[{"id": "ccsj-100", "words": "3030", "extension": ".pdf", "flesch": "59", "author": "Mikkelsen, Maria Kirk", "title": "A Colour Palette Methodology", "date": "2018", "keywords": "cards; colour; design; phase; scheme", "summary": "Since a design process is influenced and controlled by various methods, this project suggests using a defined methodology in the work with colour palettes in order to give more variety to the design of colour schemes. THE COLOUR COMBINATION CARDS The Colour Combination Cards (Mikkelsen 2018) is a colour palette methodology developed for design students.", "mime": "application/pdf"}, {"id": "ccsj-101", "words": "4734", "extension": ".pdf", "flesch": "54", "author": "Tarajko-Kowalska, Justyna ", "title": "Blue color traditions in Polish wooden architecture \u2013 valuable cultural heritage and a source of inspiration", "date": "2018", "keywords": "architecture; blue; century; color; heaven; kowalska; poland; polish; tarajko; ultramarine; use", "summary": "Apart from its aesthetical value, blue color in Poland had also utilitarian functions and symbolical ones, just like tokens and magic symbols, involving the protection of inhabitants from evil, as well as connotations in Catholic religion between blue hue and Virgin Mary or Archangel Michael, as well as the Heaven itself. KEYWORDS Blue color, blue pigments, color in architecture, color traditions, color symbolic, fa\u00e7ade color, color in the built environment CITATION:", "mime": "application/pdf"}, {"id": "ccsj-102", "words": "5680", "extension": ".pdf", "flesch": "55", "author": "Rossi, Michela; Buratti, Giorgio", "title": "From decoration to industrial design: Gio Ponti and color in architectural innovation", "date": "2018", "keywords": "architecture; colore; colour; decoration; design; gio; gio ponti; interior; milano; ponti; rossi; stile", "summary": "About ten years later, the ceramic floors of Salzburger Nachrichten\u2019s offices were a hymn to colour, thanks to the abstract geometric composition that fit to the irregular shape of the rooms\u2019 floors, combining tiles with different colours and patterns. Cultura e Scienza del Colore - Color Culture and Science 67 Cultura e Scienza del Colore - Color Culture and Science | 10 | 2018 ISSN 2384-9568 From decoration to industrial design: Gio Ponti and color in architectural innovation ABSTRACT Gio Ponti (1891-1979) was one of the first Italian architects who actively dealt with industrial design, combining the classical tradition of craftsmanship with the request for modernity.", "mime": "application/pdf"}, {"id": "ccsj-103", "words": "4598", "extension": ".pdf", "flesch": "48", "author": "Mazzanti, Anna", "title": "The contribution of colour in the artistic representation of the sacred(II). Italian innovations from the end of XIX century to the first part of the XX century", "date": "2018", "keywords": "art; century; color; culture; del; exhibition; figure; fillia; previati; sacred; science; scienza; severini", "summary": "Italian innovations from the end of XIX century to the first part of the XX century ABSTRACT At the first half of the twentieth century in Italy, where the Roman Catholic church still played a dominant cultural and political role, sacred art is rather disappointing and artistic innovations, independent from official religious decrees, did not easily find application in the sacred theme. KEYWORDS Sacred art, Color and Sacre, Spiritualism, Light, Blue, Red, Divisionism, Futurism CITATION: Mazzanti A. (2018)", "mime": "application/pdf"}, {"id": "ccsj-104", "words": "2296", "extension": ".pdf", "flesch": "50", "author": "Dud\u00e1s, Eszter; Urbin, \u00c1gnes", "title": "Improvement of a lamp construction with a highly reflective material", "date": "2018", "keywords": "figure; lamp; light; results", "summary": "In the case of optical reflectors the top-down modelling technique is a great tool. During the studies, participation in various projects related to lighting led to the interest of the field of lighting techniques including different materials besides examining and solving problems from more aspects.", "mime": "application/pdf"}, {"id": "ccsj-105", "words": "4897", "extension": ".pdf", "flesch": "48", "author": "Paglierani, Pietro; Valan, Francesca", "title": "A digital framework for color design and education", "date": "2018", "keywords": "color; colortools; design; designers; digital; munsell; python; science; space; use", "summary": "For instance, the Munsell interpolation tool in (Colour Science for Python, 2018), which can transform Munsell colors into CIE 1931 Yxy coordinates and vice-versa, can be applied only when the Munsell Value is in the range In fact, for any two color C1 and C2 inside the human visual gamut, any linear combination of such colors still is within the gamut (Richter, 2012).", "mime": "application/pdf"}, {"id": "ccsj-106", "words": "11543", "extension": ".pdf", "flesch": "59", "author": "Martone, Maria; Papa, Floriana", "title": "Colors, lights and shapes in the Naples underground. The \u201cart stations\u201d of Line 1", "date": "2018", "keywords": "aa.vv; alla; ambienti; art; bianco; black; blue; che; colors; con; cui; culture; dal; dante; dei; del; della; della stazione; figure; floor; garibaldi; gray; grigio; issn; level; light; line; martone; metropolitana; mezzanine; naples; napoli; nel; non; papa; piazza; scale; science; scienza; shapes; sono; square; station; stazione; traveler; una; underground; walls; white", "summary": "i colori del cielo sulle pareti semilucide, smorzando il bianco e creando un ambiente sui toni soffusi del celeste. In alto: sezione sul \u201ccratere di luce\u201d e pianta del mezzanino.", "mime": "application/pdf"}, {"id": "ccsj-107", "words": "5167", "extension": ".pdf", "flesch": "48", "author": "Bottoli, Aldo; Bertagna, Giulio", "title": "Colours for SLAncio. Project of the scene for a service and care facility in Monza", "date": "2018", "keywords": "bertagna; bottoli; care; che; colore; colour; con; culture; del; della; gli; monza; nel; non; project; ronchi; scene; science; scienza; sono", "summary": "Il fenomeno colore possiede una essenza immateriale, ed \u00e9 nella sua apparenza, mutevole, instabile, soggetto alle condizioni del contesto, alla luce che lo genera e, inoltre, ai significati che, una volta applicato, assume in ogni percettore. E\u2019 infatti comune progettare superfici e oggetti, e utilizzare tecnologie sofisticate, ma lo \u00e8 meno dedicare attenzione alle necessit\u00e0 di chi, in seguito, vi dovr\u00e0 abitare.", "mime": "application/pdf"}, {"id": "ccsj-111", "words": "1105", "extension": ".pdf", "flesch": "58", "author": "Pompas, Renata", "title": "Review Andrea Dall\u2019Asta e light splendour of truth. Paths among art, architecture and theology from early Christian to baroque Ancora Editrice, Milan, 2018.", "date": "2018", "keywords": "capitolo; chapter; light; luce", "summary": "L\u2019interessante libro di Andrea Dall\u2019Asta \u2013 Direttore della Galleria e del Museo San Fedele di Milano e della raccolta Lercaro di Bologna \u2013 indaga l\u2019aspetto teologico della rappresentazione della luce nella pittura e negli edifici religiosi, con una scrittura limpida ed erudita. la luce emessa da diversi tipi di illuminanti \u00e8 materia e soggetto di numerose opere, ma lo \u00e8 stata sin dall\u2019antichit\u00e0 nelle sue rappresentazioni pittoriche e nell\u2019organizzazione dei volumi e dell\u2019illuminazione degli edifici.", "mime": "application/pdf"}, {"id": "ccsj-112", "words": "2458", "extension": ".pdf", "flesch": "52", "author": "Catanese, Rossella", "title": "Repainting the mechanical ballet. Restoration of colours in \u2018Ballet m\u00e9canique\u2019 by Fernand L\u00e9ger", "date": "2015", "keywords": "ballet; film; haghefilm; l\u00e9ger; murphy; m\u00e9canique; restoration", "summary": "This emulsion may have a wide range of components, including salts such as silver nitrate or chromogenic couplers in the emulsions of colour film, but it is interesting to know that the function of emulsifier is given by the gelatine, an organic product. This restoration has not been finished: one of Haghefilm\u2019s requests (improving of research on film restoration and dissemination of its results) was that the hand coloured print of the film had to be made available by EYE to the Haghefilm Foundation for exhibition in educational, research, and outreach activities with mention of EYE as the source of the material.", "mime": "application/pdf"}, {"id": "ccsj-113", "words": "4111", "extension": ".pdf", "flesch": "56", "author": "Valdegamberi, Veronica; Paggetti, Giulia; Menegaz, Gloria", "title": "On the perceptual/linguistic origin of the twelfth basic color term in the Italian color lexicon", "date": "2015", "keywords": "blue; color; experiment; green; ink; terms; verde", "summary": "BIBLIOGRAPHY [1] Berlin, B., Kay, P.: Basic color terms: their universality and evolution. According to their definition, color terms are operationally defined as basic only if monolexemic and psychologically salient for all speakers, but not if restricted in application to narrow classes of objects, or included in the signification of other basic color terms.", "mime": "application/pdf"}, {"id": "ccsj-114", "words": "4672", "extension": ".pdf", "flesch": "46", "author": "Arrighetti, Walter", "title": "Motion Picture Colour Science and film \u2018Look\u2019: the maths behind ACES 1.0 and colour grading", "date": "2015", "keywords": "aces; b b; b r; colour; g b; input; output; r g; space", "summary": "A gamut mapping between colour spaces ([5]\u2013 [7]) is a vector field L(c), where c\u2208G is the input colour in the source gamut G\u2286IRm (which is, to every practical aspects, a connected, linearly- and superficially-connected m-dimensional domain\u2014often even a convex one), with dim L(G ) The latter aspect may have been advantageous in the past, but is now mostly a downside, when cinematographers, colourists and VFX artists really need to transfer colour corrections from the on-set pre-grading sessions throughout the whole post-production pipeline, up to the theatre room, and capable of doing so in the most advantageous and, above all, interoperable way (cfr.", "mime": "application/pdf"}, {"id": "ccsj-115", "words": "6053", "extension": ".pdf", "flesch": "60", "author": "Sandford, Jodi L.", "title": "A Cognitive Linguistic Usage Perspective: What is Italian Blu, azzurro, celeste? Do English agree on BLUE semantics?", "date": "2015", "keywords": "azzurro; bct; blue; celeste; color; color term; english; informants; italian; language; object; phase; sky; task; terms", "summary": "The results of the four phases of this study converge to suggest that contemporary Italian use of BLUE color terms reveals a twelfth BCT, a tone of BLUE. it must be psychologically salient, i.e., occur at the beginning of elicited lists of color terms, and have stability of reference across informants and occasion of use, v. if doubtful it should have the same distributional potential [1].", "mime": "application/pdf"}, {"id": "ccsj-116", "words": "4419", "extension": ".pdf", "flesch": "50", "author": "Valentini, Paola", "title": "Society in colour: Italian television and the switch to colour", "date": "2015", "keywords": "black; colour; colour television; del; film; italian; italy; picture; rai; set; television; time; white; world", "summary": "Cultura e Scienza del Colore - Color Culture and Science 3104/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Paola Valentini paola.valentini@unifi.it 1 AGAS Department of History, Archaeology, Geography, Art and Performance Arts, University of Florence, Italy Society in colour: Italian television and the switch to colour While Italy was proudly celebrating the advent of its own television system on 3 January 1954 and the first official broadcasts were starting to go out, at around the same time, the United States saw the arrival of colour television. Indeed, in December 1953, the Federal Communications Commission (FCC) approved the standard for colour television set out by the National Television System Committee (the same one that established the 525 line standard in 1941).", "mime": "application/pdf"}, {"id": "ccsj-117", "words": "3715", "extension": ".pdf", "flesch": "54", "author": "Schumacher, Jada", "title": "Color, Mon Dieu: A Case-Study Comparison Between the Church Of the Epiphany (New York City) and Kresge Chapel (Cambridge, Massachusetts)", "date": "2015", "keywords": "chapel; church; color; design; epiphany; figure; kresge; light; space; visitor", "summary": "A thorough scouring of Western religious buildings throughout the entirety of architectural history could further enlighten on chronological developments and refinements in techniques outlined here, as well as point out some innovative one-off moments or oddities in Figure12 \u2013 Toolkit for Sacred Light 42 Cultura e Scienza del Colore - Color Culture and Science | 04/15 the continuum of religious space design. The cross- shaped architectural plans of cathedrals were oriented with the altar area space facing toward the East; this placement allowed for light to shine through the stained glass windows and illuminate the holy altar area to magnify the divine effect.", "mime": "application/pdf"}, {"id": "ccsj-118", "words": "3126", "extension": ".pdf", "flesch": "52", "author": "Tavast, Arvi; Uusk\u00fcla, Mari", "title": "How blue is azzurro? Representing probabilistic equivalency of colour terms in a dictionary", "date": "2015", "keywords": "colour; dictionaries; dictionary; estonian; italian; language; participants; spanish; terms", "summary": "Representing probabilistic equivalency of colour terms in a dictionary 1. INTRODUCTION Semasiological dictionaries both store and present information about source language words, including their meanings and target- language equivalents. [22] A. Tavast, M. Uusk\u00fcla, K. Parker and U. Sutrop, \u201cUsing probabilistic conceptual graphs for representing colour terms in dictionaries,\u201d in Color and Colorimetry Multidsciplinary Contributions, Maggioli Editore, 2013, pp.", "mime": "application/pdf"}, {"id": "ccsj-119", "words": "4102", "extension": ".pdf", "flesch": "48", "author": "Bianco, Simone; Schettini, Raimondo", "title": "Adaptive Illuminant Estimation and Correction for Digital Photography", "date": "2015", "keywords": "algorithms; color; constancy; correction; estimation; illuminant; image", "summary": "A different strategy for improving the reliability of color constancy algorithms is to increase the quantity of information available for the color constancy by taking two pictures of each scene An extension of this idea could be to use \u201cmemory objects\u201d in the scene for color constancy.", "mime": "application/pdf"}, {"id": "ccsj-120", "words": "641", "extension": ".pdf", "flesch": "33", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2015", "keywords": "colore; del; milano; universit\u00e0", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, UK)", "mime": "application/pdf"}, {"id": "ccsj-121", "words": "726", "extension": ".pdf", "flesch": "44", "author": "Pompas, Renata", "title": "Jean-Gabriel Causse, Lo stupefacente potere dei colori Ponte alle Grazie, Milano, 2015", "date": "2015", "keywords": "che; colore; dei; della", "summary": "E sebbene il colore preferito in tutto il mondo sia il Blu e quello che genera unanime ostilit\u00e0 sia il giallo, Casse suggerisce di ascoltare istintivamente qual \u00e8 il nostro colore preferito per trarne benessere: raccomandazione consigliata da un color designer che progetta cartelle tendenze colore e che ne mostra un\u2019apertura notevole. Con esempi accattivanti (perch\u00e9 le nuvole appaiono bianche, il cielo azzurro e il sole rosso all\u2019orizzonte) conduce il lettore a comprendere alcuni aspetti della fisica, della percezione, della Temperatura di colore, della sinestesia e della riproduzione, ma anche della percezione dei colori nella fauna e nella flora.", "mime": "application/pdf"}, {"id": "ccsj-122", "words": "2168", "extension": ".pdf", "flesch": "46", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2014", "keywords": "che; colore; conferenza; culture; del; della; group; gruppo; science; scienza", "summary": "ROSSI Molte realt\u00e0 inerenti la scienza, cultura e professione del Colore, operanti in Italia da tanti anni sono confluite nel tempo nella nostra associazione, che ha nella Conferenza Nazionale del Colore il suo principale momento di aggregazione annuale. In 2014, before the tenth edition of the Conferenza del Colore, the Association has started publishing a half-yearly journal, freely available on-line for everyone.", "mime": "application/pdf"}, {"id": "ccsj-123", "words": "2145", "extension": ".pdf", "flesch": "52", "author": "Berolo, Anna J. ; Rizzi, Alessandro; Marini, Daniele; Gadia, Davide; Bonanomi, Cristian; Sabatini, Desir\u00e9e", "title": "Digital colour restoration: an appearance-based approach ", "date": "2014", "keywords": "aceforfilm; che; colore; dei; del; della; digitale; figura; frame; non; questo; restauro; scene; suddivisione; una", "summary": "La principale caratteristica di ACE \u00e8 la correzione cromatica data-driven: l\u2019algoritmo \u00e8 in grado di correggere dominanti cromatiche non conosciute a priori e di eseguire un\u2019estensione del contrasto e del range dinamico dell\u2019immagine . La variante utilizzata per il restauro digitale, chiamata ACEforFilm [5], presenta inoltre una serie di funzioni che permettono di ottenere naturalezza nelle immagini restaurate e preservare la forma dell\u2019istogramma originale in numerose situazioni di degrado avanzato .", "mime": "application/pdf"}, {"id": "ccsj-124", "words": "1556", "extension": ".pdf", "flesch": "49", "author": "Bottoli, Aldo; Bertagna, Giulio", "title": "Colours, signs, conventions and colour-blindness", "date": "2014", "keywords": "che; colore; con; daltonici; dei; del; della; non; una", "summary": "Il colore non \u00e8 dunque elemento percettivo tale da poter essere utilizzato da solo, perch\u00e9 solamente se Figura 1 14 Cultura e Scienza del Colore - Color Culture and Science | 01/14 posto su una certa figura e con un certo sfondo e in un certo contesto \u00e8 in grado di assumere un significato percettivo, ovvero interpretativo di ci\u00f2 che si sta osservando. Il termine daltonismo prende origine da John Dalton, un fisico e chimico inglese che nel 1798 descrisse un\u2019anomalia congenita della visione dei colori di cui era affetto lui stesso.", "mime": "application/pdf"}, {"id": "ccsj-125", "words": "2465", "extension": ".pdf", "flesch": "61", "author": "da Pos, Osvaldo; Brunettin, Chiara", "title": "Reproduction of colours partially concealed by transparent veils", "date": "2014", "keywords": "che; colori; dei; del; figura; mondrian; sono; veli; velo", "summary": "l\u2019illuminazione virtuale del Mondrian sul monitor fossero identiche. i colori del Mondrian da aggiustare in modo da farli apparire uguali a quelli osservati nella parte inferiore dello schermo.", "mime": "application/pdf"}, {"id": "ccsj-126", "words": "3640", "extension": ".pdf", "flesch": "58", "author": "De Mario, Bepi", "title": "Colour and Tourism: Sociology of tourist hospitality", "date": "2014", "keywords": "alla; ambienti; anche; blu; che; colore; con; culture; dei; del; della; giallo; gli; luce; nel; non; pareti; pavimento; pi\u00f9; pu\u00f2; risulta; rosso; senso; sia; soffitto; sono; sul; una", "summary": "Il blu \u00e8 il colore che pi\u00f9 piace e pi\u00f9 induce al rilassamento. Nelle camere per lo studio vanno impiegati toni come il bianco e il giallo, che risvegliano la concentrazione e la fantasia, ma per gli ansiosi e gli irritabili sono meglio l\u2019azzurro e il verde.", "mime": "application/pdf"}, {"id": "ccsj-127", "words": "2729", "extension": ".pdf", "flesch": "48", "author": "Marchiafava, Veronica; Bartolozzi, Giovanni; Cucci, Costanza; De Vita, Marco; Picollo, Marcello", "title": "Colour measurements for the characterisation and monitoring of contemporary works of art", "date": "2014", "keywords": "blue; che; colore; con; del; della; dopo; riflettanza; sono; spettri; state; trattamento; una; verde", "summary": "Una campagna diagnostica a supporto dell\u2019intervento di restauro, finanziato dal Progetto CoPAC (Conservazione Preventiva dell\u2019Arte Contemporanea), dal Comune di Pisa e dall\u2019associazione \u201cFriends of Heritage Preservation\u201d (USA), \u00e8 stata realizzata al fine di comprendere 4. CONCLUSIONI Le indagini spettroscopiche e colorimetriche condotte all\u2019interno del progetto conservativo del murale Tuttomondo di Keith Haring sono state eseguite al fine di: \u2022 identificare i pigmenti presenti", "mime": "application/pdf"}, {"id": "ccsj-128", "words": "1835", "extension": ".pdf", "flesch": "46", "author": "Luzzatto, Lia; Pompas, Renata", "title": "Cyber Colours", "date": "2014", "keywords": "alla; che; colori; con; cyber; degli; dei; della; digitali; luce; nel; schermi; spazio; una", "summary": "Cyberpunks e Technos avevano introdotto dei colori acidi, fluorescenti e violenti nei capelli, nel trucco e nei tessuti, mostrando la loro rivolta contro la natura. Noi crediamo che i colori delle immagini elettroniche chiedano un adattamento alle nuove informazioni cromatiche, uno scollamento dai riferimenti naturali e che, producendo un nuovo e diverso effetto di realt\u00e0, possano agire anche sul contesto, modificandolo.", "mime": "application/pdf"}, {"id": "ccsj-129", "words": "2214", "extension": ".pdf", "flesch": "62", "author": "Valan, Francesca", "title": "The perception of colour from 3 years of age", "date": "2014", "keywords": "anni; bambino; che; chiarezza; colori; contrasti; dal; del; differenze; gli; grado; mesi", "summary": "Dopo i cinque anni, in coincidenza con l\u2019inizio della scuola, e con la necessit\u00e0 di distinguere diversi caratteri per imparare a leggere e a scrivere gli aspetti metrici della forma tornano ad avere In questa fase \u00e8 importante che abbia a disposizione oggetti con diverse superfici tattili: lisci e ruvidi, duri e soffici e molto colorati, e anche oggetti con un fronte e un retro che lo aiutino a sviluppare la visione a rilievo.", "mime": "application/pdf"}, {"id": "ccsj-130", "words": "2859", "extension": ".pdf", "flesch": "39", "author": "Casciani, Daria; Rossi, Maurizio", "title": "Coloured Lighting, Urban Underground and Human Beings: relationship inquiry through showcase analysis", "date": "2014", "keywords": "beings; color; environment; light; lighting; space; station; underground", "summary": "The subjects of this study were asked to look into red, yellow, 42 Cultura e Scienza del Colore - Color Culture and Science | 01/14 green, and blue light. The walls and the ceiling are drenched in blue light and lend the station, that is completely realized in concrete, the character of a cave, whereas the platform itself is rather bright.", "mime": "application/pdf"}, {"id": "ccsj-131", "words": "862", "extension": ".pdf", "flesch": "49", "author": "Pompas, Renata", "title": "James Hillman, Psicologia alchemica. Adelphi edizioni, Milano, 2013.", "date": "2014", "keywords": "che; colore; con; del; della", "summary": "Umori e affinit\u00e0 che diventano il nostro gusto, le nostre avversioni e passioni\u201d. Nigredo (nero), albedo (bianco) e rubedo (rosso) sono i tre colori principali dell\u2019opus alchemico a cui Hillman aggiunge la citrinitas (giallo), presente nei testi fino al XVI secolo e poi soppresso, e il blu a cui dedica molte pagine. Bianco argento La fase al bianco, albedo, descrive il secondo tipo di bianco, quello connesso all\u2019argento alchemico, corrispondente simbolicamente al cervello (cos\u00ec come l\u2019oro corrisponde al cuore): colore della luna e della follia (in inglese lunacy), della riflessione e della parola.", "mime": "application/pdf"}, {"id": "ccsj-132", "words": "33019", "extension": ".pdf", "flesch": "50", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2014", "keywords": "02/14; acid; al colore; al di; alla; alle; alloys; all\u2019interno; anche; area; attivit\u00e0; bambini; blue; campo; caratteristiche; caso; che; che il; che la; che si; che una; ci\u00f2; color culture; color design; color rendering; color samples; colore che; colore color; colore \u00e8; colori; colori e; colour; come; con; con il; con la; con una; corrosion; cos\u00ec; cui; cultura e; da un; dal; dati; degli; degrado; dei; del colore; della; della luce; dell\u2019infanzia; design; di colori; di luce; di milano; di questo; di riflettanza; di una; di vista; differences; distanza; diverse; e che; e con; e del; e della; e di; e il; e la; e scienza; e una; ecc; elementi; environment; era; essere; figure; forma; foro; gamut; gli; hanno; index; la luce; la scuola; laboratory; laser; light; lighting; loro; luce; luce e; marine; materiali; mentre; milano; modo; molto; names; nei; nel; nelle; new; non; non \u00e8; oggetti; osservazione; painting; parte; percezione; pi\u00f9; possibile; prima; progetto; punto di; pu\u00f2; quali; quanto; quella; questo; quindi; reference; reflectance; representation; research; roma; samples; scena; science; scuola; secondo; sempre; set; si \u00e8; sia; solo; sono; source; space; stato; studio; sua; sul; sulla; superficie; system; tessitura; test; texture; tin; tra; un colore; una; una texture; uno; values; vapour; viene; visione; weeks; \u00e8 il; \u00e8 la; \u00e8 un", "summary": "La \u201cluce messaggio\u201d e la \u201clight-art\u201d, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che \u00e8 la pubblicit\u00e0, l\u2019insegnistica. Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attivit\u00e0, pochissimo per\u00f2 viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia.", "mime": "application/pdf"}, {"id": "ccsj-133", "words": "2065", "extension": ".pdf", "flesch": "54", "author": "Siniscalco, Andrea; Seassaro, Alberto; Tinelli, Paolo; Conio, Claudio", "title": "The Shapes of Light: Project didactics with coloured neon sources", "date": "2014", "keywords": "alla; anche; che; colore; con; cultura; dei; del; della; gli; luce; neon; pi\u00f9; tubi; una", "summary": "La \u201clight art\u201d \u00e8 da sempre molto diffusa, anche se \u00e8 un ambito che non incide direttamente sullo sviluppo delle tecnologie, quanto piuttosto, pu\u00f2 venirne influenzato con lo scopo di aiutare l\u2019artista a poter esprimere i propri messaggi. La \u201cluce messaggio\u201d e la \u201clight-art\u201d, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che \u00e8 la pubblicit\u00e0, l\u2019insegnistica.", "mime": "application/pdf"}, {"id": "ccsj-134", "words": "6692", "extension": ".pdf", "flesch": "48", "author": "Zuccoli, Franca", "title": "School of colour. Thoughts and words of teachers and children", "date": "2014", "keywords": "alla; alle; anche; attivit\u00e0; bambini; che; colore; come; con; confronti; cui; cultura; degli; dei; del; della; dell\u2019infanzia; e il; e la; era; esperienze; hanno; il colore; loro; materiali; milano; modo; nei; nelle; non; pi\u00f9; prima; programmi; proposte; questo; scienza; scuola; secondo; sia; solo; sono; stato; sul; tematica; tra; una; viene", "summary": "Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attivit\u00e0, pochissimo per\u00f2 viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia. 6. CONCLUSIONI Tornando alla domanda che aveva motivato l\u2019indagine, sul rapporto tra colore e scuola, possiamo sottolineare come questa relazione non sia stata sempre riconosciuta e valorizzata nella legislazione scolastica, alternando un\u2019azione di conoscenza e individuazione di problematiche nella percezione, a azioni, peraltro poco delineate, legate alla fruizione e produzione.", "mime": "application/pdf"}, {"id": "ccsj-135", "words": "4732", "extension": ".pdf", "flesch": "46", "author": "Bertagna, Giulio; Bottoli, Aldo", "title": "Textures: The fascination of apparent textures", "date": "2014", "keywords": "alla; anche; apparenti; caratteristiche; certa; che; ci\u00f2; colore; come; componenti; con; dei; del; della; distanza; ecc; elementi; gli; loro; naturale; nel; non; osservazione; percettiva; pi\u00f9; quando; questo; scena; scienza; sono; superficie; tessitura; texture; tra; una", "summary": "la distanza di osservazione cos\u00ec detta \u201cdi prossimit\u00e0\u201d, dobbiamo considerare due diverse situazioni di relazione tra un osservatore e una superficie che abbia caratteristiche di tessitura. GRADIENTE DI TESSITURA Una caratteristica dell\u2019ambiente naturale \u00e8 quella di apparirci sempre come un insieme di elementi e superfici dotate di una certa tessitura.", "mime": "application/pdf"}, {"id": "ccsj-136", "words": "3498", "extension": ".pdf", "flesch": "49", "author": "Clini, Paolo; Quattrini, Ramona; Nespeca, Romina; Sagone, Luigi", "title": "Colour, reflectance and temperature. From the case study of Villa Trissino to new integrated applications of terrestrial lidar data for surveying and diagnostics", "date": "2014", "keywords": "alla; caso; che; colore; con; dati; degrado; dei; della; figura; laser; mappatura; mappe; nel; non; possibile; punti; pu\u00f2; questo; riflettanza; rilievo; science; sono; studio; tra; una; valore; villa", "summary": "Si presenta come un metodo indiretto, no-contact, perfettamente in linea quindi con l\u2019idea di rilievo nel campo della diagnostica e del restauro di manufatti storici. L\u2019intento di questa ricerca \u00e8 di dimostrare come il dato di riflettanza da rilevamento scanner laser possa essere (in particolari condizioni)", "mime": "application/pdf"}, {"id": "ccsj-137", "words": "1595", "extension": ".pdf", "flesch": "62", "author": "Evans, Stig", "title": "The Portland Colour Chart", "date": "2014", "keywords": "colour; figure; names; paint; portland", "summary": "Based on the colour Library this time I was interested to see if the public, when asked, would use colour names more specific to a place or area, rather than general \u2018paint industry\u2019 colour terminology that was apparent in the original colour library. We now have a very sophisticated and elaborate colour language and terminology at our disposal.", "mime": "application/pdf"}, {"id": "ccsj-138", "words": "3992", "extension": ".pdf", "flesch": "57", "author": "Gianni, Liliana; Adriaens, Annemie; Cavallini, Mauro; Natali, Stefano; Volpe, Valerio; Zortea, Laura", "title": "Reflectance curves and CIE L* a* b* parameters to describe patina characteristics and corrosion mechanism on bronze alloys", "date": "2014", "keywords": "corrosion; environment; marine; samples; tin; weeks", "summary": "Table 1: 3% of tin sample exposed to urban environment L* a* b* \u0394E clean 83.63 10.35 14.17 37.06 2 weeks 49.48 18.21 26.24 9.82 4 weeks 45.12 12.78 19.31 10.94 6 weeks 45.15 6.11 10.63 2.67 8 weeks 44.68 8.37 11.97 7.11 10 weeks 40.51 4.77 7.46 Table 2: 7% of tin sample exposed to urban environment L* a* b* \u0394E clean 84.07 8.26 14.63 25.50 2 weeks 59.58 6.98 21.64 6.61 4 weeks 53.16 6.14 22.96 2.55 6 weeks 55.7 6.32 22.77 2.79 8 weeks 54.48 6.25 20.26 9.21 10 weeks 49.61 4.01 12.76 Table 3: 20% of tin sample exposed to urban environment L* a* b* \u0394E clean 81.76 2.99 11.94 9.85 2 weeks 76.44 5.29 19.91 8.95 4 weeks 68.35 4.34 16.18 3.31 6 weeks 65.65 2.46 16.59 3.09 8 weeks 65.99 1.84 13.58 3.05 10 weeks 63.23 1.27 14.76 b)a) In the 3% of tin samples the green grows continuously whilst for the 7% and 20% it decreases in the second month as a* values underline (Figure 7; Tables1-3).", "mime": "application/pdf"}, {"id": "ccsj-139", "words": "3624", "extension": ".pdf", "flesch": "50", "author": "Musante, Fulvio; Rossi, Maurizio", "title": "An overview for colour rendering indices in Solid State Lighting", "date": "2014", "keywords": "cie; color; gamut; index; light; reference; rendering; source; test", "summary": "The influence of the spectra of test samples on the calculated color rendering index is a long time open question: due to a small number of samples, lamps manufacturers are able to tailor the light sources spectral distribution to yield high CRI value, even if the visual impression of color rendering is considered poor[12][13]. Rea and Freyssinier-Nova suggest numerical recommendations about the value of GAI index: if the applications (for example retail) require high features for color rendering, the light source should have both Ra of between 80 and 100 and GAI between 80 and 100.[3][4] An important notice is that in GAI, the evaluation of the correlated color temperature of reference light source is fixed and independent from that of the source under test: this solution can involve distortions in the judgment of the light sources with low values of correlated color temperature that can still have excellent color quality including good color discrimination performance, despite the low value of the gamut area.", "mime": "application/pdf"}, {"id": "ccsj-140", "words": "1552", "extension": ".pdf", "flesch": "44", "author": "Neiva, Miguel", "title": "ColorADD . Color identi cation system for colorblind people", "date": "2014", "keywords": "color; colorblind; figure; identification; system", "summary": "3. MATERIALS AND METHODS Using primary colors, represented through simple symbols, the system was constructed through a process of logical association and direct comprehension, allowing its rapid inclusion in the \u201cvisual vocabulary\u201d of the user. Based on these results a conceptual basis was defined, capable of constituting a universal method of graphic color identification, easy to comprehend and memorize.", "mime": "application/pdf"}, {"id": "ccsj-141", "words": "2923", "extension": ".pdf", "flesch": "39", "author": "Rossi, Michela", "title": "Color design in the Bauhaus laboratory of wall-painting", "date": "2014", "keywords": "architecture; bauhaus; color; color design; design; painting; project; representation", "summary": "The first one is directly connected to the experimentation of color in his formal and perceptive relationship with the spatial environment and it documents the development of Bauhaus\u2019s chromatic research in the choice of colors such as the one in representation. Even more abstract is the solution adopted by Le Corbusier; in 1927 he attached the real samples of color in the project documents for the Maison Citrohan and later on even pen-drawings illustrating the \u201cPolichromie Architecturale\u201d (1956), he indicated the combination of colors on a schematic perspective box with numbers and letters, giving up the simulation of color completely [8].", "mime": "application/pdf"}, {"id": "ccsj-142", "words": "1111", "extension": ".pdf", "flesch": "47", "author": "Luzzatto, Lia; De Biase, Daniela", "title": "Scrivere con la luce", "date": "2014", "keywords": "che; con; del; della; foro; luce", "summary": "La luce \u00e8 pensata come l\u2019onda della saggezza e della conoscenza che sale dai gradini del tempio di Marte Ultore, con una grande intensit\u00e0 luminosa, si espande nell\u2019area circostante attenuandosi e arriva ad abbracciare, con toni lunari, neutri, morbidi e uniformi, tutto il perimetro della muraglia che lo circoscrive. rendendo possibile la programmazione di diversi scenari luminosi cos\u00ec che la luce arrivi a riscrivere il linguaggio dell\u2019architettura antica.", "mime": "application/pdf"}, {"id": "ccsj-143", "words": "678", "extension": ".pdf", "flesch": "49", "author": "Pompas, Renata", "title": "Guy Deutscher, La lingua colora il mondo. Come le parole trasformano la realt\u00e0. Bollati Boringhieri, Torino, 2013.", "date": "2014", "keywords": "che; colore; del; della", "summary": "Riporta la grande controversia natura- cultura invest\u00ec le riflessioni sul colore per la relazione tra ci\u00f2 che l\u2019occhio \u00e8 in grado di vedere e ci\u00f2 che il linguaggio \u00e8 in grado di descrivere; esaminando da una parte le concezioni universaliste, innatiste e dall\u2019altra quelle relativiste, culturaliste che infervorarono il dibattito novecentesco e cio\u00e8 se la maggior parte della grammatica del linguaggio, ossia tutte le lingue umane, \u00e8 innata, codificata nel nostro DNA, o se viceversa le strutture grammaticali sono conseguenza dell\u2019evoluzione culturale e dell\u2019esigenza di comunicare in maniera efficiente, come sostiene la concezione relativista. L\u2019unica regola che \u00e8 rimasta realmente priva di eccezioni \u00e8 quella che indica nel rosso il primo colore dopo il bianco e il nero a ricevere un nome.", "mime": "application/pdf"}, {"id": "ccsj-144", "words": "684", "extension": ".pdf", "flesch": "27", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2015", "keywords": "colore; del; milano; universit\u00e0", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Aldo Bottoli (B&B Colordesign, IT) Patrick Callet (\u00c9cole Centrale Paris, FR) Jean-Luc Capron (Universit\u00e9 Catholique de Louvain, BE) Elizabeth Condemine (Couleur & Marketing Paris, FR) Osvaldo Da Pos (Universit\u00e0 degli Studi di Padova, IT)", "mime": "application/pdf"}, {"id": "ccsj-145", "words": "4269", "extension": ".pdf", "flesch": "49", "author": "Alberghina, Maria Francesca; Barraco, Rosita; Brai, Maria; Pellegrino, Lorella; Prestileo, Fernanda; Tranchina, Luigi", "title": "Use of Principal Component Analysis for statistical analysis of colorimetric data of mosaic floor tiles ", "date": "2015", "keywords": "acquisiti; che; colore; con; dati; dei; della; dopo; figura; giallo; misura; musive; nel; pca; pulitura; punto; sono; stanza; tessere; trattamento; una; valori; verde", "summary": "Ci\u00f2 ha posto gli operatori di fronte alla necessit\u00e0 di individuare uno strumento analitico in grado di gestire un elevato numero di dati e di fornire un quadro sinottico funzionale per una migliore comprensione del comportamento cromatico dei materiali a seguito delle fasi dell\u2019intervento e delle variazioni nel tempo. Il presente articolo \u00e8 frutto del lavoro di revisione e integrazione dei due contributi presentati alla VI (Lecce 2010) e alla VII (Roma 2011)", "mime": "application/pdf"}, {"id": "ccsj-146", "words": "3849", "extension": ".pdf", "flesch": "43", "author": "Burattini, Chiara; Gugliermetti, Franco; Marchetti, Mario; Bisegna, Fabio", "title": "The role of colour in the design of a living module for the International Space Station", "date": "2015", "keywords": "astronauti; che; colore; come; con; degli; del; delle; design; figura; gli; interno; modulo; non; pareti; perch\u00e9; science; sono; space; spaziale; spazio; umano; una; volta", "summary": "[9] [10], hanno ampiamente dimostrato l\u2019influenza del colore sulla capacit\u00e0 di orientamento dell\u2019essere umano: in ciascun esperimento \u00e8 stato evidenziato come il riconoscimento della spazialit\u00e0 di un ambiente sia facilitato da connotazioni colorate rispetto alle situazioni in cui tale connotazione \u00e8 assente. \u00e8 stato dimostrato che la sensibilit\u00e0 dell\u2019occhio umano aumenta alle lunghezze d\u2019onda corte e diminuisce alle lunghezze d\u2019onda lunghe, che il giallo \u00e8 percepito pi\u00f9 saturo e che la luminosit\u00e0 diminuisce", "mime": "application/pdf"}, {"id": "ccsj-147", "words": "3376", "extension": ".pdf", "flesch": "63", "author": "Emmer, Michele", "title": "Colours and Soap Bubbles", "date": "2015", "keywords": "bubbles; colours; films; plateau; soap; soap bubbles; surfaces", "summary": "It is very interesting to study the parallel story of soap bubbles and soap films in art and science. Soap bubbles and soap films were one of the matters of his conference, which was entirely devoted to the Soft Matter.", "mime": "application/pdf"}, {"id": "ccsj-148", "words": "3054", "extension": ".pdf", "flesch": "57", "author": "Alekseeva, Natalia; Cirafici, Alessandra; Senese, Vincenzo Paolo", "title": "Interaction of color scheme and noise in the metro interior. Multisensory evaluation and subjective testing", "date": "2015", "keywords": "color; factor; interior; metro; noise; scheme; sound; virtual", "summary": "Cultura e Scienza del Colore - Color Culture and Science 3303/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Natalia Alekseeva natalia-alekseeva@yandex.ru 2 Alessandra Cirafici alessandra.cirafici@unina2.it 3 Vincenzo Paolo Senese vincenzopaolo.senese@unina2.it 1 PhD in Environmental Technical Physics 2 Department of Architecture and Industrial Design \u00abLuigi Vanvitelli\u00bb, The Second University of Naples 3 Department of Psychology, The Second University of Naples Interaction of color scheme and noise in the metro interior. The graphic model was designed by means of Google SketchUp 7.0 software, simulating geometrical constructions according to actual dimensions, and elaborated color schemes.", "mime": "application/pdf"}, {"id": "ccsj-149", "words": "3253", "extension": ".pdf", "flesch": "58", "author": "Fibiani, Marta; Rotino, Giuseppe L.; Toppino, Laura; Mennella, Giuseppe; Lo Scalzo, Roberto", "title": "Pigment variation by colorimetric analysis in raw, grilled and boiled eggplant (Solanum melongena L.) fruits", "date": "2015", "keywords": "anthocyanins; colour; eggplant; extracts; food; samples; tunisina", "summary": "Eggplant anthocyanins have simple profiles generally characterized by a single delphinidin-glycoside [5] [6]. Unlike other phenolic compounds such as caffeic acid derivatives, eggplant anthocyanins were strongly depleted after cooking, being boiling (a mild heating process) more preservative than grilling.", "mime": "application/pdf"}, {"id": "ccsj-150", "words": "2599", "extension": ".pdf", "flesch": "64", "author": "Bellia, Laura; Agresta, Nicola; Rossi, Luigi; Spada, Gennaro", "title": "Measured color changes under fluorescent and LED lamps", "date": "2015", "keywords": "2700k; comparison; fluo; light", "summary": "Em [lux] Fluo 2700K 2924 100 653 Fluo 3000K 3011 93 549 Fluo 4000K 4178 94 558 Fluo 6500K 7100 100 621 LED 2900K 2940 97 634 LED 3150K 3020 94 545 LED 4200K 4199 95 548 LED 6100K 7195 100 628 46 Cultura e Scienza del Colore - Color Culture and Science | 03/15 located in respect to the lights. L* a* b* C*ab hab 1.Fluo 2700K 40.74 -8.44 -32.79 33.86 1.32 2.Fluo 6500K 47.09 6.85 -73.70 74.02 -1.48 3.LED 2900K 34.53 -14.15 -65.54 67.05 1.35 4.LED 6100K 45.17 14.12 -60.83 62.45 -1.34 L* a* b* C*ab hab 1.Fluo 2700K 60.43 -10.58 -16.84 19.88 1.01 2.Fluo 6500K 63.75 -7.45 -60.21 60.67 1.45 3.LED 2900K 58.57 -17.14", "mime": "application/pdf"}, {"id": "ccsj-151", "words": "4370", "extension": ".pdf", "flesch": "57", "author": "Brun, Giulia", "title": "De Coloribus: new perspectives on a series of recipes for making pigments within the Compositiones lucenses tradition", "date": "2015", "keywords": "biblioteca; century; cinnabarin; clt; coloribus; del; lat; lib; library; lucca; manuscripts; pandius; recipes", "summary": "[12] A. Petzold, De coloribus et mixtionibus: the Earliest Manuscripts of a Romanesque Illuminator\u2019s Handbook, in L. L. Brownrigg (ed.), Making the Medieval Book: Techniques of Production. De coloribus lists at least the following ingredients and the quantity needed according to each combination: lulacin, cinnabar, white lead, ficarim, ochre, burnt copper, quianus, reseda luteola, saffron, terra verde, murices decoction, siricum, kermes decoction, madder decotion, phynicis decoction, galls, calcitarin, and so on.", "mime": "application/pdf"}, {"id": "ccsj-152", "words": "1303", "extension": ".pdf", "flesch": "63", "author": "Pompas, Renata", "title": "Manlio Brusatin, Verde. Storie di un colore", "date": "2015", "keywords": "che; colore; dei; del; della; storia; verde", "summary": "il lessico e gli aspetti linguistici, la chimica dei pigmenti, le tecniche di tintura, le forme del vestiario e XIV-XVI secolo: l\u2019instabilit\u00e0 del verde nella pittura e nella tintura origina \u2013 accanto agli altri aspetti simbolici \u2013 anche un significato malefico, facendone il colore del diavolo, delle streghe, del veleno e della putrefazione.", "mime": "application/pdf"}, {"id": "ccsj-153", "words": "2410", "extension": ".pdf", "flesch": "44", "author": "Siniscalco, Andrea", "title": "Didactic for building professionals. The experience of Lighting Design and Color Design masters", "date": "2015", "keywords": "color; design; lighting; master; professional; students", "summary": "Color for fashion design Study of the color texturing in fashion with the aim of being able to offer the same product with different color variation, in order to reach culturally different markets and to offer the sensation of a personal choice to individual consumers. Lighting design studies, with their interventions have helped to give a very practical, project oriented direction, and companies, over the years, helped defining the program by communicating the subjects that in their opinion, were the most useful in order to work in their technical offices.", "mime": "application/pdf"}, {"id": "ccsj-160", "words": "1210", "extension": ".pdf", "flesch": "55", "author": "Orlando, Emanuela", "title": "I colori di Gualtiero Marchesi - Gualtiero Marchesi\u2019s colours", "date": "2015", "keywords": "colore; colours; del; marchesi", "summary": "2- Gualtiero Marchesi: il rosso e il nero Figura 3 - Lucio Fontana: il rosso e il nero RUBRICA | COLUMN 5904/15 | Cultura e Scienza del Colore - Color Culture and Science RUBRICA | COLUMN \u201cIl premio colore 2015 va a un grande Maestro, al cuoco italiano pi\u00f9 famoso nel mondo, a colui che ha saputo rendere il colore un tratto caratteristico e distintivo di ogni sua preparazione, in una sintesi perfetta tra gusto ed estetica, tra sensi e bellezza.", "mime": "application/pdf"}, {"id": "ccsj-161", "words": "3039", "extension": ".pdf", "flesch": "53", "author": "Pandini, Davide; Ludwig, Nicola; Gragano, Marco; Moneta, Annalisa", "title": "Methodologies for studying paint pigment mixtures with fibre-optic spectrometry", "date": "2015", "keywords": "blu; che; con; dei; del; della; figura; giallo; mescolanze; pigmenti; riflettanza; sono; una; verde", "summary": "A titolo esemplificativo affrontiamo brevemente il caso di miscele con tinta risultante verde (mescola di pigmento blu e giallo). Il grafico del fattore di riflessione spettrale usato per la determinazione di K ed S \u00e8 il risultato di una media di 10 spettri, filtrato con passo di 5 nm.", "mime": "application/pdf"}, {"id": "ccsj-162", "words": "4395", "extension": ".pdf", "flesch": "55", "author": "Melgosa, Manuel; Cui, Guihua; Oleari, Claudio; Pardo, Pedro J.; Huang, Min; Li, Changjun; Ronnier Luo, Ming", "title": "Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula?", "date": "2018", "keywords": "cie; color; datasets; difference; formula; pairs; table; \u2206e00", "summary": "KEYWORDS Color difference, Color-difference formula, CIE94, CIEDE2000, Whittle formula CITATION: She has undertaken some projects mainly focused on color difference evaluation and colorimetric observer categories and their applications.", "mime": "application/pdf"}, {"id": "ccsj-163", "words": "1715", "extension": ".pdf", "flesch": "47", "author": "Lecca, Michela; da Pos, Osvaldo", "title": "Communications and Comments", "date": "2018", "keywords": "colour; interface; perception", "summary": "The answer I gave is already somehow present in the previous edition of this column, namely that the research in question clarifies the fundamental relationships between physical stimuli, colour perception and verbal language of colour, relationships that are often only implicitly assumed in colour studies or even misunderstood (Figure 1). The talk of Prof. Da Pos was not directly related to technical features of the Munsell system, but it coped with the more general problem of the meaning and the relationships among colour perception, stimuli, and colour terminology, that we partially investigated in our previous column.", "mime": "application/pdf"}, {"id": "ccsj-164", "words": "6217", "extension": ".pdf", "flesch": "54", "author": "Mazzanti, Anna", "title": "The contribution of colour in the artistic representation of the sacred.* International symbolism between the nineteenth and twentieth centuries", "date": "2018", "keywords": "alla; art; beuron; che; colore; colour; con; culture; del; del colore; della; denis; fra; gauguin; gogh; issn; klinger; nel; painting; paul; quadro; representation; sacred; science; scienza; stuck; una; van; yellow", "summary": "Yet, they possess another movement, which Figure 7 - Franz Von Stuck, Crucifixion, 1911ca, Leipzig, Museum der bildenden K\u00fcnst Figura 7 - Franz Von Stuck, Crocifissione, 1911ca, Lipsia, Museum der bildenden K\u00fcnst occupa il secondo piano e il cui grido si espande nel cielo rosso intossicato di azzurri e riverberi violacei. L\u2019impostazione pare consapevole del discusso quadro monumentale di Klinger gi\u00e0 acquistato dal connazionale di Schiele, Hummel: ancora un primo piano ravvicinato, e un paesaggio svuotato di personaggi, ma saturo di colori simbolo di sentimenti, che pare rispecchiare le influenze compositive dalla cromatica Crocifissione di Stuck del 1892.", "mime": "application/pdf"}, {"id": "ccsj-165", "words": "324", "extension": ".pdf", "flesch": "56", "author": "Rossi, Maurizio", "title": "Claudio Oleari Memorial", "date": "2018", "keywords": "colore", "summary": "This page has been intentionally left white Claudio Oleri Memorial The Associazione Italiana Colore, with all its members would like to express its deepest condolences for the premature death of Claudio Oleari on 23 January 2018, together with all who have known him, read his books, listened to his conferences or lectures. Moreover in 1995 he started the Gruppo in Colorimetria e Reflectoscopia which later became the Associazione Italiana Colore.", "mime": "application/pdf"}, {"id": "ccsj-167", "words": "1591", "extension": ".pdf", "flesch": "45", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2019", "keywords": "color; doi; journal; milano; science; university", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, UK)", "mime": "application/pdf"}, {"id": "ccsj-168", "words": "3957", "extension": ".pdf", "flesch": "51", "author": "Aj\u00f2, David; Elettivo, Giuseppe; Fenzi, Federica; Nunziante Cesaro, Stella ; Tegani, Sabrina", "title": "The Colored Chemistry", "date": "2019", "keywords": "aj\u00f2; blue; chemistry; color; materials; pigments; rome; treatment; vol", "summary": "The synthesis modalities of such materials are investigated, among the others, for restoration: the advantage for a chemist in fact consists in the possibility of having, obviously not in all cases, items available to compare with the materials of the artifact. Chemistry, Restoration, Gemology, Colored metals, Synthetic materials, Treated materials, Effective Microorganisms RECEIVED 30 March 2019; REVISED 10 June 2019; ACCEPTED 30 July 2019 The Colored Chemistry 8 Color Culture and Science Journal Vol. 11 (2)", "mime": "application/pdf"}, {"id": "ccsj-169", "words": "5712", "extension": ".pdf", "flesch": "45", "author": "Netti, Rossana", "title": "The colours of the ancient Greek architecture", "date": "2019", "keywords": "architecture; art; colour; culture; fig; greek; hittorff; rocco; science; time; use; white; winckelmann", "summary": "KEYWORDS Ancient Greek architecture, myth of white, ornament, architectural orders, polychromy, chromatic research RECEIVED 31 March 2019; REVISED 13 June 2019; ACCEPTED 05 July 2019 The colours of the ancient Greek architecture 15 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110202 1. 3. Polychromy in ancient Greek architecture The Italian painter Raphael (1483-1520) was the first to realize that the ancient world, as it appeared to his eyes and as it was represented, was only the faded echo of that richness that necessarily had to characterize its artistic value: \u00abthose famous works\u00bb are defined by him as \u00abthe bones of the body without flesh\u00bb", "mime": "application/pdf"}, {"id": "ccsj-170", "words": "6841", "extension": ".pdf", "flesch": "52", "author": "Martini, Berta; Tombolato, Monica; D\u2019Ugo, Rossella ", "title": "Primary colors as a source of possible misconceptions: an insight into teaching and learning about color", "date": "2019", "keywords": "blue; children; colors; knowledge; learning; light; misconceptions; mixing; red; science; source; teachers", "summary": "Primary colors as a source of possible misconceptions: an insight into teaching and learning about color 28 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110203 In Newton\u2019s definition of primary colors is outlined the distinction between monochromatic spectral colors (simple), characterized by a particular wavelength (between 380 nm and 780 nm), and colors obtained by mixing lights (compound). As for teachers\u2019 misconceptions, we expected to detect: (1) poor knowledge of the scientific interpretation of the color vision phenomenon (QT1, QT2); (2) knowledge of primary colors only as pigment colors out of which all the others can be made (QT3, QT4); (3) inability to distinguish between \u201calmost pure colors\u201d (characterized by a dominant wavelenght and a narrow band) and colors produced by the addition of lights (QT5, QT6, QT8); (4) confusion between the mixture of pigments and that of colored lights (i.e. between additive and subtractive synthesis).", "mime": "application/pdf"}, {"id": "ccsj-171", "words": "5429", "extension": ".pdf", "flesch": "55", "author": "Picollo, Marcello; Cucci, Costanza; Stefani, Lorenzo; Jim\u00e9nez-Garnica, Reyes; Fuster-L\u00f3pez, Laura; Vila, Anna", "title": "Chromatic values in Pablo Picasso\u2019s early work: a comparison of hues in \u201cScience and Charity\u201d (1897) and its three oil sketches", "date": "2019", "keywords": "artist; barcelona; charity; color; mpb; oil; painting; picasso; science; sketches; values; version; work", "summary": "Within the ProMeSA project, the study of the materials and techniques used by the artist, in particular the chromatic and colorimetric analysis of Picasso\u2019s (1881-1973) paintings at the MPB, involved several different documentation and analytical methodologies. Hence, the present study proposes a relatively new method in gaining insight into artworks by merging the visual approach employed by professionals, such as painting conservators, who have expertise in the field, with scientific measurements of colorimetric values calculated from the reflectance spectra of the specific investigated spots (Parraman 2010, Striova et al. 2018, Dooley et al. 2014).", "mime": "application/pdf"}, {"id": "ccsj-172", "words": "4070", "extension": ".pdf", "flesch": "53", "author": "Zuccoli, Franca", "title": "Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni", "date": "2019", "keywords": "children; colour; corrado; drawing; education; montessori; pizzigoni; ricci", "summary": "Colour, education, children, school, pedagogy, Montessori, Pizzigoni RECEIVED 30 May 2019; REVISED 15 June 2019; ACCEPTED 25 June 2019 Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni 44 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110205 1. [\u2026] If one wishes to prepare objects that serve, for example, to distinguish between colours, it is necessary to build them with the same substance, form and dimension and differentiate them only by colour\u201d (Montessori 2013).", "mime": "application/pdf"}, {"id": "ccsj-173", "words": "9490", "extension": ".pdf", "flesch": "56", "author": "Di Meo, Carmen", "title": "From Dots to Atoms: \u201cLight and Color\u2019\u2019 Techniques in Fifteenth and Sixteenth Centuries\u2019 Painting", "date": "2019", "keywords": "alesso; art; attavante; author; baldovinetti; biblioteca; color; degli; del; dots; fifteenth; fig; firenze; florence; giovanni; light; painting; paolo; study; techniques", "summary": "2.2 Giovanni di Paolo and Alesso Baldovinetti: sources for a history of the \u2018dotted\u2019 handling of color in Quattrocento Art The Sienese Master Giovanni di Paolo, in a way intriguingly similar to that showed by Baldovinetti, is found by Cesare Brandi displaying a very original treatment in his landscape details, defined in 1941 as a \u201cpunteggiatura\u201d (punctuation, dotting), \u201ca trace of big flour-like grains.