
author: Di Tommaso, Agapito ; Garro, Vincenzo; Gueli, Anna Maria; Martusciello, Sabina; Pasquale, Stefania
title: Colour quantity contrast in Itten’s Theory: Spectrophotometry for verifying statements
date: 2017
pages: 12
extension: .pdf
mime: application/pdf
words: 6883
sentence: 323
flesch: 53
cache: cache/ccsj-54.pdf
txt: txt/ccsj-54.txt
summary:
  tra ognuno dei valori reciproci di “luminosità” dei colori riportati da Itten e intuiti da Schopenhauer e la somma i valori loro attribuiti tanto da Itten quanto da Schopenhauer.


id: ccsj-52
author: Rossi, Maurizio
title: Index&Editorial
date: 2017
pages: 6
extension: .pdf
mime: application/pdf
words: 2286
sentence: 79
flesch: 41
cache: cache/ccsj-52.pdf
txt: txt/ccsj-52.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Anna Marotta (Politecnico di Torino, IT)


id: ccsj-104
author: Dudás, Eszter; Urbin, Ágnes
title: Improvement of a lamp construction with a highly reflective material
date: 2018
pages: 5
extension: .pdf
mime: application/pdf
words: 2296
sentence: 126
flesch: 50
cache: cache/ccsj-104.pdf
txt: txt/ccsj-104.txt
summary:
  In the case of optical reflectors the top-down modelling technique is a great tool. During the studies, participation in various projects related to lighting led to the interest of the field of lighting techniques including different materials besides examining and solving problems from more aspects.


id: ccsj-114
author: Arrighetti, Walter
title: Motion Picture Colour Science and film ‘Look’: the maths behind ACES 1.0 and colour grading
date: 2015
pages: 8
extension: .pdf
mime: application/pdf
words: 4672
sentence: 145
flesch: 46
cache: cache/ccsj-114.pdf
txt: txt/ccsj-114.txt
summary:
  A gamut mapping between colour spaces ([5]– [7]) is a vector field L(c), where c∈G is the input colour in the source gamut G⊆IRm (which is, to every practical aspects, a connected, linearly- and superficially-connected m-dimensional domain—often even a convex one), with dim L(G ) The latter aspect may have been advantageous in the past, but is now mostly a downside, when cinematographers, colourists and VFX artists really need to transfer colour corrections from the on-set pre-grading sessions throughout the whole post-production pipeline, up to the theatre room, and capable of doing so in the most advantageous and, above all, interoperable way (cfr.


id: ccsj-124
author: Bottoli, Aldo; Bertagna, Giulio
title: Colours, signs, conventions and colour-blindness
date: 2014
pages: 3
extension: .pdf
mime: application/pdf
words: 1556
sentence: 60
flesch: 49
cache: cache/ccsj-124.pdf
txt: txt/ccsj-124.txt
summary:
  Il colore non è dunque elemento percettivo tale da poter essere utilizzato da solo, perché solamente se Figura 1 14 Cultura e Scienza del Colore - Color Culture and Science | 01/14 posto su una certa figura e con un certo sfondo e in un certo contesto è in grado di assumere un significato percettivo, ovvero interpretativo di ciò che si sta osservando. Il termine daltonismo prende origine da John Dalton, un fisico e chimico inglese che nel 1798 descrisse un’anomalia congenita della visione dei colori di cui era affetto lui stesso.


id: ccsj-103
author: Mazzanti, Anna
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 4598
sentence: 180
flesch: 48
cache: cache/ccsj-103.pdf
txt: txt/ccsj-103.txt
title:
  The contribution of colour in the artistic representation of the sacred(II). Italian innovations from the end of XIX century to the first part of the XX century

summary:
  Italian innovations from the end of XIX century to the first part of the XX century ABSTRACT At the first half of the twentieth century in Italy, where the Roman Catholic church still played a dominant cultural and political role, sacred art is rather disappointing and artistic innovations, independent from official religious decrees, did not easily find application in the sacred theme. KEYWORDS Sacred art, Color and Sacre, Spiritualism, Light, Blue, Red, Divisionism, Futurism CITATION: Mazzanti A. (2018)


id: ccsj-107
author: Bottoli, Aldo; Bertagna, Giulio
title: Colours for SLAncio. Project of the scene for a service and care facility in Monza
date: 2018
pages: 10
extension: .pdf
mime: application/pdf
words: 5167
sentence: 219
flesch: 48
cache: cache/ccsj-107.pdf
txt: txt/ccsj-107.txt
summary:
  Il fenomeno colore possiede una essenza immateriale, ed é nella sua apparenza, mutevole, instabile, soggetto alle condizioni del contesto, alla luce che lo genera e, inoltre, ai significati che, una volta applicato, assume in ogni percettore. E’ infatti comune progettare superfici e oggetti, e utilizzare tecnologie sofisticate, ma lo è meno dedicare attenzione alle necessità di chi, in seguito, vi dovrà abitare.


id: ccsj-89
author: Casciani , Daria ; Musante, Fulvio ; Rossi , Maurizio
title: Domestic Horticultural - Centric Lighting Design
date: 2015
pages: 10
extension: .pdf
mime: application/pdf
words: 3988
sentence: 148
flesch: 38
cache: cache/ccsj-89.pdf
txt: txt/ccsj-89.txt
summary:
  Finally, LEDs were recognized as a more efficient technology for indoor growing compared to traditional lighting systems not only in terms of lower energy consumption but also in terms of the lighting quality provided that responds more precisely to plants’ needs, thus defining a more productive growing system. It allows to adjust its height in order to better adapt to different plants and also to different levels of growth in an efficient way (Figure 7).


id: ccsj-86
author: Hidaka, Kyoko
title: A Comparison of Color Schemes and Images in the Package Design of Sweets in the US and Japan
date: 2016
pages: 8
extension: .pdf
mime: application/pdf
words: 2623
sentence: 107
flesch: 60
cache: cache/ccsj-86.pdf
txt: txt/ccsj-86.txt
summary:
  In the US, marketing to children and color scheme of American comics deeply influence the design and colors of sweets packages. Figure 2 - US Sweets (right) of typical colors used in packages, sequenced from the first to fifth place.


id: ccsj-178
author: Pompas, Renata
title: BOOK REVIEW: Nature & Colour - New perspectives on dyeing.
date: 2019
pages: 2
extension: .pdf
mime: application/pdf
words: 795
sentence: 31
flesch: 50
cache: cache/ccsj-178.pdf
txt: txt/ccsj-178.txt
summary:
  Inspired by the renowned and seminal book by Franco Brunello (The art of dyeing in the history of mankind) in recent years she has devoted herself to the study of coloring substances used in natural dyes, the outcomes of which are described in this book. Nature & Colour - New perspectives on dyeing.


id: ccsj-118
author: Tavast, Arvi; Uusküla, Mari
title: How blue is azzurro? Representing probabilistic equivalency of colour terms in a dictionary
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 3126
sentence: 185
flesch: 52
cache: cache/ccsj-118.pdf
txt: txt/ccsj-118.txt
summary:
  Representing probabilistic equivalency of colour terms in a dictionary 1. INTRODUCTION Semasiological dictionaries both store and present information about source language words, including their meanings and target- language equivalents. [22] A. Tavast, M. Uusküla, K. Parker and U. Sutrop, “Using probabilistic conceptual graphs for representing colour terms in dictionaries,” in Color and Colorimetry Multidsciplinary Contributions, Maggioli Editore, 2013, pp.


id: ccsj-141
author: Rossi, Michela
title: Color design in the Bauhaus laboratory of wall-painting
date: 2014
pages: 6
extension: .pdf
mime: application/pdf
words: 2923
sentence: 100
flesch: 39
cache: cache/ccsj-141.pdf
txt: txt/ccsj-141.txt
summary:
  The first one is directly connected to the experimentation of color in his formal and perceptive relationship with the spatial environment and it documents the development of Bauhaus’s chromatic research in the choice of colors such as the one in representation. Even more abstract is the solution adopted by Le Corbusier; in 1927 he attached the real samples of color in the project documents for the Maison Citrohan and later on even pen-drawings illustrating the “Polichromie Architecturale” (1956), he indicated the combination of colors on a schematic perspective box with numbers and letters, giving up the simulation of color completely [8].


id: ccsj-31
author: Ruggiero, Maria Elisabetta
title: The colour of ships: communication and identity
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 4868
sentence: 207
flesch: 55
cache: cache/ccsj-31.pdf
txt: txt/ccsj-31.txt
summary:
  Fregi dorati su campo blu, balaustre, lesene e volute che scandiscono i vari ordini di ponti visibili a poppa sono raffigurati, nei disegni a noi pervenuti, con dovizia di particolari. Imbarcazione super veloce realizzata dal cantiere Palmer &Johnson; linee squadrate e uso del colore sono elementi di forte caratterizzazione.


id: ccsj-142
author: Luzzatto, Lia; De Biase, Daniela
title: Scrivere con la luce
date: 2014
pages: 3
extension: .pdf
mime: application/pdf
words: 1111
sentence: 38
flesch: 47
cache: cache/ccsj-142.pdf
txt: txt/ccsj-142.txt
summary:
  La luce è pensata come l’onda della saggezza e della conoscenza che sale dai gradini del tempio di Marte Ultore, con una grande intensità luminosa, si espande nell’area circostante attenuandosi e arriva ad abbracciare, con toni lunari, neutri, morbidi e uniformi, tutto il perimetro della muraglia che lo circoscrive. rendendo possibile la programmazione di diversi scenari luminosi così che la luce arrivi a riscrivere il linguaggio dell’architettura antica.


id: ccsj-68
author: Pellegri, Giulia
title: Chromatic and decorative planning choices: geometry, knowledge and survey
date: 2016
pages: 9
extension: .pdf
mime: application/pdf
words: 4337
sentence: 138
flesch: 36
cache: cache/ccsj-68.pdf
txt: txt/ccsj-68.txt
summary:
  It’s fundamental to highlight how the drawing and the color are related to the potential conditionings that may accentuate, mitigate, reduce or differentiate the individual elements, making a proportionate or perceptually distorted building, through the research about the drawing of the patterns and the visual perception of painted decoration. The City and Country Builder ‘s and Workman ‘s Treasury of Designs or The Art of Drawing and Working the Ornamental Parts of Architecture Figure 3 - The City and Country Builder ‘s and Workman ‘s Treasury of Designs: Or, The Art of Drawing and Working the Ornamental Parts of Architecture Langley, Thomas London, 1740 Langley, Thomas London (Figure 3), 1740 and The principles of architecture Nicholson, Peter London, 1795-1798 (Figure 4), that are actual implementation of practical manuals about architectural decoration and composition of the façade.


id: ccsj-65
author: Gregoris, Chiara
title: Colour and light in communication of fabric façades
date: 2016
pages: 10
extension: .pdf
mime: application/pdf
words: 6404
sentence: 236
flesch: 45
cache: cache/ccsj-65.pdf
txt: txt/ccsj-65.txt
summary:
  L’edificio di notte diventa un Landmark, una scultura luminosa visibile dalla lunga distanza che imprime un segno forte nel territorio.[6] Un altro esempio di Landmark che, a differenza dell’esempio precedente, si trova in un contesto urbano è la Copenhagen Concert Hall di Jean Nouvel. i fruitori dell’edificio, ma con tutto il contesto circostante e le persone che vi transitano.


id: ccsj-69
author: Cavaleri, Tiziana; Clonier, Isabelle; Croveri, Paola; Giovagnoli, Annamaria; Piccirillo, Anna
date: 2016
pages: 9
extension: .pdf
mime: application/pdf
words: 5239
sentence: 175
flesch: 46
cache: cache/ccsj-69.pdf
txt: txt/ccsj-69.txt
title:
  Colorimetric and spectrophotometric analyses for an ecoinnovative application of natural dyeing in textile conservation

summary:
  Considering CRITT samples simulating the triangle’s sides, one problem about the use of natural dyes emerges soon: ΔE00 calculated between close natural samples (table 1) are high and non-homogenous, suggesting that operator SAMPLES OF COLOURS ALONG THE YMG TRIANGLE’S SIDES Pre-metallized YM mixtures CRITT natural dyeing Pre-metallized YG mixtures CRITT natural dyeing Pre-metallized MG mixtures CRITT natural dyeing Magenta % ΔE00 between close samples ΔE00 be- tween close samples Grey % ΔE00 between close samples ΔE00 between close samples Grey % ΔE00 between close sam- ples ΔE00 between close samples 0 0 0 10 19.2 19.1 10 26.3 12.4 10 5.2 6.2 20 11.3 12.2 20 9.2 21.3 20 4.1 11.3 30 5.1 11.4 30 6.4 14.5 30 2.2 7.4 40 4.3 6.3 40 4.1 5.1 40 2.1 3.3 50 1.2 7.2 50 3.2 50 2.3 4.1 60 3.4 7.3 60 3.1 18.2 60 2.3 5.2 70 2.1 15.3 70 3.1 5.4 70 2.1 4.2 80 2.2 7.2 80 2.4 6.1 80 2.4 5.3 90 2.4 2.2 90 2.2 4.1 90 1.2 4.1 100 3.3 3.4 100 2.1 3.2 100 1.3 3.2 Table 1 - Trends of the ΔE00 calculated between couples of close samples along the YMG triangle’ sides and between their respective couples of samples reproduced by CRITT with natural ingredients 74 Cultura e Scienza del Colore - Color Culture and Science | 06 NATURAL DYES AND NON-TOXIC MORDANTS BEHAVIOR Inside the collection of natural samples made by CRITT, many recipes contain more than one dye and/or more than one mordant.


id: ccsj-79
author: Apollonio, Fabrizio Ivan; Ballabeni, Andrea; Gaiani , Marco
date: 2017
pages: 19
extension: .pdf
mime: application/pdf
words: 10126
sentence: 506
flesch: 48
cache: cache/ccsj-79.pdf
txt: txt/ccsj-79.txt
title:
  Highlight and Specular reflection removal in photogrammetric techniques applied to Architectural Heritage 3D modeling

summary:
  [25] G.J. Klinker, et al., “The measurement of highlights in color images”, IJCV, 1988, Vol. 2, N. 1, pp 7-32. [26] K. Schluns, A. Koschan, “Global and local highlight analysis in color images”, CGIP ‘2000 Proceedings, 2000, pp. 300-304.


id: ccsj-125
author: da Pos, Osvaldo; Brunettin, Chiara
title: Reproduction of colours partially concealed by transparent veils
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2465
sentence: 133
flesch: 61
cache: cache/ccsj-125.pdf
txt: txt/ccsj-125.txt
summary:
  l’illuminazione virtuale del Mondrian sul monitor fossero identiche. i colori del Mondrian da aggiustare in modo da farli apparire uguali a quelli osservati nella parte inferiore dello schermo.


id: ccsj-167
author: Rossi, Maurizio
title: Index&Editorial
date: 2019
pages: 6
extension: .pdf
mime: application/pdf
words: 1591
sentence: 56
flesch: 45
cache: cache/ccsj-167.pdf
txt: txt/ccsj-167.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, UK)


id: ccsj-63
author: Colonnese, Fabio
date: 2016
pages: 16
extension: .pdf
mime: application/pdf
words: 9210
sentence: 382
flesch: 50
cache: cache/ccsj-63.pdf
txt: txt/ccsj-63.txt
title:
  Chromatic gradation as a symbolic and spatial device in the European context: Piero Bottoni’s Cromatismi architettonici

summary:
  Le due versioni di S1 presentano alcuni interessanti casi di inversione cromatica: in particolare gli edifici caratterizzati da due diverse tinte blu si traducono in gradazioni complementari invertite tra il giallo e il verde. Se la policromia urbana di Bottoni per Le Corbusier non poteva essere dissociata da nuovi criteri di composizione architettonica, riducendosi altrimenti ad un semplice correttivo, un rimedio contro “la casualità che presiede alla costruzione della città attuale”


id: ccsj-186
author: Aroua, Ichraf; Hussein, Faten
title: Color analysis of birth space ambiances
date: 2020
pages: 8
extension: .pdf
mime: application/pdf
words: 4344
sentence: 286
flesch: 60
cache: cache/ccsj-186.pdf
txt: txt/ccsj-186.txt
summary:
  Qualitative approach Color analysis of birth space ambiances 42 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120105 The qualitative study is based on a descriptive approach. Color analysis of birth space ambiances 43 Color Culture and Science Journal Vol. 12 (1)


id: ccsj-90
author: Ling, Lucie
title: Tea versus celadon: some chromatic interactions
date: 2016
pages: 8
extension: .pdf
mime: application/pdf
words: 3603
sentence: 226
flesch: 67
cache: cache/ccsj-90.pdf
txt: txt/ccsj-90.txt
summary:
  [4] Put another way, in addition to look jade-like, the scholars find that enamel’s color matches perfectly with green tea. (p149) This said, it is not simply a matter of «tea», it is also a blend of aromatic herbs, spices or condiments and sometimes, dry fruits.


id: ccsj-129
author: Valan, Francesca
title: The perception of colour from 3 years of age
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2214
sentence: 93
flesch: 62
cache: cache/ccsj-129.pdf
txt: txt/ccsj-129.txt
summary:
  Dopo i cinque anni, in coincidenza con l’inizio della scuola, e con la necessità di distinguere diversi caratteri per imparare a leggere e a scrivere gli aspetti metrici della forma tornano ad avere In questa fase è importante che abbia a disposizione oggetti con diverse superfici tattili: lisci e ruvidi, duri e soffici e molto colorati, e anche oggetti con un fronte e un retro che lo aiutino a sviluppare la visione a rilievo.


id: ccsj-131
author: Pompas, Renata
title: James Hillman, Psicologia alchemica. Adelphi edizioni, Milano, 2013.
date: 2014
pages: 3
extension: .pdf
mime: application/pdf
words: 862
sentence: 33
flesch: 49
cache: cache/ccsj-131.pdf
txt: txt/ccsj-131.txt
summary:
  Umori e affinità che diventano il nostro gusto, le nostre avversioni e passioni”. Nigredo (nero), albedo (bianco) e rubedo (rosso) sono i tre colori principali dell’opus alchemico a cui Hillman aggiunge la citrinitas (giallo), presente nei testi fino al XVI secolo e poi soppresso, e il blu a cui dedica molte pagine. Bianco argento La fase al bianco, albedo, descrive il secondo tipo di bianco, quello connesso all’argento alchemico, corrispondente simbolicamente al cervello (così come l’oro corrisponde al cuore): colore della luna e della follia (in inglese lunacy), della riflessione e della parola.


id: ccsj-33
author: Pauliac, Laurence
title: Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc
date: 2018
pages: 10
extension: .pdf
mime: application/pdf
words: 6137
sentence: 228
flesch: 51
cache: cache/ccsj-33.pdf
txt: txt/ccsj-33.txt
summary:
  Quatremère, A-C. so called Quatremère de Quincy (1815) Le Jupiter olympien, ou l’Art de la sculpture antique considéré sous un nouveau point de vue, ouvrage qui comprend un essai sur le goût de la sculpture polychrome, l’analyse explicative de la toreutique et l’histoire de la statuaire en or et en ivoire, chez les Grecs et les Romains. Dame de Paris, Chapel Saint Germain, tracing of the paintings made by Mr. Ouradou.


id: ccsj-47
author: Perdomo, Lina
title: Industrial colour invention: a comparative analysis from the perspective of the colourist designer
date: 2019
pages: 10
extension: .pdf
mime: application/pdf
words: 10649
sentence: 289
flesch: 50
cache: cache/ccsj-47.pdf
txt: txt/ccsj-47.txt
summary:
  Paint & Coatings Industry Company A (Latin America) colour tool created in 2014 Company B (Europe) colour tool created in 2015 EXPERTISE OF THE CREATIVE ACTOR Engineering & marketing Colour design & fine arts COLOUR COMM. 3.2 Fan deck company B (Europe) – 1650 colours (colour tool B)


id: ccsj-101
author: Tarajko-Kowalska, Justyna
date: 2018
pages: 9
extension: .pdf
mime: application/pdf
words: 4734
sentence: 200
flesch: 54
cache: cache/ccsj-101.pdf
txt: txt/ccsj-101.txt
title:
  Blue color traditions in Polish wooden architecture – valuable cultural heritage and a source of inspiration

summary:
  Apart from its aesthetical value, blue color in Poland had also utilitarian functions and symbolical ones, just like tokens and magic symbols, involving the protection of inhabitants from evil, as well as connotations in Catholic religion between blue hue and Virgin Mary or Archangel Michael, as well as the Heaven itself. KEYWORDS Blue color, blue pigments, color in architecture, color traditions, color symbolic, façade color, color in the built environment CITATION:


id: ccsj-116
author: Valentini, Paola
title: Society in colour: Italian television and the switch to colour
date: 2015
pages: 5
extension: .pdf
mime: application/pdf
words: 4419
sentence: 140
flesch: 50
cache: cache/ccsj-116.pdf
txt: txt/ccsj-116.txt
summary:
  Cultura e Scienza del Colore - Color Culture and Science 3104/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Paola Valentini paola.valentini@unifi.it 1 AGAS Department of History, Archaeology, Geography, Art and Performance Arts, University of Florence, Italy Society in colour: Italian television and the switch to colour While Italy was proudly celebrating the advent of its own television system on 3 January 1954 and the first official broadcasts were starting to go out, at around the same time, the United States saw the arrival of colour television. Indeed, in December 1953, the Federal Communications Commission (FCC) approved the standard for colour television set out by the National Television System Committee (the same one that established the 525 line standard in 1941).


id: ccsj-187
author: Boeri, Cristina
title: An educational experience about color emotion and its design implications
date: 2020
pages: 9
extension: .pdf
mime: application/pdf
words: 4411
sentence: 162
flesch: 42
cache: cache/ccsj-187.pdf
txt: txt/ccsj-187.txt
summary:
  REVISED 28 November 2019; ACCEPTED 15 December 2019 An educational experience about color emotion and its design implications 49 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120106 1. The research project is focused on the possible relationships between the approaches, methods and outcomes of color research that deals with color emotion and the approaches, methods and tools developed in the field of design research and practice that deals with color and the emotional and sensorial qualities.


id: ccsj-130
author: Casciani, Daria; Rossi, Maurizio
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2859
sentence: 107
flesch: 39
cache: cache/ccsj-130.pdf
txt: txt/ccsj-130.txt
title:
  Coloured Lighting, Urban Underground and Human Beings: relationship inquiry through showcase analysis

summary:
  The subjects of this study were asked to look into red, yellow, 42 Cultura e Scienza del Colore - Color Culture and Science | 01/14 green, and blue light. The walls and the ceiling are drenched in blue light and lend the station, that is completely realized in concrete, the character of a cave, whereas the platform itself is rather bright.


id: ccsj-133
author: Siniscalco, Andrea; Seassaro, Alberto; Tinelli, Paolo; Conio, Claudio
title: The Shapes of Light: Project didactics with coloured neon sources
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2065
sentence: 89
flesch: 54
cache: cache/ccsj-133.pdf
txt: txt/ccsj-133.txt
summary:
  La “light art” è da sempre molto diffusa, anche se è un ambito che non incide direttamente sullo sviluppo delle tecnologie, quanto piuttosto, può venirne influenzato con lo scopo di aiutare l’artista a poter esprimere i propri messaggi. La “luce messaggio” e la “light-art”, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che è la pubblicità, l’insegnistica.


id: ccsj-165
author: Rossi, Maurizio
title: Claudio Oleari Memorial
date: 2018
pages: 1
extension: .pdf
mime: application/pdf
words: 324
sentence: 14
flesch: 56
cache: cache/ccsj-165.pdf
txt: txt/ccsj-165.txt
summary:
  This page has been intentionally left white Claudio Oleri Memorial The Associazione Italiana Colore, with all its members would like to express its deepest condolences for the premature death of Claudio Oleari on 23 January 2018, together with all who have known him, read his books, listened to his conferences or lectures. Moreover in 1995 he started the Gruppo in Colorimetria e Reflectoscopia which later became the Associazione Italiana Colore.


id: ccsj-138
date: 2014
pages: 6
extension: .pdf
mime: application/pdf
words: 3992
sentence: 129
flesch: 57
cache: cache/ccsj-138.pdf
txt: txt/ccsj-138.txt
author:
  Gianni, Liliana; Adriaens, Annemie; Cavallini, Mauro; Natali, Stefano; Volpe, Valerio; Zortea, Laura

title:
  Reflectance curves and CIE L* a* b* parameters to describe patina characteristics and corrosion mechanism on bronze alloys

summary:
  Table 1: 3% of tin sample exposed to urban environment L* a* b* ΔE clean 83.63 10.35 14.17 37.06 2 weeks 49.48 18.21 26.24 9.82 4 weeks 45.12 12.78 19.31 10.94 6 weeks 45.15 6.11 10.63 2.67 8 weeks 44.68 8.37 11.97 7.11 10 weeks 40.51 4.77 7.46 Table 2: 7% of tin sample exposed to urban environment L* a* b* ΔE clean 84.07 8.26 14.63 25.50 2 weeks 59.58 6.98 21.64 6.61 4 weeks 53.16 6.14 22.96 2.55 6 weeks 55.7 6.32 22.77 2.79 8 weeks 54.48 6.25 20.26 9.21 10 weeks 49.61 4.01 12.76 Table 3: 20% of tin sample exposed to urban environment L* a* b* ΔE clean 81.76 2.99 11.94 9.85 2 weeks 76.44 5.29 19.91 8.95 4 weeks 68.35 4.34 16.18 3.31 6 weeks 65.65 2.46 16.59 3.09 8 weeks 65.99 1.84 13.58 3.05 10 weeks 63.23 1.27 14.76 b)a) In the 3% of tin samples the green grows continuously whilst for the 7% and 20% it decreases in the second month as a* values underline (Figure 7; Tables1-3).


id: ccsj-120
author: Rossi, Maurizio
title: Index&Editorial
date: 2015
pages: 3
extension: .pdf
mime: application/pdf
words: 641
sentence: 19
flesch: 33
cache: cache/ccsj-120.pdf
txt: txt/ccsj-120.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, UK)


id: ccsj-115
author: Sandford, Jodi L.
date: 2015
pages: 9
extension: .pdf
mime: application/pdf
words: 6053
sentence: 300
flesch: 60
cache: cache/ccsj-115.pdf
txt: txt/ccsj-115.txt
title:
  A Cognitive Linguistic Usage Perspective: What is Italian Blu, azzurro, celeste? Do English agree on BLUE semantics?

summary:
  The results of the four phases of this study converge to suggest that contemporary Italian use of BLUE color terms reveals a twelfth BCT, a tone of BLUE. it must be psychologically salient, i.e., occur at the beginning of elicited lists of color terms, and have stability of reference across informants and occasion of use, v. if doubtful it should have the same distributional potential [1].


id: ccsj-137
author: Evans, Stig
title: The Portland Colour Chart
date: 2014
pages: 4
extension: .pdf
mime: application/pdf
words: 1595
sentence: 75
flesch: 62
cache: cache/ccsj-137.pdf
txt: txt/ccsj-137.txt
summary:
  Based on the colour Library this time I was interested to see if the public, when asked, would use colour names more specific to a place or area, rather than general ‘paint industry’ colour terminology that was apparent in the original colour library. We now have a very sophisticated and elaborate colour language and terminology at our disposal.


id: ccsj-162
date: 2018
pages: 7
extension: .pdf
mime: application/pdf
words: 4395
sentence: 181
flesch: 55
cache: cache/ccsj-162.pdf
txt: txt/ccsj-162.txt
author:
  Melgosa, Manuel; Cui, Guihua; Oleari, Claudio; Pardo, Pedro J.; Huang, Min; Li, Changjun; Ronnier Luo, Ming

title:
  Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula?

summary:
  KEYWORDS Color difference, Color-difference formula, CIE94, CIEDE2000, Whittle formula CITATION: She has undertaken some projects mainly focused on color difference evaluation and colorimetric observer categories and their applications.


id: ccsj-80
author: Nishi, Shogo; Kimachi, Akira; Doi, Motonori; Tominaga, Shoji
date: 2017
pages: 10
extension: .pdf
mime: application/pdf
words: 5807
sentence: 292
flesch: 49
cache: cache/ccsj-80.pdf
txt: txt/ccsj-80.txt
title:
  Image Registration for a Multispectral Imaging System Using Interference Filters and Application to Digital Archiving of Art Paintings

summary:
  Although luminance is an important image feature that is utilized in many registration methods, this feature is not available for registration because the luminance of spectral image varies between wavelength bands. Although a non-linear image registration method can be used to calibrate the distortion caused by misregistration, the method cannot be easily adapted for spectral images with considerable changes in luminance values.


id: ccsj-174
author: Marotta, Anna
title: Two theories for a model: the “querelle” between Klee and Ostwald
date: 2019
pages: 10
extension: .pdf
mime: application/pdf
words: 6722
sentence: 251
flesch: 47
cache: cache/ccsj-174.pdf
txt: txt/ccsj-174.txt
summary:
  KEYWORDS Comparative theories of colour, Colour models, Paul Klee, Wilhelm Ostwald, History of colour, Polysensory RECEIVED 24 June 2019; REVISED 09 July 2019; ACCEPTED 12 September 2019 Two theories for a model: the “querelle” between Klee and Ostwald 64 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110207 1. 3.2 Paul Klee, the destiny of a multiform and multifaceted artist In Klee's investigations (Marotta 1999) one of the themes of interest is the manifestation of visual forms in the plane (dynamically conceived and expressed), also in relation to spatial dimensions.


id: ccsj-168
author: Ajò, David; Elettivo, Giuseppe; Fenzi, Federica; Nunziante Cesaro, Stella ; Tegani, Sabrina
title: The Colored Chemistry
date: 2019
pages: 7
extension: .pdf
mime: application/pdf
words: 3957
sentence: 209
flesch: 51
cache: cache/ccsj-168.pdf
txt: txt/ccsj-168.txt
summary:
  The synthesis modalities of such materials are investigated, among the others, for restoration: the advantage for a chemist in fact consists in the possibility of having, obviously not in all cases, items available to compare with the materials of the artifact. Chemistry, Restoration, Gemology, Colored metals, Synthetic materials, Treated materials, Effective Microorganisms RECEIVED 30 March 2019; REVISED 10 June 2019; ACCEPTED 30 July 2019 The Colored Chemistry 8 Color Culture and Science Journal Vol. 11 (2)


id: ccsj-153
author: Siniscalco, Andrea
title: Didactic for building professionals. The experience of Lighting Design and Color Design masters
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 2410
sentence: 98
flesch: 44
cache: cache/ccsj-153.pdf
txt: txt/ccsj-153.txt
summary:
  Color for fashion design Study of the color texturing in fashion with the aim of being able to offer the same product with different color variation, in order to reach culturally different markets and to offer the sensation of a personal choice to individual consumers. Lighting design studies, with their interventions have helped to give a very practical, project oriented direction, and companies, over the years, helped defining the program by communicating the subjects that in their opinion, were the most useful in order to work in their technical offices.


id: ccsj-172
author: Zuccoli, Franca
date: 2019
pages: 6
extension: .pdf
mime: application/pdf
words: 4070
sentence: 160
flesch: 53
cache: cache/ccsj-172.pdf
txt: txt/ccsj-172.txt
title:
  Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni

summary:
  Colour, education, children, school, pedagogy, Montessori, Pizzigoni RECEIVED 30 May 2019; REVISED 15 June 2019; ACCEPTED 25 June 2019 Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni 44 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110205 1. […] If one wishes to prepare objects that serve, for example, to distinguish between colours, it is necessary to build them with the same substance, form and dimension and differentiate them only by colour” (Montessori 2013).


id: ccsj-144
author: Rossi, Maurizio
title: Index&Editorial
date: 2015
pages: 3
extension: .pdf
mime: application/pdf
words: 684
sentence: 18
flesch: 27
cache: cache/ccsj-144.pdf
txt: txt/ccsj-144.txt
summary:
  Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Aldo Bottoli (B&B Colordesign, IT) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Elizabeth Condemine (Couleur & Marketing Paris, FR) Osvaldo Da Pos (Università degli Studi di Padova, IT)


id: ccsj-135
author: Bertagna, Giulio; Bottoli, Aldo
title: Textures: The fascination of apparent textures
date: 2014
pages: 9
extension: .pdf
mime: application/pdf
words: 4732
sentence: 197
flesch: 46
cache: cache/ccsj-135.pdf
txt: txt/ccsj-135.txt
summary:
  la distanza di osservazione così detta “di prossimità”, dobbiamo considerare due diverse situazioni di relazione tra un osservatore e una superficie che abbia caratteristiche di tessitura. GRADIENTE DI TESSITURA Una caratteristica dell’ambiente naturale è quella di apparirci sempre come un insieme di elementi e superfici dotate di una certa tessitura.


id: ccsj-136
author: Clini, Paolo; Quattrini, Ramona; Nespeca, Romina; Sagone, Luigi
date: 2014
pages: 7
extension: .pdf
mime: application/pdf
words: 3498
sentence: 178
flesch: 49
cache: cache/ccsj-136.pdf
txt: txt/ccsj-136.txt
title:
  Colour, reflectance and temperature. From the case study of Villa Trissino to new integrated applications of terrestrial lidar data for surveying and diagnostics

summary:
  Si presenta come un metodo indiretto, no-contact, perfettamente in linea quindi con l’idea di rilievo nel campo della diagnostica e del restauro di manufatti storici. L’intento di questa ricerca è di dimostrare come il dato di riflettanza da rilevamento scanner laser possa essere (in particolari condizioni)


id: ccsj-143
author: Pompas, Renata
date: 2014
pages: 2
extension: .pdf
mime: application/pdf
words: 678
sentence: 25
flesch: 49
cache: cache/ccsj-143.pdf
txt: txt/ccsj-143.txt
title:
  Guy Deutscher, La lingua colora il mondo. Come le parole trasformano la realtà. Bollati Boringhieri, Torino, 2013.

summary:
  Riporta la grande controversia natura- cultura investì le riflessioni sul colore per la relazione tra ciò che l’occhio è in grado di vedere e ciò che il linguaggio è in grado di descrivere; esaminando da una parte le concezioni universaliste, innatiste e dall’altra quelle relativiste, culturaliste che infervorarono il dibattito novecentesco e cioè se la maggior parte della grammatica del linguaggio, ossia tutte le lingue umane, è innata, codificata nel nostro DNA, o se viceversa le strutture grammaticali sono conseguenza dell’evoluzione culturale e dell’esigenza di comunicare in maniera efficiente, come sostiene la concezione relativista. L’unica regola che è rimasta realmente priva di eccezioni è quella che indica nel rosso il primo colore dopo il bianco e il nero a ricevere un nome.


id: ccsj-175
author: Gaiani, Marco; Apollonio, Fabrizio
title: Under the lens of ISLe: Leonardo da Vinci’s "Landscape" drawing analysed by colourimetry
date: 2019
pages: 9
extension: .pdf
mime: application/pdf
words: 5530
sentence: 216
flesch: 50
cache: cache/ccsj-175.pdf
txt: txt/ccsj-175.txt
summary:
  KEYWORDS Leonardo da Vinci, Antique drawings, Colour analysis, 3D, Visualisation, MTF, LED light. Using ISLe, Landscape drawing has been examined as a graphic artefact through visual and colourimetric analysis.


id: ccsj-150
author: Bellia, Laura; Agresta, Nicola; Rossi, Luigi; Spada, Gennaro
title: Measured color changes under fluorescent and LED lamps
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 2599
sentence: 112
flesch: 64
cache: cache/ccsj-150.pdf
txt: txt/ccsj-150.txt
summary:
  Em [lux] Fluo 2700K 2924 100 653 Fluo 3000K 3011 93 549 Fluo 4000K 4178 94 558 Fluo 6500K 7100 100 621 LED 2900K 2940 97 634 LED 3150K 3020 94 545 LED 4200K 4199 95 548 LED 6100K 7195 100 628 46 Cultura e Scienza del Colore - Color Culture and Science | 03/15 located in respect to the lights. L* a* b* C*ab hab 1.Fluo 2700K 40.74 -8.44 -32.79 33.86 1.32 2.Fluo 6500K 47.09 6.85 -73.70 74.02 -1.48 3.LED 2900K 34.53 -14.15 -65.54 67.05 1.35 4.LED 6100K 45.17 14.12 -60.83 62.45 -1.34 L* a* b* C*ab hab 1.Fluo 2700K 60.43 -10.58 -16.84 19.88 1.01 2.Fluo 6500K 63.75 -7.45 -60.21 60.67 1.45 3.LED 2900K 58.57 -17.14


id: ccsj-102
author: Rossi, Michela; Buratti, Giorgio
title: From decoration to industrial design: Gio Ponti and color in architectural innovation
date: 2018
pages: 10
extension: .pdf
mime: application/pdf
words: 5680
sentence: 286
flesch: 55
cache: cache/ccsj-102.pdf
txt: txt/ccsj-102.txt
summary:
  About ten years later, the ceramic floors of Salzburger Nachrichten’s offices were a hymn to colour, thanks to the abstract geometric composition that fit to the irregular shape of the rooms’ floors, combining tiles with different colours and patterns. Cultura e Scienza del Colore - Color Culture and Science 67 Cultura e Scienza del Colore - Color Culture and Science | 10 | 2018 ISSN 2384-9568 From decoration to industrial design: Gio Ponti and color in architectural innovation ABSTRACT Gio Ponti (1891-1979) was one of the first Italian architects who actively dealt with industrial design, combining the classical tradition of craftsmanship with the request for modernity.


id: ccsj-64
author: Versaci, Antonella; Cardaci, Alessio
title: The restoration of color in the French historic cities: approaches, methods and experiences
date: 2016
pages: 14
extension: .pdf
mime: application/pdf
words: 7911
sentence: 280
flesch: 42
cache: cache/ccsj-64.pdf
txt: txt/ccsj-64.txt
summary:
  Figura 4 - France e Michel Cler, Schema di riferimento cromatico dell’area della Romaniquette a Istres, 1985 (©Fonds national d’art contemporain, Centre Pompidou, Parigi) del coeur di paesi e villaggi, tramite il colore. la caratterizzazione e la riconoscibilità dello spazio urbano e il miglioramento della qualità di vita degli abitanti.