\u201d Given that the so-called \u2018Primitives\u2019 Tuscan Masters, such as Alesso Baldovinetti and Giovanni di Paolo, were particularly skilled in the use of this peculiar technique, which is found especially embodied in tempera works produced in the course of the fifteenth Century, this research line can be also extended to artistic practices operated in the subsequent Century.", "mime": "application/pdf"}, {"id": "ccsj-174", "words": "6722", "extension": ".pdf", "flesch": "47", "author": "Marotta, Anna", "title": "Two theories for a model: the \u201cquerelle\u201d between Klee and Ostwald", "date": "2019", "keywords": "bauhaus; colour; culture; klee; marotta; model; order; ostwald; paul; querelle; red; science; theories; theory", "summary": "KEYWORDS Comparative theories of colour, Colour models, Paul Klee, Wilhelm Ostwald, History of colour, Polysensory RECEIVED 24 June 2019; REVISED 09 July 2019; ACCEPTED 12 September 2019 Two theories for a model: the \u201cquerelle\u201d between Klee and Ostwald 64 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110207 1. 3.2 Paul Klee, the destiny of a multiform and multifaceted artist In Klee's investigations (Marotta 1999) one of the themes of interest is the manifestation of visual forms in the plane (dynamically conceived and expressed), also in relation to spatial dimensions.", "mime": "application/pdf"}, {"id": "ccsj-175", "words": "5530", "extension": ".pdf", "flesch": "50", "author": "Gaiani, Marco; Apollonio, Fabrizio", "title": "Under the lens of ISLe: Leonardo da Vinci\u2019s \"Landscape\" drawing analysed by colourimetry", "date": "2019", "keywords": "colour; doi; drawing; image; isle; landscape; leonardo; mtf; point; resolution; vinci", "summary": "KEYWORDS Leonardo da Vinci, Antique drawings, Colour analysis, 3D, Visualisation, MTF, LED light. Using ISLe, Landscape drawing has been examined as a graphic artefact through visual and colourimetric analysis.", "mime": "application/pdf"}, {"id": "ccsj-176", "words": "4032", "extension": ".pdf", "flesch": "53", "author": "Siniscalco, Andrea", "title": "A case study on light and colour for monuments and cultural assets", "date": "2019", "keywords": "assets; bologna; case; colour; complex; doi; fountain; light; lighting; statue", "summary": "Current technologies related to lighting sources allow us much greater flexibility, without compromising the efficiency of the sources. With the new control systems and a specifically customised user interface, it is possible to offer the municipality a tool to make the monumental complex of Neptune, a veritable scenographic element, easily controllable and scalable for festivals and events that can take place on-site; all without sacrificing classic white lighting, designed to enhance colors, shapes and materials, limiting glare towards passers-by and guarantee a good usability of the cultural site.", "mime": "application/pdf"}, {"id": "ccsj-177", "words": "3868", "extension": ".pdf", "flesch": "52", "author": "Plutino, Alice; Grechi, Laura; Rizzi, Alessandro", "title": "Evaluation of the perceived colour difference under different lighting for museum applications", "date": "2019", "keywords": "colour; difference; evaluation; figure; lighting; rendering; values", "summary": "Subsequently, the efficiency of different illuminants for the identification of colour differences between two objects was tested. The experiment we are presenting can be divided into two main parts: evaluation of light sources and evaluation of colour differences.", "mime": "application/pdf"}, {"id": "ccsj-178", "words": "795", "extension": ".pdf", "flesch": "50", "author": "Pompas, Renata", "title": "BOOK REVIEW: Nature & Colour - New perspectives on dyeing.", "date": "2019", "keywords": "book; dyeing; fibers", "summary": "Inspired by the renowned and seminal book by Franco Brunello (The art of dyeing in the history of mankind) in recent years she has devoted herself to the study of coloring substances used in natural dyes, the outcomes of which are described in this book. Nature & Colour - New perspectives on dyeing.", "mime": "application/pdf"}, {"id": "ccsj-180", "words": "3328", "extension": ".pdf", "flesch": "57", "author": "Bartlett, Lynne", "title": "An overview of the history of the use of colour in jewellery", "date": "2017", "keywords": "century; figure; gemstones; gold; jewellery; materials; metal; titanium", "summary": "The Ancient Egyptians used turquoise, lapis and coral with gold to produce vibrant multi-coloured jewellery. The first identifiable piece of designed titanium jewellery is a belt buckle.", "mime": "application/pdf"}, {"id": "ccsj-182", "words": "4801", "extension": ".pdf", "flesch": "58", "author": "Bia\u0142ob\u0142ocka, Karolina", "title": "Three colour design proposals for the Market Square in Warsaw", "date": "2020", "keywords": "colour; colour design; design; fa\u00e7ades; market; miasta; proposals; square; starego; town; warsaw", "summary": "In the conference proceedings, apart from discussing conservation issues, a few examples of colour planning were described such as selected issues related to colour design proposals for Gdansk\u2019s Old Town (Kriegseisen 2015, Ko\u0142odziej and Brzuskiewicz 2015), Warsaw\u2019s Old Town (Kania 2015), and Lublin\u2019s Old Town (\u017bywiecki 2015). References Bia\u0142ob\u0142ocka, K. (2017) \u2018Competitions for colour schemes for streets and squares in Germany in the 1920s\u2019.", "mime": "application/pdf"}, {"id": "ccsj-183", "words": "3621", "extension": ".pdf", "flesch": "59", "author": "Barlet, Aline; Bousigues, Audrey; Herbert, Alice ", "title": "Color as a sign of urban transition in the city of Bordeaux", "date": "2020", "keywords": "architecture; bordeaux; building; city; color; fig; stone; transition", "summary": "Jean-Philippe Lenclos (1982) talks about the \u201cGeography of Color\u201d as the result of close interactions between the use of materials found on-site and the application of colors linked to local traditions. Color is complex to manipulate, this is why there are different systems and tools available, such as color charts, to help deal with color in the city, especially in a historic city.", "mime": "application/pdf"}, {"id": "ccsj-185", "words": "4944", "extension": ".pdf", "flesch": "47", "author": "Yu, Beichen ; Bell, Simon ", "title": "Emerging colours: new trends, demands and challenges in contemporary urban environments", "date": "2020", "keywords": "architecture; colour; culture; demands; design; environments; new; phenomenon; public; space", "summary": "Since the 1960s, studies on environmental colour design have explored the relationship between architectural colours and elements including space, form, structure, light and function (e.g., McLachlan et al. 2015, Nemcsics 1993), principles for urban colour planning (e.g., Brino 2009; Spillmann 2009) and environmental colour design in a contemporary context (e.g., Lenclos 2009, Porter and Mikellides 2009). Through the comparison between examples of the new phenomenon and traditional environmental colour use, notable differences and tendencies of colour design in contemporary urban environments can be identified.", "mime": "application/pdf"}, {"id": "ccsj-186", "words": "4344", "extension": ".pdf", "flesch": "60", "author": "Aroua, Ichraf; Hussein, Faten", "title": "Color analysis of birth space ambiances", "date": "2020", "keywords": "ambiances; birth; color; maternity; room; space; women", "summary": "Qualitative approach Color analysis of birth space ambiances 42 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120105 The qualitative study is based on a descriptive approach. Color analysis of birth space ambiances 43 Color Culture and Science Journal Vol. 12 (1)", "mime": "application/pdf"}, {"id": "ccsj-187", "words": "4411", "extension": ".pdf", "flesch": "42", "author": "Boeri, Cristina", "title": "An educational experience about color emotion and its design implications", "date": "2020", "keywords": "color; combinations; concentration; design; emotion; experience; students", "summary": "REVISED 28 November 2019; ACCEPTED 15 December 2019 An educational experience about color emotion and its design implications 49 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120106 1. The research project is focused on the possible relationships between the approaches, methods and outcomes of color research that deals with color emotion and the approaches, methods and tools developed in the field of design research and practice that deals with color and the emotional and sensorial qualities.", "mime": "application/pdf"}, {"id": "ccsj-188", "words": "3145", "extension": ".pdf", "flesch": "54", "author": "Quattrer, Milena; Zonatti, Welton Fernando; Gouveia, Anna Paula Silva", "title": "Color Lab IFRJ: practical color exercises for fashion courses", "date": "2020", "keywords": "belford; campus; color; exercises; fashion; ifrj; students; theory", "summary": "ABSTRACT This paper is part of a research project called Color Lab IFRJ (Laborat\u00f3rio de Cor \u2013 IFRJ, in Portuguese) that aims, among other things, to analyze and propose practical color exercises for fashion courses at the Federal Institute of Rio de Janeiro \u2013 IFRJ Campus Belford Roxo. 2. Objectives The research project called Color Lab IFRJ (Laborat\u00f3rio de Cor \u2013 IFRJ, in Portuguese) was created in order to analyze and propose practical color exercises for fashion courses of IFRJ Campus Belford Roxo and, among other things, to support the cataloging activities of Modateca IFRJ\u2019s fashion collection.", "mime": "application/pdf"}, {"id": "ccsj-189", "words": "6846", "extension": ".pdf", "flesch": "55", "author": "Assis Peres Silva, Camila ; de Toledo Sanjar Mazzilli, Clice", "title": "Does chromatic lightness have an impact on the perceived odor of Brazilian perfumes?", "date": "2020", "keywords": "colors; design; fragrance; lightness; notes; odor; olfactory; oriental; packaging; participants; perfumes; research; smell; woody", "summary": "Beyond the correspondences found, the researchers identified a potential relationship between color lightness and odor intensities. We deduced that a potential correspondence between color lightness and odor intensity might exist.", "mime": "application/pdf"}, {"id": "ccsj-190", "words": "4030", "extension": ".pdf", "flesch": "54", "author": "Lobo, Carla", "title": "Ceramic products and their chromatic \u2018DNA\u2019 markers", "date": "2020", "keywords": "century; ceramic; colour; dna; fig; glazes; local; markers; photo; products", "summary": "Picular was used in an attempt to establish a connection between the collective imagery of ceramic colour from a country, and its ceramic creation and production. Ceramic colour imagery (from left to right): Country comparisons of Picular ceramic colour schemes with ceramic artefacts: a. Turkish ceramic colours: Turkish creamer, early 20th century (Photo: \u00a9 K\u00fctahya Tiles and Ceramics Collection Courtesy of Suna and \u0130nan K\u0131ra\u00e7 Foundation Pera Museum) and tiles, 18th-century (Photo: Carla Lobo); b. Moroccan ceramic colours:", "mime": "application/pdf"}, {"id": "ccsj-192", "words": "4008", "extension": ".pdf", "flesch": "47", "author": "Kovanova, Yulia", "title": "Approaching ecological ambiguity through a non-divisionary understanding of colour in art", "date": "2020", "keywords": "ambiguity; art; colour; doi; fig; flower; human; practice; understanding", "summary": "Ambiguity, Art, Colour, Ecology, Entanglements RECEIVED 01 November 2019; REVISED 06 December 2019; ACCEPTED 07 December 2019 Approaching ecological ambiguity through a non-divisionary understanding of colour in art 83 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ. Buether, A. (2014) \u2018The function of colour \u2013 an introduction to colour theory and a definition of terms\u2019, Colour: design principles, planning strategies, visual communication, Buether, A. (ed.)", "mime": "application/pdf"}, {"id": "ccsj-193", "words": "2217", "extension": ".pdf", "flesch": "52", "author": "Schindler, Verena M. ", "title": "COLUMN: BOOK REVIEWS", "date": "2020", "keywords": "architecture; book; charts; city; colour; design; lenclos; winterthur", "summary": "The Atelier\u2019s focus was on colour design in urban planning, architecture, and for industrial sites. Gasser also describes how in 1943 Winterthur\u2019s city core became a protected zone \u2013 including in terms of colour design \u2013 and that the Urban Planning Act of 1975 states that the overall colour character should be preserved in the old city centre.", "mime": "application/pdf"}, {"id": "ccsj-194", "words": "1915", "extension": ".pdf", "flesch": "42", "author": "Schindler, Verena M.; A. Griber, Yulia", "title": "Index&Editorial", "date": "2020", "keywords": "colour; culture; design; doi; milano; science; university", "summary": "Editorial The First Russian Congress on Color (FRCC2019) was held at Smolensk State University on 18\u201320 September 2019. The congress was organized by the Smolensk State University, the Research and Education Center \u2018Color Lab\u2019 of Smolensk State University, and the Study Group on Environmental Colour Design of the International Colour Association.", "mime": "application/pdf"}, {"id": "ccsj-195", "words": "1732", "extension": ".pdf", "flesch": "39", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2020", "keywords": "color; culture; design; doi; food; journal; review", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.", "mime": "application/pdf"}, {"id": "ccsj-196", "words": "4510", "extension": ".pdf", "flesch": "47", "author": "Amura, Annamaria; Tonazzini, Anna; Salerno, Emanuele; Pagnotta, Stefano; Palleschi, Vincenzo ", "title": "Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks", "date": "2020", "keywords": "analysis; color; conservation; image; information; interest; networks; relief; restoration; segmentation; vector", "summary": "KEYWORDS Multispectral images, Segmentation algorithms, Image analysis, Shape representation and analysis, Cultural heritage, Raster to vector, Neural networks RECEIVED 11/11/2019; REVISED 04/02/2020; ACCEPTED 17/05/2020 Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks 8 Color Culture and Science Journal Vol. 12 (2) Our purpose is to highlight and separate the different regions through image analysis.", "mime": "application/pdf"}, {"id": "ccsj-198", "words": "5994", "extension": ".pdf", "flesch": "50", "author": "Paglierani, Pietro; Liberini, Simone ; Rizzi, Alessandro; Valan, Francesca", "title": "Graphical interpolation of Munsell data", "date": "2020", "keywords": "chroma; cie; color; conversion; coordinates; data; interpolation; mrd; munsell; notations; paper; procedure; standard", "summary": "ABSTRACT This paper analyzes the problem of converting Munsell color notations (hue, value and chroma) into CIE 1931 Yxy coordinates using the graphical method outlined in 1943 by the Optical Society of America (OSA). On the other hand, their practical use can be problematic in certain color control applications, specifically when the specimen under test is liquid or semi-liquid (e.g. beers, icecream or sauces in food control), non-compact (such as sand, in soil analysis, or hair, in hair dyeing control), or visually complex (e.g. diamonds or other gems) (Munsell Color 2020).", "mime": "application/pdf"}, {"id": "ccsj-199", "words": "3881", "extension": ".pdf", "flesch": "58", "author": "Magnaghi-Delfino, Paola; Mele, Giampiero; Norando, Tullia", "title": "Francesco Algarotti explains Newton\u2019s prism experiment to Ladies", "date": "2020", "keywords": "algarotti; book; colours; francesco; light; newton; prism; public; science; women", "summary": "Optics, Colour, Enlightenment, Algarotti RECEIVED 18/10/2019; REVISED 10/01/2020; ACCEPTED 12/02/2020 Francesco Algarotti explains Newton\u2019s prism experiment to Ladies 32 Color Culture and Science Journal Vol. 12 (2) Algarotti F. (2017) Opere del conte Francesco Algarotti.", "mime": "application/pdf"}, {"id": "ccsj-201", "words": "4263", "extension": ".pdf", "flesch": "51", "author": "Martone, Maria ; Giugliano, Alessandra Marina", "title": "Floral decorations and colours in Naples. The case of Villa Pappone in Posillipo", "date": "2020", "keywords": "building; canopy; colours; decorations; entrance; fig; glass; majolica; naples; pappone; posillipo; villa", "summary": "KEYWORDS Floreale Napoli, Polychrome stained glass design, Colour representation, Structure from motion, Facade drawing, Villa Pappone Posillipo, Image-based modelling RECEIVED 25/11/2019; REVISED 04/02/2020; ACCEPTED 24/04/2020 Floral decorations and colours in Naples. Entrance canopies, verandas, and windows of villas and buildings manufactured using the stained-glass technique, show refined decorations and chromatic variations able to create interesting plays of coloured reflections and suggestive effects in the light diffusion interacting with the external environment of the street.", "mime": "application/pdf"}, {"id": "ccsj-202", "words": "4915", "extension": ".pdf", "flesch": "46", "author": "Di Roma, Annalisa ; Scarcelli, Alessandra", "title": "Food waste: potential bioresource for the colour of polymers", "date": "2020", "keywords": "art; coffee; colour; culture; design; fig; food; material; product; research; samples; test; vol; waste", "summary": "In order to obtain material samples, it was necessary to make moulds in which to pour the composite of curl and resin. What distinguishes Caffil from other experimented materials is the desire to define a new material class, rather than a defined and finished product, able to open infinite creative possibilities and to generate classes of products from new material qualities.", "mime": "application/pdf"}, {"id": "ccsj-203", "words": "1938", "extension": ".pdf", "flesch": "52", "author": "Miraglia, Francesco", "title": "The restoration of the Basilica Minore di Maria SS. Incaldana in Mondragone (northern Campania): the role of color", "date": "2020", "keywords": "basilica; incaldana; maria; minore", "summary": "So, its restoration have been divided in: consolidation and replacement of deteriorated plasters of internal walls; painting of the internal walls with new colors; removal of the plaster on the left and right pillars of the central nave to analyse and date its masonry characterizations; painting of the fa\u00e7ade. The interventions were three: consolidation and replacement of deteriorated plasters; new colors for the internal walls; removal of the plaster of the left and right pillars of the central nave near the transept, creating stratigraphic windows.", "mime": "application/pdf"}, {"id": "ccsj-204", "words": "5359", "extension": ".pdf", "flesch": "48", "author": "Papa, Lia Maria; Bellia, Laura; D\u2019Agostino, Pierpaolo ; Spada, Gennaro; Antuono, Giuseppe", "title": "Archaeological digital anastylosis. From survey to lighting analysis", "date": "2020", "keywords": "analysis; color; daylight; fig; journal; lighting; luminance; rooms; survey; values; vertical; villa; vol", "summary": "The survey included luminance measurements as well. Gennaro Spada - MSc in Mechanical Engineering on 27/11/2000, PhD in Thermal-Mechanical Systems in 2004, his final dissertation dealt with videography applied to luminance measurements.", "mime": "application/pdf"}, {"id": "ccsj-205", "words": "4980", "extension": ".pdf", "flesch": "57", "author": "Herrero-Cortell, Miquel; Artoni, Paola ; Ra\u00efch, Marta", "title": "Transmitted light imaging in VIS and IR, in the study of paintings: a brief report on the behavior of the main historical pigments", "date": "2020", "keywords": "behavior; figure; imaging; irt; light; paintings; pigments; sample; study", "summary": "Table 1: Applications and results of transmitted light techniques in painting studies VIS TL IR IRT Ductus /Brush-strokes Pentimenti Underdrawing Pigments visual identification Inner condition Superficial condition Inpainting Very good to excellent results mainly Medium to good results on average Poor to fair results in many cases Very poor results (only in very few cases) Table 1 indicates the suitability of each technique depending on the scope of the research. Furthermore, when the two types of transmitted light techniques are performed together and the results can be compared, important differences in pigment behavior can be appreciated, as these are images obtained in two different regions of the spectrum.", "mime": "application/pdf"}, {"id": "ccsj-206", "words": "714", "extension": ".pdf", "flesch": "48", "author": "Pompas, Renata", "title": "BOOK REVIEW: L'anima e la magia dei COLORI. Uso consapevole dei colori nella vita", "date": "2020", "keywords": "colori; colours; dei", "summary": "Then Di Donato looks at the significance and function of colours through myths, rituals, alchemy, and holistic therapies, with the aim of evoking a journey of knowledge. In conclusion Di Donato in the twelve chapters of the book presents a wide and diverse outline of the various fields of knowledge in which colour is the protagonist, quick and essential points in which the content stirs the comparison between cultures and applications, searching for similarities and differences.", "mime": "application/pdf"}, {"id": "ccsj-214", "words": "4644", "extension": ".pdf", "flesch": "67", "author": "Falzone, Patrizia", "title": "Bramante and his work of Painted Fa\u00e7ades: Bergamo and Lombardy", "date": "2021", "keywords": "aranciato; bergamo; bramante; chiaro; color; fa\u00e7ades; giallo; green; hue; red; yellow", "summary": "Introduction Within the decades-long field of study of painted fa\u00e7ades of historical architecture, and of the relationship between painted fa\u00e7ades and architecture, the specific theme of Bramante\u2019s activity as a painter of fa\u00e7ades is here addressed. As far as colors are concerned, here too there is a recurring range of few fundamental colors, often complementary, declined in different hues, with a good color saturation and a strong chiaroscuro.", "mime": "application/pdf"}, {"id": "ccsj-222", "words": "3649", "extension": ".pdf", "flesch": "48", "author": "Attademo, Greta", "title": "Color and/is narration. The narrative role of color in Wes Anderson\u2019s filmic images", "date": "2021", "keywords": "anderson; color; fact; films; images; narrative; tones; wes", "summary": "The choice of specific colors and the variation of saturation scales of the tones, in fact, become emblematic in the construction of underlying meanings Color and/is narration. KEYWORDS Wes Anderson, color palette, films, chromatic perception, narrative color, movies sequences RECEIVED 21/01/2021; REVISED 28/03/2021; ACCEPTED 31/03/2021 Color and/is narration.", "mime": "application/pdf"}, {"id": "ccsj-223", "words": "4625", "extension": ".pdf", "flesch": "53", "author": "Silva, Camila; Oliveira Clementino, Thamyres ; Oliveira Gon\u00e7alves, Thalita ", "title": "The contribution of black color to visual rhetoric of Brazilian packaging of hair care products", "date": "2021", "keywords": "black; brazilian; color; design; hair; packaging; products; rhetoric; use; visual", "summary": "In this paper, we present the analysis and discussions related to the self-acceptance approach, taking to account the use of black color in hair care cosmetic product packaging. 70 Color Culture and Science Journal Vol. 13(1) DOI: 10.23738/CCSJ.130208 The contribution of black color to visual rhetoric of Brazilian packaging of hair care products.", "mime": "application/pdf"}, {"id": "ccsj-224", "words": "3913", "extension": ".pdf", "flesch": "59", "author": "Costa Pinheiro Monteiro, Gisela; Assis Peres Silva, Camila ", "title": "The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear", "date": "2021", "keywords": "analysis; case; charts; color; design; designers; fashion; pantone; study; theory", "summary": "Regarding its application in the fashion market, the company presents the Pantone\u00ae Textile Color System which is separated in two sort of color charts - the colors The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 26 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130103 references in dyed cotton (TC or TCX) and the colors references printed on paper (TP or TPX). Methods and materials To carry out a case study of the trendy color chart, we selected color charts from the same year and the same season (winter) of four similar companies were analyzed.", "mime": "application/pdf"}, {"id": "ccsj-226", "words": "5284", "extension": ".pdf", "flesch": "63", "author": "Bideaux, K\u00e9vin", "title": "Is white skin really pink? : Flesh color as a pink color in art and culture in Occident", "date": "2021", "keywords": "art; color; culture; doi; flesh; flesh color; january; paris; people; pink; skin; white", "summary": "KEYWORDS Flesh color, Skin color, Pink, Race, History of Color RECEIVED 30/01/2021; REVISED 28/03/2021; ACCEPTED 19/09/2021 Is white skin really pink? Flesh color, Race and Whiteness The existence as well as the recurring use of a single term to designate all complexions, leads me to question flesh color in articulation with the concept of race.", "mime": "application/pdf"}, {"id": "ccsj-227", "words": "4209", "extension": ".pdf", "flesch": "58", "author": "Luzzatto, Lia; del Zoppo, Laura ", "title": "Zhang Ymou: great master of color", "date": "2021", "keywords": "black; china; chinese; color; movie; red; story; yimou; zhang", "summary": "Different colors to represent the inner worlds and situations of the different characters. 