id: ccsj-161
author: Pandini, Davide; Ludwig, Nicola; Gragano, Marco; Moneta, Annalisa
title: Methodologies for studying paint pigment mixtures with fibre-optic spectrometry
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 3039
sentence: 119
flesch: 53
cache: cache/ccsj-161.pdf
txt: txt/ccsj-161.txt
summary:
  A titolo esemplificativo affrontiamo brevemente il caso di miscele con tinta risultante verde (mescola di pigmento blu e giallo). Il grafico del fattore di riflessione spettrale usato per la determinazione di K ed S è il risultato di una media di 10 spettri, filtrato con passo di 5 nm.


id: ccsj-127
author: Marchiafava, Veronica; Bartolozzi, Giovanni; Cucci, Costanza; De Vita, Marco; Picollo, Marcello
title: Colour measurements for the characterisation and monitoring of contemporary works of art
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 2729
sentence: 105
flesch: 48
cache: cache/ccsj-127.pdf
txt: txt/ccsj-127.txt
summary:
  Una campagna diagnostica a supporto dell’intervento di restauro, finanziato dal Progetto CoPAC (Conservazione Preventiva dell’Arte Contemporanea), dal Comune di Pisa e dall’associazione “Friends of Heritage Preservation” (USA), è stata realizzata al fine di comprendere 4. CONCLUSIONI Le indagini spettroscopiche e colorimetriche condotte all’interno del progetto conservativo del murale Tuttomondo di Keith Haring sono state eseguite al fine di: • identificare i pigmenti presenti


id: ccsj-140
author: Neiva, Miguel
title: ColorADD . Color identi cation system for colorblind people
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 1552
sentence: 65
flesch: 44
cache: cache/ccsj-140.pdf
txt: txt/ccsj-140.txt
summary:
  3. MATERIALS AND METHODS Using primary colors, represented through simple symbols, the system was constructed through a process of logical association and direct comprehension, allowing its rapid inclusion in the “visual vocabulary” of the user. Based on these results a conceptual basis was defined, capable of constituting a universal method of graphic color identification, easy to comprehend and memorize.


id: ccsj-145
date: 2015
pages: 8
extension: .pdf
mime: application/pdf
words: 4269
sentence: 162
flesch: 49
cache: cache/ccsj-145.pdf
txt: txt/ccsj-145.txt
author:
  Alberghina, Maria Francesca; Barraco, Rosita; Brai, Maria; Pellegrino, Lorella; Prestileo, Fernanda; Tranchina, Luigi

title:
  Use of Principal Component Analysis for statistical analysis of colorimetric data of mosaic floor tiles 

summary:
  Ciò ha posto gli operatori di fronte alla necessità di individuare uno strumento analitico in grado di gestire un elevato numero di dati e di fornire un quadro sinottico funzionale per una migliore comprensione del comportamento cromatico dei materiali a seguito delle fasi dell’intervento e delle variazioni nel tempo. Il presente articolo è frutto del lavoro di revisione e integrazione dei due contributi presentati alla VI (Lecce 2010) e alla VII (Roma 2011)


id: ccsj-189
author: Assis Peres Silva, Camila ; de Toledo Sanjar Mazzilli, Clice
title: Does chromatic lightness have an impact on the perceived odor of Brazilian perfumes?
date: 2020
pages: 12
extension: .pdf
mime: application/pdf
words: 6846
sentence: 418
flesch: 55
cache: cache/ccsj-189.pdf
txt: txt/ccsj-189.txt
summary:
  Beyond the correspondences found, the researchers identified a potential relationship between color lightness and odor intensities. We deduced that a potential correspondence between color lightness and odor intensity might exist.


id: ccsj-119
author: Bianco, Simone; Schettini, Raimondo
title: Adaptive Illuminant Estimation and Correction for Digital Photography
date: 2015
pages: 7
extension: .pdf
mime: application/pdf
words: 4102
sentence: 211
flesch: 48
cache: cache/ccsj-119.pdf
txt: txt/ccsj-119.txt
summary:
  A different strategy for improving the reliability of color constancy algorithms is to increase the quantity of information available for the color constancy by taking two pictures of each scene An extension of this idea could be to use “memory objects” in the scene for color constancy.


id: ccsj-193
author: Schindler, Verena M.
title: COLUMN: BOOK REVIEWS
date: 2020
pages: 4
extension: .pdf
mime: application/pdf
words: 2217
sentence: 100
flesch: 52
cache: cache/ccsj-193.pdf
txt: txt/ccsj-193.txt
summary:
  The Atelier’s focus was on colour design in urban planning, architecture, and for industrial sites. Gasser also describes how in 1943 Winterthur’s city core became a protected zone – including in terms of colour design – and that the Urban Planning Act of 1975 states that the overall colour character should be preserved in the old city centre.


id: ccsj-148
author: Alekseeva, Natalia; Cirafici, Alessandra; Senese, Vincenzo Paolo
date: 2015
pages: 7
extension: .pdf
mime: application/pdf
words: 3054
sentence: 175
flesch: 57
cache: cache/ccsj-148.pdf
txt: txt/ccsj-148.txt
title:
  Interaction of color scheme and noise in the metro interior. Multisensory evaluation and subjective testing

summary:
  Cultura e Scienza del Colore - Color Culture and Science 3303/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Natalia Alekseeva natalia-alekseeva@yandex.ru 2 Alessandra Cirafici alessandra.cirafici@unina2.it 3 Vincenzo Paolo Senese vincenzopaolo.senese@unina2.it 1 PhD in Environmental Technical Physics 2 Department of Architecture and Industrial Design «Luigi Vanvitelli», The Second University of Naples 3 Department of Psychology, The Second University of Naples Interaction of color scheme and noise in the metro interior. The graphic model was designed by means of Google SketchUp 7.0 software, simulating geometrical constructions according to actual dimensions, and elaborated color schemes.


id: ccsj-113
author: Valdegamberi, Veronica; Paggetti, Giulia; Menegaz, Gloria
title: On the perceptual/linguistic origin of the twelfth basic color term in the Italian color lexicon
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 4111
sentence: 188
flesch: 56
cache: cache/ccsj-113.pdf
txt: txt/ccsj-113.txt
summary:
  BIBLIOGRAPHY [1] Berlin, B., Kay, P.: Basic color terms: their universality and evolution. According to their definition, color terms are operationally defined as basic only if monolexemic and psychologically salient for all speakers, but not if restricted in application to narrow classes of objects, or included in the signification of other basic color terms.


id: ccsj-163
author: Lecca, Michela; da Pos, Osvaldo
title: Communications and Comments
date: 2018
pages: 3
extension: .pdf
mime: application/pdf
words: 1715
sentence: 69
flesch: 47
cache: cache/ccsj-163.pdf
txt: txt/ccsj-163.txt
summary:
  The answer I gave is already somehow present in the previous edition of this column, namely that the research in question clarifies the fundamental relationships between physical stimuli, colour perception and verbal language of colour, relationships that are often only implicitly assumed in colour studies or even misunderstood (Figure 1). The talk of Prof. Da Pos was not directly related to technical features of the Munsell system, but it coped with the more general problem of the meaning and the relationships among colour perception, stimuli, and colour terminology, that we partially investigated in our previous column.


id: ccsj-126
author: De Mario, Bepi
title: Colour and Tourism: Sociology of tourist hospitality
date: 2014
pages: 5
extension: .pdf
mime: application/pdf
words: 3640
sentence: 185
flesch: 58
cache: cache/ccsj-126.pdf
txt: txt/ccsj-126.txt
summary:
  Il blu è il colore che più piace e più induce al rilassamento. Nelle camere per lo studio vanno impiegati toni come il bianco e il giallo, che risvegliano la concentrazione e la fantasia, ma per gli ansiosi e gli irritabili sono meglio l’azzurro e il verde.


id: ccsj-149
author: Fibiani, Marta; Rotino, Giuseppe L.; Toppino, Laura; Mennella, Giuseppe; Lo Scalzo, Roberto
date: 2015
pages: 5
extension: .pdf
mime: application/pdf
words: 3253
sentence: 208
flesch: 58
cache: cache/ccsj-149.pdf
txt: txt/ccsj-149.txt
title:
  Pigment variation by colorimetric analysis in raw, grilled and boiled eggplant (Solanum melongena L.) fruits

summary:
  Eggplant anthocyanins have simple profiles generally characterized by a single delphinidin-glycoside [5] [6]. Unlike other phenolic compounds such as caffeic acid derivatives, eggplant anthocyanins were strongly depleted after cooking, being boiling (a mild heating process) more preservative than grilling.


id: ccsj-160
author: Orlando, Emanuela
title: I colori di Gualtiero Marchesi - Gualtiero Marchesi’s colours
date: 2015
pages: 4
extension: .pdf
mime: application/pdf
words: 1210
sentence: 41
flesch: 55
cache: cache/ccsj-160.pdf
txt: txt/ccsj-160.txt
summary:
  2- Gualtiero Marchesi: il rosso e il nero Figura 3 - Lucio Fontana: il rosso e il nero RUBRICA | COLUMN 5904/15 | Cultura e Scienza del Colore - Color Culture and Science RUBRICA | COLUMN “Il premio colore 2015 va a un grande Maestro, al cuoco italiano più famoso nel mondo, a colui che ha saputo rendere il colore un tratto caratteristico e distintivo di ogni sua preparazione, in una sintesi perfetta tra gusto ed estetica, tra sensi e bellezza.


id: ccsj-176
author: Siniscalco, Andrea
title: A case study on light and colour for monuments and cultural assets
date: 2019
pages: 8
extension: .pdf
mime: application/pdf
words: 4032
sentence: 180
flesch: 53
cache: cache/ccsj-176.pdf
txt: txt/ccsj-176.txt
summary:
  Current technologies related to lighting sources allow us much greater flexibility, without compromising the efficiency of the sources. With the new control systems and a specifically customised user interface, it is possible to offer the municipality a tool to make the monumental complex of Neptune, a veritable scenographic element, easily controllable and scalable for festivals and events that can take place on-site; all without sacrificing classic white lighting, designed to enhance colors, shapes and materials, limiting glare towards passers-by and guarantee a good usability of the cultural site.


id: ccsj-194
author: Schindler, Verena M.; A. Griber, Yulia
title: Index&Editorial
date: 2020
pages: 8
extension: .pdf
mime: application/pdf
words: 1915
sentence: 73
flesch: 42
cache: cache/ccsj-194.pdf
txt: txt/ccsj-194.txt
summary:
  Editorial The First Russian Congress on Color (FRCC2019) was held at Smolensk State University on 18–20 September 2019. The congress was organized by the Smolensk State University, the Research and Education Center ‘Color Lab’ of Smolensk State University, and the Study Group on Environmental Colour Design of the International Colour Association.


id: ccsj-180
author: Bartlett, Lynne
title: An overview of the history of the use of colour in jewellery
date: 2017
pages: 6
extension: .pdf
mime: application/pdf
words: 3328
sentence: 156
flesch: 57
cache: cache/ccsj-180.pdf
txt: txt/ccsj-180.txt
summary:
  The Ancient Egyptians used turquoise, lapis and coral with gold to produce vibrant multi-coloured jewellery. The first identifiable piece of designed titanium jewellery is a belt buckle.


id: ccsj-206
author: Pompas, Renata
title: BOOK REVIEW: L'anima e la magia dei COLORI. Uso consapevole dei colori nella vita
date: 2020
pages: 2
extension: .pdf
mime: application/pdf
words: 714
sentence: 32
flesch: 48
cache: cache/ccsj-206.pdf
txt: txt/ccsj-206.txt
summary:
  Then Di Donato looks at the significance and function of colours through myths, rituals, alchemy, and holistic therapies, with the aim of evoking a journey of knowledge. In conclusion Di Donato in the twelve chapters of the book presents a wide and diverse outline of the various fields of knowledge in which colour is the protagonist, quick and essential points in which the content stirs the comparison between cultures and applications, searching for similarities and differences.


id: ccsj-139
author: Musante, Fulvio; Rossi, Maurizio
title: An overview for colour rendering indices in Solid State Lighting
date: 2014
pages: 6
extension: .pdf
mime: application/pdf
words: 3624
sentence: 155
flesch: 50
cache: cache/ccsj-139.pdf
txt: txt/ccsj-139.txt
summary:
  The influence of the spectra of test samples on the calculated color rendering index is a long time open question: due to a small number of samples, lamps manufacturers are able to tailor the light sources spectral distribution to yield high CRI value, even if the visual impression of color rendering is considered poor[12][13]. Rea and Freyssinier-Nova suggest numerical recommendations about the value of GAI index: if the applications (for example retail) require high features for color rendering, the light source should have both Ra of between 80 and 100 and GAI between 80 and 100.[3][4] An important notice is that in GAI, the evaluation of the correlated color temperature of reference light source is fixed and independent from that of the source under test: this solution can involve distortions in the judgment of the light sources with low values of correlated color temperature that can still have excellent color quality including good color discrimination performance, despite the low value of the gamut area.


id: ccsj-226
author: Bideaux, Kévin
title: Is white skin really pink? : Flesh color as a pink color in art and culture in Occident
date: 2021
pages: 8
extension: .pdf
mime: application/pdf
words: 5284
sentence: 320
flesch: 63
cache: cache/ccsj-226.pdf
txt: txt/ccsj-226.txt
summary:
  KEYWORDS Flesh color, Skin color, Pink, Race, History of Color RECEIVED 30/01/2021; REVISED 28/03/2021; ACCEPTED 19/09/2021 Is white skin really pink? Flesh color, Race and Whiteness The existence as well as the recurring use of a single term to designate all complexions, leads me to question flesh color in articulation with the concept of race.


id: ccsj-128
author: Luzzatto, Lia; Pompas, Renata
title: Cyber Colours
date: 2014
pages: 4
extension: .pdf
mime: application/pdf
words: 1835
sentence: 79
flesch: 46
cache: cache/ccsj-128.pdf
txt: txt/ccsj-128.txt
summary:
  Cyberpunks e Technos avevano introdotto dei colori acidi, fluorescenti e violenti nei capelli, nel trucco e nei tessuti, mostrando la loro rivolta contro la natura. Noi crediamo che i colori delle immagini elettroniche chiedano un adattamento alle nuove informazioni cromatiche, uno scollamento dai riferimenti naturali e che, producendo un nuovo e diverso effetto di realtà, possano agire anche sul contesto, modificandolo.


id: ccsj-185
author: Yu, Beichen ; Bell, Simon
title: Emerging colours: new trends, demands and challenges in contemporary urban environments
date: 2020
pages: 8
extension: .pdf
mime: application/pdf
words: 4944
sentence: 264
flesch: 47
cache: cache/ccsj-185.pdf
txt: txt/ccsj-185.txt
summary:
  Since the 1960s, studies on environmental colour design have explored the relationship between architectural colours and elements including space, form, structure, light and function (e.g., McLachlan et al. 2015, Nemcsics 1993), principles for urban colour planning (e.g., Brino 2009; Spillmann 2009) and environmental colour design in a contemporary context (e.g., Lenclos 2009, Porter and Mikellides 2009). Through the comparison between examples of the new phenomenon and traditional environmental colour use, notable differences and tendencies of colour design in contemporary urban environments can be identified.


id: ccsj-269
author: Trott, Louisa
title: The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 5183
sentence: 231
flesch: 51
cache: cache/ccsj-269.pdf
txt: txt/ccsj-269.txt
summary:
  With the onset of the Great Depression in the USA and other, more practical and affordable color processes on the horizon, there is little evidence that the equipment was ever sold commercially. [7] The name Agfacolor was later used for other color processes made by Agfa.


id: ccsj-169
author: Netti, Rossana
title: The colours of the ancient Greek architecture
date: 2019
pages: 11
extension: .pdf
mime: application/pdf
words: 5712
sentence: 206
flesch: 45
cache: cache/ccsj-169.pdf
txt: txt/ccsj-169.txt
summary:
  KEYWORDS Ancient Greek architecture, myth of white, ornament, architectural orders, polychromy, chromatic research RECEIVED 31 March 2019; REVISED 13 June 2019; ACCEPTED 05 July 2019 The colours of the ancient Greek architecture 15 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110202 1. 3. Polychromy in ancient Greek architecture The Italian painter Raphael (1483-1520) was the first to realize that the ancient world, as it appeared to his eyes and as it was represented, was only the faded echo of that richness that necessarily had to characterize its artistic value: «those famous works» are defined by him as «the bones of the body without flesh»


id: ccsj-182
author: Białobłocka, Karolina
title: Three colour design proposals for the Market Square in Warsaw
date: 2020
pages: 9
extension: .pdf
mime: application/pdf
words: 4801
sentence: 259
flesch: 58
cache: cache/ccsj-182.pdf
txt: txt/ccsj-182.txt
summary:
  In the conference proceedings, apart from discussing conservation issues, a few examples of colour planning were described such as selected issues related to colour design proposals for Gdansk’s Old Town (Kriegseisen 2015, Kołodziej and Brzuskiewicz 2015), Warsaw’s Old Town (Kania 2015), and Lublin’s Old Town (Żywiecki 2015). References Białobłocka, K. (2017) ‘Competitions for colour schemes for streets and squares in Germany in the 1920s’.


id: ccsj-152
author: Pompas, Renata
title: Manlio Brusatin, Verde. Storie di un colore
date: 2015
pages: 4
extension: .pdf
mime: application/pdf
words: 1303
sentence: 67
flesch: 63
cache: cache/ccsj-152.pdf
txt: txt/ccsj-152.txt
summary:
  il lessico e gli aspetti linguistici, la chimica dei pigmenti, le tecniche di tintura, le forme del vestiario e XIV-XVI secolo: l’instabilità del verde nella pittura e nella tintura origina – accanto agli altri aspetti simbolici – anche un significato malefico, facendone il colore del diavolo, delle streghe, del veleno e della putrefazione.


id: ccsj-173
author: Di Meo, Carmen
title: From Dots to Atoms: “Light and Color’’ Techniques in Fifteenth and Sixteenth Centuries’ Painting
date: 2019
pages: 14
extension: .pdf
mime: application/pdf
words: 9490
sentence: 386
flesch: 56
cache: cache/ccsj-173.pdf
txt: txt/ccsj-173.txt
summary:
  2.2 Giovanni di Paolo and Alesso Baldovinetti: sources for a history of the ‘dotted’ handling of color in Quattrocento Art The Sienese Master Giovanni di Paolo, in a way intriguingly similar to that showed by Baldovinetti, is found by Cesare Brandi displaying a very original treatment in his landscape details, defined in 1941 as a “punteggiatura” (punctuation, dotting), “a trace of big flour-like grains.” Given that the so-called ‘Primitives’ Tuscan Masters, such as Alesso Baldovinetti and Giovanni di Paolo, were particularly skilled in the use of this peculiar technique, which is found especially embodied in tempera works produced in the course of the fifteenth Century, this research line can be also extended to artistic practices operated in the subsequent Century.


id: ccsj-227
author: Luzzatto, Lia; del Zoppo, Laura
title: Zhang Ymou: great master of color
date: 2021
pages: 6
extension: .pdf
mime: application/pdf
words: 4209
sentence: 152
flesch: 58
cache: cache/ccsj-227.pdf
txt: txt/ccsj-227.txt
summary:
  Different colors to represent the inner worlds and situations of the different characters. 7 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130101 Zhang Yimou: great master of color Lia Luzzatto1, Laura del Zoppo2 1 Color and Colors, Milan, luzzattolia@gmail.com 2 Film Director, London, lau.dz@libero.it Corresponding author: Lia Luzzatto (luzzattolia@gmail.com)


id: ccsj-195
author: Rossi, Maurizio
title: Index&Editorial
date: 2020
pages: 6
extension: .pdf
mime: application/pdf
words: 1732
sentence: 106
flesch: 39
cache: cache/ccsj-195.pdf
txt: txt/ccsj-195.txt
summary:
  Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.


id: ccsj-281
author: Marotta, Anna
title: Scientific basics in art from the Theories of Colour: Authors, methods, rules, applications
date: 2022
pages: 11
extension: .pdf
mime: application/pdf
words: 4884
sentence: 232
flesch: 52
cache: cache/ccsj-281.pdf
txt: txt/ccsj-281.txt
summary:
  The possibility of experimentation for the research of complementary colours is more optimistic with the application of the rotating discs, or Maxwell's discs, based on the mixture obtained from the rotation of different colours. Previati concludes the argument thus: as long as more detailed investigations into the priority of the practice of the breakdown of colours in painting will come from art historians, we must therefore reserve to Mile the possession of the hitherto unknown property of an unknown colouring substance, that is being able to reproduce the additions of light through a methodically minuscule separation of complementary colours, which today takes the name of divisionism in art.


id: ccsj-282
author: Gökmenoğlu, Firdevs; Akbay, Saadet
title: Virtual interior environment: Influence of colour on the sense of immersion
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 3582
sentence: 152
flesch: 40
cache: cache/ccsj-282.pdf
txt: txt/ccsj-282.txt
summary:
  ABSTRACT This article investigates the effects of colour on the sense of immersion in virtual interior environments. The study aims to investigate how the sense of immersion in virtual interior environments varies depending on hue, saturation, and lightness and to examine the extent to which colour dimensions influence the sense of immersion in VEs.


id: ccsj-134
author: Zuccoli, Franca
title: School of colour. Thoughts and words of teachers and children
date: 2014
pages: 9
extension: .pdf
mime: application/pdf
words: 6692
sentence: 244
flesch: 48
cache: cache/ccsj-134.pdf
txt: txt/ccsj-134.txt
summary:
  Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attività, pochissimo però viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia. 6. CONCLUSIONI Tornando alla domanda che aveva motivato l’indagine, sul rapporto tra colore e scuola, possiamo sottolineare come questa relazione non sia stata sempre riconosciuta e valorizzata nella legislazione scolastica, alternando un’azione di conoscenza e individuazione di problematiche nella percezione, a azioni, peraltro poco delineate, legate alla fruizione e produzione.


id: ccsj-201
author: Martone, Maria ; Giugliano, Alessandra Marina
title: Floral decorations and colours in Naples. The case of Villa Pappone in Posillipo
date: 2020
pages: 9
extension: .pdf
mime: application/pdf
words: 4263
sentence: 180
flesch: 51
cache: cache/ccsj-201.pdf
txt: txt/ccsj-201.txt
summary:
  KEYWORDS Floreale Napoli, Polychrome stained glass design, Colour representation, Structure from motion, Facade drawing, Villa Pappone Posillipo, Image-based modelling RECEIVED 25/11/2019; REVISED 04/02/2020; ACCEPTED 24/04/2020 Floral decorations and colours in Naples. Entrance canopies, verandas, and windows of villas and buildings manufactured using the stained-glass technique, show refined decorations and chromatic variations able to create interesting plays of coloured reflections and suggestive effects in the light diffusion interacting with the external environment of the street.


id: ccsj-237
author: Cereda, Matteo; Plutino, Alice; Rizzi, Alessandro
title: Quick Gamut mapping for simplified color correction
date: 2021
pages: 6
extension: .pdf
mime: application/pdf
words: 2378
sentence: 122
flesch: 62
cache: cache/ccsj-237.pdf
txt: txt/ccsj-237.txt
summary:
  Introduction When talking about color reproduction in digital systems it is fundamental to define the concept of color gamut. ABSTRACT This paper presents an alternative simplified method to convert color spaces more quickly than using the traditional gamut mapping.


id: ccsj-250
author: Rizzi, Alessandro
title: Index & Editorial
date: 2021
pages: 6
extension: .pdf
mime: application/pdf
words: 1492
sentence: 83
flesch: 47
cache: cache/ccsj-250.pdf
txt: txt/ccsj-250.txt
summary:
  Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects. The narrative role of color in Wes Anderson’s filmic images 7 Greta Attademo DOI: 10.23738/CCSJ.130101 Bramante and his work of Painted Façades: Bergamo and Lombardy 14 Patrizia Falzone DOI: 10.23738/CCSJ.130102 The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 24 Gisela Costa Pinheiro Monteiro, Camila Assis Peres Silva DOI: 10.23738/CCSJ.130103 Color in architecture among futurism, neoplasticism, rationalism (and more...) 32 Anna Marotta DOI: 10.23738/CCSJ.130104 Lighting and color design in the live music show between new technologies and practice 43 Andrea Siniscalco DOI: 10.23738/CCSJ.130105 Does gender have an impact on the color preferences in fashion products?


id: ccsj-222
author: Attademo, Greta
title: Color and/is narration. The narrative role of color in Wes Anderson’s filmic images
date: 2021
pages: 7
extension: .pdf
mime: application/pdf
words: 3649
sentence: 179
flesch: 48
cache: cache/ccsj-222.pdf
txt: txt/ccsj-222.txt
summary:
  The choice of specific colors and the variation of saturation scales of the tones, in fact, become emblematic in the construction of underlying meanings Color and/is narration. KEYWORDS Wes Anderson, color palette, films, chromatic perception, narrative color, movies sequences RECEIVED 21/01/2021; REVISED 28/03/2021; ACCEPTED 31/03/2021 Color and/is narration.


id: ccsj-183
author: Barlet, Aline; Bousigues, Audrey; Herbert, Alice
title: Color as a sign of urban transition in the city of Bordeaux
date: 2020
pages: 7
extension: .pdf
mime: application/pdf
words: 3621
sentence: 223
flesch: 59
cache: cache/ccsj-183.pdf
txt: txt/ccsj-183.txt
summary:
  Jean-Philippe Lenclos (1982) talks about the “Geography of Color” as the result of close interactions between the use of materials found on-site and the application of colors linked to local traditions. Color is complex to manipulate, this is why there are different systems and tools available, such as color charts, to help deal with color in the city, especially in a historic city.


id: ccsj-188
author: Quattrer, Milena; Zonatti, Welton Fernando; Gouveia, Anna Paula Silva
title: Color Lab IFRJ: practical color exercises for fashion courses
date: 2020
pages: 6
extension: .pdf
mime: application/pdf
words: 3145
sentence: 157
flesch: 54
cache: cache/ccsj-188.pdf
txt: txt/ccsj-188.txt
summary:
  ABSTRACT This paper is part of a research project called Color Lab IFRJ (Laboratório de Cor – IFRJ, in Portuguese) that aims, among other things, to analyze and propose practical color exercises for fashion courses at the Federal Institute of Rio de Janeiro – IFRJ Campus Belford Roxo. 2. Objectives The research project called Color Lab IFRJ (Laboratório de Cor – IFRJ, in Portuguese) was created in order to analyze and propose practical color exercises for fashion courses of IFRJ Campus Belford Roxo and, among other things, to support the cataloging activities of Modateca IFRJ’s fashion collection.


id: ccsj-122
author: Rossi, Maurizio
title: Index&Editorial
date: 2014
pages: 7
extension: .pdf
mime: application/pdf
words: 2168
sentence: 83
flesch: 46
cache: cache/ccsj-122.pdf
txt: txt/ccsj-122.txt
summary:
  ROSSI Molte realtà inerenti la scienza, cultura e professione del Colore, operanti in Italia da tanti anni sono confluite nel tempo nella nostra associazione, che ha nella Conferenza Nazionale del Colore il suo principale momento di aggregazione annuale. In 2014, before the tenth edition of the Conferenza del Colore, the Association has started publishing a half-yearly journal, freely available on-line for everyone.


id: ccsj-151
author: Brun, Giulia
date: 2015
pages: 5
extension: .pdf
mime: application/pdf
words: 4370
sentence: 281
flesch: 57
cache: cache/ccsj-151.pdf
txt: txt/ccsj-151.txt
title:
  De Coloribus: new perspectives on a series of recipes for making pigments within the Compositiones lucenses tradition

summary:
  [12] A. Petzold, De coloribus et mixtionibus: the Earliest Manuscripts of a Romanesque Illuminator’s Handbook, in L. L. Brownrigg (ed.), Making the Medieval Book: Techniques of Production. De coloribus lists at least the following ingredients and the quantity needed according to each combination: lulacin, cinnabar, white lead, ficarim, ochre, burnt copper, quianus, reseda luteola, saffron, terra verde, murices decoction, siricum, kermes decoction, madder decotion, phynicis decoction, galls, calcitarin, and so on.


id: ccsj-252
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 4815
sentence: 237
flesch: 38
cache: cache/ccsj-252.pdf
txt: txt/ccsj-252.txt
author:
  Valge, Claudia; Ceccarelli, Sofia; Bertacchi, Silvia; Uueni, Andres; Hiiop, Hilkka; Randla, Anneli ; Apollonio, Fabrizio Ivan 

title:
  Colour measurement and documentation in historical buildings: the case study of the Kirna Manor House in Estonia 

summary:
  In the latter part, research teams were formed and assigned leaders who developed workflows for the identification of historical colour schemes, colour measurement and documentation. Conclusions The workshop was a successful first attempt at determining the correlation and the differences between colour measurements obtained with visual, digital and spectrophotometric analyses.


id: ccsj-146
author: Burattini, Chiara; Gugliermetti, Franco; Marchetti, Mario; Bisegna, Fabio
title: The role of colour in the design of a living module for the International Space Station
date: 2015
pages: 6
extension: .pdf
mime: application/pdf
words: 3849
sentence: 143
flesch: 43
cache: cache/ccsj-146.pdf
txt: txt/ccsj-146.txt
summary:
  [9] [10], hanno ampiamente dimostrato l’influenza del colore sulla capacità di orientamento dell’essere umano: in ciascun esperimento è stato evidenziato come il riconoscimento della spazialità di un ambiente sia facilitato da connotazioni colorate rispetto alle situazioni in cui tale connotazione è assente. è stato dimostrato che la sensibilità dell’occhio umano aumenta alle lunghezze d’onda corte e diminuisce alle lunghezze d’onda lunghe, che il giallo è percepito più saturo e che la luminosità diminuisce


id: ccsj-171
date: 2019
pages: 9
extension: .pdf
mime: application/pdf
words: 5429
sentence: 220
flesch: 55
cache: cache/ccsj-171.pdf
txt: txt/ccsj-171.txt
author:
  Picollo, Marcello; Cucci, Costanza; Stefani, Lorenzo; Jiménez-Garnica, Reyes; Fuster-López, Laura; Vila, Anna

title:
  Chromatic values in Pablo Picasso’s early work: a comparison of hues in “Science and Charity” (1897) and its three oil sketches

summary:
  Within the ProMeSA project, the study of the materials and techniques used by the artist, in particular the chromatic and colorimetric analysis of Picasso’s (1881-1973) paintings at the MPB, involved several different documentation and analytical methodologies. Hence, the present study proposes a relatively new method in gaining insight into artworks by merging the visual approach employed by professionals, such as painting conservators, who have expertise in the field, with scientific measurements of colorimetric values calculated from the reflectance spectra of the specific investigated spots (Parraman 2010, Striova et al. 2018, Dooley et al. 2014).


id: ccsj-240
author: Paes de Barros Camara de Lucia Beltramini, Luiza; Castral, Paulo César
title: The red of Lina and Oscar
date: 2021
pages: 7
extension: .pdf
mime: application/pdf
words: 3849
sentence: 226
flesch: 62
cache: cache/ccsj-240.pdf
txt: txt/ccsj-240.txt
summary:
  Finally, the choice of red color did not pass through the appreciation of Organs responsible agencies; Azevedo (1963 apud CERÁVOLO, 2010, p. 234) characterizes this and other choices as a loss for the monument. A primeira reforma do edifício do Museu de Arte de São Paulo’.


id: ccsj-228
author: Caffio, Giovanni; Unali, Maurizio
title: The Colors of Public Art in Pescara: 4 Keywords
date: 2021
pages: 10
extension: .pdf
mime: application/pdf
words: 2986
sentence: 132
flesch: 52
cache: cache/ccsj-228.pdf
txt: txt/ccsj-228.txt
summary:
  Pescara Colors: a final visual synthesis At the end of this visual journey we felt the need to elaborate a conceptual map (Fig. 1 - Fig. 23) that represents a sort of synthesis in color of Public Art in Pescara, obviously referring only to the four key words identified; an empathic perceptive experience in which color is the medium of the project, both for what concerns the conformed space and for what concerns the ephemeral representation, that is the movement, the daily use, the indifferent looking, the careful seeing, the participation: active sensors of living the contemporary urban experience. Over the years, Abruzzo's city has been the setting for a series of interesting works of public art – both ephemeral and long-lasting – in which colors play a fundamental role in establishing paths of urban transformation but also as synesthetic acts and gestures of communication on different scales; artistic and socializing processes capable of releasing new aesthetic and participatory meanings to inhabit the collective and intimate space of urban spaces between art, architecture and design (and more).


id: ccsj-205
author: Herrero-Cortell, Miquel; Artoni, Paola ; Raïch, Marta
date: 2020
pages: 10
extension: .pdf
mime: application/pdf
words: 4980
sentence: 230
flesch: 57
cache: cache/ccsj-205.pdf
txt: txt/ccsj-205.txt
title:
  Transmitted light imaging in VIS and IR, in the study of paintings: a brief report on the behavior of the main historical pigments

summary:
  Table 1: Applications and results of transmitted light techniques in painting studies VIS TL IR IRT Ductus /Brush-strokes Pentimenti Underdrawing Pigments visual identification Inner condition Superficial condition Inpainting Very good to excellent results mainly Medium to good results on average Poor to fair results in many cases Very poor results (only in very few cases) Table 1 indicates the suitability of each technique depending on the scope of the research. Furthermore, when the two types of transmitted light techniques are performed together and the results can be compared, important differences in pigment behavior can be appreciated, as these are images obtained in two different regions of the spectrum.


id: ccsj-230
author: Marotta, Anna
title: Color in architecture among futurism, neoplasticism, rationalism (and more...)
date: 2021
pages: 11
extension: .pdf
mime: application/pdf
words: 5312
sentence: 229
flesch: 46
cache: cache/ccsj-230.pdf
txt: txt/ccsj-230.txt
summary:
  Conclusions In the period we have considered, in a continuous exchange between art, architecture and theories (significant, for example, Itten’s experiences are confirmed), color is one of the approaches to better build, Color in architecture among futurism, neoplasticism, rationalism (and more...) 37 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130104 control and communicate (through visual language) structures and harmonies in three-dimensional relationships and in their respective balances in space- time. In 1927, according to a similar but more complex concept, Theo created (together with Hans Arp and his wife Sophie Taeuber) the Café Aubette in Strasbourg, one of the most ambitious designs of the architectural culture of the time: here his spatial vision through formal synthesis and pure colors is evident (Marotta, 2019).


id: ccsj-214
author: Falzone, Patrizia
title: Bramante and his work of Painted Façades: Bergamo and Lombardy
date: 2021
pages: 10
extension: .pdf
mime: application/pdf
words: 4644
sentence: 251
flesch: 67
cache: cache/ccsj-214.pdf
txt: txt/ccsj-214.txt
summary:
  Introduction Within the decades-long field of study of painted façades of historical architecture, and of the relationship between painted façades and architecture, the specific theme of Bramante’s activity as a painter of façades is here addressed. As far as colors are concerned, here too there is a recurring range of few fundamental colors, often complementary, declined in different hues, with a good color saturation and a strong chiaroscuro.


id: ccsj-170
author: Martini, Berta; Tombolato, Monica; D’Ugo, Rossella
date: 2019
pages: 9
extension: .pdf
mime: application/pdf
words: 6841
sentence: 324
flesch: 52
cache: cache/ccsj-170.pdf
txt: txt/ccsj-170.txt
title:
  Primary colors as a source of possible misconceptions: an insight into teaching and learning about color

summary:
  Primary colors as a source of possible misconceptions: an insight into teaching and learning about color 28 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110203 In Newton’s definition of primary colors is outlined the distinction between monochromatic spectral colors (simple), characterized by a particular wavelength (between 380 nm and 780 nm), and colors obtained by mixing lights (compound). As for teachers’ misconceptions, we expected to detect: (1) poor knowledge of the scientific interpretation of the color vision phenomenon (QT1, QT2); (2) knowledge of primary colors only as pigment colors out of which all the others can be made (QT3, QT4); (3) inability to distinguish between “almost pure colors” (characterized by a dominant wavelenght and a narrow band) and colors produced by the addition of lights (QT5, QT6, QT8); (4) confusion between the mixture of pigments and that of colored lights (i.e. between additive and subtractive synthesis).


id: ccsj-253
title: A Test on color discrimination in complex scenes for a better comprehension of color blindness
date: 2021
pages: 12
extension: .pdf
mime: application/pdf
words: 5044
sentence: 274
flesch: 58
cache: cache/ccsj-253.pdf
txt: txt/ccsj-253.txt
author:
  Plutino, Alice; Scipioni, Sofia; Lombardi, Chiara Andrea; Giuliani, Luca; Mazzoni, Andrea; Marcucci, Roberta; Rizzi, Alessandro

summary:
  Opsin genes, cone photopigments, color vision, and color blindness. This was a preliminary study, and further studies and analysis f rom the physiological, neurological, and psychological point of view are needed, but this experiment has been useful to suggest that the integration of spatial arrangements in models of vision is mandatory, as well as in color blindness diagnosis tests.


id: ccsj-198
author: Paglierani, Pietro; Liberini, Simone ; Rizzi, Alessandro; Valan, Francesca
title: Graphical interpolation of Munsell data
date: 2020
pages: 10
extension: .pdf
mime: application/pdf
words: 5994
sentence: 291
flesch: 50
cache: cache/ccsj-198.pdf
txt: txt/ccsj-198.txt
summary:
  ABSTRACT This paper analyzes the problem of converting Munsell color notations (hue, value and chroma) into CIE 1931 Yxy coordinates using the graphical method outlined in 1943 by the Optical Society of America (OSA). On the other hand, their practical use can be problematic in certain color control applications, specifically when the specimen under test is liquid or semi-liquid (e.g. beers, icecream or sauces in food control), non-compact (such as sand, in soil analysis, or hair, in hair dyeing control), or visually complex (e.g. diamonds or other gems) (Munsell Color 2020).


id: ccsj-231
title: Does gender have an impact on the color preferences in fashion products?
date: 2021
pages: 9
extension: .pdf
mime: application/pdf
words: 5307
sentence: 333
flesch: 62
cache: cache/ccsj-231.pdf
txt: txt/ccsj-231.txt
author:
  Dantas, Ítalo José de Medeiros; Freire, Aline Gabriel; Solino, Livia Juliana Silva; Nascimento, Mariana Nunes do; Alves, Heloisa Mirelly Ferreira

summary:
  Thus, this paper aims to identify how color preferences in fashion products change as the differences between genders are observed. It was concluded that genders play a certain role in color preferences in fashion products, identifying socially constructed characteristics through the history of colors as being responsible for those tendencies.