7 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130101 Zhang Yimou: great master of color Lia Luzzatto1, Laura del Zoppo2 1 Color and Colors, Milan, luzzattolia@gmail.com 2 Film Director, London, lau.dz@libero.it Corresponding author: Lia Luzzatto (luzzattolia@gmail.com)", "mime": "application/pdf"}, {"id": "ccsj-228", "words": "2986", "extension": ".pdf", "flesch": "52", "author": "Caffio, Giovanni; Unali, Maurizio", "title": "The Colors of Public Art in Pescara: 4 Keywords", "date": "2021", "keywords": "architecture; art; color; fig; keywords; pescara; urban; vol", "summary": "Pescara Colors: a final visual synthesis At the end of this visual journey we felt the need to elaborate a conceptual map (Fig. 1 - Fig. 23) that represents a sort of synthesis in color of Public Art in Pescara, obviously referring only to the four key words identified; an empathic perceptive experience in which color is the medium of the project, both for what concerns the conformed space and for what concerns the ephemeral representation, that is the movement, the daily use, the indifferent looking, the careful seeing, the participation: active sensors of living the contemporary urban experience. Over the years, Abruzzo's city has been the setting for a series of interesting works of public art \u2013 both ephemeral and long-lasting \u2013 in which colors play a fundamental role in establishing paths of urban transformation but also as synesthetic acts and gestures of communication on different scales; artistic and socializing processes capable of releasing new aesthetic and participatory meanings to inhabit the collective and intimate space of urban spaces between art, architecture and design (and more).", "mime": "application/pdf"}, {"id": "ccsj-230", "words": "5312", "extension": ".pdf", "flesch": "46", "author": "Marotta, Anna", "title": "Color in architecture among futurism, neoplasticism, rationalism (and more...)", "date": "2021", "keywords": "alberto; architecture; color; culture; doesburg; fig; futurism; marotta; neoplasticism; rationalism; rietveld; sartoris; science; theories; van; vol", "summary": "Conclusions In the period we have considered, in a continuous exchange between art, architecture and theories (significant, for example, Itten\u2019s experiences are confirmed), color is one of the approaches to better build, Color in architecture among futurism, neoplasticism, rationalism (and more...) 37 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130104 control and communicate (through visual language) structures and harmonies in three-dimensional relationships and in their respective balances in space- time. In 1927, according to a similar but more complex concept, Theo created (together with Hans Arp and his wife Sophie Taeuber) the Caf\u00e9 Aubette in Strasbourg, one of the most ambitious designs of the architectural culture of the time: here his spatial vision through formal synthesis and pure colors is evident (Marotta, 2019).", "mime": "application/pdf"}, {"id": "ccsj-231", "words": "5307", "extension": ".pdf", "flesch": "62", "author": "Dantas, \u00cdtalo Jos\u00e9 de Medeiros; Freire, Aline Gabriel; Solino, Livia Juliana Silva; Nascimento, Mariana Nunes do; Alves, Heloisa Mirelly Ferreira", "title": "Does gender have an impact on the color preferences in fashion products?", "date": "2021", "keywords": "brazil; color; color preferences; fashion; fashion products; gender; hues; preferences; products; research", "summary": "Thus, this paper aims to identify how color preferences in fashion products change as the differences between genders are observed. It was concluded that genders play a certain role in color preferences in fashion products, identifying socially constructed characteristics through the history of colors as being responsible for those tendencies.", "mime": "application/pdf"}, {"id": "ccsj-233", "words": "3968", "extension": ".pdf", "flesch": "52", "author": "Prencipe, Nicoletta; Provenzi, Edoardo", "title": "Geometric models for color perception ", "date": "2021", "keywords": "color; cone; coordinates; perception; quantum; room; space; yilmaz", "summary": "Geometric models for color perception 54 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130206b Schr\u00f6dinger\u2019s axioms can be summarized stating that the space of perceived colors of trichromatic observes has the geometric structure of a convex regular cone of dimension 3. The wide range of color spaces proposed for digital and industrial applications clearly shows that the choice of these three parameters is far from being trivial.", "mime": "application/pdf"}, {"id": "ccsj-237", "words": "2378", "extension": ".pdf", "flesch": "62", "author": "Cereda, Matteo; Plutino, Alice; Rizzi, Alessandro", "title": "Quick Gamut mapping for simplified color correction", "date": "2021", "keywords": "color; gamut; mapping; values", "summary": "Introduction When talking about color reproduction in digital systems it is fundamental to define the concept of color gamut. ABSTRACT This paper presents an alternative simplified method to convert color spaces more quickly than using the traditional gamut mapping.", "mime": "application/pdf"}, {"id": "ccsj-240", "words": "3849", "extension": ".pdf", "flesch": "62", "author": "Paes de Barros Camara de Lucia Beltramini, Luiza; Castral, Paulo C\u00e9sar", "title": "The red of Lina and Oscar", "date": "2021", "keywords": "architecture; bardi; brazil; color; fig; lina; oscar; paulo; red; s\u00e3o; s\u00e3o paulo", "summary": "Finally, the choice of red color did not pass through the appreciation of Organs responsible agencies; Azevedo (1963 apud CER\u00c1VOLO, 2010, p. 234) characterizes this and other choices as a loss for the monument. A primeira reforma do edif\u00edcio do Museu de Arte de S\u00e3o Paulo\u2019.", "mime": "application/pdf"}, {"id": "ccsj-241", "words": "4610", "extension": ".pdf", "flesch": "55", "author": "Peruzzi, Greta; Cucci, Costanza; Picollo, Marcello; Quercioli, Franco; Stefani, Lorenzo", "title": "Non-invasive identification of dyed textiles by using VIS-NIR FORS and hyperspectral imaging techniques", "date": "2021", "keywords": "color; doi; dyes; et al; fors; identification; imaging; spectral; techniques; textiles", "summary": "Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 63 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Among the selected dyes, nine are from plants (Alkanna Tinctoria, Anthemis Tinctoria, Indigofera Tinctoria, Haematoxylum Campechianum, Rubia Tinctorum, Carthamus Tinctorius, Curcuma Longa, Juglans Regia, Reseda Luteola), two are insect dyes (Dactylopius Coccus Cacti and Kerria Lacca) and one is a lichen (Roccella Tinctoria). Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 65 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Table 2: CIEL*a*b*1976 values and color difference (\uf044E00) between SCI and SCE measurements obtained with CIEDE2000 formula for each sample Figure 2:", "mime": "application/pdf"}, {"id": "ccsj-244", "words": "3601", "extension": ".pdf", "flesch": "48", "author": "Kmita, Anna", "title": "Color and material in interior Design of coloring in aspect of didactics Case study \u201cStudy of the project of unusual area for playing and relaxation\u201d", "date": "2021", "keywords": "area; children; color; design; fabrics; light; materials; project; students", "summary": "Introduction This article presents the findings of an educational project concerning colors design and CMF (color, material, finish) implementation in public space, interiors, and product. The Academy of Fine Arts in Katowice conducts research and didactic program regarding color design.", "mime": "application/pdf"}, {"id": "ccsj-246", "words": "923", "extension": ".pdf", "flesch": "61", "author": "Pompas, Renata", "title": "Book Review: Yellow, the history of a color ", "date": "2021", "keywords": "chapter; color; yellow", "summary": "From this century on yellow turns towards negative judgements. The case of Clodius in which Cicero's mockery of Clodius is reported, describes him as a debauchee who wears yellow clothes, a purely feminine color.", "mime": "application/pdf"}, {"id": "ccsj-247", "words": "4541", "extension": ".pdf", "flesch": "58", "author": "Siniscalco, Andrea", "title": "Lighting and color design in the live music show between new technologies and practice", "date": "2021", "keywords": "color; concert; design; designer; doi; journal; lighting; music; practice; research; stage", "summary": "From those Lighting and color design in the live music show between new technologies and practice 45 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130105 years onwards, stage lighting has become dynamic in live music shows, theater and television stages. This area of research on stage lighting and color is anyway in an initial phase and, in order to be developed in the future, the degrees of freedom of the variables that come into play must be determined, which in the context of the live music show must be clearly determined.", "mime": "application/pdf"}, {"id": "ccsj-249", "words": "9125", "extension": ".pdf", "flesch": "48", "author": "Poli, Annamaria", "title": "A didactics of colour based on an innovative educational approach at the Hochschule f\u00fcr Gestaltung in Ulm", "date": "2021", "keywords": "approach; art; bauhaus; colour; course; culture; design; exercises; hfg; maldonado; new; students; teaching; theory; tom\u00e1s; ulm", "summary": "Acknowledgments I am particularly grateful to Professor Tom\u00e1s Maldonado for his commitment to and rigorous scholarly pursuit of an experimental approach to teaching colour and other themes in the domain of visual perception that he held to be especially important. Hannes Meyer e la HfG Ulm, Riccini R. (ed.), Tom\u00e1s Maldonado Bauhaus.", "mime": "application/pdf"}, {"id": "ccsj-250", "words": "1492", "extension": ".pdf", "flesch": "47", "author": "Rizzi, Alessandro", "title": "Index & Editorial ", "date": "2021", "keywords": "article; color; culture; doi; journal; pandemic; review", "summary": "Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects. The narrative role of color in Wes Anderson\u2019s filmic images 7 Greta Attademo DOI: 10.23738/CCSJ.130101 Bramante and his work of Painted Fa\u00e7ades: Bergamo and Lombardy 14 Patrizia Falzone DOI: 10.23738/CCSJ.130102 The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 24 Gisela Costa Pinheiro Monteiro, Camila Assis Peres Silva DOI: 10.23738/CCSJ.130103 Color in architecture among futurism, neoplasticism, rationalism (and more...) 32 Anna Marotta DOI: 10.23738/CCSJ.130104 Lighting and color design in the live music show between new technologies and practice 43 Andrea Siniscalco DOI: 10.23738/CCSJ.130105 Does gender have an impact on the color preferences in fashion products?", "mime": "application/pdf"}, {"id": "ccsj-252", "words": "4815", "extension": ".pdf", "flesch": "38", "author": "Valge, Claudia; Ceccarelli, Sofia; Bertacchi, Silvia; Uueni, Andres; Hiiop, Hilkka; Randla, Anneli ; Apollonio, Fabrizio Ivan ", "title": "Colour measurement and documentation in historical buildings: the case study of the Kirna Manor House in Estonia ", "date": "2022", "keywords": "colour; conservation; documentation; estonia; fig; heritage; manor; measurement; paint; research; results", "summary": "In the latter part, research teams were formed and assigned leaders who developed workflows for the identification of historical colour schemes, colour measurement and documentation. Conclusions The workshop was a successful first attempt at determining the correlation and the differences between colour measurements obtained with visual, digital and spectrophotometric analyses.", "mime": "application/pdf"}, {"id": "ccsj-253", "words": "5044", "extension": ".pdf", "flesch": "58", "author": "Plutino, Alice; Scipioni, Sofia; Lombardi, Chiara Andrea; Giuliani, Luca; Mazzoni, Andrea; Marcucci, Roberta; Rizzi, Alessandro", "title": "A Test on color discrimination in complex scenes for a better comprehension of color blindness", "date": "2021", "keywords": "answers; blindness; color; color blindness; journal; ncb; picture; science; subjects; test", "summary": "Opsin genes, cone photopigments, color vision, and color blindness. This was a preliminary study, and further studies and analysis f rom the physiological, neurological, and psychological point of view are needed, but this experiment has been useful to suggest that the integration of spatial arrangements in models of vision is mandatory, as well as in color blindness diagnosis tests.", "mime": "application/pdf"}, {"id": "ccsj-255", "words": "4141", "extension": ".pdf", "flesch": "48", "author": "Angelin, Eva Mariasole; Cucci, Costanza; Picollo, Marcello", "title": "What about discoloration in plastic artifacts? The use of Fiber Optic Reflectance Spectroscopy in the scope of conservation", "date": "2022", "keywords": "color; conservation; degradation; discoloration; doi; fig; fors; objects; plastic; red; reflectance", "summary": "Historical plastic objects, Discoloration, FORS, Micheluz A., Angelin E. M., Almeida Lopes J., Melo M.J., Pamplona M. (2021) \u2018Discoloration of historical plastic objects: new insight into the degradation of \u03b2-naphthol pigment lakes\u2019; Polymers, 13, pp.2278.", "mime": "application/pdf"}, {"id": "ccsj-258", "words": "5364", "extension": ".pdf", "flesch": "57", "author": "Le Guern, Nicolas", "title": "The long-term development of three-color Kodachrome. An odyssey from the additive to the subtractive method of color reproduction.", "date": "2022", "keywords": "additive; color; development; film; godowsky; kodachrome; kodak; mannes; new; process; research; work", "summary": "When they graduated from university, they started to work full time as professional musicians but were still experimenting during their spare time on color processes. The effect of parallax occurred with color additive processes, when the spatial viewpoint of each lens to record a color was slightly offset from the viewpoints of the other lenses.", "mime": "application/pdf"}, {"id": "ccsj-259", "words": "5093", "extension": ".pdf", "flesch": "56", "author": "Maaruf, Nayla; P\u00e9nichon, Sylvie; Kokkori, Maria", "title": "The Flexichrome: visual examination and scientific analysis of an overlooked color process.", "date": "2022", "keywords": "art; color; crawford; dyes; flexichrome; gelatin; institute; kodak; new; prints; process; relief", "summary": "In 1949, an extensive marketing campaign for the new Kodak Flexichrome began worldwide. With Kodak Flexichrome, the dyed gelatin relief was stripped from its base and transferred onto a paper substrate [4].", "mime": "application/pdf"}, {"id": "ccsj-260", "words": "4167", "extension": ".pdf", "flesch": "61", "author": "Csillag, Paula; Cavallini, Joyce C.", "title": "Visual grouping: a study on preponderances of color or shape in Match-three games", "date": "2021", "keywords": "color; combinations; form; games; grouping; match; shape; visual", "summary": "The final games found that visual color groups were perceived more quickly by players, as soon as the programs accounted for a total of 644 color grouping and 435 form grouping made by the participants. Both games have a black background and differ from other games in the Market that have complex and/or textured backgrounds.", "mime": "application/pdf"}, {"id": "ccsj-262", "words": "6156", "extension": ".pdf", "flesch": "64", "author": "Herrero-Cortell, Miquel; Artoni, Paola; Picollo, Marcello; Ra\u00efch, Marta; Zalbidea, Maria Antonia", "title": "The Changes of Transparent Colours in Being Laid upon Others\u2019: Considerations for a New Perception of Glazes with Historical Pigments and Dyes", "date": "2021", "keywords": "azurite; blue; century; colour; dyes; fig; glazes; green; indigo; lake; lead; painting; pigments; red; sample; verdigris; yellow", "summary": "Red lake pigments were usually made with madder but dye lakes, Kerria lacca or Indian lake (lac dye) and, to a lesser extent, kermes, known as the European cochineal, were also used (Herrero-Cortell, 2019). Most of the pigments available on the palette from the 15th to the 18th century were translucent to a certain extent, especially when applied thinly, and more translucent still are dyes, which become lake pigments when they are precipitated on an inorganic substrate such as rock alum, calcium carbonate or sodium carbonate.", "mime": "application/pdf"}, {"id": "ccsj-263", "words": "6337", "extension": ".pdf", "flesch": "51", "author": "Bellotti, Serena; Venturini, Simone", "title": "Digital Struggles for Film Restoration: La battaglia dall\u2019Astico al Piave ", "date": "2022", "keywords": "battaglia; del; documentation; edge; film; italian; piave; reconstruction; restoration; version; witness; witnesses", "summary": "We made further comparisons with other films from the end of the 1920s onwards, such as Resistere (1918), The Other Army (1917), Il piave mormor\u00f2 (1934), Guerra Nostra (1928), Gloria \u2013 La Grande Guerra (1934), and, like witness \u201cTO\u201d described above, we found them to contain minor parts of La battaglia, identifying relationships and contaminations between several films from the period. They display the code \u201cR37\u201d in the bottom- right corner to identify the film, which is the same for the Italian and the French version (in which an \u201cF\u201d has been added for French); in the bottom-left corner, it is possible to see the number of the intertitle, which helped us to find them in other films too, as was the case for intertitle 26, recently found in the film Dio segn\u00f2 i confini d\u2019Italia preserved by the Museo Nazionale del Cinema in Turin, which allowed us to add the corresponding sequence.", "mime": "application/pdf"}, {"id": "ccsj-266", "words": "4735", "extension": ".pdf", "flesch": "51", "author": "Pfluger, David; Garmsen, Lutz; Trumpy, Giorgio", "title": "Modern methods for the visualization of lenticular film colors", "date": "2022", "keywords": "approach; color; emulsion; fig; film; image; kodacolor; lenticular; process; projection; reconstruction; screen", "summary": "An efficient approach to obtain digital color images from lenticular film is to scan the film in high-resolution\u2014with the emulsion facing the imaging system\u2014and let a software extract the encoded color information. 64 Color Culture and Science Journal Vol. 14 (1) DOI: 10.23738/CCSJ.140108 Modern methods for the visualization of lenticular film colors David Pfluger1, Lutz Garmsen1, Giorgio Trumpy1, 2 1 Department of Film Studies \u2013 University of Zurich.", "mime": "application/pdf"}, {"id": "ccsj-267", "words": "2365", "extension": ".pdf", "flesch": "56", "author": "Tosini, Paolo", "title": "Two Prizma Color films, a curious finding in the Mexican National Film archive", "date": "2022", "keywords": "archive; color; fig; film; prizma; system", "summary": "Prizma color was a coloring technique invented by the Prizma Company, a company created by William van Doren Kelley, in the \u201910s. \u201cColour Films in Britain: The Negotiation of Innovation 1900-1955\u201d, BFI Flueckiger B., Historical film colors: A guest entry from Barbara Flueckiger, Available at: http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a- guest-entry-from-barbara-flueckiger/ (Accessed: 3 November2021).", "mime": "application/pdf"}, {"id": "ccsj-269", "words": "5183", "extension": ".pdf", "flesch": "51", "author": "Trott, Louisa", "title": "The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur", "date": "2022", "keywords": "amateur; color; film; filter; makers; motion; movie; process; s.n", "summary": "With the onset of the Great Depression in the USA and other, more practical and affordable color processes on the horizon, there is little evidence that the equipment was ever sold commercially. [7] The name Agfacolor was later used for other color processes made by Agfa.", "mime": "application/pdf"}, {"id": "ccsj-274", "words": "4154", "extension": ".pdf", "flesch": "54", "author": "Negri, Sabrina", "title": "Fine Arts on Film: The Hand-Painted Work of Stan Brakhage", "date": "2022", "keywords": "brakhage; cinema; film; hand; preservation; stan; vision; work", "summary": "Digital technology hardly changes this; if anything, film preservation highlights some continuity from the analogue era by showing that certain technological elements cannot be reproduced regardless of whether the restoration is performed digitally or analogically (Fossati, 2018). The direct intervention of the artist on film materials is key to Brakhage\u2019s poetics, as a way to both work around the limitations of the camera and leave a distinctly authorial mark on his work.", "mime": "application/pdf"}, {"id": "ccsj-275", "words": "4243", "extension": ".pdf", "flesch": "48", "author": "Avci, Ayse Nihan; Akbay, Saadet", "title": "A Review based on OLED Lighting Conditions and Human Circadian System ", "date": "2025", "keywords": "circadian; doi; effects; environment; et al; human; lighting; system", "summary": "In any case, advances in technology can provide useful tools for designing circadian lighting. Her research interests include human-centric lighting, circadian lighting design, artificial lighting technologies, and color and light.", "mime": "application/pdf"}, {"id": "ccsj-276", "words": "4329", "extension": ".pdf", "flesch": "58", "author": "Tarajko-Kowalska, Justyna", "title": "Is a house named \u201cyellow\u201d really yellow? Survey on the perception and naming of the yellow color on building facades depending on its hue, lightness and saturation", "date": "2022", "keywords": "color; facades; hue; lightness; samples; saturation; yellow", "summary": "Potential yellow color subcategories, depended on the parameters of hue, lightness and saturation. In the second part, participants were rating on a scale from 1 to 5 (1 \u2013 definitely not, 2 \u2013 rather not, 3 \u2013 not sure, 4 \u2013 rather yes, 5 \u2013 definitely yes) if randomly presented color samples can be considered yellow (Figure 1).", "mime": "application/pdf"}, {"id": "ccsj-277", "words": "1932", "extension": ".pdf", "flesch": "52", "author": "Trini Castelli, Clino", "title": "Umbrella Diagram: 1981-2021, five decades of forecasts and CMF design", "date": "2021", "keywords": "castelli; color; decades; design; diagram; umbrella", "summary": "Umbrella Diagram graph: \u2212 Color Arches (Historical Trend arch, Fashion Trend arch). The Philosopher of Color Clino Castelli.", "mime": "application/pdf"}, {"id": "ccsj-279", "words": "1526", "extension": ".pdf", "flesch": "43", "author": "Rossi, Maurizio", "title": "Index & Editorial", "date": "2021", "keywords": "aic; color; congress; culture; design; doi; journal; review", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-281", "words": "4884", "extension": ".pdf", "flesch": "52", "author": "Marotta, Anna", "title": "Scientific basics in art from the Theories of Colour: Authors, methods, rules, applications", "date": "2022", "keywords": "applications; art; basics; chevreul; chromatic; colour; culture; des; fig; science; seurat; theories", "summary": "The possibility of experimentation for the research of complementary colours is more optimistic with the application of the rotating discs, or Maxwell's discs, based on the mixture obtained from the rotation of different colours. Previati concludes the argument thus: as long as more detailed investigations into the priority of the practice of the breakdown of colours in painting will come from art historians, we must therefore reserve to Mile the possession of the hitherto unknown property of an unknown colouring substance, that is being able to reproduce the additions of light through a methodically minuscule separation of complementary colours, which today takes the name of divisionism in art.", "mime": "application/pdf"}, {"id": "ccsj-282", "words": "3582", "extension": ".pdf", "flesch": "40", "author": "G\u00f6kmeno\u011flu, Firdevs; Akbay, Saadet", "title": "Virtual interior environment: Influence of colour on the sense of immersion", "date": "2025", "keywords": "colour; environment; image; immersion; immersive; lightness; participants; sense", "summary": "ABSTRACT This article investigates the effects of colour on the sense of immersion in virtual interior environments. The study aims to investigate how the sense of immersion in virtual interior environments varies depending on hue, saturation, and lightness and to examine the extent to which colour dimensions influence the sense of immersion in VEs.", "mime": "application/pdf"}, {"id": "ccsj-283", "words": "5436", "extension": ".pdf", "flesch": "68", "author": "Magrin-Chagnolleau, Ivan", "title": "The Relationship between Photo Retouching and Color Grading", "date": "2022", "keywords": "color; film; grading; photo; picture; relationship; retouching", "summary": "This was all chemical, and particularly for color photography, you would generally rely on a strong collaboration with a lab. ABSTRACT This paper deals with photo retouching and color grading.", "mime": "application/pdf"}, {"id": "ccsj-284", "words": "4291", "extension": ".pdf", "flesch": "66", "author": "DE CLERMONT-GALLERANDE, Helene; MAUGER, Emmanuelle; ROLLAND, Nicolas", "title": "A comparative study of lipstick shades preferences by geographical areas", "date": "2025", "keywords": "allure; cluster; coco; color; lipstick; preferences; rouge; rouge coco; shades", "summary": "The best sales per area are statistically analyzed to establish shade preferences in each of these areas. This is the geographical area where we find the largest number of specific shades, as 8 shades in the Top 20 only appear in this market.", "mime": "application/pdf"}, {"id": "ccsj-285", "words": "918", "extension": ".pdf", "flesch": "47", "author": "Pompas, Renata", "title": "BOOK REVIEW: Andrea dall'Asta Light - the color of desire", "date": "2022", "keywords": "century; chapter; color; light", "summary": "The author, continuing the path of analysis and research on the tension towards light, asks himself whether in contemporary art light is symbolic, physical, or simply functional, and answers in seven chapters: seven interdisciplinary paths starting from Impressionism to monochromy, through the icon-works of some artists, including at the end of the book, also sacred architecture, photography and cinema. Light - the color of desire Renata Pompas Andrea dall'Asta: Light - the color of desire, Ancora Editrice, Milan, 2021.", "mime": "application/pdf"}, {"id": "ccsj-287", "words": "4262", "extension": ".pdf", "flesch": "46", "author": "Caumon, Lorrain", "title": "Colours, light and well-being: characterisation of chromatic phenomena in collective housing.", "date": "2022", "keywords": "colour; design; environment; france; housing; light; lighting; project; site; study", "summary": "Thus, the luminance indices of each recommended colour are between 0.6 and 0.9 for light colours and between 0.2 and 0.45 for dark colours, and finally, a contrast of 70% has been respected between the various important media so that they can be perceived by a visually impaired person, whose sensitivity to contrasts is still operating. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories to allow better discrimination of spatial elements.", "mime": "application/pdf"}, {"id": "ccsj-289", "words": "8343", "extension": ".pdf", "flesch": "52", "author": "Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano ; Rossi, Maurizio; Palumbo, Riccardo ", "title": "About the influence of color perceived lightness on psychological functions", "date": "2022", "keywords": "color; doi; effects; functions; influence; journal; light; lightness; performance; psychology; research; sleep", "summary": "The effects of the new correspondences between somatosensory and visual perceptions (warmth and color lightness) extend About the influence of color perceived lightness on psychological functions 118 Color Culture and Science Journal Vol. 14 (1) Motoki, K. et al. (2019) \u2018Light colors and comfortable warmth: Crossmodal correspondences between thermal sensations and color lightness influence consumer behavior\u2019, Food Quality and Preference, 72(November 2018), pp.", "mime": "application/pdf"}, {"id": "ccsj-290", "words": "5391", "extension": ".pdf", "flesch": "57", "author": "Broeder, Peter", "title": "Colours of Emotion, Trust, and Exclusivity: A Cross-Cultural Study", "date": "2022", "keywords": "associations; blue; colour; doi; emotion; journal; red; study; trust", "summary": "(2018) quantitative modelling techniques based on empirical data from 12 regions worldwide presented consistent, culture-independent patterns for colour emotions (regarding warm/cool, heavy/light, active/passive). (2018) Progress in colour studies: cognition, language and beyond.", "mime": "application/pdf"}, {"id": "ccsj-291", "words": "3704", "extension": ".pdf", "flesch": "61", "author": "Covars\u00ed, Laura", "title": "The Jos-Pe process in the Jacob Merkelbach collection at the Rijksmuseum in Amsterdam", "date": "2022", "keywords": "amsterdam; collection; color; fig; jacob; jos; merkelbach; printing; process; rijksmuseum", "summary": "Thanks to the transparency of the printing plates, the superposition of the three images was easy if compared with other color printing processes with opaque matrices. The three Jos-Pe dyes are common in the literature of dye imbibition processes and were also used in the Pinatype.", "mime": "application/pdf"}, {"id": "ccsj-292", "words": "5331", "extension": ".pdf", "flesch": "51", "author": "Stanulevich, Nadezhda", "title": "Prokudin-Gorskii\u2019s technique of colour photography: colour separation, additive projection and pigment printing", "date": "2022", "keywords": "collection; colour; gorskii; journal; negatives; petersburg; photography; printing; projection; prokudin; russian; saint; sergei", "summary": "Prokudin- Gorskii emphasized the merits of colour reproduction, indicated the considerable labour input in production and long exposure that embarrassed the photographing animate objects (Prokudin-Gorskii, 1899). Prokudin-Gorskii photographed with shutter by Thornton-Pickard and different objectives by Steinheil or Voigtl\u00e4nder (Prokudin- Gorskii, 1906c) because the usage of colour filters extended the exposition time and demanded high lens speed.", "mime": "application/pdf"}, {"id": "ccsj-293", "words": "4350", "extension": ".pdf", "flesch": "57", "author": "Kooroshnia, Marjan; Dumitrescu , Delia ; Lewis , Erin ; Walters , Kathryn ", "title": "The colour, texture, and luminance: Textile design methods for printing with electroluminescent inks ", "date": "2025", "keywords": "colour; design; inks; light; methods; printing; research; surface; textile", "summary": "This leaves space for further research exploring the design potential of the raw material \u2013 printed EL ink \u2013 in terms of expanding its colour palette and aesthetic range by experimenting with textile design methods \u2013 forming diverse colour mixtures, overprinting, and halftones. Colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 30 Color Culture and Science Journal Vol. 15 (1)", "mime": "application/pdf"}, {"id": "ccsj-294", "words": "3180", "extension": ".pdf", "flesch": "59", "author": "Csillag, Paula; Sabao, Amanda", "title": "PIXAR\u2019s Colorscripts: Chromatic Analyses of Four Films Using Sens|Org|Int Model ", "date": "2022", "keywords": "analyses; color; communication; films; model; perception; pixar; sens|org|int; visual", "summary": "Research interests are related to color communication, visual language, color perception and color trends. Also, the analyses convey a broad scope of color associations in films that could be useful for future chromatic projects.", "mime": "application/pdf"}, {"id": "ccsj-30", "words": "2182", "extension": ".pdf", "flesch": "32", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2018", "keywords": "colore; colour; culture; del; gli; milano; politecnico; review; rivista; science; scienza; universit\u00e0", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU) Cultura e Scienza del Colore - Color Culture and Science 09 18 riv is ta s em es tra le | ha lf- ye ar ly jo ur na l | D OI : 1 0. 23 73 8/ CC SJ .0 0 Rivista dell\u2019Associazione Italiana Colore www.gruppodelcolore.it DOI: 10.23738/ccsj.i92018.00 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE 09NUMERO 09 - MAGGIO 2018 NUMBER 09 - MAY 2018 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista semestrale dell\u2019Associazione Italiana Colore http://jcolore.gruppodelcolore.it/ ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE E227716 DIRETTORE RESPONSABILE | EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT)", "mime": "application/pdf"}, {"id": "ccsj-301", "words": "3926", "extension": ".pdf", "flesch": "46", "author": "Bonanomi, Cristian; Sathaye, Kedar", "title": "Imaging colorimeters to evaluate Camera Monitor Systems image quality", "date": "2025", "keywords": "camera; cms; color; colorimeter; display; image; monitor; rendering; systems; test", "summary": "Top row: CMS camera, bottom row: CMS display However, since exterior mirrors are fundamental for the safety, it is important to evaluate if a CMS can be a source of reduced safety or provide equal or more information to the driver. In the following section we are going to focus only on image quality tests.", "mime": "application/pdf"}, {"id": "ccsj-302", "words": "3604", "extension": ".pdf", "flesch": "47", "author": "Giani, Camilla; Boeri, Cristina", "title": "An experimentation on children\u2019s colour preferences in generic terms and applied to a school context ", "date": "2025", "keywords": "children; classroom; colour; colour preferences; experimentation; preferences; school", "summary": "Colour design, colour preference, school design, children colour preference RECEIVED 30/03/22; REVISED 30/12/22; ACCEPTED 30/12/22 An experimentation on children\u2019s colour preferences in generic terms and applied to a school context 43 Color Culture and Science Journal Vol. 15 (1) DOI: 10.23738/CCSJ.150106 1. In particular, two experiments have been planned and partially conducted in order to evaluate both the differences that may be found between colour preferences expressed in generic terms and contextualized in a school environment, and the differences that may be found between digital simulations displayed on the computer and experimented using the CAVE technology.", "mime": "application/pdf"}, {"id": "ccsj-303", "words": "5565", "extension": ".pdf", "flesch": "53", "author": "Guerry, Estelle", "title": "An analysis of chromatic and luminous environment of healthcare establishment.", "date": "2025", "keywords": "color; design; doi; environment; fig; journal; light; lighting; observation; sanatorium; study; use", "summary": "Light colors [6] are mainly used and are the only ones used for warm colors [7] In the West, color design is based on a principle of thermal color polarities, giving colors psychological and thermal properties.", "mime": "application/pdf"}, {"id": "ccsj-305", "words": "5464", "extension": ".pdf", "flesch": "42", "author": "Martini, Berta; Monica Tombolato; Rossella D'Ugo", "title": "Integrating knowledge about color within the STEM/STEAM approach: some instructional procedural principles", "date": "2022", "keywords": "approach; color; education; integration; knowledge; learning; principles; science; steam approach; stem; teaching; variables", "summary": "Some scholars believe that the addition of \u201cA\u201d is unnecessary, and that the application of creativity and the arts is a natural premise of STEM education. While professional meetings and science education conferences are increasingly geared toward STEM and new textbooks and websites are popping up to advise teachers on how to implement STEM practices, STEM curricula lack an awareness of what STEM is and what STEM programs should include.", "mime": "application/pdf"}, {"id": "ccsj-306", "words": "9401", "extension": ".pdf", "flesch": "61", "author": "Tantcheva-Burdge, Elza; Lei, Zhaohua; Cheung, Vien", "title": "Enquiry into the colours of the MoGao murals at DunHuang from the Sui Dynasty, the Tang Dynasty and the Five Dynasties period", "date": "2025", "keywords": "cave; chinese; colours; dunhuang; dynasties; mogao; murals; period; red; sui dynasty; tang dynasty; tang period; temples; u p", "summary": "She is now working in Shanghai and is passionate in studying traditional Chinese colours. The present paper enquires into the appearance of colours used in the representational system of the murals from periods of the Sui Dynasty (581-618 AD), the Tang Dynasty (618-907 AD) and the Five Dynasties (907- 960 AD).", "mime": "application/pdf"}, {"id": "ccsj-307", "words": "4377", "extension": ".pdf", "flesch": "58", "author": "Voss, Lupe; Wong, Sherman", "title": "More Than a Tube of Color - The Emotion", "date": "2022", "keywords": "color; colorist; consumer; grey; hair; hair color; product; trust", "summary": "Method Two questionnaires were developed to investigate the behaviors and opinions of hair color consumers and professional hair colorists. The Emotion 49 Color Culture and Science Journal Vol. 14 (2) DOI: 10.23738/CCSJ.140206 Percentage of hair color consumers trusting the knowledge and competency of their colorists Moment a consumer started to trust their colorist Table 2.", "mime": "application/pdf"}, {"id": "ccsj-308", "words": "1891", "extension": ".pdf", "flesch": "32", "author": "Picollo, Marcello; Cattaneo, Barbara", "title": "Editorial", "date": "2022", "keywords": "color; conservation; culture; doi; film; journal; process; review; science", "summary": "ISSN 2384-9568 Modern methods for the visualization of lenticular film colors 64 David Pfluger, Lutz Garmsen, Giorgio Trumpy DOI: 10.23738/CCSJ.140108 Fine Arts on Film: The Hand-Painted Work of Stan Brakhage 73 Sabrina Negri DOI: 10.23738/CCSJ.140109 The Relationship between Photo Retouching and Color Grading 79 Ivan Magrin-Chagnolleau DOI: 10.23738/CCSJ.140110 What about discoloration in plastic artifacts? Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being.", "mime": "application/pdf"}, {"id": "ccsj-309", "words": "4613", "extension": ".pdf", "flesch": "50", "author": "Espinosa-Zaragoza, Isabel", "title": "\u201cPerpetual plum\u201d: Colour naming strategies in Maybelline\u2019s lip products", "date": "2025", "keywords": "collection; colour; cosmetic; doi; lipstick; maybelline; names; plum; products; terms", "summary": "Thus, cosmetic colour names in general, but specially in lipsticks, do much more than simply describe or designate hues: these \u201cconstructed nameables\u201d instil lip products with a distinctive touch that helps relating them to their brand and also serve as an organising tool where all the colours in a collection are named in a coherent and homogeneous way in hopes of capturing customer attention. On the subject of the use of romance as a theme in cosmetic colour names (see Espinosa-Zaragoza, 2002), there is a patent ambivalence with the customer both seducing and being seduced.", "mime": "application/pdf"}, {"id": "ccsj-31", "words": "4868", "extension": ".pdf", "flesch": "55", "author": "Ruggiero, Maria Elisabetta", "title": "The colour of ships: communication and identity", "date": "2018", "keywords": "che; colore; colour; con; culture; dei; del; della; grandi; identity; mezzi; nave; navi; pi\u00f9; ruggiero; scafo; science; scienza; sempre; ships; una", "summary": "Fregi dorati su campo blu, balaustre, lesene e volute che scandiscono i vari ordini di ponti visibili a poppa sono raffigurati, nei disegni a noi pervenuti, con dovizia di particolari. Imbarcazione super veloce realizzata dal cantiere Palmer &Johnson; linee squadrate e uso del colore sono elementi di forte caratterizzazione.", "mime": "application/pdf"}, {"id": "ccsj-310", "words": "3788", "extension": ".pdf", "flesch": "49", "author": "Cortina Maruenda, Francisco Javier; Serra Lluch, Juan; Torres Barchino, Ana; Llopis Verd\u00fa, Jorge", "title": "Digital applications to train color ordering in three dimensions for architects and designers", "date": "2022", "keywords": "app; architecture; color; digital; faces; figure; puzzle; solid", "summary": "Among all the types of games used for learning, digital color puzzles are good alternatives to train these abilities. Introduction In the acquisition of skills to work with the color for an architect or an interior designer, it is important to train the visual discrimination of colors and to gain the sensitivity to display different colors in order.", "mime": "application/pdf"}, {"id": "ccsj-312", "words": "5950", "extension": ".pdf", "flesch": "52", "author": "Siniscalco, Andrea; Tonon, Caterina; Mitolo, Micaela; Testa, Claudia; Gaiani, Marco; Rossi, Maurizio", "title": "A technique to ensure correct color stimulation by functional MRI to study in vivo the human melanopsin ganglion cells system", "date": "2023", "keywords": "brain; cells; cie; color; doi; et al; ganglion; journal; light; melanopsin; melatonin; stimulation; study; system", "summary": "For the evaluation of a possible circadian response induced by the stereoscopic visor, the non-linear model proposed by Rea et al. was used (Rea et al., 2012; Figueiro and Rea, 2013), which considers numerous factors, including the transmission of light through the lens of the crystalline lens and the spectral opposition of the blue and yellow channels (Dacey and Packer, 2003). Although the absence of randomized controlled trials in this field, a recent systematic review demonstrated that Bright Light Treatment (BLT) is a promising intervention in patients affected by dementia, specifically in Alzheimer\u2019s Disease (AD), and does not have significant adverse effects (Mitolo et al., 2018).", "mime": "application/pdf"}, {"id": "ccsj-318", "words": "1297", "extension": ".pdf", "flesch": "38", "author": "Rossi, Maurizio; Plutino, Alice", "title": "Editorial", "date": "2022", "keywords": "article; color; culture; journal; review; science", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-319", "words": "5808", "extension": ".pdf", "flesch": "60", "author": "Flaviani, Giorgia; Plutino, Alice; Rizzi, Alessandro", "title": "Colour and emotion: the use of the colours of L\u00fcscher test in the artistic field", "date": "2023", "keywords": "colour; fig; green; kandinskij; l\u00fcscher; red; scale; terms; test; theory", "summary": "After a preliminary analysis of using L\u00fcscher colours, we set up a first perceptive test asking 20 subjects to associate adjectives with L\u00fcscher's colours freely. L\u00fcscher colour test and its influence on art The colour test by Max L\u00fcscher is composed of eight coloured patches; each colour is associated with a particular meaning.", "mime": "application/pdf"}, {"id": "ccsj-321", "words": "7495", "extension": ".pdf", "flesch": "50", "author": "Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo", "title": "The promise of color in marketing: use, applications, tips and neuromarketing", "date": "2025", "keywords": "color; color preference; consumer; culture; differences; journal; marketing; neuromarketing; preference; psychology; research; use", "summary": "Color preferences influence various daily tasks. Thus, it is necessary to place color preferences at the center of marketing strategies.", "mime": "application/pdf"}, {"id": "ccsj-324", "words": "4614", "extension": ".pdf", "flesch": "52", "author": "Attademo, Greta", "title": "Colour and Light for storytelling and storydoing in museum videogames. ", "date": "2023", "keywords": "colour; fact; game; light; medici; museum; narrative; player; research; space; videogames", "summary": "Cultural heritage, narrative colour, interactive colour, educational videogames, cultural games RECEIVED 07/02/2023; REVISED 18/03/2023; ACCEPTED 03/07/2023 Colour and Light for storytelling and storydoing in museum videogames. The exploration of the seven virtual spaces allows the player to investigate seven topics related to colour, namely: functional colour, systemic colour, colour and activism, emotional colour, spiritual colour, light and physics, light and immersion.", "mime": "application/pdf"}, {"id": "ccsj-326", "words": "4165", "extension": ".pdf", "flesch": "46", "author": "GABBATORE, STEFANO; CLAUDIO GERMAK", "title": "Fly in color. A chromatic \u201cmodel\u201d for the cabin of a commercial aircraft", "date": "2023", "keywords": "aircraft; cabin; color; comfort; design; fig; light; model; passenger; perception; space", "summary": "Based on our recent semi-immersive simulations of color cabin arrangements, it appears that there is no perceptual hierarchy between these four areas. In a first co-design activity with personas (20 males and 20 females), chosen as a sample of ideal types of passengers by age, profession and nationality, the perceptual impact of the room model\u201d declined in different colors.", "mime": "application/pdf"}, {"id": "ccsj-327", "words": "4697", "extension": ".pdf", "flesch": "47", "author": "Caumon, Lorrain; Zissis, Georges; Caumon, C\u00e9line", "title": "Experience of place: colour and lighting design methods in the process of inclusive housing projects.", "date": "2023", "keywords": "colour; creation; design; environment; housing; inhabitants; light; lighting; place; research; spaces", "summary": "Her research focuses on the interaction between colour design and lighting sciences, with the aim of promoting comfort and well-being in collective housing. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories in order to allow better discrimination of the elements.", "mime": "application/pdf"}, {"id": "ccsj-33", "words": "6137", "extension": ".pdf", "flesch": "51", "author": "Pauliac, Laurence", "title": "Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc", "date": "2018", "keywords": "architect; chapels; colours; dame; des; duc; les; notre; paintings; paris; polychromy; restoration; viollet", "summary": "Quatrem\u00e8re, A-C. so called Quatrem\u00e8re de Quincy (1815) Le Jupiter olympien, ou l\u2019Art de la sculpture antique consid\u00e9r\u00e9 sous un nouveau point de vue, ouvrage qui comprend un essai sur le go\u00fbt de la sculpture polychrome, l\u2019analyse explicative de la toreutique et l\u2019histoire de la statuaire en or et en ivoire, chez les Grecs et les Romains. Dame de Paris, Chapel Saint Germain, tracing of the paintings made by Mr. Ouradou.", "mime": "application/pdf"}, {"id": "ccsj-331", "words": "4789", "extension": ".pdf", "flesch": "47", "author": "Guarini, Gianluca; Rossi, Maurizio", "title": "A review on the open issue of color consistency in software for building information modeling systems and real-time visualization", "date": "2024", "keywords": "bim; color; materials; model; rendering; revit; software; time; unity; visualization", "summary": "Regarding the color rendering in Enscape, the Plugin can use Revit materials. In addition, if the designer opts to use Revit materials to view the project with Enscape without making any replacements, it is advisable to use the PBR materials directly, which have already been available in Revit since 2019. 3.3.", "mime": "application/pdf"}, {"id": "ccsj-333", "words": "1950", "extension": ".pdf", "flesch": "38", "author": "Rossi, Maurizio", "title": "Editorial", "date": "2025", "keywords": "article; color; culture; design; doi; journal; lighting; review", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-335", "words": "566", "extension": ".pdf", "flesch": "52", "author": "Picollo, Marcello", "title": "BOOK REVIEW: I colori sono di tutti? 22 domande curiose sul colore", "date": "2025", "keywords": "authors; color", "summary": "[Italian Language] Since the early years of the last century, color, and the world surrounding it, has attracted increasing interest of professionals from various fields. The continued interest in exploring color and understanding its significance is clearly demonstrated by the number of new publications that have appeared nationally and internationally in recent years.", "mime": "application/pdf"}, {"id": "ccsj-337", "words": "4069", "extension": ".pdf", "flesch": "59", "author": "SCALZO, Marcello", "title": "Leonetto Cappiello and Jean d\u2019Ylen\u2019s posters: colour takes centre stage", "date": "2023", "keywords": "cappiello; century; colour; d\u2019ylen; fig; jean; jean d\u2019ylen; leonetto; leonetto cappiello; posters; vercasson", "summary": "From the early decades of the 20th century, Leonetto Cappiello became a point of reference for many artists; his Leonetto Cappiello and Jean d\u2019Ylen\u2019s posters: colour takes centre stage 69 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 innovative ideas would influence the creations of numerous poster artists of the following generations. 66 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 Leonetto Cappiello and Jean d\u2019Ylen\u2019s posters: colour takes centre stage Marcello Scalzo1 1 Department of Architecture, University of Florence, Florence, Italy, marcello.scalzo@unifi.it ABSTRACT Undoubtedly, Frenchmen Jules Cheret and Henri Toulouse Lautrec laid the foundations of modern poster art.", "mime": "application/pdf"}, {"id": "ccsj-338", "words": "3851", "extension": ".pdf", "flesch": "36", "author": "Angelo, Kine; Booker, Alex", "title": "Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice", "date": "2024", "keywords": "architecture; building; colour; course; design; form; practice; students; tectonics", "summary": "The course builds on colour teaching at BA level and aims to further develop practice-related design skills in colour design in public spaces. Diploma level At the masters (M.A.) and the Diploma (final examination) level we see students who chose to specialise on architectural colour and an increased number of students who address colour as an important design factor and actively seek further consultation on colour issues.", "mime": "application/pdf"}, {"id": "ccsj-339", "words": "4742", "extension": ".pdf", "flesch": "58", "author": "Liberini, Simone; Suardi, Roberta; Rizzi, Alessandro; Negretti, Giannantonio", "title": "Assessment of base color influence on the chromatic appearance of hair colorants", "date": "2024", "keywords": "appearance; base; chips; color; fig; hair; hue; munsell; swatches; test", "summary": "Introduction Judging the appearance of hair color is an essential task for proper salon service. A simple yet smart color naming scheme does in fact exist (Toninelli et al., 2021), but its practical adoption is highly arbitrary among different color brands, so that hair color charts may very well associate different colors to the same nuance, both in terms of lightness and of predominant hue (Rizzi et al., 2021).", "mime": "application/pdf"}, {"id": "ccsj-34", "words": "3613", "extension": ".pdf", "flesch": "52", "author": "Uusk\u00fcla, Mari; Eessalu, Martin", "title": "Glossy Black is not actually \u2018Black\u2019: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages", "date": "2018", "keywords": "black; colour; data; languages; naming; stimuli", "summary": "We investigate the selection of colour stimuli shown to subjects during psycholinguistic (field) experiments, or more precisely, the surface of the selected stimuli. Cultura e Scienza del Colore - Color Culture and Science 39 Cultura e Scienza del Colore - Color Culture and Science | 09 | 2018 ISSN 2384-9568 1Mari Uusk\u00fcla mari.uuskula@tlu.ee 2Martin Eessalu eessalu@gmail.com 1Tallinn University, School of Humanities 2 Independent researcher Glossy Black is not actually \u2018Black\u2019: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages ABSTRACT Since Berlin and Kay\u2019s seminal monograph, most studies on colour vocabulary and categorization have concentrated on the three main characteristics of colour \u2013 hue, lightness and saturation \u2013 which play a major role in the semantics of colour terms.", "mime": "application/pdf"}, {"id": "ccsj-340", "words": "5138", "extension": ".pdf", "flesch": "60", "author": "Lourantos, Nicholas", "title": "Reversal film transparencies and their colours: examining the medium of an era", "date": "2024", "keywords": "approach; colour; comparison; culture; era; film; images; medium; number; palette; study; transparencies", "summary": "The decisive, final, point for choosing Super 8mm Home Movies was Kodachrome, the same type of colour transparencies used. Its significance is that its chromatic references are drawn from a diverse background including interior design colour images but also record covers, magazine article photographs andcinema posters.", "mime": "application/pdf"}, {"id": "ccsj-341", "words": "4574", "extension": ".pdf", "flesch": "59", "author": "Pertica, Alice; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; Vervat, Muriel", "title": "Reflectance hyperspectral imaging for colorimetric and spectroscopic studies: the analysis of an impressionist painting.", "date": "2023", "keywords": "color; doi; et al; imaging; pigment; point; reflectance; values", "summary": "In the last few years reflectance hyperspectral imaging (HSI) has been increasingly employed in the study of cultural heritage and its conservation. reflectance hyperspectral imaging, spectroscopy, colorimetry, conservation science, easel painting.", "mime": "application/pdf"}, {"id": "ccsj-343", "words": "4986", "extension": ".pdf", "flesch": "61", "author": "Ll\u00e1cer Peir\u00f3, Aranzazu; Miquel \u00c0ngel Herrero-Cortell; M. Antonia Zalbidea-Mu\u00f1oz; Laura Fuster-L\u00f3pez", "title": "Historical glazes: Enhancing their value through reproduction and characterisation ", "date": "2023", "keywords": "colouring; cortell; dye; dyes; glazes; green; herrero; lake; madder; pigments; power; red", "summary": "Details of particle visibility in applied glazes with madder lake violet (1), aloe (2), stil de grain (3) and sap green (4) Historical glazes: Enhancing their value through reproduction and characterisation 44 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150205 Fig. For this study, several test pieces were made using nine pigments in the base layers on which different glazes were applied in several superimposed layers.", "mime": "application/pdf"}, {"id": "ccsj-345", "words": "5140", "extension": ".pdf", "flesch": "58", "author": "Francesca Valan; Pietro Paglierani; Scopa, Chiara", "title": "A leap in the color! How understanding horses\u2019 color perception improves their performance and welfare in show jumping", "date": "2024", "keywords": "color; fig; horse; jumping; number; obstacle; performance; science; vision", "summary": "Experimental works have confirmed the correlation between obstacle colors and jumping performance. The analyses of jump faults (obstacle knock-down or run- out) reported in literature confirm the correlation between obstacle colors and performance (Stachurska et al., 2002).", "mime": "application/pdf"}, {"id": "ccsj-349", "words": "5722", "extension": ".pdf", "flesch": "48", "author": "Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; De Vita, Maurizio", "title": "Application of a hyperspectral camera for colorimetric and spectroscopic measurements under natural light on outdoors artistic polychrome surfaces", "date": "2023", "keywords": "analysis; camera; color; data; doi; et al; imaging; light; measurements; specim; spectroscopic; surfaces", "summary": "The second test (Cherubini et al., 2019), carried out at Piazza Santa Croce, aimed to compare different methodologies of color analysis in architecture, including RGB camera, spectrocolorimeter, color maquette, and Specim IQ hyperspectral camera. The Specim IQ camera allows for immediate visualization of hyperspectral data after the measurements, and users have the option to add metadata to them.", "mime": "application/pdf"}, {"id": "ccsj-35", "words": "6441", "extension": ".pdf", "flesch": "50", "author": "Siniscalco, Andrea; Guarini, Gianluca", "title": "Digital Visualization of a Luminaire: From blueprint to Photorealistic Representation", "date": "2018", "keywords": "color; geometry; light; luminaire; model; modelling; photometric; software; use", "summary": "Real luminaires, in most cases, have a spatial distribution of the lighting intensity more complex than those achievable through OpenGL lights. 