id: ccsj-283
author: Magrin-Chagnolleau, Ivan
title: The Relationship between Photo Retouching and Color Grading
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 5436
sentence: 333
flesch: 68
cache: cache/ccsj-283.pdf
txt: txt/ccsj-283.txt
summary:
  This was all chemical, and particularly for color photography, you would generally rely on a strong collaboration with a lab. ABSTRACT This paper deals with photo retouching and color grading.


id: ccsj-223
author: Silva, Camila; Oliveira Clementino, Thamyres ; Oliveira Gonçalves, Thalita
title: The contribution of black color to visual rhetoric of Brazilian packaging of hair care products
date: 2021
pages: 9
extension: .pdf
mime: application/pdf
words: 4625
sentence: 260
flesch: 53
cache: cache/ccsj-223.pdf
txt: txt/ccsj-223.txt
summary:
  In this paper, we present the analysis and discussions related to the self-acceptance approach, taking to account the use of black color in hair care cosmetic product packaging. 70 Color Culture and Science Journal Vol. 13(1) DOI: 10.23738/CCSJ.130208 The contribution of black color to visual rhetoric of Brazilian packaging of hair care products.


id: ccsj-247
author: Siniscalco, Andrea
title: Lighting and color design in the live music show between new technologies and practice
date: 2021
pages: 9
extension: .pdf
mime: application/pdf
words: 4541
sentence: 238
flesch: 58
cache: cache/ccsj-247.pdf
txt: txt/ccsj-247.txt
summary:
  From those Lighting and color design in the live music show between new technologies and practice 45 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130105 years onwards, stage lighting has become dynamic in live music shows, theater and television stages. This area of research on stage lighting and color is anyway in an initial phase and, in order to be developed in the future, the degrees of freedom of the variables that come into play must be determined, which in the context of the live music show must be clearly determined.


id: ccsj-203
author: Miraglia, Francesco
date: 2020
pages: 5
extension: .pdf
mime: application/pdf
words: 1938
sentence: 114
flesch: 52
cache: cache/ccsj-203.pdf
txt: txt/ccsj-203.txt
title:
  The restoration of the Basilica Minore di Maria SS. Incaldana in Mondragone (northern Campania): the role of color

summary:
  So, its restoration have been divided in: consolidation and replacement of deteriorated plasters of internal walls; painting of the internal walls with new colors; removal of the plaster on the left and right pillars of the central nave to analyse and date its masonry characterizations; painting of the façade. The interventions were three: consolidation and replacement of deteriorated plasters; new colors for the internal walls; removal of the plaster of the left and right pillars of the central nave near the transept, creating stratigraphic windows.


id: ccsj-177
author: Plutino, Alice; Grechi, Laura; Rizzi, Alessandro
title: Evaluation of the perceived colour difference under different lighting for museum applications
date: 2019
pages: 8
extension: .pdf
mime: application/pdf
words: 3868
sentence: 210
flesch: 52
cache: cache/ccsj-177.pdf
txt: txt/ccsj-177.txt
summary:
  Subsequently, the efficiency of different illuminants for the identification of colour differences between two objects was tested. The experiment we are presenting can be divided into two main parts: evaluation of light sources and evaluation of colour differences.


id: ccsj-241
author: Peruzzi, Greta; Cucci, Costanza; Picollo, Marcello; Quercioli, Franco; Stefani, Lorenzo
date: 2021
pages: 9
extension: .pdf
mime: application/pdf
words: 4610
sentence: 236
flesch: 55
cache: cache/ccsj-241.pdf
txt: txt/ccsj-241.txt
title:
  Non-invasive identification of dyed textiles by using VIS-NIR FORS and hyperspectral imaging techniques

summary:
  Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 63 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Among the selected dyes, nine are from plants (Alkanna Tinctoria, Anthemis Tinctoria, Indigofera Tinctoria, Haematoxylum Campechianum, Rubia Tinctorum, Carthamus Tinctorius, Curcuma Longa, Juglans Regia, Reseda Luteola), two are insect dyes (Dactylopius Coccus Cacti and Kerria Lacca) and one is a lichen (Roccella Tinctoria). Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 65 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Table 2: CIEL*a*b*1976 values and color difference (E00) between SCI and SCE measurements obtained with CIEDE2000 formula for each sample Figure 2:


id: ccsj-289
author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano ; Rossi, Maurizio; Palumbo, Riccardo
title: About the influence of color perceived lightness on psychological functions
date: 2022
pages: 11
extension: .pdf
mime: application/pdf
words: 8343
sentence: 478
flesch: 52
cache: cache/ccsj-289.pdf
txt: txt/ccsj-289.txt
summary:
  The effects of the new correspondences between somatosensory and visual perceptions (warmth and color lightness) extend About the influence of color perceived lightness on psychological functions 118 Color Culture and Science Journal Vol. 14 (1) Motoki, K. et al. (2019) ‘Light colors and comfortable warmth: Crossmodal correspondences between thermal sensations and color lightness influence consumer behavior’, Food Quality and Preference, 72(November 2018), pp.


id: ccsj-292
author: Stanulevich, Nadezhda
date: 2022
pages: 9
extension: .pdf
mime: application/pdf
words: 5331
sentence: 345
flesch: 51
cache: cache/ccsj-292.pdf
txt: txt/ccsj-292.txt
title:
  Prokudin-Gorskii’s technique of colour photography: colour separation, additive projection and pigment printing

summary:
  Prokudin- Gorskii emphasized the merits of colour reproduction, indicated the considerable labour input in production and long exposure that embarrassed the photographing animate objects (Prokudin-Gorskii, 1899). Prokudin-Gorskii photographed with shutter by Thornton-Pickard and different objectives by Steinheil or Voigtländer (Prokudin- Gorskii, 1906c) because the usage of colour filters extended the exposition time and demanded high lens speed.


id: ccsj-202
author: Di Roma, Annalisa ; Scarcelli, Alessandra
title: Food waste: potential bioresource for the colour of polymers
date: 2020
pages: 9
extension: .pdf
mime: application/pdf
words: 4915
sentence: 221
flesch: 46
cache: cache/ccsj-202.pdf
txt: txt/ccsj-202.txt
summary:
  In order to obtain material samples, it was necessary to make moulds in which to pour the composite of curl and resin. What distinguishes Caffil from other experimented materials is the desire to define a new material class, rather than a defined and finished product, able to open infinite creative possibilities and to generate classes of products from new material qualities.


id: ccsj-249
author: Poli, Annamaria
date: 2021
pages: 14
extension: .pdf
mime: application/pdf
words: 9125
sentence: 370
flesch: 48
cache: cache/ccsj-249.pdf
txt: txt/ccsj-249.txt
title:
  A didactics of colour based on an innovative educational approach at the Hochschule für Gestaltung in Ulm

summary:
  Acknowledgments I am particularly grateful to Professor Tomás Maldonado for his commitment to and rigorous scholarly pursuit of an experimental approach to teaching colour and other themes in the domain of visual perception that he held to be especially important. Hannes Meyer e la HfG Ulm, Riccini R. (ed.), Tomás Maldonado Bauhaus.


id: ccsj-290
author: Broeder, Peter
title: Colours of Emotion, Trust, and Exclusivity: A Cross-Cultural Study
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 5391
sentence: 407
flesch: 57
cache: cache/ccsj-290.pdf
txt: txt/ccsj-290.txt
summary:
  (2018) quantitative modelling techniques based on empirical data from 12 regions worldwide presented consistent, culture-independent patterns for colour emotions (regarding warm/cool, heavy/light, active/passive). (2018) Progress in colour studies: cognition, language and beyond.


id: ccsj-308
author: Picollo, Marcello; Cattaneo, Barbara
title: Editorial
date: 2022
pages: 6
extension: .pdf
mime: application/pdf
words: 1891
sentence: 80
flesch: 32
cache: cache/ccsj-308.pdf
txt: txt/ccsj-308.txt
summary:
  ISSN 2384-9568 Modern methods for the visualization of lenticular film colors 64 David Pfluger, Lutz Garmsen, Giorgio Trumpy DOI: 10.23738/CCSJ.140108 Fine Arts on Film: The Hand-Painted Work of Stan Brakhage 73 Sabrina Negri DOI: 10.23738/CCSJ.140109 The Relationship between Photo Retouching and Color Grading 79 Ivan Magrin-Chagnolleau DOI: 10.23738/CCSJ.140110 What about discoloration in plastic artifacts? Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.


id: ccsj-164
author: Mazzanti, Anna
date: 2018
pages: 12
extension: .pdf
mime: application/pdf
words: 6217
sentence: 246
flesch: 54
cache: cache/ccsj-164.pdf
txt: txt/ccsj-164.txt
title:
  The contribution of colour in the artistic representation of the sacred.* International symbolism between the nineteenth and twentieth centuries

summary:
  Yet, they possess another movement, which Figure 7 - Franz Von Stuck, Crucifixion, 1911ca, Leipzig, Museum der bildenden Künst Figura 7 - Franz Von Stuck, Crocifissione, 1911ca, Lipsia, Museum der bildenden Künst occupa il secondo piano e il cui grido si espande nel cielo rosso intossicato di azzurri e riverberi violacei. L’impostazione pare consapevole del discusso quadro monumentale di Klinger già acquistato dal connazionale di Schiele, Hummel: ancora un primo piano ravvicinato, e un paesaggio svuotato di personaggi, ma saturo di colori simbolo di sentimenti, che pare rispecchiare le influenze compositive dalla cromatica Crocifissione di Stuck del 1892.


id: ccsj-260
author: Csillag, Paula; Cavallini, Joyce C.
title: Visual grouping: a study on preponderances of color or shape in Match-three games
date: 2021
pages: 8
extension: .pdf
mime: application/pdf
words: 4167
sentence: 218
flesch: 61
cache: cache/ccsj-260.pdf
txt: txt/ccsj-260.txt
summary:
  The final games found that visual color groups were perceived more quickly by players, as soon as the programs accounted for a total of 644 color grouping and 435 form grouping made by the participants. Both games have a black background and differ from other games in the Market that have complex and/or textured backgrounds.


id: ccsj-275
author: Avci, Ayse Nihan; Akbay, Saadet
title: A Review based on OLED Lighting Conditions and Human Circadian System
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 4243
sentence: 232
flesch: 48
cache: cache/ccsj-275.pdf
txt: txt/ccsj-275.txt
summary:
  In any case, advances in technology can provide useful tools for designing circadian lighting. Her research interests include human-centric lighting, circadian lighting design, artificial lighting technologies, and color and light.


id: ccsj-199
author: Magnaghi-Delfino, Paola; Mele, Giampiero; Norando, Tullia
title: Francesco Algarotti explains Newton’s prism experiment to Ladies
date: 2020
pages: 6
extension: .pdf
mime: application/pdf
words: 3881
sentence: 219
flesch: 58
cache: cache/ccsj-199.pdf
txt: txt/ccsj-199.txt
summary:
  Optics, Colour, Enlightenment, Algarotti RECEIVED 18/10/2019; REVISED 10/01/2020; ACCEPTED 12/02/2020 Francesco Algarotti explains Newton’s prism experiment to Ladies 32 Color Culture and Science Journal Vol. 12 (2) Algarotti F. (2017) Opere del conte Francesco Algarotti.


id: ccsj-284
author: DE CLERMONT-GALLERANDE, Helene; MAUGER, Emmanuelle; ROLLAND, Nicolas
title: A comparative study of lipstick shades preferences by geographical areas
date: 2025
pages: 8
extension: .pdf
mime: application/pdf
words: 4291
sentence: 248
flesch: 66
cache: cache/ccsj-284.pdf
txt: txt/ccsj-284.txt
summary:
  The best sales per area are statistically analyzed to establish shade preferences in each of these areas. This is the geographical area where we find the largest number of specific shades, as 8 shades in the Top 20 only appear in this market.


id: ccsj-276
author: Tarajko-Kowalska, Justyna
date: 2022
pages: 7
extension: .pdf
mime: application/pdf
words: 4329
sentence: 197
flesch: 58
cache: cache/ccsj-276.pdf
txt: txt/ccsj-276.txt
title:
  Is a house named “yellow” really yellow? Survey on the perception and naming of the yellow color on building facades depending on its hue, lightness and saturation

summary:
  Potential yellow color subcategories, depended on the parameters of hue, lightness and saturation. In the second part, participants were rating on a scale from 1 to 5 (1 – definitely not, 2 – rather not, 3 – not sure, 4 – rather yes, 5 – definitely yes) if randomly presented color samples can be considered yellow (Figure 1).


id: ccsj-196
author: Amura, Annamaria; Tonazzini, Anna; Salerno, Emanuele; Pagnotta, Stefano; Palleschi, Vincenzo
date: 2020
pages: 9
extension: .pdf
mime: application/pdf
words: 4510
sentence: 226
flesch: 47
cache: cache/ccsj-196.pdf
txt: txt/ccsj-196.txt
title:
  Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks

summary:
  KEYWORDS Multispectral images, Segmentation algorithms, Image analysis, Shape representation and analysis, Cultural heritage, Raster to vector, Neural networks RECEIVED 11/11/2019; REVISED 04/02/2020; ACCEPTED 17/05/2020 Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks 8 Color Culture and Science Journal Vol. 12 (2) Our purpose is to highlight and separate the different regions through image analysis.


id: ccsj-263
author: Bellotti, Serena; Venturini, Simone
title: Digital Struggles for Film Restoration: La battaglia dall’Astico al Piave
date: 2022
pages: 9
extension: .pdf
mime: application/pdf
words: 6337
sentence: 257
flesch: 51
cache: cache/ccsj-263.pdf
txt: txt/ccsj-263.txt
summary:
  We made further comparisons with other films from the end of the 1920s onwards, such as Resistere (1918), The Other Army (1917), Il piave mormorò (1934), Guerra Nostra (1928), Gloria – La Grande Guerra (1934), and, like witness “TO” described above, we found them to contain minor parts of La battaglia, identifying relationships and contaminations between several films from the period. They display the code “R37” in the bottom- right corner to identify the film, which is the same for the Italian and the French version (in which an “F” has been added for French); in the bottom-left corner, it is possible to see the number of the intertitle, which helped us to find them in other films too, as was the case for intertitle 26, recently found in the film Dio segnò i confini d’Italia preserved by the Museo Nazionale del Cinema in Turin, which allowed us to add the corresponding sequence.


id: ccsj-274
author: Negri, Sabrina
title: Fine Arts on Film: The Hand-Painted Work of Stan Brakhage
date: 2022
pages: 6
extension: .pdf
mime: application/pdf
words: 4154
sentence: 153
flesch: 54
cache: cache/ccsj-274.pdf
txt: txt/ccsj-274.txt
summary:
  Digital technology hardly changes this; if anything, film preservation highlights some continuity from the analogue era by showing that certain technological elements cannot be reproduced regardless of whether the restoration is performed digitally or analogically (Fossati, 2018). The direct intervention of the artist on film materials is key to Brakhage’s poetics, as a way to both work around the limitations of the camera and leave a distinctly authorial mark on his work.


id: ccsj-190
author: Lobo, Carla
title: Ceramic products and their chromatic ‘DNA’ markers
date: 2020
pages: 7
extension: .pdf
mime: application/pdf
words: 4030
sentence: 206
flesch: 54
cache: cache/ccsj-190.pdf
txt: txt/ccsj-190.txt
summary:
  Picular was used in an attempt to establish a connection between the collective imagery of ceramic colour from a country, and its ceramic creation and production. Ceramic colour imagery (from left to right): Country comparisons of Picular ceramic colour schemes with ceramic artefacts: a. Turkish ceramic colours: Turkish creamer, early 20th century (Photo: © Kütahya Tiles and Ceramics Collection Courtesy of Suna and İnan Kıraç Foundation Pera Museum) and tiles, 18th-century (Photo: Carla Lobo); b. Moroccan ceramic colours:


id: ccsj-204
author: Papa, Lia Maria; Bellia, Laura; D’Agostino, Pierpaolo ; Spada, Gennaro; Antuono, Giuseppe
title: Archaeological digital anastylosis. From survey to lighting analysis
date: 2020
pages: 12
extension: .pdf
mime: application/pdf
words: 5359
sentence: 254
flesch: 48
cache: cache/ccsj-204.pdf
txt: txt/ccsj-204.txt
summary:
  The survey included luminance measurements as well. Gennaro Spada - MSc in Mechanical Engineering on 27/11/2000, PhD in Thermal-Mechanical Systems in 2004, his final dissertation dealt with videography applied to luminance measurements.


id: ccsj-309
author: Espinosa-Zaragoza, Isabel
title: “Perpetual plum”: Colour naming strategies in Maybelline’s lip products
date: 2025
pages: 7
extension: .pdf
mime: application/pdf
words: 4613
sentence: 206
flesch: 50
cache: cache/ccsj-309.pdf
txt: txt/ccsj-309.txt
summary:
  Thus, cosmetic colour names in general, but specially in lipsticks, do much more than simply describe or designate hues: these “constructed nameables” instil lip products with a distinctive touch that helps relating them to their brand and also serve as an organising tool where all the colours in a collection are named in a coherent and homogeneous way in hopes of capturing customer attention. On the subject of the use of romance as a theme in cosmetic colour names (see Espinosa-Zaragoza, 2002), there is a patent ambivalence with the customer both seducing and being seduced.


id: ccsj-402
author: Messa, Maurizio
title: Communications and Comments
date: 2024
pages: 1
extension: .pdf
mime: application/pdf
words: 24
sentence: 2
flesch: 7
cache: cache/ccsj-402.pdf
txt: txt/ccsj-402.txt
summary:
  Colour precision at your fingertips Accurate measurements of colour with our new portable spectrophotometer CM-17d, with an integrated viewfinder camera RETHINK PRECISION. Spectrophotometer NEW


id: ccsj-262
author: Herrero-Cortell, Miquel; Artoni, Paola; Picollo, Marcello; Raïch, Marta; Zalbidea, Maria Antonia
date: 2021
pages: 8
extension: .pdf
mime: application/pdf
words: 6156
sentence: 301
flesch: 64
cache: cache/ccsj-262.pdf
txt: txt/ccsj-262.txt
title:
  The Changes of Transparent Colours in Being Laid upon Others’: Considerations for a New Perception of Glazes with Historical Pigments and Dyes

summary:
  Red lake pigments were usually made with madder but dye lakes, Kerria lacca or Indian lake (lac dye) and, to a lesser extent, kermes, known as the European cochineal, were also used (Herrero-Cortell, 2019). Most of the pigments available on the palette from the 15th to the 18th century were translucent to a certain extent, especially when applied thinly, and more translucent still are dyes, which become lake pigments when they are precipitated on an inorganic substrate such as rock alum, calcium carbonate or sodium carbonate.


id: ccsj-192
author: Kovanova, Yulia
title: Approaching ecological ambiguity through a non-divisionary understanding of colour in art
date: 2020
pages: 7
extension: .pdf
mime: application/pdf
words: 4008
sentence: 216
flesch: 47
cache: cache/ccsj-192.pdf
txt: txt/ccsj-192.txt
summary:
  Ambiguity, Art, Colour, Ecology, Entanglements RECEIVED 01 November 2019; REVISED 06 December 2019; ACCEPTED 07 December 2019 Approaching ecological ambiguity through a non-divisionary understanding of colour in art 83 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ. Buether, A. (2014) ‘The function of colour – an introduction to colour theory and a definition of terms’, Colour: design principles, planning strategies, visual communication, Buether, A. (ed.)


id: ccsj-291
author: Covarsí, Laura
title: The Jos-Pe process in the Jacob Merkelbach collection at the Rijksmuseum in Amsterdam
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 3704
sentence: 234
flesch: 61
cache: cache/ccsj-291.pdf
txt: txt/ccsj-291.txt
summary:
  Thanks to the transparency of the printing plates, the superposition of the three images was easy if compared with other color printing processes with opaque matrices. The three Jos-Pe dyes are common in the literature of dye imbibition processes and were also used in the Pinatype.


id: ccsj-259
author: Maaruf, Nayla; Pénichon, Sylvie; Kokkori, Maria
title: The Flexichrome: visual examination and scientific analysis of an overlooked color process.
date: 2022
pages: 9
extension: .pdf
mime: application/pdf
words: 5093
sentence: 279
flesch: 56
cache: cache/ccsj-259.pdf
txt: txt/ccsj-259.txt
summary:
  In 1949, an extensive marketing campaign for the new Kodak Flexichrome began worldwide. With Kodak Flexichrome, the dyed gelatin relief was stripped from its base and transferred onto a paper substrate [4].


id: ccsj-224
author: Costa Pinheiro Monteiro, Gisela; Assis Peres Silva, Camila
date: 2021
pages: 8
extension: .pdf
mime: application/pdf
words: 3913
sentence: 206
flesch: 59
cache: cache/ccsj-224.pdf
txt: txt/ccsj-224.txt
title:
  The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear

summary:
  Regarding its application in the fashion market, the company presents the Pantone® Textile Color System which is separated in two sort of color charts - the colors The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 26 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130103 references in dyed cotton (TC or TCX) and the colors references printed on paper (TP or TPX). Methods and materials To carry out a case study of the trendy color chart, we selected color charts from the same year and the same season (winter) of four similar companies were analyzed.


id: ccsj-321
author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo
title: The promise of color in marketing: use, applications, tips and neuromarketing
date: 2025
pages: 10
extension: .pdf
mime: application/pdf
words: 7495
sentence: 471
flesch: 50
cache: cache/ccsj-321.pdf
txt: txt/ccsj-321.txt
summary:
  Color preferences influence various daily tasks. Thus, it is necessary to place color preferences at the center of marketing strategies.


id: ccsj-375
author: Lhi, Wona; Choi, Gyoungsil
title: Colour Change of The Ten Symbols of Longevity in the Late Joseon Dynasty
date: 2024
pages: 6
extension: .pdf
mime: application/pdf
words: 2979
sentence: 160
flesch: 62
cache: cache/ccsj-375.pdf
txt: txt/ccsj-375.txt
summary:
  Discussion Through the above study, it can be observed that the colours in late Joseon period paintings gradually became more distinct over time. The important symbols of Sibjangsengdo are the sun, rock, crane, deer, bamboo, pine, yeongji (reishi mushrooms), and peach, with colour changes depending on the form (See Figure 2).


id: ccsj-302
author: Giani, Camilla; Boeri, Cristina
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 3604
sentence: 173
flesch: 47
cache: cache/ccsj-302.pdf
txt: txt/ccsj-302.txt
title:
  An experimentation on children’s colour preferences in generic terms and applied to a school context 

summary:
  Colour design, colour preference, school design, children colour preference RECEIVED 30/03/22; REVISED 30/12/22; ACCEPTED 30/12/22 An experimentation on children’s colour preferences in generic terms and applied to a school context 43 Color Culture and Science Journal Vol. 15 (1) DOI: 10.23738/CCSJ.150106 1. In particular, two experiments have been planned and partially conducted in order to evaluate both the differences that may be found between colour preferences expressed in generic terms and contextualized in a school environment, and the differences that may be found between digital simulations displayed on the computer and experimented using the CAVE technology.


id: ccsj-343
author: Llácer Peiró, Aranzazu; Miquel Àngel Herrero-Cortell; M. Antonia Zalbidea-Muñoz; Laura Fuster-López
title: Historical glazes: Enhancing their value through reproduction and characterisation
date: 2023
pages: 8
extension: .pdf
mime: application/pdf
words: 4986
sentence: 309
flesch: 61
cache: cache/ccsj-343.pdf
txt: txt/ccsj-343.txt
summary:
  Details of particle visibility in applied glazes with madder lake violet (1), aloe (2), stil de grain (3) and sap green (4) Historical glazes: Enhancing their value through reproduction and characterisation 44 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150205 Fig. For this study, several test pieces were made using nine pigments in the base layers on which different glazes were applied in several superimposed layers.


id: ccsj-233
author: Prencipe, Nicoletta; Provenzi, Edoardo
title: Geometric models for color perception
date: 2021
pages: 7
extension: .pdf
mime: application/pdf
words: 3968
sentence: 195
flesch: 52
cache: cache/ccsj-233.pdf
txt: txt/ccsj-233.txt
summary:
  Geometric models for color perception 54 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130206b Schrödinger’s axioms can be summarized stating that the space of perceived colors of trichromatic observes has the geometric structure of a convex regular cone of dimension 3. The wide range of color spaces proposed for digital and industrial applications clearly shows that the choice of these three parameters is far from being trivial.


id: ccsj-335
author: Picollo, Marcello
title: BOOK REVIEW: I colori sono di tutti? 22 domande curiose sul colore
date: 2025
pages: 1
extension: .pdf
mime: application/pdf
words: 566
sentence: 22
flesch: 52
cache: cache/ccsj-335.pdf
txt: txt/ccsj-335.txt
summary:
  [Italian Language] Since the early years of the last century, color, and the world surrounding it, has attracted increasing interest of professionals from various fields. The continued interest in exploring color and understanding its significance is clearly demonstrated by the number of new publications that have appeared nationally and internationally in recent years.


id: ccsj-244
author: Kmita, Anna
date: 2021
pages: 7
extension: .pdf
mime: application/pdf
words: 3601
sentence: 214
flesch: 48
cache: cache/ccsj-244.pdf
txt: txt/ccsj-244.txt
title:
  Color and material in interior Design of coloring in aspect of didactics Case study “Study of the project of unusual area for playing and relaxation”

summary:
  Introduction This article presents the findings of an educational project concerning colors design and CMF (color, material, finish) implementation in public space, interiors, and product. The Academy of Fine Arts in Katowice conducts research and didactic program regarding color design.


id: ccsj-301
author: Bonanomi, Cristian; Sathaye, Kedar
title: Imaging colorimeters to evaluate Camera Monitor Systems image quality
date: 2025
pages: 7
extension: .pdf
mime: application/pdf
words: 3926
sentence: 187
flesch: 46
cache: cache/ccsj-301.pdf
txt: txt/ccsj-301.txt
summary:
  Top row: CMS camera, bottom row: CMS display However, since exterior mirrors are fundamental for the safety, it is important to evaluate if a CMS can be a source of reduced safety or provide equal or more information to the driver. In the following section we are going to focus only on image quality tests.


id: ccsj-287
author: Caumon, Lorrain
title: Colours, light and well-being: characterisation of chromatic phenomena in collective housing.
date: 2022
pages: 7
extension: .pdf
mime: application/pdf
words: 4262
sentence: 193
flesch: 46
cache: cache/ccsj-287.pdf
txt: txt/ccsj-287.txt
summary:
  Thus, the luminance indices of each recommended colour are between 0.6 and 0.9 for light colours and between 0.2 and 0.45 for dark colours, and finally, a contrast of 70% has been respected between the various important media so that they can be perceived by a visually impaired person, whose sensitivity to contrasts is still operating. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories to allow better discrimination of spatial elements.


id: ccsj-266
author: Pfluger, David; Garmsen, Lutz; Trumpy, Giorgio
title: Modern methods for the visualization of lenticular film colors
date: 2022
pages: 9
extension: .pdf
mime: application/pdf
words: 4735
sentence: 276
flesch: 51
cache: cache/ccsj-266.pdf
txt: txt/ccsj-266.txt
summary:
  An efficient approach to obtain digital color images from lenticular film is to scan the film in high-resolution—with the emulsion facing the imaging system—and let a software extract the encoded color information. 64 Color Culture and Science Journal Vol. 14 (1) DOI: 10.23738/CCSJ.140108 Modern methods for the visualization of lenticular film colors David Pfluger1, Lutz Garmsen1, Giorgio Trumpy1, 2 1 Department of Film Studies – University of Zurich.


id: ccsj-324
author: Attademo, Greta
title: Colour and Light for storytelling and storydoing in museum videogames.
date: 2023
pages: 7
extension: .pdf
mime: application/pdf
words: 4614
sentence: 242
flesch: 52
cache: cache/ccsj-324.pdf
txt: txt/ccsj-324.txt
summary:
  Cultural heritage, narrative colour, interactive colour, educational videogames, cultural games RECEIVED 07/02/2023; REVISED 18/03/2023; ACCEPTED 03/07/2023 Colour and Light for storytelling and storydoing in museum videogames. The exploration of the seven virtual spaces allows the player to investigate seven topics related to colour, namely: functional colour, systemic colour, colour and activism, emotional colour, spiritual colour, light and physics, light and immersion.


id: ccsj-337
author: SCALZO, Marcello
title: Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage
date: 2023
pages: 9
extension: .pdf
mime: application/pdf
words: 4069
sentence: 196
flesch: 59
cache: cache/ccsj-337.pdf
txt: txt/ccsj-337.txt
summary:
  From the early decades of the 20th century, Leonetto Cappiello became a point of reference for many artists; his Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage 69 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 innovative ideas would influence the creations of numerous poster artists of the following generations. 66 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage Marcello Scalzo1 1 Department of Architecture, University of Florence, Florence, Italy, marcello.scalzo@unifi.it ABSTRACT Undoubtedly, Frenchmen Jules Cheret and Henri Toulouse Lautrec laid the foundations of modern poster art.


id: ccsj-403
author: Picollo, Marcello; del Hoyo-Meléndez, Julio M.
title: Editorial. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights
date: 2024
pages: 6
extension: .pdf
mime: application/pdf
words: 2293
sentence: 97
flesch: 28
cache: cache/ccsj-403.pdf
txt: txt/ccsj-403.txt
summary:
  Thamay Medeiros and Fabio Pinto da Silva DOI: 10.23738/CCSJ.160202 Paintings: monitoring varnish variations and their effect on color perception. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights Dear readers, The vibrant field of color science in cultural heritage, spanning materials analysis, color perception, and conservation strategies, enriches our understanding of cultural heritage and its degradation processes due to their intrinsic properties and the influence of environmental parameters.


id: ccsj-294
author: Csillag, Paula; Sabao, Amanda
title: PIXAR’s Colorscripts: Chromatic Analyses of Four Films Using Sens|Org|Int Model
date: 2022
pages: 6
extension: .pdf
mime: application/pdf
words: 3180
sentence: 194
flesch: 59
cache: cache/ccsj-294.pdf
txt: txt/ccsj-294.txt
summary:
  Research interests are related to color communication, visual language, color perception and color trends. Also, the analyses convey a broad scope of color associations in films that could be useful for future chromatic projects.


id: ccsj-310
author: Cortina Maruenda, Francisco Javier; Serra Lluch, Juan; Torres Barchino, Ana; Llopis Verdú, Jorge
title: Digital applications to train color ordering in three dimensions for architects and designers
date: 2022
pages: 7
extension: .pdf
mime: application/pdf
words: 3788
sentence: 182
flesch: 49
cache: cache/ccsj-310.pdf
txt: txt/ccsj-310.txt
summary:
  Among all the types of games used for learning, digital color puzzles are good alternatives to train these abilities. Introduction In the acquisition of skills to work with the color for an architect or an interior designer, it is important to train the visual discrimination of colors and to gain the sensitivity to display different colors in order.


id: ccsj-258
author: Le Guern, Nicolas
date: 2022
pages: 9
extension: .pdf
mime: application/pdf
words: 5364
sentence: 302
flesch: 57
cache: cache/ccsj-258.pdf
txt: txt/ccsj-258.txt
title:
  The long-term development of three-color Kodachrome. An odyssey from the additive to the subtractive method of color reproduction.

summary:
  When they graduated from university, they started to work full time as professional musicians but were still experimenting during their spare time on color processes. The effect of parallax occurred with color additive processes, when the spatial viewpoint of each lens to record a color was slightly offset from the viewpoints of the other lenses.


id: ccsj-267
author: Tosini, Paolo
title: Two Prizma Color films, a curious finding in the Mexican National Film archive
date: 2022
pages: 5
extension: .pdf
mime: application/pdf
words: 2365
sentence: 111
flesch: 56
cache: cache/ccsj-267.pdf
txt: txt/ccsj-267.txt
summary:
  Prizma color was a coloring technique invented by the Prizma Company, a company created by William van Doren Kelley, in the ’10s. “Colour Films in Britain: The Negotiation of Innovation 1900-1955”, BFI Flueckiger B., Historical film colors: A guest entry from Barbara Flueckiger, Available at: http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a- guest-entry-from-barbara-flueckiger/ (Accessed: 3 November2021).


id: ccsj-349
date: 2023
pages: 9
extension: .pdf
mime: application/pdf
words: 5722
sentence: 277
flesch: 48
cache: cache/ccsj-349.pdf
txt: txt/ccsj-349.txt
author:
  Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; De Vita, Maurizio

title:
  Application of a hyperspectral camera for colorimetric and spectroscopic measurements under natural light on outdoors artistic polychrome surfaces

summary:
  The second test (Cherubini et al., 2019), carried out at Piazza Santa Croce, aimed to compare different methodologies of color analysis in architecture, including RGB camera, spectrocolorimeter, color maquette, and Specim IQ hyperspectral camera. The Specim IQ camera allows for immediate visualization of hyperspectral data after the measurements, and users have the option to add metadata to them.


id: ccsj-303
author: Guerry, Estelle
title: An analysis of chromatic and luminous environment of healthcare establishment.
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 5565
sentence: 346
flesch: 53
cache: cache/ccsj-303.pdf
txt: txt/ccsj-303.txt
summary:
  Light colors [6] are mainly used and are the only ones used for warm colors [7] In the West, color design is based on a principle of thermal color polarities, giving colors psychological and thermal properties.


id: ccsj-418
date: 2025
pages: 11
extension: .pdf
mime: application/pdf
words: 5386
sentence: 280
flesch: 54
cache: cache/ccsj-418.pdf
txt: txt/ccsj-418.txt
author:
  Silva, Joana; Juline Høgly Petersen, Sille ; Ryhl-Svendsen, Morten; Stub Johnsen, Jesper; Brynjolf Pedersen, Karen

title:
  Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark

summary:
  DOI: 10.23738/CCSJ.170211 Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark Joana Silva1, Sille Juline Høgly Petersen1, Morten Ryhl-Svendsen1, Jesper Stub Johnsen2, Karen Brynjolf Pedersen3 1 Royal Danish Academy - Conservation, Copenhagen, Denmark. ABSTRACT In the 1990s, chromogenic reversal films (also known as colour slides) were a widespread medium to document objects from museum collections.


id: ccsj-326
author: GABBATORE, STEFANO; CLAUDIO GERMAK
title: Fly in color. A chromatic “model” for the cabin of a commercial aircraft
date: 2023
pages: 8
extension: .pdf
mime: application/pdf
words: 4165
sentence: 175
flesch: 46
cache: cache/ccsj-326.pdf
txt: txt/ccsj-326.txt
summary:
  Based on our recent semi-immersive simulations of color cabin arrangements, it appears that there is no perceptual hierarchy between these four areas. In a first co-design activity with personas (20 males and 20 females), chosen as a sample of ideal types of passengers by age, profession and nationality, the perceptual impact of the room model” declined in different colors.


id: ccsj-279
author: Rossi, Maurizio
title: Index & Editorial
date: 2021
pages: 6
extension: .pdf
mime: application/pdf
words: 1526
sentence: 74
flesch: 43
cache: cache/ccsj-279.pdf
txt: txt/ccsj-279.txt
summary:
  Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.


id: ccsj-255
author: Angelin, Eva Mariasole; Cucci, Costanza; Picollo, Marcello
date: 2022
pages: 7
extension: .pdf
mime: application/pdf
words: 4141
sentence: 214
flesch: 48
cache: cache/ccsj-255.pdf
txt: txt/ccsj-255.txt
title:
  What about discoloration in plastic artifacts? The use of Fiber Optic Reflectance Spectroscopy in the scope of conservation

summary:
  Historical plastic objects, Discoloration, FORS, Micheluz A., Angelin E. M., Almeida Lopes J., Melo M.J., Pamplona M. (2021) ‘Discoloration of historical plastic objects: new insight into the degradation of β-naphthol pigment lakes’; Polymers, 13, pp.2278.


id: ccsj-132
author: Rossi, Maurizio
title: Index&Editorial
date: 2014
pages: 68
extension: .pdf
mime: application/pdf
words: 33019
sentence: 1310
flesch: 50
cache: cache/ccsj-132.pdf
txt: txt/ccsj-132.txt
summary:
  La “luce messaggio” e la “light-art”, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che è la pubblicità, l’insegnistica. Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attività, pochissimo però viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia.


id: ccsj-277
author: Trini Castelli, Clino
title: Umbrella Diagram: 1981-2021, five decades of forecasts and CMF design
date: 2021
pages: 7
extension: .pdf
mime: application/pdf
words: 1932
sentence: 94
flesch: 52
cache: cache/ccsj-277.pdf
txt: txt/ccsj-277.txt
summary:
  Umbrella Diagram graph: − Color Arches (Historical Trend arch, Fashion Trend arch). The Philosopher of Color Clino Castelli.


id: ccsj-338
author: Angelo, Kine; Booker, Alex
date: 2024
pages: 7
extension: .pdf
mime: application/pdf
words: 3851
sentence: 153
flesch: 36
cache: cache/ccsj-338.pdf
txt: txt/ccsj-338.txt
title:
  Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice

summary:
  The course builds on colour teaching at BA level and aims to further develop practice-related design skills in colour design in public spaces. Diploma level At the masters (M.A.) and the Diploma (final examination) level we see students who chose to specialise on architectural colour and an increased number of students who address colour as an important design factor and actively seek further consultation on colour issues.


id: ccsj-381
author: Catella, Maria Antonietta
date: 2024
pages: 13
extension: .pdf
mime: application/pdf
words: 7825
sentence: 353
flesch: 50
cache: cache/ccsj-381.pdf
txt: txt/ccsj-381.txt
title:
  The polychrome surfaces of Apulia’s monuments between the 19th and 20th centuries. The contribution of color to the spread of neo-medievalism and the creation of national identity

summary:
  The independence of colour: decorative experiments in 20th century churches But the fictitious polychromatic vestments found the greatest freedom of expression in the new creations of neo-Gothic and neo-Romanesque churches in Apulia. Paine, A. (2011) Façades and stripes: An account of striped façades from medieval Italian churches to the architecture of Mario Botta.