5. CASE STUDIES Five case studies of digital representation of real luminaires will be described below, but before starting, a little premise is necessary: the described techniques, both for modelling and for rendering, are not the only ones that can be used.", "mime": "application/pdf"}, {"id": "ccsj-351", "words": "4491", "extension": ".pdf", "flesch": "49", "author": "Bertoletti, Paola", "title": "The boundaries between light and color in architecture: the different lighting solution ", "date": "2023", "keywords": "architecture; color; design; journal; light; lighting; perception; space", "summary": "Architectural lighting designer must first know the aim of the project. 2. Lighting strategies: aspects and approaches To achieve a harmonious balance between lighting and architecture, it is essential to consider the three basic elements of architectural lighting: Aesthetics, Functionality, and Efficiency (Lam, 1977).", "mime": "application/pdf"}, {"id": "ccsj-353", "words": "5203", "extension": ".pdf", "flesch": "50", "author": "Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo", "title": "Wine Chromatics: The Colorful Language of Wine's Characteristics", "date": "2024", "keywords": "associations; color; consumer; journal; marketing; packaging; participants; product; research; wine", "summary": "Particularly, our research aimed to delve into the potential influence of color associations on the perception of wine consumers. A recent review (Spence & Velasco, 2019) summarized the multiple roles of packaging color on consumers' expectations and perception of identity, taste, flavor, fragrance, healthiness, and willingness to pay.", "mime": "application/pdf"}, {"id": "ccsj-355", "words": "1666", "extension": ".pdf", "flesch": "43", "author": "Rossi, Maurizio; Plutino, Alice", "title": "Editorial", "date": "2023", "keywords": "article; color; culture; doi; journal; review; science; scopus", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-357", "words": "11618", "extension": ".pdf", "flesch": "50", "author": "Dantas, \u00cdtalo Jos\u00e9 de Medeiros; Silva, Camila Assis Peres; Curth, Marcelo", "title": "The development of a color chart in conceptual fashion collections: do consumers perceive what color semantics wants to convey?", "date": "2024", "keywords": "chart; clothing; collection; color; consumers; design; designers; development; fashion; fashion collection; generation; intention; interpretation; nature; neutrality; paulo; potential; research; s\u00e3o; visual", "summary": "This model focused on observing the construction of visual color messages based on possible relationships between the generating concept used in creating the collection and how this was reflected in the production of meanings in its color palette. It was possible to observe a high correlation between intention and interpretation of visual color messages in the Ilha de Maraj\u00f3 fashion collection context.", "mime": "application/pdf"}, {"id": "ccsj-36", "words": "5433", "extension": ".pdf", "flesch": "58", "author": "Lecca, Michela; Rizzi, Alessandro; Gianini, Gabriele", "title": "Review and Comparison of Random Spray Retinex and of its variants STRESS and QBRIX", "date": "2018", "keywords": "color; image; qbrix; retinex; rizzi; rsr; sensation; stress", "summary": "Random spray Retinex and its variants STRESS and QBRIX: comparison and experiments on public color images. The th random spray ( ) is a set of image pixels , belonging to a circular neighborhood centered at .", "mime": "application/pdf"}, {"id": "ccsj-365", "words": "6377", "extension": ".pdf", "flesch": "58", "author": "Phuangsuwan, Chanprapha; Mepean, Janejira ; Ayama, Miyoshi ; Mizokami, Yoko; Ikeda, Mitsuo", "title": "Effect of display techniques on simultaneous color contrast", "date": "2025", "keywords": "color; contrast; display; ikeda; objects; rooms; scc; techniques", "summary": "KEYWORDS Simultaneous color contrast, Display techniques, Contrast induction, Chromatic adaptation, Recognized visual space of illumination, Elementary color naming RECEIVED 22/04/2024; REVISED 05/11/2024; ACCEPTED 06/02/2025 Effect of display techniques on simultaneous color contrast 24 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170102 1. ABSTRACT In previous studies, simultaneous color contrast (SCC) was investigated using different display techniques, such as colored papers, electronic displays, and the two-rooms technique.", "mime": "application/pdf"}, {"id": "ccsj-366", "words": "5970", "extension": ".pdf", "flesch": "49", "author": "Medeiros, Arthur Thiago Thamay; da Silva, Fabio Pinto", "title": "Colorimetry in the conservation of assets integrated into heritage properties: comparative analyzes of hydraulic tiles", "date": "2024", "keywords": "assets; color; colorimeter; conservation; fig; heritage; mosaicos; pa\u00e7o; research; sample; tiles; tolerance", "summary": "With technological advances for instrumentation in color measurement, colorimeters analyze color with and without contact, using the spectrum generated by reflected light. 3. Materials and methods To carry out a comparative analysis of the colors of the hydraulic tiles at Pa\u00e7o dos A\u00e7orianos with the sample at Fabrica de Mosaicos de Pelotas, aiming to select the colors for the manufacturing stage, color data were acquired with a colorimeter by Delta Color (S\u00e3o Leopoldo/RS - Brasil) model Colorium.", "mime": "application/pdf"}, {"id": "ccsj-368", "words": "5700", "extension": ".pdf", "flesch": "53", "author": "Trini Castelli, Clino", "title": "The \u201cColor Fever\u201d Chroma Survey 1973", "date": "2024", "keywords": "castelli; chroma; chroma survey; color; color culture; culture; design; fever; figure; journal; new; saturation; survey; trini", "summary": "Initiated with the Centro Design Montefibre, the Operazione Colordinamo operation gave rise to seminars, exhibitions and the well-known manuals for professional use, which were the first tool of orientation in the field of color design in Italy, published from 1975 to 1977. He consolidated this position in 1977 with the founding of the design magazine Modo, through the idea of looking more closely at the \u201cmaking\u201d, the direct experience of reality, a property that upon closer examination was already intrinsic precisely to the themes of color design [Trini Castelli, 2021].", "mime": "application/pdf"}, {"id": "ccsj-369", "words": "1806", "extension": ".pdf", "flesch": "33", "author": "Rossi, Maurizio", "title": "Exploring the Spectrum: Color in Science and Society", "date": "2024", "keywords": "color; culture; design; doi; journal; review; science", "summary": "57 Nicholas Lourantos DOI: 10.23738/CCSJ.160106 4 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice 65 Kine Angelo and Alex Booker DOI: 10.23738/CCSJ.160107 The \u201cColor Fever\u201d Chroma Survey 1973 72 Clino Trini Castelli DOI: 10.23738/CCSJ.160108 5 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Exploring the Spectrum: Color in Science and Society Dear Esteemed Readers1, Welcome to our newest journal issue, where we take you on an insightful journey through the rich tapestry of color across a variety of disciplines, from the harmonious hues of architectural design to the perceptual dynamics of our animal companions and from the subtle intricacies of hair coloring to the sensory allure of wine. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-37", "words": "4705", "extension": ".pdf", "flesch": "50", "author": "Calvo Ivanovic, Ingrid ", "title": "Symbolic Color Associations in Goethe\u2019s Farbenlehre and its application in the pictorial work of its early receptors", "date": "2018", "keywords": "associations; blue; circle; color; goethe; runge; turner; work; yellow", "summary": "In this article will be recognized the main contributions of Goethe in relation to a symbolic consideration of color for its use in the pictorial practice, from the connection of the chromatic polarities theory proposed by Goethe in the Farbenlehre with its section on the \u2018Effect of Color with Reference to Moral Associations\u2019. Goethe, Theory of Colors, Chromatic Polarities, Symbology of Color, Farbenlehre, Pictorial Color, Color Circle CITATION:", "mime": "application/pdf"}, {"id": "ccsj-374", "words": "4352", "extension": ".pdf", "flesch": "48", "author": "Reichold, Claudia Gisela; Pieralli, Irene; Gualini, Elisa; Hirsch, Serena; Morrocchesi, Serena; Picollo, Marcello", "title": "Paintings: monitoring varnish variations and their effect on color perception. A case study.", "date": "2024", "keywords": "color; florence; measurement; monitoring; sce; sci; science; time; values; varnish", "summary": "Differences of color values (\u2206L*, \u2206a*, \u2206b*) over time and sum of maximum deviations for measurement points 1 and 2. Paintings: monitoring varnish variations and their effect on color perception. KEYWORDS: varnish for paintings, colorimetric measurements, spectrocolorimeter, Giorgio Vasari, Santa Maria Novella.", "mime": "application/pdf"}, {"id": "ccsj-375", "words": "2979", "extension": ".pdf", "flesch": "62", "author": "Lhi, Wona; Choi, Gyoungsil", "title": "Colour Change of The Ten Symbols of Longevity in the Late Joseon Dynasty", "date": "2024", "keywords": "blue; colour; dynasty; joseon; paintings; pigments; type", "summary": "Discussion Through the above study, it can be observed that the colours in late Joseon period paintings gradually became more distinct over time. The important symbols of Sibjangsengdo are the sun, rock, crane, deer, bamboo, pine, yeongji (reishi mushrooms), and peach, with colour changes depending on the form (See Figure 2).", "mime": "application/pdf"}, {"id": "ccsj-379", "words": "5798", "extension": ".pdf", "flesch": "57", "author": "Bideaux, K\u00e9vin", "title": "Queer Futures, Violet Futures: Queer Modernity Symbolism of Violet in West Culture", "date": "2024", "keywords": "century; colour; culture; doi; fashion; fig; futures; gender; modernity; paris; purple; queer; symbolism; violet; women", "summary": "Far from being exclusive to men, violet also references lesbianism through violet flowers. Choosing violet also differentiated them from other political movements with established colour emblems (red for communists, black for anarchists).", "mime": "application/pdf"}, {"id": "ccsj-38", "words": "1904", "extension": ".pdf", "flesch": "54", "author": "Lecca, Michela; da Pos, Osvaldo ", "title": "Coloumn", "date": "2018", "keywords": "colour; greek; like; perception; terms", "summary": "An interesting example for this is given by the recent web discussion about the colour names and colour perception by ancient Greeks [1][2][3]. As already discussed in the previous number of this column, colour perception is something more than colour sensation, as it entails a number of interactions between different stimulated areas of the retina; moreover it can be also strongly influenced by previous experience and cultural heritage.", "mime": "application/pdf"}, {"id": "ccsj-381", "words": "7825", "extension": ".pdf", "flesch": "50", "author": "Catella, Maria Antonietta", "title": "The polychrome surfaces of Apulia\u2019s monuments between the 19th and 20th centuries. The contribution of color to the spread of neo-medievalism and the creation of national identity", "date": "2024", "keywords": "ages; apulia; architecture; cathedral; centuries; century; church; color; creation; identity; medievalism; monuments; neo; new; polychrome; romanesque; surfaces", "summary": "The independence of colour: decorative experiments in 20th century churches But the fictitious polychromatic vestments found the greatest freedom of expression in the new creations of neo-Gothic and neo-Romanesque churches in Apulia. Paine, A. (2011) Fa\u00e7ades and stripes: An account of striped fa\u00e7ades from medieval Italian churches to the architecture of Mario Botta.", "mime": "application/pdf"}, {"id": "ccsj-382", "words": "5002", "extension": ".pdf", "flesch": "43", "author": "Pylypchuk, Oksana", "title": "Coloristic levels of perception of an art object in the interior space", "date": "2024", "keywords": "art; color; contrast; design; interior; levels; object; perception; scheme; space", "summary": "This study proposes an innovative approach based on the use of color perception levels that can optimize the process of color selection in creative design. Art object, Coloristics, Interior space, Color perception, Color contrast, Design.", "mime": "application/pdf"}, {"id": "ccsj-385", "words": "6922", "extension": ".pdf", "flesch": "43", "author": "ODETTI, JIMENA VANINA; Reyes Gonzalez, Alberto; Reyes Gonzalez, Andres Enrique; Valdez Olmos, Fernando Daniel", "title": "The chromatic intervention as a strategy for the revaluation of facades in peri-urban areas.\u00a0The case of the historic center of Ixtapa, Jalisco, Mexico.", "date": "2024", "keywords": "case; color; cultural; design; facades; identity; intervention; ixtapa; jalisco; mexico; neighbors; project; research; street", "summary": "fernando.valdez@vallarta.tecmm.edu.mx Corresponding author: Jimena Vanina Odetti (jimena.odetti@vallarta.tecmm.edu.mx) ABSTRACT The article presents a case study in which urban color is taken as a protagonist element in the realization of a chromatic and artistic intervention for the preservation and/or recovery of the cultural identity of the selected area. As conclusions and findings, the article highlights the importance of studying and generating projects around urban color from a perspective that includes it as a symbolic element and protagonist in the shaping of cultural identity in the city.", "mime": "application/pdf"}, {"id": "ccsj-386", "words": "5034", "extension": ".pdf", "flesch": "58", "author": "Ll\u00e1cer Peir\u00f3, Aranzazu; M. Antonia Zalbidea-Mu\u00f1oz; Miguel Angel Herrero-Cortell; Laura Fuster-L\u00f3pez ", "title": "Optical characterization under a microscope of oil painting films with drying pigments: cobalt blue", "date": "2024", "keywords": "ageing; binder; blue; characterisation; cobalt; drying; films; glass; mock; oil; paint; painting; pigment; surface; ups", "summary": "KEYWORDS drying pigments, cobalt blue, surface microscopy, artificial ageing RECEIVED 01/08/2024; REVISED 23/10/2024; ACCEPTED 04/11/2024 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope: Cobalt Blue 66 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 1. 65 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope:", "mime": "application/pdf"}, {"id": "ccsj-389", "words": "6218", "extension": ".pdf", "flesch": "49", "author": "Munoz-Alcocer, Karla Maria; V\u00e1zquez de \u00c1gredos Pascual , Maria Luisa; Estrada, Stephanie", "title": "Chromatic reintegration: Color Matching Challenges in Polychrome\u00a0 wooden Ceilings", "date": "2024", "keywords": "blue; ceiling; chihuahua; church; color; community; conservation; hue; original; polychrome; project; reintegration; restoration; santa", "summary": "Materials & Techniques The materials and manufacture technique of the decorative surphaces of Santa Maria de Cuevas church have been studied in deep and in major context with other Spanish colonial churches in Chihuahua (Mu\u00f1oz Alcocer, 2018). The varying intensities of the original paint posed challenges, particularly in beam ceilings where achieving smooth variations was not feasible.", "mime": "application/pdf"}, {"id": "ccsj-39", "words": "1883", "extension": ".pdf", "flesch": "39", "author": "Rossi, Maurizio", "title": "Index&Editorial ", "date": "2019", "keywords": "color; culture; doi; journal; milano; review; topics; university", "summary": "Francesca Valan, color designer (IT), for the topics of color and communication, marketing: graphics, communication, packaging, lettering, exposure, advertising. And also the topics on color and psychology: phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects.", "mime": "application/pdf"}, {"id": "ccsj-390", "words": "7234", "extension": ".pdf", "flesch": "54", "author": "Thickett, David; Pretzel, Boris; Shah, Bhavesh; Luxford, Naomi", "title": "Natural Light Aging of furniture, textile and bone in historic environments.", "date": "2024", "keywords": "bone; changes; colour; conservation; doi; exposure; furniture; historic; house; ivory; light; measurements; objects; science; textile; years", "summary": "By monitoring light levels with Elsec sensors and Hanwell Luxbug loggers, and measuring colour changes with Minolta 2600d and Ocean Optics 2000 spectrometers, the research documents the effects on textiles, wooden furniture, and bone and ivory artefacts. Objects were periodically measured over several years to document colour changes, with measurements taken after 1, 2, 3, 6, and 11 years for furniture and textiles, and after 19 years for ivories, while bone objects were measured after over 70 years of display.", "mime": "application/pdf"}, {"id": "ccsj-393", "words": "10470", "extension": ".pdf", "flesch": "54", "author": "Prusak, B\u0142a\u017cej ; Muhammad Mushafiq", "title": "Interpreting colour symbolism in finance- Insights of financial expert", "date": "2025", "keywords": "association; authors; black; blue; colour; colour symbolism; culture; doi; experts; finance; green; journal; meaning; red; research; respondents; responses; science; study; symbolism; total", "summary": "Research on colour symbolism is also presented at conferences organised under the auspices of the International Colour Association, and the results are included in proceedings (see, e.g., Kwiatkowska- Interpreting colour symbolism in finance- insights of financial experts 9 Color Culture and Science Journal Vol. 17 (1) To the best of the author\u2019s knowledge, this is the first study of colour symbolism in finance conducted among financial experts and one of the few in this scientific field.", "mime": "application/pdf"}, {"id": "ccsj-394", "words": "4565", "extension": ".pdf", "flesch": "51", "author": "Perondi, Camilla", "title": "Chromatic Image: a New Imaging Method for the Examination of Works of Art", "date": "2024", "keywords": "art; colour; figure; image; imaging; method; science; study; values; works", "summary": "KEYWORDS technical imaging, chromatic image, image processing, preliminary examination, forensic imaging RECEIVED 14/08/2024; REVISED 18/10/2024; ACCEPTED 02/11/2024 Chromatic Image: a New Imaging Method for the Examination of Works of Art 44 Color Culture and Science Journal Vol. 16 (2) Adobe Photoshop\u00ae was used to process the dataset into chromatic images.", "mime": "application/pdf"}, {"id": "ccsj-397", "words": "6665", "extension": ".pdf", "flesch": "62", "author": "Ll\u00e0cer, Ar\u00e1nzazu ; Hirsch, Serena; Zalbidea-Mu\u00f1oz, Maria Antonia; Herrero-Cortell, Miquel Angel; Fuster-L\u00f3pez, Laura", "title": "Glazing over grisaille. A multi-band record of pigmented and dyed oil glazes", "date": "2024", "keywords": "band; color; cortell; degree; del; glazes; grisaille; herrero; kremer; lead; multi; pigments; science; white; yellow; zalbidea", "summary": "A multi-band record of pigmented and dyed oil glazes Ar\u00e1nzazu Ll\u00e1cer-Peir\u00f33, Serena Hirsch4, M. Antonia Zalbidea-Mu\u00f1oz2, Miquel \u00c0ngel Herrero-Cortell 1, Laura Fuster-L\u00f3pez3 1 Departamento de Comunicaci\u00f3n Audiovisual, Documentaci\u00f3n e Historia del Arte, UPV 2 Departamento de Conservaci\u00f3n y Restauraci\u00f3n de Bienes Culturales, UPV 3 Instituto Universitario de Restauraci\u00f3n del Patrimonio 4 Centro Conservazione e Restauro La Venaria Reale Corresponding author: Miquel \u00c0ngel Herrero-Cortell ABSTRACT The present paper addresses the visual and technical study of historical glazes, both organic and inorganic, applied over monochrome grisaille. A multi-band record of pigmented and dyed oil glazes 52 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160206 1.", "mime": "application/pdf"}, {"id": "ccsj-398", "words": "4486", "extension": ".pdf", "flesch": "54", "author": "Iocco, Carlo Alberto; Plutino, Alice; Cattaneo, Ambra; Armellin, Luca; Sassi, Matteo; Silva, Liliana; Rizzi, Alessandro", "title": "A playful approach for early screening of color blindness in Italian primary schools", "date": "2024", "keywords": "blindness; board; card; color; color blindness; game; players; science; screening", "summary": "The reliability of the qolour game for a preliminary screening of color blindness has been tested in several studies, and in this experimental context, it was used as a method to have a first distinction between children who had difficulties in the game due to possible color blindness, from children who presented difficulties due to other problems. 127 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160213 A playful approach for early screening of color blindness in Italian primary schools Carlo Alberto Iocco1, Alice Plutino1, Ambra Cattaneo1, Luca Armellin1, Matteo Sassi2, Liliana Silva3, Alessandro Rizzi1,2 1MIPS Lab, Department of Computer Science, University of Milan 2SAZ (Spiele Autoren Zunft eV) Italy 3 Department of Education and Human Sciences, University of Modena and Reggio Emilia Corresponding author: Carlo Alberto Iocco (carlo.iocco@unimi.it)", "mime": "application/pdf"}, {"id": "ccsj-40", "words": "5233", "extension": ".pdf", "flesch": "41", "author": "Borsotti, Marco", "title": "Contemporary architecture and colour: final definitions for mapping intent", "date": "2019", "keywords": "architecture; building; colour; culture; definitions; design; intent; journal; mapping; science; use; vol", "summary": "Introduction This text illustrates the third and final contribution \u2013 the first and second appeared in Colour and colorimetry VIII (Borsotti in Rossi, Siniscalco, 2012) and Colour and colorimetry X volumes (Borsotti, in Rossi, Marchiafava, 2014) \u2013 on the reflection that, moving between identification of contemporary paradigmatic case studies and hypotheses of classification of their outcomes within defined areas referring to common attitudes, look at the use of colour as a true design tool; a real \u201cmaterial\u201d for the realisation of an architectural program. Here, there is an intentionality to delve deeper into the idea of spatiality, designed as a layering of layers, which, as on a computer screen, are distinguished and managed through the attribution of different colours.", "mime": "application/pdf"}, {"id": "ccsj-402", "words": "24", "extension": ".pdf", "flesch": "7", "author": "Messa, Maurizio", "title": "Communications and Comments", "date": "2024", "keywords": "spectrophotometer", "summary": "Colour precision at your fingertips Accurate measurements of colour with our new portable spectrophotometer CM-17d, with an integrated viewfinder camera RETHINK PRECISION. Spectrophotometer NEW", "mime": "application/pdf"}, {"id": "ccsj-403", "words": "2293", "extension": ".pdf", "flesch": "28", "author": "Picollo, Marcello; del Hoyo-Mel\u00e9ndez, Julio M.", "title": "Editorial. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights", "date": "2024", "keywords": "article; color; conservation; culture; doi; heritage; journal; perception; review; science; studies", "summary": "Thamay Medeiros and Fabio Pinto da Silva DOI: 10.23738/CCSJ.160202 Paintings: monitoring varnish variations and their effect on color perception. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights Dear readers, The vibrant field of color science in cultural heritage, spanning materials analysis, color perception, and conservation strategies, enriches our understanding of cultural heritage and its degradation processes due to their intrinsic properties and the influence of environmental parameters.", "mime": "application/pdf"}, {"id": "ccsj-407", "words": "6247", "extension": ".pdf", "flesch": "51", "author": "Bortolotti, Alessandro", "title": "Exploring crossmodal correspondences through neuromarketing", "date": "2025", "keywords": "brand; color; consumer; experiences; inf; journal; marketing; neuromarketing; product; sensory", "summary": "In this context, sensory marketing can be defined as a revolutionary approach to consumer engagement that leverages the five human senses to create immersive and memorable product experiences. A key concept in sensory marketing is crossmodal correspondence, which explores how the activation of one sense can influence the perception of another.", "mime": "application/pdf"}, {"id": "ccsj-408", "words": "7919", "extension": ".pdf", "flesch": "45", "author": "Dantas, \u00cdtalo Jos\u00e9 de Medeiros; Curth, Marcelo; Teixeira, D\u00e9bora Pires; Soares J\u00fanior, Glauber; Batista, Fabiano Eloy At\u00edlio", "title": "Is there a color for sustainability in fashion products? A case study with Brazilian slow fashion footwear", "date": "2025", "keywords": "brands; brazilian; color; cultural; culture; design; fashion; fashion footwear; fashion products; footwear; journal; products; research; slow; study; sustainability; tones; visual", "summary": "In clothing, it is observed that the perception of product colors is strongly inf luenced by symbolic associations that link tones to sustainable practices, as previously discussed. Thus, slow fashion is an initiative aimed at raising awareness about reducing the pace of accelerated production to create sustainable fashion products.", "mime": "application/pdf"}, {"id": "ccsj-409", "words": "9565", "extension": ".pdf", "flesch": "37", "author": "Ribeiro, Fernanda; Schemes, Claudia; Dantas, \u00cdtalo Jos\u00e9 de Medeiros", "title": "Tactile coloration for inclusive fashion: the role of \u201cSee Color\u201d in enhancing autonomy for individuals with visual impairments", "date": "2025", "keywords": "analysis; autonomy; clothing; color; color palette; design; fashion; impairments; inclusion; individuals; journal; palette; process; research; role; rosa; self; social; system; visual", "summary": "Marchi (2019) highlights the potential of \u201cSee Color\u201d for use in clothing labels and accessories, suggesting that it could also be implemented in color palettes for fashion consulting. Development of inclusive tactile color palettes based on Rosa\u2019s experience Leveraging perceptions from the research sessions with Rosa, a tactile Winter color palette was created by the Feevale University Design Center to provide a practical and inclusive tool for visually impaired individuals.", "mime": "application/pdf"}, {"id": "ccsj-410", "words": "7331", "extension": ".pdf", "flesch": "51", "author": "Hofmann, Manfred; Hofmann-Sievert, Rita", "title": "Predicting the Light Stability of Contemporary Photographic Print Materials", "date": "2025", "keywords": "action; band; colorants; colour; exposure; fading; fig; light; materials; print; range; spectra; stability; test; wavelength; white", "summary": "There is a wealth of accelerated ageing test data of photographic print materials with different light sources, such as fluorescent and Xenon light for silver halide materials (Wilhelm and Bower, 1993) or inkjet prints (Wilhelm, 2004), fluorescent light for face mounted inkjet prints (Blaschke-Walther and Dobrusskin, 2015), and UV radiation for UV curing inkjet materials (Mareti\u0107 et al. 2021). The same set of photographic print materials as in our study was investigated by Duan (Duan, 2024) with a microfadometer (MF).", "mime": "application/pdf"}, {"id": "ccsj-415", "words": "5566", "extension": ".pdf", "flesch": "45", "author": "Mi\u0105sik, Paulina; P\u00e9nichon, Sylvie ; Granzotto, Clara; Sutherland, Ken", "title": "An investigation into the structure and color stability of Polaroid 20\u00d724 prints", "date": "2025", "keywords": "20\u00d724; color; conservation; generations; image; institute; layer; light; materials; polaroid; prints; stability; structure", "summary": "These findings contribute valuable insights into the material composition of Polaroid 20\u00d724 prints and inform display and preservation strategies, ensuring the longevity of these culturally significant artworks. All examined Polaroid 20\u00d724 prints share a glossy surface finish and exhibit no discernible differences in texture, maintaining a consistent aesthetic and tactile quality across generations.", "mime": "application/pdf"}, {"id": "ccsj-418", "words": "5386", "extension": ".pdf", "flesch": "54", "author": "Silva, Joana; Juline H\u00f8gly Petersen, Sille ; Ryhl-Svendsen, Morten; Stub Johnsen, Jesper; Brynjolf Pedersen, Karen", "title": "Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark", "date": "2025", "keywords": "ageing; colour; denmark; film; iso; patch; samples; slides; stability", "summary": "DOI: 10.23738/CCSJ.170211 Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark Joana Silva1, Sille Juline H\u00f8gly Petersen1, Morten Ryhl-Svendsen1, Jesper Stub Johnsen2, Karen Brynjolf Pedersen3 1 Royal Danish Academy - Conservation, Copenhagen, Denmark. ABSTRACT In the 1990s, chromogenic reversal films (also known as colour slides) were a widespread medium to document objects from museum collections.", "mime": "application/pdf"}, {"id": "ccsj-42", "words": "3257", "extension": ".pdf", "flesch": "40", "author": "Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo", "title": "'Khr\u00f4ma' the first software for management of the Color and Decoration Plan for small historic villages", "date": "2019", "keywords": "color; color plan; del; khr\u00f4ma; management; plan; software; villages", "summary": "ABSTRACT The 'Khr\u00f4ma' project is aimed at creating the first software for the management of the Color and Decoration Plan that can be applied to small historic villages. \u2018Khr\u00f4ma\u2019 the first software for management of the Color and Decoration Plan for small historic villages.", "mime": "application/pdf"}, {"id": "ccsj-425", "words": "3644", "extension": ".pdf", "flesch": "45", "author": "MARTONE, Maria; Fan, Tiantian", "title": "Color differences between Urban Digital Twin and the real city. Optimisations and compensations", "date": "2025", "keywords": "city; color; differences; digital; management; twin; urban", "summary": "KEYWORDS Urban Digital Twin, color management, digital urban colors, Color Validity Index RECEIVED 04/04/2025; The specific objectives of the research include assessing the current state of color management in the Helsinki Digital Twin, identifying color differences between the virtual and real city and proposing strategies to improve color fidelity in digital models.", "mime": "application/pdf"}, {"id": "ccsj-426", "words": "1400", "extension": ".pdf", "flesch": "51", "author": "Pompas, Renata", "title": "Rose. Une couleur aux proses avec le genre.: BOOK REVIEW", "date": "2025", "keywords": "bideaux; book; gender; pink; rose", "summary": "Pink is his magnificent obsession: involved in gender studies and a member of the Laboratory of Gender and Sexuality Studies, he has colored his own body, his environment, and his artwork pink. In the West, this trend emerged as early as the 19th century but became widespread in the 1950s when the parental tendency to anticipate children's personalities by establishing gender differences through the preservation of heterosexuality spread.", "mime": "application/pdf"}, {"id": "ccsj-427", "words": "2280", "extension": ".pdf", "flesch": "37", "author": "Rossi, Maurizio", "title": "Color Maps: Research Themes and Trajectories: Editor's note", "date": "2025", "keywords": "adobe; article; color; culture; design; doi; journal; pdf; review; reviewers; science; vol", "summary": "Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1.", "mime": "application/pdf"}, {"id": "ccsj-428", "words": "3827", "extension": ".pdf", "flesch": "37", "author": "Rossi, Maurizio", "title": "Contemporary Views on Color: Research and Applications between Science, Culture and Design", "date": "2025", "keywords": "color; color culture; culture; design; fashion; research; science", "summary": "The studies on Simultaneous Color Contrast (SCC) by Phuangsuwan et al. and on cross-modal correspondences in neuromarketing by Bortolotti, although with different approaches, converge in underlining how color perception is not an objective fact but a dynamic and relational process, influenced by the configuration of space, the presence of objects, Contemporary Views on Color: Research and Applications between Science, Culture and Design 95 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170108 lighting conditions and interactions with other sensorial stimuli (Bortolotti, 2025; Phuangsuwan et al., 2025). Color, Perception, and Multi-sensory Communication The topic of the visual and sensorial experience of color is addressed by two studies that, although with different methodologies, share an interest in subjective perception and the role of display technologies in determining chromatic effects.", "mime": "application/pdf"}, {"id": "ccsj-43", "words": "4334", "extension": ".pdf", "flesch": "44", "author": "Boeri, Cristina ", "title": "Color emotion as a feasible tool in a participatory project for a Primary School", "date": "2019", "keywords": "blue; children; color; design; emotion; primary; project; school", "summary": "KEYWORDS color emotion, color design, color preference, color in educational environments RECEIVED 16 May 2019; Color emotion as a feasible tool in a participatory project for a Primary School.", "mime": "application/pdf"}, {"id": "ccsj-430", "words": "79", "extension": ".pdf", "flesch": "30", "author": "Mi\u0105sik, Paulina", "title": "An investigation into the structure and color stability of Polaroid 20\u00d724 prints: Errata Corrige", "date": "2025", "keywords": "color", "summary": "119 Color Culture and Science Journal Vol. 17 (2) An investigation into the structure and color stability of Polaroid 20\u00d724 prints Paulina Mi\u0105sik, Sylvie P\u00e9nichon, Clara Granzotto, Ken Sutherland The Art Institute of Chicago, 111 S. Michigan Ave, Chicago, IL 60603, USA Corresponding author: Paulina Mi\u0105sik (paulinamiasikk@gmail.com) Errata Corrige Color Culture and Science Journal Vol. 17 (1) (2025), pages 82-91. Corrigendum Page 85, Figure 2: the figure is incorrect and needs to be substituted with the following one.", "mime": "application/pdf"}, {"id": "ccsj-437", "words": "5162", "extension": ".pdf", "flesch": "54", "author": "Farina, Carla", "title": "Chromatic Weaves: Color through rule and perception in the Work of Anni Albers", "date": "2025", "keywords": "albers; anni; anni albers; art; bauhaus; black; color; design; klee; material; perception; visual; weaving; work", "summary": "At the Bauhaus, the grid was a key tool in color theory: Klee used it to analyze the dynamic Chromatic Weaves: Color through rule and perception in the Work of Anni Albers 21 Color Culture and Science Journal Vol. 17 (2) The analysis is based on a formal reading of the patterns and color choices, integrated with comparisons to Bauhaus color theory to the influence of Latin American cultures that shaped her later production.", "mime": "application/pdf"}, {"id": "ccsj-44", "words": "2586", "extension": ".pdf", "flesch": "52", "author": "Giannattasio, Carlo ", "title": "The Tropical Aquarium: a case of polychrome decoration in the architecture of the early 1900s", "date": "2019", "keywords": "aquarium; color; decoration; figures; polychrome; ricci; work", "summary": "The covering was manufactured by the Ceramiche di Posillipo factory, but the design and construction were carried out by Paolo Ricci, a friend and colleague of Carlo Cocchia. The ornamentation was created by the majolica factory Ceramica di Posillipo, and specifically by Paolo Ricci, an eclectic artist of the 1900s.", "mime": "application/pdf"}, {"id": "ccsj-444", "words": "4191", "extension": ".pdf", "flesch": "48", "author": "Mucchetti, Francesca; Peruccio, Pier Paolo; Grigatti, Gianluca", "title": "Colors of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury", "date": "2025", "keywords": "aquarama; brand; colour; cream; culture; design; identity; luxury; orange; riva; upholstery; visual", "summary": "While in Riva yachts colour served a narrative and symbolic function\u2014embodying prestige and elegance through the refined use of glossy mahogany, ivory leather, and metallic details\u2014other sectors of industrial design during the same period developed their own distinctive approaches to colour and materials. KEYWORDS Visual Identity, Nautical Design, Color Semiotics, Riva Aquarama, Material Culture, Luxury Aesthetics, Mid-20th Century Style RECEIVED 24/06/2025; REVISED 15/09/2025; ACCEPTED 29/09/2025 Colours of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury 62 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170207 1.", "mime": "application/pdf"}, {"id": "ccsj-45", "words": "2211", "extension": ".pdf", "flesch": "60", "author": "Farini, Alessandro; Baldanzi, Elisabetta; Raffaelli, Marco; Russo, Francesco", "title": "Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case.", "date": "2019", "keywords": "colour; fiorentina; football; measurements; science; shirts", "summary": "41 Color Culture and Science Journal Vol. 11 (1) DOI: 10.23738/CCSJ.110105 Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case. ABSTRACT Football fans express their identification with their team especially with colours of football shirts.", "mime": "application/pdf"}, {"id": "ccsj-452", "words": "3632", "extension": ".pdf", "flesch": "39", "author": "MARTONE, Maria; Fan, Tiantian", "title": "The co-evolution of color and digital tools: a new logic for fashion design", "date": "2025", "keywords": "armani; color; culture; design; evolution; fashion; logic; material; new; pantone; prada; tools", "summary": "The Prada\u2013Armani comparison also highlights the rising role of digital color encoding as a design and communication tool. Through a five-phase periodization, the study highlights paradigm shifts in color design, illustrating how digital tools (such as Pantone systems, generative AI, and 3D simulation) have progressively transformed chromatic composition, affecting both visual coherence and the cultural semantics of color palettes.", "mime": "application/pdf"}, {"id": "ccsj-453", "words": "5752", "extension": ".pdf", "flesch": "48", "author": "Isaac, Geoffrey", "title": "Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design", "date": "2025", "keywords": "chair; colour; design; designers; furniture; grcic; interiors; material; new; panton; plastic; space", "summary": "Most people spend their lives Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design 53 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170206 housed in dreary, grey-beige conformity, mortally afraid of using colours. He believed colour could shape mood and perception, with the ability to energize, relax, or stimulate: He stated, \u2018choosing colours should not be a gamble.", "mime": "application/pdf"}, {"id": "ccsj-455", "words": "9210", "extension": ".pdf", "flesch": "62", "author": "Vitale, Marta", "title": "Ettore Sottsass: the colour in photography, the colour in design", "date": "2025", "keywords": "american; black; colour; colour photography; culture; design; ettore; ettore sottsass; meyerowitz; milano; new; photography; radice; sottsass; use; world; york", "summary": "Ettore Sottsass, photography and design, colour photography, Kodachrome, New Topographics, american landscape RECEIVED 24/06/2025; REVISED 23/09/2025; Several decades had to pass before colour photography achieved proper recognition and full artistic maturity, which was realized in particular thanks to the pioneers of the so-called New Color Photography [1].", "mime": "application/pdf"}, {"id": "ccsj-456", "words": "4674", "extension": ".pdf", "flesch": "54", "author": "Tomovic, Tina; Leysieffer, Jonas", "title": "The dematerialisation of colour: On the creative and ecological consequences of expanded colour spaces", "date": "2025", "keywords": "century; charts; colour; culture; design; industry; new; process; samples; textile; tool", "summary": "Colour charts bear evidence of the developments in this field, as they act as interface objects in a multidisciplinary and now globally active value chain. The text discusses how colour decisions are made in design, using colour charts as an example.", "mime": "application/pdf"}, {"id": "ccsj-457", "words": "5733", "extension": ".pdf", "flesch": "37", "author": "Hauqui Tonin, Paulo Eduardo; Ferrara, Marinella", "title": "The Chromatic Turn in Fashion Environment: From Radical to Sensory Experience Design", "date": "2025", "keywords": "affective; brand; color; culture; design; environments; experience; fashion; identity; immersive; multisensory; new; perception; red; turn", "summary": "ABSTRACT This study examines the evolving role of color in fashion-related built environments, tracing its historical and conceptual trajectory from the radical chromatic practices of the 1960s\u201370s to contemporary applications within sensory-experiential design. Findings reveal that color has transitioned from a compositional element to a dynamic medium capable of shaping perception, eliciting affective responses, conveying ideological stances, and structuring immersive brand narratives.", "mime": "application/pdf"}, {"id": "ccsj-46", "words": "4593", "extension": ".pdf", "flesch": "49", "author": "Bracci, Susanna; Magrini, Donata; Bartolozzi, Giovanni", "title": "Painted or not painted? Discovering color traces of ancient stones", "date": "2019", "keywords": "approach; blue; color; culture; fig; journal; liverani; polychromy; science; stones; traces; vil", "summary": "Understanding ancient polychromy is indeed a crucial issue since the lack of attention to this theme leads to a significant misunderstanding of both the artwork itself and of the artistic culture it represents. Today, despite important results achieved within the last few years, research on ancient polychromy is still at an early stage and shows some obvious limitations pertaining to the transferability of methodologies or findings (Gasanova 2018).", "mime": "application/pdf"}, {"id": "ccsj-463", "words": "5637", "extension": ".pdf", "flesch": "64", "author": "Rangel V\u00e1zquez, Nallely", "title": "The perfect harmony of white clothes", "date": "2025", "keywords": "author; city; color; corset; coutil; mexican; mexico; mexico city; porfirian; underwear; white; women", "summary": "Lindas Mexicanas: white corset in Mexico City One of the main contributions of my research was to demonstrate that corsets created by Mexican designers and produced in the country existed. At the same time, I demonstrate that white underwear was made from a variety of fibers.", "mime": "application/pdf"}, {"id": "ccsj-47", "words": "10649", "extension": ".pdf", "flesch": "50", "author": "Perdomo, Lina", "title": "Industrial colour invention: a comparative analysis from the perspective of the colourist designer", "date": "2019", "keywords": "colour; g 50y; l v; ncs; s g; s s; v y; y =; y s", "summary": "Paint & Coatings Industry Company A (Latin America) colour tool created in 2014 Company B (Europe) colour tool created in 2015 EXPERTISE OF THE CREATIVE ACTOR Engineering & marketing Colour design & fine arts COLOUR COMM. 3.2 Fan deck company B (Europe) \u2013 1650 colours (colour tool B)", "mime": "application/pdf"}, {"id": "ccsj-476", "words": "8126", "extension": ".pdf", "flesch": "50", "author": "Dalla Mura, Maddalena; Fava, Elena", "title": "Mediating Synthetic Fibers and Colour at the Centro Design Montefibre in the1970s, between Fashion Forecasting and Design Culture", "date": "2025", "keywords": "1970s; castelli; centre; centro design; colour; culture; design; design culture; design montefibre; fashion; fibres; forecasting; journal; market; production; research; section; textile; trend; trini", "summary": "To this end, they collaborated with experts including Adela Turin-Coat (textile design), Alessandro De Gregori (colour design), and the historian Franco Brunello, author of a book on the history of dyeing (1968). 79 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170209 Mediating Synthetic Fibres and Colour at the Centro Design Montefibre in the 1970s, between Fashion Forecasting and Design Culture Maddalena Dalla Mura, Elena Fava Universit\u00e0 Iuav di Venezia.", "mime": "application/pdf"}, {"id": "ccsj-48", "words": "5078", "extension": ".pdf", "flesch": "45", "author": "Barbato, Giuseppe; Bellia, Laura; Morone, Alfonso", "title": "How the colours of objects and light affect human emotions, performance and health. The need for a holistic approach to design indoor environment.", "date": "2019", "keywords": "colours; design; effects; environment; light; lighting; objects; performance; quality; research; sources; vol", "summary": "It appears necessary to establish reciprocal interactions among the different disciplines involved in the choice of objects and light colours, and namely among researchers in medical science, psychology, lighting and industrial design, in order to assess an interdisciplinary methodology that can be applied to indoor design. Given these premises, it appears necessary to establish reciprocal knowledge and interactions among the different disciplines involved in the choices for objects and light colours, and namely among researchers in medical science, psychology, lighting design and industrial design.", "mime": "application/pdf"}, {"id": "ccsj-486", "words": "2180", "extension": ".pdf", "flesch": "39", "author": "RICCINI, RAIMONDA", "title": "Design and Fashion Design: a Chromatic History", "date": "2025", "keywords": "color; culture; design; doi; fashion; history; journal; role; science", "summary": "The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. Color and Measurement/Instrumentation.", "mime": "application/pdf"}, {"id": "ccsj-487", "words": "5578", "extension": ".pdf", "flesch": "43", "author": "Riccini, Raimonda; Rossi, Maurizio", "title": "From Form to Meta-Design: Clino Trini Castelli\u2019s Theoretical Tools for CMF and Qualistics.", "date": "2025", "keywords": "castelli; cmf; color; culture; design; diagram; form; material; meta; qualistics; tools; trini; trini castelli; umbrella", "summary": "5.4 Applications and anticipations: from Memphis to ecological trends Initially a proprietary tool for Castelli Design clients such as Louis Vuitton, Herman Miller, and Mitsubishi, the Umbrella Diagram was employed both in industry and education, often confidentially until its first public presentation at the AIC Milan Congress in 2021 (Trini Castelli, 2021). In 1974 Castelli established CDM \u2013 Consulenti Design Milano, together with Branzi and Morozzi, later transformed into Castelli Design, a platform from which many of his theoretical innovations would emerge.", "mime": "application/pdf"}, {"id": "ccsj-49", "words": "4142", "extension": ".pdf", "flesch": "51", "author": "Fiorentin, Pietro; Pedrotti, Elena; da Pos, Osvaldo; Metellini, Ariella", "title": "Semantic resonance to light sources of different correlated colour temperature", "date": "2019", "keywords": "colour; halogen; illumination; light; participants; scales; sources; temperature", "summary": "Semantic resonance to light sources of different correlated colour temperature. In the entrance room a commercial viewing booth with different light sources was placed on a table; a large poster was hanging on the wall above and showed the main characteristics of the cabinet sources and the ways of measuring them by appropriate instruments.", "mime": "application/pdf"}, {"id": "ccsj-50", "words": "4344", "extension": ".pdf", "flesch": "61", "author": "Bideaux, K\u00e9vin", "title": "Millennial pink: gender, feminism and marketing. A critical Analysis of a color trend", "date": "2019", "keywords": "color; fashion; feminine; feminism; fig; gender; march; marketing; pantone; paris; pink; trend", "summary": "These two micro-genres of electronic music framed a visual aesthetic putting pink color as a driving element. The success of millennial pink lies in its ability to capture the consumer's attention aesthetically, symbolically and politically.", "mime": "application/pdf"}, {"id": "ccsj-51", "words": "1536", "extension": ".pdf", "flesch": "65", "author": "Pompas, Renata", "title": "Two books that describe pigments and dyes, in a different and complementary way.", "date": "2019", "keywords": "age; blue; pigments; purple", "summary": "It is a rich and complex text, divided into eight sections entrusted to different authors, who analysed pigments and dyes, described the materials, the production techniques, their history and application in painting and in textile dyeing. 1. Brown and orange pigments known since the antiquity.", "mime": "application/pdf"}, {"id": "ccsj-52", "words": "2286", "extension": ".pdf", "flesch": "41", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2017", "keywords": "color culture; colore; colore color; colour; culture; degli; del; del colore; maria; milano; rossi; science; scienza; universit\u00e0", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU) Anna Marotta (Politecnico di Torino, IT)", "mime": "application/pdf"}, {"id": "ccsj-53", "words": "9939", "extension": ".pdf", "flesch": "48", "author": "Rossi, Michela; Iarossi, Maria Pompeiana; Mele, Giampiero", "title": "Principles and applications. Consistency and experimentation in the work of Piero Bottoni, from the \u201cCromatismi\u201d to Sesto San Giovanni", "date": "2017", "keywords": "alla; architecture; architettonici; archivio; bottoni; building; che; city; color; color culture; colore color; come; con; corbusier; cromatismi; culture; dal; degli; dei; del; del colore; della; di sesto; giovanni; hall; issn; milano; nel; piero; piero bottoni; politecnico; rossi; san; san giovanni; science; scienza; sesto; sesto san; tonon; una; volume; work", "summary": "E\u2019 proprio questo spazio pubblico aperto il luogo da cui si pu\u00f2 meglio cogliere il sistema di relazioni in cui per Bottoni il colore, da attributo ornamentale degli edifici, si trasforma in strumento di costruzione del paesaggio urbano. L\u2019autore spiega che si tratta di situazioni immaginate per studiare il rapporto tra il vuoto e il colore insieme ai \u201cvalori di posizione\u201d, rispetto ai", "mime": "application/pdf"}, {"id": "ccsj-54", "words": "6883", "extension": ".pdf", "flesch": "53", "author": "Di Tommaso, Agapito ; Garro, Vincenzo; Gueli, Anna Maria; Martusciello, Sabina; Pasquale, Stefania", "title": "Colour quantity contrast in Itten\u2019s Theory: Spectrophotometry for verifying statements", "date": "2017", "keywords": "campioni; che; colore; colour; con; contrast; culture; dei; del; della; giallo; goethe; itten; maimeri; quantity; research; samples; schopenhauer; science; site; sono; valori; values; verde; viola", "summary": "tra ognuno dei valori reciproci di \u201cluminosit\u00e0\u201d dei colori riportati da Itten e intuiti da Schopenhauer e la somma i valori loro attribuiti tanto da Itten quanto da Schopenhauer.", "mime": "application/pdf"}, {"id": "ccsj-55", "words": "8366", "extension": ".pdf", "flesch": "44", "author": "Sabatini, Desir\u00e9e; Forte, Ivano; Schiavitti, Ilma; Sabatini, Mauro; Pietrini, Alessio", "title": "The recovery of the original colour of the archive material: the digital colour correction of the ancient anti- Semitic discourse of the Duce in 1938", "date": "2017", "keywords": "alla; archive; benito; che; colore; colour; con; correction; culture; dei; del; del colore; della; digital; discorso; duce; film; fotogramma; frame; gli; image; light; luce; material; mussolini; nel; non; originale; pellicola; pi\u00f9; restauro; restoration; sabatini; science; scienza; sono; speech; trieste; una", "summary": "(mezzi toni, alte e basse luci) e della gradazione di bianco e nero a livello globale, mentre sui fotogrammi che risultavano maggiormente sbiaditi (primi piani di Mussolini) Il montaggio del documentario permette allo spettatore di seguire tutte le fasi dello sfarzoso arrivo nel porto di Trieste del Duce; seguono sequenze panoramiche e del trasferimento in auto scoperta verso il centro della citt\u00e0: quando Mussolini raggiunge finalmente piazza dell\u2019Unit\u00e0 e, dopo aver salutato con un cenno della mano", "mime": "application/pdf"}, {"id": "ccsj-56", "words": "8609", "extension": ".pdf", "flesch": "65", "author": "Tallarita, Anna Luana", "title": "The meanings of the Red", "date": "2017", "keywords": "alla; aluminium; blood; century; che; color; colore color; con; culture; del; del colore; della; fenice; figure; fire; gemstones; gold; issn; jewellery; london; materials; metal; phoenix; red; rosso; sangue; science; scienza; simbolo; symbol; titanium; una; use; white", "summary": "Come il mito di Persefone che soggiorna nel regno [...] che la fenice more e poi rinasce, quando al cinquecentesimo appressa erba ne biada in sua vita non pasce, ma sol d\u2019incenso lacrima e d\u2019amomo, e nardo e mirra son l\u2019ultime fasce.", "mime": "application/pdf"}, {"id": "ccsj-57", "words": "2945", "extension": ".pdf", "flesch": "47", "author": "Kwiatkowska - Lubanska, Agata ", "title": "Colour as a mass product. Designing of the collection of interior paint colours for the Polish market", "date": "2017", "keywords": "collection; color; colours; design; market; names; trends", "summary": "Designing colour collections for two large Polish companies over several years has allowed me to make certain interesting observations concerning the specific colour preferences of the Polish customer, based on both sales results and the colour trends established by the Polish market, which are often different from the trends of Western Europe. As it has been shown by the research carried out by the Institute of Industrial Design in Warsaw in 2011, the basic reasons for choosing interior colours are as follows: individual colour preferences of consumers (48%), price (18%), colours of other furnishings (15%), family and friends\u2019 advice (8%), designs derived from the interior and architectural magazines (5%), sale special offers (4%), others (2%).", "mime": "application/pdf"}, {"id": "ccsj-58", "words": "5474", "extension": ".pdf", "flesch": "40", "author": "Casciani, Daria; Rossi, Maurizio", "title": "Exploring the relationship between LEDs Lighting, Urban materials chromaticity and People: measurements, design and evaluation", "date": "2017", "keywords": "colore; colour; design; different; green; illuminant; lighting; materials; rendering; saturation; urban", "summary": "A preliminary selection of urban material, representative of different \u201curban colourscapes\u201d, was then followed by the definition of several lighting receipts (illuminants) which were defined by three research hypotheses. This paper aims at investigating the urban colourscape by night, considering issues related to urban materials, lighting design practice and LEDs lighting technologies.", "mime": "application/pdf"}, {"id": "ccsj-59", "words": "1925", "extension": ".pdf", "flesch": "56", "author": "Pompas, Renata", "title": "Riccardo Falcinelli, CROMORAMA. How color changed our gaze. Einaudi Stile Libero Extra, Torino, 2017.", "date": "2017", "keywords": "che; color; con; del; della; falcinelli; riccardo", "summary": "Vestirsi per amare e per significare\u201d indaga sul significato recondito del blu in letteratura. How color changed our gaze\u201d ISSN 2384-9568 Renata Pompas L\u2019argomento colore conosce ultimamente un grande interesse da parte del pubblico, sollecitato da numerosi articoli (si pensi alla rubrica \u201cSfumature\u201d pubblicata settimanalmente dal quotidiano La Repubblica) pubblicazioni varie e libri.", "mime": "application/pdf"}, {"id": "ccsj-60", "words": "2049", "extension": ".pdf", "flesch": "48", "author": "Lecca, Michela; da Pos, Osvaldo ", "title": "Communications and Comments", "date": "2017", "keywords": "color; information; perception; science; sensation", "summary": "In this framework, many issues have to be addressed, first of all the definition of color sensation and color perception. The debate between Anglo-Saxon and American theories opens the problem to determine which features are captured and/or involved in color sensation and in color perception.", "mime": "application/pdf"}, {"id": "ccsj-62", "words": "2099", "extension": ".pdf", "flesch": "38", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2016", "keywords": "associazione; colore; culture; degli; del; italiana; milano; politecnico; rivista; science; scienza; studi; universit\u00e0", "summary": "La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, \u00e8 giunta al suo terzo anno di vita con la pubblicazione di questo numero sei. Giulia Pellegri, organizer of Conferenza del Colore 2014, within themes of analytical drawing and representation, 6 Cultura e Scienza del Colore - Color Culture and Science | 06", "mime": "application/pdf"}, {"id": "ccsj-63", "words": "9210", "extension": ".pdf", "flesch": "50", "author": "Colonnese, Fabio", "title": "Chromatic gradation as a symbolic and spatial device in the European context: Piero Bottoni\u2019s Cromatismi architettonici", "date": "2016", "keywords": "alla; anche; architecture; architettonici; bottoni; buildings; che; citt\u00e0; city; colonnese; color; color culture; colore color; con; context; cromatiche; cromatismi; culture; dal; degli; dei; del; del colore; della; digital; figure; fronts; gli; gradation; issn; nel; non; parte; piero; piero bottoni; pi\u00f9; science; scienza; sono; street; una", "summary": "Le due versioni di S1 presentano alcuni interessanti casi di inversione cromatica: in particolare gli edifici caratterizzati da due diverse tinte blu si traducono in gradazioni complementari invertite tra il giallo e il verde. Se la policromia urbana di Bottoni per Le Corbusier non poteva essere dissociata da nuovi criteri di composizione architettonica, riducendosi altrimenti ad un semplice correttivo, un rimedio contro \u201cla casualit\u00e0 che presiede alla costruzione della citt\u00e0 attuale\u201d", "mime": "application/pdf"}, {"id": "ccsj-64", "words": "7911", "extension": ".pdf", "flesch": "42", "author": "Versaci, Antonella; Cardaci, Alessio", "title": "The restoration of color in the French historic cities: approaches, methods and experiences", "date": "2016", "keywords": "alla; architectural; che; cities; citt\u00e0; city; cler; color; color culture; colore color; con; couleur; culture; dal; degli; dei; del; del colore; delle; facciate; figure; france; heritage; issn; lenclos; nel; patrimoine; pi\u00f9; restoration; science; scienza; una; urban", "summary": "Figura 4 - France e Michel Cler, Schema di riferimento cromatico dell\u2019area della Romaniquette a Istres, 1985 (\u00a9Fonds national d\u2019art contemporain, Centre Pompidou, Parigi) del coeur di paesi e villaggi, tramite il colore. la caratterizzazione e la riconoscibilit\u00e0 dello spazio urbano e il miglioramento della qualit\u00e0 di vita degli abitanti.", "mime": "application/pdf"}, {"id": "ccsj-65", "words": "6404", "extension": ".pdf", "flesch": "45", "author": "Gregoris, Chiara", "title": "Colour and light in communication of fabric fa\u00e7ades", "date": "2016", "keywords": "architecture; building; che; colore; colour; communication; con; culture; dei; del; della; essere; fabric; facciata; fa\u00e7ades; images; light; luce; media; science; scienza; sono; surfaces; tessuto; una; use", "summary": "L\u2019edificio di notte diventa un Landmark, una scultura luminosa visibile dalla lunga distanza che imprime un segno forte nel territorio.