id: ccsj-382
author: Pylypchuk, Oksana
title: Coloristic levels of perception of an art object in the interior space
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 5002
sentence: 252
flesch: 43
cache: cache/ccsj-382.pdf
txt: txt/ccsj-382.txt
summary:
  This study proposes an innovative approach based on the use of color perception levels that can optimize the process of color selection in creative design. Art object, Coloristics, Interior space, Color perception, Color contrast, Design.


id: ccsj-368
author: Trini Castelli, Clino
title: The “Color Fever” Chroma Survey 1973
date: 2024
pages: 11
extension: .pdf
mime: application/pdf
words: 5700
sentence: 222
flesch: 53
cache: cache/ccsj-368.pdf
txt: txt/ccsj-368.txt
summary:
  Initiated with the Centro Design Montefibre, the Operazione Colordinamo operation gave rise to seminars, exhibitions and the well-known manuals for professional use, which were the first tool of orientation in the field of color design in Italy, published from 1975 to 1977. He consolidated this position in 1977 with the founding of the design magazine Modo, through the idea of looking more closely at the “making”, the direct experience of reality, a property that upon closer examination was already intrinsic precisely to the themes of color design [Trini Castelli, 2021].


id: ccsj-305
author: Martini, Berta; Monica Tombolato; Rossella D'Ugo
date: 2022
pages: 10
extension: .pdf
mime: application/pdf
words: 5464
sentence: 264
flesch: 42
cache: cache/ccsj-305.pdf
txt: txt/ccsj-305.txt
title:
  Integrating knowledge about color within the STEM/STEAM approach: some instructional procedural principles

summary:
  Some scholars believe that the addition of “A” is unnecessary, and that the application of creativity and the arts is a natural premise of STEM education. While professional meetings and science education conferences are increasingly geared toward STEM and new textbooks and websites are popping up to advise teachers on how to implement STEM practices, STEM curricula lack an awareness of what STEM is and what STEM programs should include.


id: ccsj-246
author: Pompas, Renata
title: Book Review: Yellow, the history of a color
date: 2021
pages: 2
extension: .pdf
mime: application/pdf
words: 923
sentence: 49
flesch: 61
cache: cache/ccsj-246.pdf
txt: txt/ccsj-246.txt
summary:
  From this century on yellow turns towards negative judgements. The case of Clodius in which Cicero's mockery of Clodius is reported, describes him as a debauchee who wears yellow clothes, a purely feminine color.


id: ccsj-285
author: Pompas, Renata
title: BOOK REVIEW: Andrea dall'Asta Light - the color of desire
date: 2022
pages: 2
extension: .pdf
mime: application/pdf
words: 918
sentence: 27
flesch: 47
cache: cache/ccsj-285.pdf
txt: txt/ccsj-285.txt
summary:
  The author, continuing the path of analysis and research on the tension towards light, asks himself whether in contemporary art light is symbolic, physical, or simply functional, and answers in seven chapters: seven interdisciplinary paths starting from Impressionism to monochromy, through the icon-works of some artists, including at the end of the book, also sacred architecture, photography and cinema. Light - the color of desire Renata Pompas Andrea dall'Asta: Light - the color of desire, Ancora Editrice, Milan, 2021.


id: ccsj-327
author: Caumon, Lorrain; Zissis, Georges; Caumon, Céline
date: 2023
pages: 8
extension: .pdf
mime: application/pdf
words: 4697
sentence: 217
flesch: 47
cache: cache/ccsj-327.pdf
txt: txt/ccsj-327.txt
title:
  Experience of place: colour and lighting design methods in the process of inclusive housing projects.

summary:
  Her research focuses on the interaction between colour design and lighting sciences, with the aim of promoting comfort and well-being in collective housing. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories in order to allow better discrimination of the elements.


id: ccsj-121
author: Pompas, Renata
title: Jean-Gabriel Causse, Lo stupefacente potere dei colori Ponte alle Grazie, Milano, 2015
date: 2015
pages: 2
extension: .pdf
mime: application/pdf
words: 726
sentence: 22
flesch: 44
cache: cache/ccsj-121.pdf
txt: txt/ccsj-121.txt
summary:
  E sebbene il colore preferito in tutto il mondo sia il Blu e quello che genera unanime ostilità sia il giallo, Casse suggerisce di ascoltare istintivamente qual è il nostro colore preferito per trarne benessere: raccomandazione consigliata da un color designer che progetta cartelle tendenze colore e che ne mostra un’apertura notevole. Con esempi accattivanti (perché le nuvole appaiono bianche, il cielo azzurro e il sole rosso all’orizzonte) conduce il lettore a comprendere alcuni aspetti della fisica, della percezione, della Temperatura di colore, della sinestesia e della riproduzione, ma anche della percezione dei colori nella fauna e nella flora.


id: ccsj-312
date: 2023
pages: 10
extension: .pdf
mime: application/pdf
words: 5950
sentence: 323
flesch: 52
cache: cache/ccsj-312.pdf
txt: txt/ccsj-312.txt
author:
  Siniscalco, Andrea; Tonon, Caterina; Mitolo, Micaela; Testa, Claudia; Gaiani, Marco; Rossi, Maurizio

title:
  A technique to ensure correct color stimulation by functional MRI to study in vivo the human melanopsin ganglion cells system

summary:
  For the evaluation of a possible circadian response induced by the stereoscopic visor, the non-linear model proposed by Rea et al. was used (Rea et al., 2012; Figueiro and Rea, 2013), which considers numerous factors, including the transmission of light through the lens of the crystalline lens and the spectral opposition of the blue and yellow channels (Dacey and Packer, 2003). Although the absence of randomized controlled trials in this field, a recent systematic review demonstrated that Bright Light Treatment (BLT) is a promising intervention in patients affected by dementia, specifically in Alzheimer’s Disease (AD), and does not have significant adverse effects (Mitolo et al., 2018).


id: ccsj-365
author: Phuangsuwan, Chanprapha; Mepean, Janejira ; Ayama, Miyoshi ; Mizokami, Yoko; Ikeda, Mitsuo
title: Effect of display techniques on simultaneous color contrast
date: 2025
pages: 13
extension: .pdf
mime: application/pdf
words: 6377
sentence: 335
flesch: 58
cache: cache/ccsj-365.pdf
txt: txt/ccsj-365.txt
summary:
  KEYWORDS Simultaneous color contrast, Display techniques, Contrast induction, Chromatic adaptation, Recognized visual space of illumination, Elementary color naming RECEIVED 22/04/2024; REVISED 05/11/2024; ACCEPTED 06/02/2025 Effect of display techniques on simultaneous color contrast 24 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170102 1. ABSTRACT In previous studies, simultaneous color contrast (SCC) was investigated using different display techniques, such as colored papers, electronic displays, and the two-rooms technique.


id: ccsj-353
author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo
title: Wine Chromatics: The Colorful Language of Wine's Characteristics
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 5203
sentence: 293
flesch: 50
cache: cache/ccsj-353.pdf
txt: txt/ccsj-353.txt
summary:
  Particularly, our research aimed to delve into the potential influence of color associations on the perception of wine consumers. A recent review (Spence & Velasco, 2019) summarized the multiple roles of packaging color on consumers' expectations and perception of identity, taste, flavor, fragrance, healthiness, and willingness to pay.


id: ccsj-456
author: Tomovic, Tina; Leysieffer, Jonas
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 4674
sentence: 248
flesch: 54
cache: cache/ccsj-456.pdf
txt: txt/ccsj-456.txt
title:
  The dematerialisation of colour: On the creative and ecological consequences of expanded colour spaces

summary:
  Colour charts bear evidence of the developments in this field, as they act as interface objects in a multidisciplinary and now globally active value chain. The text discusses how colour decisions are made in design, using colour charts as an example.


id: ccsj-357
author: Dantas, Ítalo José de Medeiros; Silva, Camila Assis Peres; Curth, Marcelo
date: 2024
pages: 19
extension: .pdf
mime: application/pdf
words: 11618
sentence: 656
flesch: 50
cache: cache/ccsj-357.pdf
txt: txt/ccsj-357.txt
title:
  The development of a color chart in conceptual fashion collections: do consumers perceive what color semantics wants to convey?

summary:
  This model focused on observing the construction of visual color messages based on possible relationships between the generating concept used in creating the collection and how this was reflected in the production of meanings in its color palette. It was possible to observe a high correlation between intention and interpretation of visual color messages in the Ilha de Marajó fashion collection context.


id: ccsj-331
author: Guarini, Gianluca; Rossi, Maurizio
date: 2024
pages: 7
extension: .pdf
mime: application/pdf
words: 4789
sentence: 250
flesch: 47
cache: cache/ccsj-331.pdf
txt: txt/ccsj-331.txt
title:
  A review on the open issue of color consistency in software for building information modeling systems and real-time visualization

summary:
  Regarding the color rendering in Enscape, the Plugin can use Revit materials. In addition, if the designer opts to use Revit materials to view the project with Enscape without making any replacements, it is advisable to use the PBR materials directly, which have already been available in Revit since 2019. 3.3.


id: ccsj-341
date: 2023
pages: 8
extension: .pdf
mime: application/pdf
words: 4574
sentence: 257
flesch: 59
cache: cache/ccsj-341.pdf
txt: txt/ccsj-341.txt
author:
  Pertica, Alice; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; Vervat, Muriel

title:
  Reflectance hyperspectral imaging for colorimetric and spectroscopic studies: the analysis of an impressionist painting.

summary:
  In the last few years reflectance hyperspectral imaging (HSI) has been increasingly employed in the study of cultural heritage and its conservation. reflectance hyperspectral imaging, spectroscopy, colorimetry, conservation science, easel painting.


id: ccsj-339
author: Liberini, Simone; Suardi, Roberta; Rizzi, Alessandro; Negretti, Giannantonio
title: Assessment of base color influence on the chromatic appearance of hair colorants
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 4742
sentence: 210
flesch: 58
cache: cache/ccsj-339.pdf
txt: txt/ccsj-339.txt
summary:
  Introduction Judging the appearance of hair color is an essential task for proper salon service. A simple yet smart color naming scheme does in fact exist (Toninelli et al., 2021), but its practical adoption is highly arbitrary among different color brands, so that hair color charts may very well associate different colors to the same nuance, both in terms of lightness and of predominant hue (Rizzi et al., 2021).


id: ccsj-398
title: A playful approach for early screening of color blindness in Italian primary schools
date: 2024
pages: 7
extension: .pdf
mime: application/pdf
words: 4486
sentence: 195
flesch: 54
cache: cache/ccsj-398.pdf
txt: txt/ccsj-398.txt
author:
  Iocco, Carlo Alberto; Plutino, Alice; Cattaneo, Ambra; Armellin, Luca; Sassi, Matteo; Silva, Liliana; Rizzi, Alessandro

summary:
  The reliability of the qolour game for a preliminary screening of color blindness has been tested in several studies, and in this experimental context, it was used as a method to have a first distinction between children who had difficulties in the game due to possible color blindness, from children who presented difficulties due to other problems. 127 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160213 A playful approach for early screening of color blindness in Italian primary schools Carlo Alberto Iocco1, Alice Plutino1, Ambra Cattaneo1, Luca Armellin1, Matteo Sassi2, Liliana Silva3, Alessandro Rizzi1,2 1MIPS Lab, Department of Computer Science, University of Milan 2SAZ (Spiele Autoren Zunft eV) Italy 3 Department of Education and Human Sciences, University of Modena and Reggio Emilia Corresponding author: Carlo Alberto Iocco (carlo.iocco@unimi.it)


id: ccsj-340
author: Lourantos, Nicholas
title: Reversal film transparencies and their colours: examining the medium of an era
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 5138
sentence: 321
flesch: 60
cache: cache/ccsj-340.pdf
txt: txt/ccsj-340.txt
summary:
  The decisive, final, point for choosing Super 8mm Home Movies was Kodachrome, the same type of colour transparencies used. Its significance is that its chromatic references are drawn from a diverse background including interior design colour images but also record covers, magazine article photographs andcinema posters.


id: ccsj-437
author: Farina, Carla
title: Chromatic Weaves: Color through rule and perception in the Work of Anni Albers
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 5162
sentence: 320
flesch: 54
cache: cache/ccsj-437.pdf
txt: txt/ccsj-437.txt
summary:
  At the Bauhaus, the grid was a key tool in color theory: Klee used it to analyze the dynamic Chromatic Weaves: Color through rule and perception in the Work of Anni Albers 21 Color Culture and Science Journal Vol. 17 (2) The analysis is based on a formal reading of the patterns and color choices, integrated with comparisons to Bauhaus color theory to the influence of Latin American cultures that shaped her later production.


id: ccsj-385
date: 2024
pages: 13
extension: .pdf
mime: application/pdf
words: 6922
sentence: 310
flesch: 43
cache: cache/ccsj-385.pdf
txt: txt/ccsj-385.txt
author:
  ODETTI, JIMENA VANINA; Reyes Gonzalez, Alberto; Reyes Gonzalez, Andres Enrique; Valdez Olmos, Fernando Daniel

title:
  The chromatic intervention as a strategy for the revaluation of facades in peri-urban areas. The case of the historic center of Ixtapa, Jalisco, Mexico.

summary:
  fernando.valdez@vallarta.tecmm.edu.mx Corresponding author: Jimena Vanina Odetti (jimena.odetti@vallarta.tecmm.edu.mx) ABSTRACT The article presents a case study in which urban color is taken as a protagonist element in the realization of a chromatic and artistic intervention for the preservation and/or recovery of the cultural identity of the selected area. As conclusions and findings, the article highlights the importance of studying and generating projects around urban color from a perspective that includes it as a symbolic element and protagonist in the shaping of cultural identity in the city.


id: ccsj-389
author: Munoz-Alcocer, Karla Maria; Vázquez de Ágredos Pascual , Maria Luisa; Estrada, Stephanie
title: Chromatic reintegration: Color Matching Challenges in Polychrome wooden Ceilings
date: 2024
pages: 11
extension: .pdf
mime: application/pdf
words: 6218
sentence: 335
flesch: 49
cache: cache/ccsj-389.pdf
txt: txt/ccsj-389.txt
summary:
  Materials & Techniques The materials and manufacture technique of the decorative surphaces of Santa Maria de Cuevas church have been studied in deep and in major context with other Spanish colonial churches in Chihuahua (Muñoz Alcocer, 2018). The varying intensities of the original paint posed challenges, particularly in beam ceilings where achieving smooth variations was not feasible.


id: ccsj-307
author: Voss, Lupe; Wong, Sherman
title: More Than a Tube of Color - The Emotion
date: 2022
pages: 8
extension: .pdf
mime: application/pdf
words: 4377
sentence: 275
flesch: 58
cache: cache/ccsj-307.pdf
txt: txt/ccsj-307.txt
summary:
  Method Two questionnaires were developed to investigate the behaviors and opinions of hair color consumers and professional hair colorists. The Emotion 49 Color Culture and Science Journal Vol. 14 (2) DOI: 10.23738/CCSJ.140206 Percentage of hair color consumers trusting the knowledge and competency of their colorists Moment a consumer started to trust their colorist Table 2.


id: ccsj-345
author: Francesca Valan; Pietro Paglierani; Scopa, Chiara
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 5140
sentence: 304
flesch: 58
cache: cache/ccsj-345.pdf
txt: txt/ccsj-345.txt
title:
  A leap in the color! How understanding horses’ color perception improves their performance and welfare in show jumping

summary:
  Experimental works have confirmed the correlation between obstacle colors and jumping performance. The analyses of jump faults (obstacle knock-down or run- out) reported in literature confirm the correlation between obstacle colors and performance (Stachurska et al., 2002).


id: ccsj-487
author: Riccini, Raimonda; Rossi, Maurizio
title: From Form to Meta-Design: Clino Trini Castelli’s Theoretical Tools for CMF and Qualistics.
date: 2025
pages: 8
extension: .pdf
mime: application/pdf
words: 5578
sentence: 266
flesch: 43
cache: cache/ccsj-487.pdf
txt: txt/ccsj-487.txt
summary:
  5.4 Applications and anticipations: from Memphis to ecological trends Initially a proprietary tool for Castelli Design clients such as Louis Vuitton, Herman Miller, and Mitsubishi, the Umbrella Diagram was employed both in industry and education, often confidentially until its first public presentation at the AIC Milan Congress in 2021 (Trini Castelli, 2021). In 1974 Castelli established CDM – Consulenti Design Milano, together with Branzi and Morozzi, later transformed into Castelli Design, a platform from which many of his theoretical innovations would emerge.


id: ccsj-430
author: Miąsik, Paulina
title: An investigation into the structure and color stability of Polaroid 20×24 prints: Errata Corrige
date: 2025
pages: 1
extension: .pdf
mime: application/pdf
words: 79
sentence: 2
flesch: 30
cache: cache/ccsj-430.pdf
txt: txt/ccsj-430.txt
summary:
  119 Color Culture and Science Journal Vol. 17 (2) An investigation into the structure and color stability of Polaroid 20×24 prints Paulina Miąsik, Sylvie Pénichon, Clara Granzotto, Ken Sutherland The Art Institute of Chicago, 111 S. Michigan Ave, Chicago, IL 60603, USA Corresponding author: Paulina Miąsik (paulinamiasikk@gmail.com) Errata Corrige Color Culture and Science Journal Vol. 17 (1) (2025), pages 82-91. Corrigendum Page 85, Figure 2: the figure is incorrect and needs to be substituted with the following one.


id: ccsj-319
author: Flaviani, Giorgia; Plutino, Alice; Rizzi, Alessandro
title: Colour and emotion: the use of the colours of Lüscher test in the artistic field
date: 2023
pages: 9
extension: .pdf
mime: application/pdf
words: 5808
sentence: 285
flesch: 60
cache: cache/ccsj-319.pdf
txt: txt/ccsj-319.txt
summary:
  After a preliminary analysis of using Lüscher colours, we set up a first perceptive test asking 20 subjects to associate adjectives with Lüscher's colours freely. Lüscher colour test and its influence on art The colour test by Max Lüscher is composed of eight coloured patches; each colour is associated with a particular meaning.


id: ccsj-486
author: RICCINI, RAIMONDA
title: Design and Fashion Design: a Chromatic History
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 2180
sentence: 95
flesch: 39
cache: cache/ccsj-486.pdf
txt: txt/ccsj-486.txt
summary:
  The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. Color and Measurement/Instrumentation.


id: ccsj-444
author: Mucchetti, Francesca; Peruccio, Pier Paolo; Grigatti, Gianluca
title: Colors of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury
date: 2025
pages: 7
extension: .pdf
mime: application/pdf
words: 4191
sentence: 186
flesch: 48
cache: cache/ccsj-444.pdf
txt: txt/ccsj-444.txt
summary:
  While in Riva yachts colour served a narrative and symbolic function—embodying prestige and elegance through the refined use of glossy mahogany, ivory leather, and metallic details—other sectors of industrial design during the same period developed their own distinctive approaches to colour and materials. KEYWORDS Visual Identity, Nautical Design, Color Semiotics, Riva Aquarama, Material Culture, Luxury Aesthetics, Mid-20th Century Style RECEIVED 24/06/2025; REVISED 15/09/2025; ACCEPTED 29/09/2025 Colours of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury 62 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170207 1.