[6] Un altro esempio di Landmark che, a differenza dell\u2019esempio precedente, si trova in un contesto urbano \u00e8 la Copenhagen Concert Hall di Jean Nouvel. i fruitori dell\u2019edificio, ma con tutto il contesto circostante e le persone che vi transitano.", "mime": "application/pdf"}, {"id": "ccsj-66", "words": "2712", "extension": ".pdf", "flesch": "48", "author": "Biasi, Valeria; Bonaiuto, Paolo", "title": "Emotional Qualities of Colours Added to Humorous Illustrations", "date": "2016", "keywords": "biasi; board; bonaiuto; colorations; figure; humour", "summary": "Biasi V. and Bonaiuto P. (2016) \u2018Emotional Qualities of Colours Added to Humorous Illustrations\u2019, Cultura e Scienza del Colore - Color Culture and Science Journal, 06, pp. [7] V. Biasi, P. Bonaiuto, \u201cThe graphic-pictorial language of stress (conflict) and comfort (agreement) in fairy tale illustrations\u201d.", "mime": "application/pdf"}, {"id": "ccsj-67", "words": "4053", "extension": ".pdf", "flesch": "48", "author": "Bollini, Letizia", "title": "Topos vs. Iris. Colour design in Web 3.0 mobile app and OS: a critical review", "date": "2016", "keywords": "blue; colour; design; generation; language; red; web", "summary": "KEYWORDS Colour design, Visual language of colour, Colour in Web 3.0, Colour in social media, Colour blindness accessibility CITATION: If the first generation of Internet adopts a set of colours to indicate the different states of the interaction of a link or a button \u2013 i.e. link: blue, active link: red, visited link: purple \u2013 in Web 2.0, the semantic of colour becomes more complex.", "mime": "application/pdf"}, {"id": "ccsj-68", "words": "4337", "extension": ".pdf", "flesch": "36", "author": "Pellegri, Giulia ", "title": "Chromatic and decorative planning choices: geometry, knowledge and survey", "date": "2016", "keywords": "architecture; color; decoration; del; drawing; elements; figure; knowledge; study; survey", "summary": "It\u2019s fundamental to highlight how the drawing and the color are related to the potential conditionings that may accentuate, mitigate, reduce or differentiate the individual elements, making a proportionate or perceptually distorted building, through the research about the drawing of the patterns and the visual perception of painted decoration. The City and Country Builder \u2018s and Workman \u2018s Treasury of Designs or The Art of Drawing and Working the Ornamental Parts of Architecture Figure 3 - The City and Country Builder \u2018s and Workman \u2018s Treasury of Designs: Or, The Art of Drawing and Working the Ornamental Parts of Architecture Langley, Thomas London, 1740 Langley, Thomas London (Figure 3), 1740 and The principles of architecture Nicholson, Peter London, 1795-1798 (Figure 4), that are actual implementation of practical manuals about architectural decoration and composition of the fa\u00e7ade.", "mime": "application/pdf"}, {"id": "ccsj-69", "words": "5239", "extension": ".pdf", "flesch": "46", "author": "Cavaleri, Tiziana; Clonier, Isabelle; Croveri, Paola; Giovagnoli, Annamaria; Piccirillo, Anna", "title": "Colorimetric and spectrophotometric analyses for an ecoinnovative application of natural dyeing in textile conservation", "date": "2016", "keywords": "ccr; colour; critt; dyeing; dyes; iron; lactate; samples", "summary": "Considering CRITT samples simulating the triangle\u2019s sides, one problem about the use of natural dyes emerges soon: \u0394E00 calculated between close natural samples (table 1) are high and non-homogenous, suggesting that operator SAMPLES OF COLOURS ALONG THE YMG TRIANGLE\u2019S SIDES Pre-metallized YM mixtures CRITT natural dyeing Pre-metallized YG mixtures CRITT natural dyeing Pre-metallized MG mixtures CRITT natural dyeing Magenta % \u0394E00 between close samples \u0394E00 be- tween close samples Grey % \u0394E00 between close samples \u0394E00 between close samples Grey % \u0394E00 between close sam- ples \u0394E00 between close samples 0 0 0 10 19.2 19.1 10 26.3 12.4 10 5.2 6.2 20 11.3 12.2 20 9.2 21.3 20 4.1 11.3 30 5.1 11.4 30 6.4 14.5 30 2.2 7.4 40 4.3 6.3 40 4.1 5.1 40 2.1 3.3 50 1.2 7.2 50 3.2 50 2.3 4.1 60 3.4 7.3 60 3.1 18.2 60 2.3 5.2 70 2.1 15.3 70 3.1 5.4 70 2.1 4.2 80 2.2 7.2 80 2.4 6.1 80 2.4 5.3 90 2.4 2.2 90 2.2 4.1 90 1.2 4.1 100 3.3 3.4 100 2.1 3.2 100 1.3 3.2 Table 1 - Trends of the \u0394E00 calculated between couples of close samples along the YMG triangle\u2019 sides and between their respective couples of samples reproduced by CRITT with natural ingredients 74 Cultura e Scienza del Colore - Color Culture and Science | 06 NATURAL DYES AND NON-TOXIC MORDANTS BEHAVIOR Inside the collection of natural samples made by CRITT, many recipes contain more than one dye and/or more than one mordant.", "mime": "application/pdf"}, {"id": "ccsj-70", "words": "652", "extension": ".pdf", "flesch": "60", "author": "Pompas, Renata", "title": "Food, colour and art", "date": "2016", "keywords": "food; red", "summary": "Originally it was the name of a performance by Bice Perrini at the Galleria Bluorg in Bari, it has now become a brand known for its tagline \u2018Eating with eyes\u2019, dealing with food production and sale, catering, food tasting, workshops, and art events. However, the general public and many artists too have recently focused more and more on the colours of food.", "mime": "application/pdf"}, {"id": "ccsj-71", "words": "1317", "extension": ".pdf", "flesch": "46", "author": "Lecca, Michela; da Pos, Osvaldo ", "title": "Communications and Comments", "date": "2016", "keywords": "color; communication; pos", "summary": "Michela Lecca gave some examples of color as communication tool in science: colors \u03c4\u03cc \u03b4\u03b9\u03b1\u03bb\u03ad\u03b3\u03b7\u03c3\u03b8\u03b1\u03b9 \u03b5\u03c3\u03c4\u03af \u03c4\u03cc \u03bc\u03ae\u03b3\u03b9\u03c3\u03c4\u03bf\u03bd \u03b1\u03b3\u03b1\u03b8\u03cc\u03bd The dialog is the highest good. An example of color based synesthesia was reported also by Francesca Valan, industrial designer with strong competences on color.", "mime": "application/pdf"}, {"id": "ccsj-75", "words": "1904", "extension": ".pdf", "flesch": "36", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2017", "keywords": "anna; colore; culture; degli; del; italiana; milano; politecnico; science; scienza; studi; universit\u00e0", "summary": "La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, con questo numero 7 \u00e8 approdata al quarto anno di pubblicazione. Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU)", "mime": "application/pdf"}, {"id": "ccsj-76", "words": "3705", "extension": ".pdf", "flesch": "63", "author": "Tallarita, Anna Luana", "title": "Red: the symbol in history", "date": "2017", "keywords": "blood; che; color; con; culture; dei; del; della; fire; life; red; rosso; sangue; sono; symbol", "summary": "\u00e8 venuto con acqua e sangue, Ges\u00f9 Cristo; non con acqua soltanto, ma con l\u2019acqua, e con il sangue. La storia attribuisce al rosso i simboli del potere, della religione e della guerra.", "mime": "application/pdf"}, {"id": "ccsj-77", "words": "9730", "extension": ".pdf", "flesch": "47", "author": "Marotta, Anna", "title": "Art and Colour in the Requali cation of Urban Areas and Landscapes", "date": "2017", "keywords": "alla; anche; architecture; areas; aree; art; attraverso; che; citt\u00e0; colore; colore color; colour; come; con; cultura e; culture; dal; dei; del; del colore; della; design; e scienza; essere; falchera; issn; l\u2019arte; marotta; nel; new; non; outskirts; periferie; pi\u00f9; public; questo; requalification; science; scienza; street; torino; una; urban; work", "summary": "Definire la parola \u201cbrutto\u201d equivale a confrontarsi con una problematica complessa: /brutto/ rimanda comunemente a ci\u00f2 che viene definito \u201csgradevole, che non piace, che crea disagio, non adatto, che va contro la morale\u201d spesso, nella storia dell\u2019Architettura come dell\u2019Arte, associato a concetti di nuovo e contemporaneo: a titolo esemplificativo, 17 Cultura e Scienza del Colore - Color Culture and Science Nel nuovo paesaggio di suburbi, lo spazio restante tra gli agglomerati perde il carattere di filtro e assume quello di terra di nessuno\u00bb", "mime": "application/pdf"}, {"id": "ccsj-78", "words": "4782", "extension": ".pdf", "flesch": "53", "author": "Lecca, Michela", "title": "Using Color and Local Binary Patterns for Texture Retrieval", "date": "2017", "keywords": "algorithm; color; distance; histograms; illuminant; image; lbp; retrieval; texture", "summary": "Her research interests include color image processing, object recognition, image retrieval and labeling, and low-level image processing for embedded vision systems. In fact, the change of image colors due to an illuminant change is well approximated by the von Kries diagonal map between the color responses captured under the varied lights", "mime": "application/pdf"}, {"id": "ccsj-79", "words": "10126", "extension": ".pdf", "flesch": "48", "author": "Apollonio, Fabrizio Ivan; Ballabeni, Andrea; Gaiani , Marco ", "title": "Highlight and Specular reflection removal in photogrammetric techniques applied to Architectural Heritage 3D modeling", "date": "2017", "keywords": "background; color; figure; flow; image; pipeline; proceedings; reflection; removal; results; segmentation; separation; techniques; vol", "summary": "[25] G.J. Klinker, et al., \u201cThe measurement of highlights in color images\u201d, IJCV, 1988, Vol. 2, N. 1, pp 7-32. [26] K. Schluns, A. Koschan, \u201cGlobal and local highlight analysis in color images\u201d, CGIP \u20182000 Proceedings, 2000, pp. 300-304.", "mime": "application/pdf"}, {"id": "ccsj-80", "words": "5807", "extension": ".pdf", "flesch": "49", "author": "Nishi, Shogo; Kimachi, Akira; Doi, Motonori; Tominaga, Shoji ", "title": "Image Registration for a Multispectral Imaging System Using Interference Filters and Application to Digital Archiving of Art Paintings", "date": "2017", "keywords": "calibration; color; image; imaging; interference; misregistration; surface; system; wavelength", "summary": "Although luminance is an important image feature that is utilized in many registration methods, this feature is not available for registration because the luminance of spectral image varies between wavelength bands. Although a non-linear image registration method can be used to calibrate the distortion caused by misregistration, the method cannot be easily adapted for spectral images with considerable changes in luminance values.", "mime": "application/pdf"}, {"id": "ccsj-81", "words": "5132", "extension": ".pdf", "flesch": "54", "author": "Sandford, Jodi L.", "title": "Color categorial perception and second language acquisition", "date": "2017", "keywords": "blue; boundary; category; children; color; language; naming; perception; red", "summary": "Jodi L. Sandford jodi.sandford@unipg.it University of Perugia Color categorial perception and second language acquisition ABSTRACT This paper illustrates results of perceptual and linguistic experiments conducted to verify \u201ccategorial perception\u201d, naming, and comprehension of color terms in Italian as mother tongue and in English as a second language. Sandford J. L., (2017) \u2018Color categorial perception and second language acquisition\u2019, Cultura e Scienza del Colore - Color Culture and Science Journal, 07, pp.", "mime": "application/pdf"}, {"id": "ccsj-83", "words": "2074", "extension": ".pdf", "flesch": "58", "author": "Lecca, Michela; da Pos, Osvaldo ", "title": "Communications and Comments", "date": "2017", "keywords": "color; culture; del; food; issue", "summary": "In this column, we focus our attention on the topic \u201cFood & Colour\u201d that is of great interest for all of us, because color- based food visual inspection allows to decide about the freshness of the food, and food color often unawares influences our food choices. These images show the large variety of food colors and they are an example of how food can stimulate the human creativity.", "mime": "application/pdf"}, {"id": "ccsj-84", "words": "1052", "extension": ".pdf", "flesch": "62", "author": "Pompas, Renata", "title": "Michel Pastoureau \u201cRosso. Storia di un colore\u201d", "date": "2017", "keywords": "colore; del; pastoureau; red; rosso", "summary": "Pastoureau conclude scrivendo che, pur non essendo pi\u00f9 in testa alle preferenze dell\u2019Occidente \u00e8 il colore che: \u201crimane insuperato sul piano simbolico\u201d. Cultura e Scienza del Colore - Color Culture and Science 78 Cultura e Scienza del Colore - Color Culture and Science | 07 | 2017 | Pompas R. ISSN 2384-9568 Renata Pompas Michel Pastoureau ha presentato, come aveva promesso, il quarto libro della serie dedicata alla storia", "mime": "application/pdf"}, {"id": "ccsj-85", "words": "1342", "extension": ".pdf", "flesch": "40", "author": "Mignani, Anna Grazia; Farini, Alessandro", "title": "Index&Editorial", "date": "2016", "keywords": "colore; culture; del; food; milano; science; scienza", "summary": "Jodi L. Sandford (Universit\u00e0 di Perugia, IT) Raimondo Schettini (Universit\u00e0 degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szab\u00f3 (University of Pannonia, HU) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (Associazione Italiana Colore, IT) Gabriel Marcu (Apple, USA)", "mime": "application/pdf"}, {"id": "ccsj-86", "words": "2623", "extension": ".pdf", "flesch": "60", "author": "Hidaka, Kyoko ", "title": "A Comparison of Color Schemes and Images in the Package Design of Sweets in the US and Japan", "date": "2016", "keywords": "color; japan; japanese; sweets", "summary": "In the US, marketing to children and color scheme of American comics deeply influence the design and colors of sweets packages. Figure 2 - US Sweets (right) of typical colors used in packages, sequenced from the first to fifth place.", "mime": "application/pdf"}, {"id": "ccsj-87", "words": "2297", "extension": ".pdf", "flesch": "60", "author": "Musso, Maria Luisa", "title": "Colour as a Code in Food Packaging: an Argentine Case", "date": "2016", "keywords": "code; color; fat; food; green; products", "summary": "In Spain, for instance, light products began to appear in the 80\u2019s proposed as healthy products. Big companies of massive consumer products invested heavily in communication to encourage the establishing of an expressive symbolic code.", "mime": "application/pdf"}, {"id": "ccsj-88", "words": "4384", "extension": ".pdf", "flesch": "60", "author": "Mastropietro von Rautenkrantz, Marina ", "title": "Colour in Food Packaging Strategies and Rules", "date": "2016", "keywords": "barilla; blue; colore; colour; del; food; light; market; package; packaging; product", "summary": "Mastropietro von Rautenkrantz M. (2016) \u2018Colour in Food Packaging Strategies and Rules\u2019, Cultura e Scienza del Colore - Color Culture and Science Journal, Special Issue on Food and Colour, 05, pp. 21-30, DOI: 10.23738/ccsj.i52016.03 Received 07 July 2015; Revised 22 February 2016; Accepted 02 March 2016 Cultura e Scienza del Colore - Color Culture and Science | Special Issue on Food Color | 05 | 2016 | 21 - 30 22 Mastropietro von Rautenkrantz M. ISSN 2384-9568 DOI: 10.23738/ccsj.i52016.03 1. FOOD PACKAGING Originally conceived to prevent diseases deriving from poor sanitary conditions, food packaging means more than a mere food package. Changes and adaptations of product packaging, shape and colour are common to meet country specific expectation.", "mime": "application/pdf"}, {"id": "ccsj-89", "words": "3988", "extension": ".pdf", "flesch": "38", "author": "Casciani , Daria ; Musante, Fulvio ; Rossi , Maurizio ", "title": "Domestic Horticultural - Centric Lighting Design", "date": "2015", "keywords": "centric; color; del; figure; food; leds; lighting; plant; science; system", "summary": "Finally, LEDs were recognized as a more efficient technology for indoor growing compared to traditional lighting systems not only in terms of lower energy consumption but also in terms of the lighting quality provided that responds more precisely to plants\u2019 needs, thus defining a more productive growing system. It allows to adjust its height in order to better adapt to different plants and also to different levels of growth in an efficient way (Figure 7).", "mime": "application/pdf"}, {"id": "ccsj-90", "words": "3603", "extension": ".pdf", "flesch": "67", "author": "Ling, Lucie ", "title": "Tea versus celadon: some chromatic interactions", "date": "2016", "keywords": "celadon; chinese; color; culture; del; green; science; tea", "summary": "[4] Put another way, in addition to look jade-like, the scholars find that enamel\u2019s color matches perfectly with green tea. (p149) This said, it is not simply a matter of \u00abtea\u00bb, it is also a blend of aromatic herbs, spices or condiments and sometimes, dry fruits.", "mime": "application/pdf"}, {"id": "ccsj-91", "words": "4136", "extension": ".pdf", "flesch": "60", "author": "Chambers , Paul ; Patera , Marianne ; Cox , Trevor ", "title": "A Look into Cross-modal Associations between Taste, Color and Music", "date": "2016", "keywords": "associations; color; experiment; participants; perception; pitch; taste", "summary": "Color showed a statistically significant effect on sweet taste perception, with red and green being linked to higher sweetness scores than blue or white. Color was found to have a significant effect on taste perception with a significance value of p = 0.0005 (F= (3, 54) = 7.292), which also returned a partial Eta squared effect size of \u03b72= 0.757.", "mime": "application/pdf"}, {"id": "ccsj-92", "words": "5203", "extension": ".pdf", "flesch": "52", "author": "Poli, Anna", "title": "Food Perception Without Colors", "date": "2016", "keywords": "achromates; achromatopsia; color; color vision; food; people; perception; person; sensations; vision", "summary": "But if a person lacks the sensorial perception of food colors does the stimulation of gastric juices always rely on the visual channel? What effects does this lack of color perception have on their nutrition?", "mime": "application/pdf"}, {"id": "ccsj-93", "words": "2275", "extension": ".pdf", "flesch": "37", "author": "Rossi, Maurizio", "title": "Index&Editorial", "date": "2018", "keywords": "color; culture; del; milano; politecnico; review; science; scienza; university", "summary": "The experience of equivalent luminous colors at architectural scale by Ute Besenecker, Ted Krueger, John Bullough, Zachary Pearson, Robert Gerlach The changing colour of CHANEL\u2019s lipstick ranges from 1960 to 2015 by H\u00e9l\u00e8ne de Clermont-Gallerande, Nicolas Rolland, Patrick Doucet, Julie Deydier, Anne Varichon, Barbara Blin-Barrois Light and colors in the \u201cVilla dei Misteri\u201d by Laura Bellia, Massimo Osanna, Gennaro Spada, Annamaria Mauro, Chiara Donzella, Francesca Fragliasso, Emanuela Stefanizzi A Colour Palette Methodology by Maria Kirk Mikkelsen Blue color traditions in Polish wooden architecture \u2013 valuable cultural heritage and a source of inspiration by Justyna Tarajko-Kowalska Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula? by Manuel Melgosa, Guihua Cui, Claudio Oleari, Pedro J. Pardo, Min Huang, Changjun Li, Ming Ronnier Luo From decoration to industrial design: Gio Ponti and color in architectural innovation by Michela Rossi and Giorgio Buratti The contribution of colour in the artistic representation of the sacred. Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (GdC-Associazione Italiana Colore, IT)", "mime": "application/pdf"}, {"id": "ccsj-94", "words": "3994", "extension": ".pdf", "flesch": "57", "author": "Benkhedda, Meriem; Tabet Aoul , Kheira", "title": "Color on Ceramics in the Medieval Architecture of Tlemcen, Algeria: Light, Ambiance and Symbolism", "date": "2018", "keywords": "algeria; black; color; green; light; mosque; tlemcen; white; yellow", "summary": "Comparatively, little has been done in terms of the study of color design and arrangements. This research attempts to explore first, an untapped ancestral know-how or \u201csavoir- faire\u201d and second, to demonstrate that this architectural heritage has a colorful atmosphere, whose evolution is linked to the relationship between shapes, lights, materials and colors as well as its socio-cultural context.", "mime": "application/pdf"}, {"id": "ccsj-96", "words": "4004", "extension": ".pdf", "flesch": "47", "author": "Besenecker, Ute; Krueger, Ted; Pearson, Zachary; Bullough , John D. ; Gerlach , Robert ", "title": "The experience of equivalent luminous colors at architectural scale", "date": "2018", "keywords": "amber; color; conditions; cyan; light; lighting; participants; study", "summary": "Figure 3 -Spectral power distributions of cyan conditions 2-7 in relation to condition 1 (scaled for relative light level). Further to exploring the differences between the luminous color conditions, the studies showed differences between luminous color and illuminated colored paint (illuminated color).", "mime": "application/pdf"}, {"id": "ccsj-97", "words": "6437", "extension": ".pdf", "flesch": "68", "author": "de Clermont- Gallerande, H\u00e9l\u00e8ne; Rolland, Nicolas; Doucet, Patrick; Deydier, Julie; Varichon, Anne; Blin-Barrois, Barbara", "title": "The changing colour of CHANEL\u2019s lipstick ranges from 1960 to 2015", "date": "2018", "keywords": "chanel; colour; dor\u00e9; ncs; r10b; r20b; reds; rouge; sari; shades; y80r; years", "summary": "Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 B\u00e9nar\u00e8s63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruy\u00e8re 30 Rose Fission 19 Rouge N\u00b01948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose \u00c9clat 91 Rose \u00c9clat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Pr\u00e9cieux #17 Intensit\u00e9 Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N\u00b019 55 Envo\u00fbtant 79 Insolite 91 Rose \u00c9clat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d\u2018Or61 Rose de Glace 41 Pr\u00e9cieux17 Intensit\u00e9 Rose #9 Rouge N\u00b01955 Evo\u00fbtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envo\u00fbtant Berry11 Sir\u00e8ne7 Bengale 19 Rouge N\u00b01957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azal\u00e9a 34 Sirocco44 Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 B\u00e9nar\u00e8s63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruy\u00e8re 30 Rose Fission 19 Rouge N\u00b01948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose \u00c9clat 91 Rose \u00c9clat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Pr\u00e9cieux #17 Intensit\u00e9 Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N\u00b019 55 Envo\u00fbtant 79 Insolite 91 Rose \u00c9clat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d\u2018Or61 Rose de Glace 41 Pr\u00e9cieux17 Intensit\u00e9 Rose #9 Rouge N\u00b01955 Evo\u00fbtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envo\u00fbtant Berry11 Sir\u00e8ne7 Bengale 19 Rouge N\u00b01957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azal\u00e9a 34 Sirocco44", "mime": "application/pdf"}, {"id": "ccsj-99", "words": "5933", "extension": ".pdf", "flesch": "53", "author": "Bellia, Laura; Osanna , Massimo ; Spada , Gennaro ; Mauro , Annamaria ; Donzella , Chiara ; Fragliasso , Francesca ; Stefanizzi , Emanuela ", "title": "Light and colors in the \u201cVilla dei Misteri\u201d", "date": "2018", "keywords": "area; color; light; lighting; paintings; points; reflectance; triclinium; villa; wall", "summary": "For example, Graphs 4-5 report results referred to RO area characterized by a so-called Pompeiian red and to L area that is perceived as greyish-blue colored. Then, the wall- painting was divided in several chromatic areas based on its predominant colors.", "mime": "application/pdf"}]