id: ccsj-415
author: Miąsik, Paulina; Pénichon, Sylvie ; Granzotto, Clara; Sutherland, Ken
title: An investigation into the structure and color stability of Polaroid 20×24 prints
date: 2025
pages: 10
extension: .pdf
mime: application/pdf
words: 5566
sentence: 295
flesch: 45
cache: cache/ccsj-415.pdf
txt: txt/ccsj-415.txt
summary:
  These findings contribute valuable insights into the material composition of Polaroid 20×24 prints and inform display and preservation strategies, ensuring the longevity of these culturally significant artworks. All examined Polaroid 20×24 prints share a glossy surface finish and exhibit no discernible differences in texture, maintaining a consistent aesthetic and tactile quality across generations.


id: ccsj-476
author: Dalla Mura, Maddalena; Fava, Elena
date: 2025
pages: 12
extension: .pdf
mime: application/pdf
words: 8126
sentence: 398
flesch: 50
cache: cache/ccsj-476.pdf
txt: txt/ccsj-476.txt
title:
  Mediating Synthetic Fibers and Colour at the Centro Design Montefibre in the1970s, between Fashion Forecasting and Design Culture

summary:
  To this end, they collaborated with experts including Adela Turin-Coat (textile design), Alessandro De Gregori (colour design), and the historian Franco Brunello, author of a book on the history of dyeing (1968). 79 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170209 Mediating Synthetic Fibres and Colour at the Centro Design Montefibre in the 1970s, between Fashion Forecasting and Design Culture Maddalena Dalla Mura, Elena Fava Università Iuav di Venezia.


id: ccsj-374
title: Paintings: monitoring varnish variations and their effect on color perception. A case study.
date: 2024
pages: 7
extension: .pdf
mime: application/pdf
words: 4352
sentence: 185
flesch: 48
cache: cache/ccsj-374.pdf
txt: txt/ccsj-374.txt
author:
  Reichold, Claudia Gisela; Pieralli, Irene; Gualini, Elisa; Hirsch, Serena; Morrocchesi, Serena; Picollo, Marcello

summary:
  Differences of color values (∆L*, ∆a*, ∆b*) over time and sum of maximum deviations for measurement points 1 and 2. Paintings: monitoring varnish variations and their effect on color perception. KEYWORDS: varnish for paintings, colorimetric measurements, spectrocolorimeter, Giorgio Vasari, Santa Maria Novella.


id: ccsj-425
author: MARTONE, Maria; Fan, Tiantian
title: Color differences between Urban Digital Twin and the real city. Optimisations and compensations
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 3644
sentence: 194
flesch: 45
cache: cache/ccsj-425.pdf
txt: txt/ccsj-425.txt
summary:
  KEYWORDS Urban Digital Twin, color management, digital urban colors, Color Validity Index RECEIVED 04/04/2025; The specific objectives of the research include assessing the current state of color management in the Helsinki Digital Twin, identifying color differences between the virtual and real city and proposing strategies to improve color fidelity in digital models.


id: ccsj-369
author: Rossi, Maurizio
title: Exploring the Spectrum: Color in Science and Society
date: 2024
pages: 6
extension: .pdf
mime: application/pdf
words: 1806
sentence: 88
flesch: 33
cache: cache/ccsj-369.pdf
txt: txt/ccsj-369.txt
summary:
  57 Nicholas Lourantos DOI: 10.23738/CCSJ.160106 4 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice 65 Kine Angelo and Alex Booker DOI: 10.23738/CCSJ.160107 The “Color Fever” Chroma Survey 1973 72 Clino Trini Castelli DOI: 10.23738/CCSJ.160108 5 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Exploring the Spectrum: Color in Science and Society Dear Esteemed Readers1, Welcome to our newest journal issue, where we take you on an insightful journey through the rich tapestry of color across a variety of disciplines, from the harmonious hues of architectural design to the perceptual dynamics of our animal companions and from the subtle intricacies of hair coloring to the sensory allure of wine. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.


id: ccsj-366
author: Medeiros, Arthur Thiago Thamay; da Silva, Fabio Pinto
date: 2024
pages: 10
extension: .pdf
mime: application/pdf
words: 5970
sentence: 294
flesch: 49
cache: cache/ccsj-366.pdf
txt: txt/ccsj-366.txt
title:
  Colorimetry in the conservation of assets integrated into heritage properties: comparative analyzes of hydraulic tiles

summary:
  With technological advances for instrumentation in color measurement, colorimeters analyze color with and without contact, using the spectrum generated by reflected light. 3. Materials and methods To carry out a comparative analysis of the colors of the hydraulic tiles at Paço dos Açorianos with the sample at Fabrica de Mosaicos de Pelotas, aiming to select the colors for the manufacturing stage, color data were acquired with a colorimeter by Delta Color (São Leopoldo/RS - Brasil) model Colorium.


id: ccsj-407
author: Bortolotti, Alessandro
title: Exploring crossmodal correspondences through neuromarketing
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 6247
sentence: 439
flesch: 51
cache: cache/ccsj-407.pdf
txt: txt/ccsj-407.txt
summary:
  In this context, sensory marketing can be defined as a revolutionary approach to consumer engagement that leverages the five human senses to create immersive and memorable product experiences. A key concept in sensory marketing is crossmodal correspondence, which explores how the activation of one sense can influence the perception of another.


id: ccsj-457
author: Hauqui Tonin, Paulo Eduardo; Ferrara, Marinella
title: The Chromatic Turn in Fashion Environment: From Radical to Sensory Experience Design
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 5733
sentence: 347
flesch: 37
cache: cache/ccsj-457.pdf
txt: txt/ccsj-457.txt
summary:
  ABSTRACT This study examines the evolving role of color in fashion-related built environments, tracing its historical and conceptual trajectory from the radical chromatic practices of the 1960s–70s to contemporary applications within sensory-experiential design. Findings reveal that color has transitioned from a compositional element to a dynamic medium capable of shaping perception, eliciting affective responses, conveying ideological stances, and structuring immersive brand narratives.


id: ccsj-351
author: Bertoletti, Paola
title: The boundaries between light and color in architecture: the different lighting solution
date: 2023
pages: 7
extension: .pdf
mime: application/pdf
words: 4491
sentence: 256
flesch: 49
cache: cache/ccsj-351.pdf
txt: txt/ccsj-351.txt
summary:
  Architectural lighting designer must first know the aim of the project. 2. Lighting strategies: aspects and approaches To achieve a harmonious balance between lighting and architecture, it is essential to consider the three basic elements of architectural lighting: Aesthetics, Functionality, and Efficiency (Lam, 1977).


id: ccsj-306
author: Tantcheva-Burdge, Elza; Lei, Zhaohua; Cheung, Vien
date: 2025
pages: 12
extension: .pdf
mime: application/pdf
words: 9401
sentence: 432
flesch: 61
cache: cache/ccsj-306.pdf
txt: txt/ccsj-306.txt
title:
  Enquiry into the colours of the MoGao murals at DunHuang from the Sui Dynasty, the Tang Dynasty and the Five Dynasties period

summary:
  She is now working in Shanghai and is passionate in studying traditional Chinese colours. The present paper enquires into the appearance of colours used in the representational system of the murals from periods of the Sui Dynasty (581-618 AD), the Tang Dynasty (618-907 AD) and the Five Dynasties (907- 960 AD).


id: ccsj-379
author: Bideaux, Kévin
title: Queer Futures, Violet Futures: Queer Modernity Symbolism of Violet in West Culture
date: 2024
pages: 9
extension: .pdf
mime: application/pdf
words: 5798
sentence: 380
flesch: 57
cache: cache/ccsj-379.pdf
txt: txt/ccsj-379.txt
summary:
  Far from being exclusive to men, violet also references lesbianism through violet flowers. Choosing violet also differentiated them from other political movements with established colour emblems (red for communists, black for anarchists).


id: ccsj-452
author: MARTONE, Maria; Fan, Tiantian
title: The co-evolution of color and digital tools: a new logic for fashion design
date: 2025
pages: 9
extension: .pdf
mime: application/pdf
words: 3632
sentence: 229
flesch: 39
cache: cache/ccsj-452.pdf
txt: txt/ccsj-452.txt
summary:
  The Prada–Armani comparison also highlights the rising role of digital color encoding as a design and communication tool. Through a five-phase periodization, the study highlights paradigm shifts in color design, illustrating how digital tools (such as Pantone systems, generative AI, and 3D simulation) have progressively transformed chromatic composition, affecting both visual coherence and the cultural semantics of color palettes.


id: ccsj-453
author: Isaac, Geoffrey
title: Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design
date: 2025
pages: 10
extension: .pdf
mime: application/pdf
words: 5752
sentence: 343
flesch: 48
cache: cache/ccsj-453.pdf
txt: txt/ccsj-453.txt
summary:
  Most people spend their lives Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design 53 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170206 housed in dreary, grey-beige conformity, mortally afraid of using colours. He believed colour could shape mood and perception, with the ability to energize, relax, or stimulate: He stated, ‘choosing colours should not be a gamble.


id: ccsj-394
author: Perondi, Camilla
title: Chromatic Image: a New Imaging Method for the Examination of Works of Art
date: 2024
pages: 8
extension: .pdf
mime: application/pdf
words: 4565
sentence: 254
flesch: 51
cache: cache/ccsj-394.pdf
txt: txt/ccsj-394.txt
summary:
  KEYWORDS technical imaging, chromatic image, image processing, preliminary examination, forensic imaging RECEIVED 14/08/2024; REVISED 18/10/2024; ACCEPTED 02/11/2024 Chromatic Image: a New Imaging Method for the Examination of Works of Art 44 Color Culture and Science Journal Vol. 16 (2) Adobe Photoshop® was used to process the dataset into chromatic images.


id: ccsj-409
author: Ribeiro, Fernanda; Schemes, Claudia; Dantas, Ítalo José de Medeiros
date: 2025
pages: 15
extension: .pdf
mime: application/pdf
words: 9565
sentence: 509
flesch: 37
cache: cache/ccsj-409.pdf
txt: txt/ccsj-409.txt
title:
  Tactile coloration for inclusive fashion: the role of “See Color” in enhancing autonomy for individuals with visual impairments

summary:
  Marchi (2019) highlights the potential of “See Color” for use in clothing labels and accessories, suggesting that it could also be implemented in color palettes for fashion consulting. Development of inclusive tactile color palettes based on Rosa’s experience Leveraging perceptions from the research sessions with Rosa, a tactile Winter color palette was created by the Feevale University Design Center to provide a practical and inclusive tool for visually impaired individuals.


id: ccsj-455
author: Vitale, Marta
title: Ettore Sottsass: the colour in photography, the colour in design
date: 2025
pages: 11
extension: .pdf
mime: application/pdf
words: 9210
sentence: 579
flesch: 62
cache: cache/ccsj-455.pdf
txt: txt/ccsj-455.txt
summary:
  Ettore Sottsass, photography and design, colour photography, Kodachrome, New Topographics, american landscape RECEIVED 24/06/2025; REVISED 23/09/2025; Several decades had to pass before colour photography achieved proper recognition and full artistic maturity, which was realized in particular thanks to the pioneers of the so-called New Color Photography [1].


id: ccsj-463
author: Rangel Vázquez, Nallely
title: The perfect harmony of white clothes
date: 2025
pages: 11
extension: .pdf
mime: application/pdf
words: 5637
sentence: 289
flesch: 64
cache: cache/ccsj-463.pdf
txt: txt/ccsj-463.txt
summary:
  Lindas Mexicanas: white corset in Mexico City One of the main contributions of my research was to demonstrate that corsets created by Mexican designers and produced in the country existed. At the same time, I demonstrate that white underwear was made from a variety of fibers.


id: ccsj-410
author: Hofmann, Manfred; Hofmann-Sievert, Rita
title: Predicting the Light Stability of Contemporary Photographic Print Materials
date: 2025
pages: 10
extension: .pdf
mime: application/pdf
words: 7331
sentence: 385
flesch: 51
cache: cache/ccsj-410.pdf
txt: txt/ccsj-410.txt
summary:
  There is a wealth of accelerated ageing test data of photographic print materials with different light sources, such as fluorescent and Xenon light for silver halide materials (Wilhelm and Bower, 1993) or inkjet prints (Wilhelm, 2004), fluorescent light for face mounted inkjet prints (Blaschke-Walther and Dobrusskin, 2015), and UV radiation for UV curing inkjet materials (Maretić et al. 2021). The same set of photographic print materials as in our study was investigated by Duan (Duan, 2024) with a microfadometer (MF).


id: ccsj-426
author: Pompas, Renata
title: Rose. Une couleur aux proses avec le genre.: BOOK REVIEW
date: 2025
pages: 3
extension: .pdf
mime: application/pdf
words: 1400
sentence: 62
flesch: 51
cache: cache/ccsj-426.pdf
txt: txt/ccsj-426.txt
summary:
  Pink is his magnificent obsession: involved in gender studies and a member of the Laboratory of Gender and Sexuality Studies, he has colored his own body, his environment, and his artwork pink. In the West, this trend emerged as early as the 19th century but became widespread in the 1950s when the parental tendency to anticipate children's personalities by establishing gender differences through the preservation of heterosexuality spread.


id: ccsj-293
author: Kooroshnia, Marjan; Dumitrescu , Delia ; Lewis , Erin ; Walters , Kathryn
date: 2025
pages: 8
extension: .pdf
mime: application/pdf
words: 4350
sentence: 237
flesch: 57
cache: cache/ccsj-293.pdf
txt: txt/ccsj-293.txt
title:
  The colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 

summary:
  This leaves space for further research exploring the design potential of the raw material – printed EL ink – in terms of expanding its colour palette and aesthetic range by experimenting with textile design methods – forming diverse colour mixtures, overprinting, and halftones. Colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 30 Color Culture and Science Journal Vol. 15 (1)


id: ccsj-393
author: Prusak, Błażej ; Muhammad Mushafiq
title: Interpreting colour symbolism in finance- Insights of financial expert
date: 2025
pages: 16
extension: .pdf
mime: application/pdf
words: 10470
sentence: 658
flesch: 54
cache: cache/ccsj-393.pdf
txt: txt/ccsj-393.txt
summary:
  Research on colour symbolism is also presented at conferences organised under the auspices of the International Colour Association, and the results are included in proceedings (see, e.g., Kwiatkowska- Interpreting colour symbolism in finance- insights of financial experts 9 Color Culture and Science Journal Vol. 17 (1) To the best of the author’s knowledge, this is the first study of colour symbolism in finance conducted among financial experts and one of the few in this scientific field.


id: ccsj-428
author: Rossi, Maurizio
title: Contemporary Views on Color: Research and Applications between Science, Culture and Design
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 3827
sentence: 178
flesch: 37
cache: cache/ccsj-428.pdf
txt: txt/ccsj-428.txt
summary:
  The studies on Simultaneous Color Contrast (SCC) by Phuangsuwan et al. and on cross-modal correspondences in neuromarketing by Bortolotti, although with different approaches, converge in underlining how color perception is not an objective fact but a dynamic and relational process, influenced by the configuration of space, the presence of objects, Contemporary Views on Color: Research and Applications between Science, Culture and Design 95 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170108 lighting conditions and interactions with other sensorial stimuli (Bortolotti, 2025; Phuangsuwan et al., 2025). Color, Perception, and Multi-sensory Communication The topic of the visual and sensorial experience of color is addressed by two studies that, although with different methodologies, share an interest in subjective perception and the role of display technologies in determining chromatic effects.


id: ccsj-390
author: Thickett, David; Pretzel, Boris; Shah, Bhavesh; Luxford, Naomi
title: Natural Light Aging of furniture, textile and bone in historic environments.
date: 2024
pages: 10
extension: .pdf
mime: application/pdf
words: 7234
sentence: 355
flesch: 54
cache: cache/ccsj-390.pdf
txt: txt/ccsj-390.txt
summary:
  By monitoring light levels with Elsec sensors and Hanwell Luxbug loggers, and measuring colour changes with Minolta 2600d and Ocean Optics 2000 spectrometers, the research documents the effects on textiles, wooden furniture, and bone and ivory artefacts. Objects were periodically measured over several years to document colour changes, with measurements taken after 1, 2, 3, 6, and 11 years for furniture and textiles, and after 19 years for ivories, while bone objects were measured after over 70 years of display.


id: ccsj-408
date: 2025
pages: 12
extension: .pdf
mime: application/pdf
words: 7919
sentence: 402
flesch: 45
cache: cache/ccsj-408.pdf
txt: txt/ccsj-408.txt
author:
  Dantas, Ítalo José de Medeiros; Curth, Marcelo; Teixeira, Débora Pires; Soares Júnior, Glauber; Batista, Fabiano Eloy Atílio

title:
  Is there a color for sustainability in fashion products? A case study with Brazilian slow fashion footwear

summary:
  In clothing, it is observed that the perception of product colors is strongly inf luenced by symbolic associations that link tones to sustainable practices, as previously discussed. Thus, slow fashion is an initiative aimed at raising awareness about reducing the pace of accelerated production to create sustainable fashion products.


id: ccsj-397
title: Glazing over grisaille. A multi-band record of pigmented and dyed oil glazes
date: 2024
pages: 14
extension: .pdf
mime: application/pdf
words: 6665
sentence: 434
flesch: 62
cache: cache/ccsj-397.pdf
txt: txt/ccsj-397.txt
author:
  Llàcer, Aránzazu ; Hirsch, Serena; Zalbidea-Muñoz, Maria Antonia; Herrero-Cortell, Miquel Angel; Fuster-López, Laura

summary:
  A multi-band record of pigmented and dyed oil glazes Aránzazu Llácer-Peiró3, Serena Hirsch4, M. Antonia Zalbidea-Muñoz2, Miquel Àngel Herrero-Cortell 1, Laura Fuster-López3 1 Departamento de Comunicación Audiovisual, Documentación e Historia del Arte, UPV 2 Departamento de Conservación y Restauración de Bienes Culturales, UPV 3 Instituto Universitario de Restauración del Patrimonio 4 Centro Conservazione e Restauro La Venaria Reale Corresponding author: Miquel Àngel Herrero-Cortell ABSTRACT The present paper addresses the visual and technical study of historical glazes, both organic and inorganic, applied over monochrome grisaille. A multi-band record of pigmented and dyed oil glazes 52 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160206 1.


id: ccsj-427
author: Rossi, Maurizio
title: Color Maps: Research Themes and Trajectories: Editor's note
date: 2025
pages: 6
extension: .pdf
mime: application/pdf
words: 2280
sentence: 144
flesch: 37
cache: cache/ccsj-427.pdf
txt: txt/ccsj-427.txt
summary:
  Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.


id: ccsj-386
title: Optical characterization under a microscope of oil painting films with drying pigments: cobalt blue
date: 2024
pages: 11
extension: .pdf
mime: application/pdf
words: 5034
sentence: 319
flesch: 58
cache: cache/ccsj-386.pdf
txt: txt/ccsj-386.txt
author:
  Llácer Peiró, Aranzazu; M. Antonia Zalbidea-Muñoz; Miguel Angel Herrero-Cortell; Laura Fuster-López 

summary:
  KEYWORDS drying pigments, cobalt blue, surface microscopy, artificial ageing RECEIVED 01/08/2024; REVISED 23/10/2024; ACCEPTED 04/11/2024 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope: Cobalt Blue 66 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 1. 65 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope:


