item: #1 of 270 id: ccsj-100 author: Mikkelsen, Maria Kirk title: A Colour Palette Methodology date: 2018 words: 3030 flesch: 59 summary: Since a design process is influenced and controlled by various methods, this project suggests using a defined methodology in the work with colour palettes in order to give more variety to the design of colour schemes. THE COLOUR COMBINATION CARDS The Colour Combination Cards (Mikkelsen 2018) is a colour palette methodology developed for design students. keywords: cards; colour; design; phase; scheme cache: ccsj-100.pdf plain text: ccsj-100.txt item: #2 of 270 id: ccsj-101 author: Tarajko-Kowalska, Justyna title: Blue color traditions in Polish wooden architecture – valuable cultural heritage and a source of inspiration date: 2018 words: 4734 flesch: 54 summary: Apart from its aesthetical value, blue color in Poland had also utilitarian functions and symbolical ones, just like tokens and magic symbols, involving the protection of inhabitants from evil, as well as connotations in Catholic religion between blue hue and Virgin Mary or Archangel Michael, as well as the Heaven itself. KEYWORDS Blue color, blue pigments, color in architecture, color traditions, color symbolic, façade color, color in the built environment CITATION: keywords: architecture; blue; century; color; heaven; kowalska; poland; polish; tarajko; ultramarine; use cache: ccsj-101.pdf plain text: ccsj-101.txt item: #3 of 270 id: ccsj-102 author: Rossi, Michela; Buratti, Giorgio title: From decoration to industrial design: Gio Ponti and color in architectural innovation date: 2018 words: 5680 flesch: 55 summary: About ten years later, the ceramic floors of Salzburger Nachrichten’s offices were a hymn to colour, thanks to the abstract geometric composition that fit to the irregular shape of the rooms’ floors, combining tiles with different colours and patterns. Cultura e Scienza del Colore - Color Culture and Science 67 Cultura e Scienza del Colore - Color Culture and Science | 10 | 2018 ISSN 2384-9568 From decoration to industrial design: Gio Ponti and color in architectural innovation ABSTRACT Gio Ponti (1891-1979) was one of the first Italian architects who actively dealt with industrial design, combining the classical tradition of craftsmanship with the request for modernity. keywords: architecture; colore; colour; decoration; design; gio; gio ponti; interior; milano; ponti; rossi; stile cache: ccsj-102.pdf plain text: ccsj-102.txt item: #4 of 270 id: ccsj-103 author: Mazzanti, Anna title: The contribution of colour in the artistic representation of the sacred(II). Italian innovations from the end of XIX century to the first part of the XX century date: 2018 words: 4598 flesch: 48 summary: Italian innovations from the end of XIX century to the first part of the XX century ABSTRACT At the first half of the twentieth century in Italy, where the Roman Catholic church still played a dominant cultural and political role, sacred art is rather disappointing and artistic innovations, independent from official religious decrees, did not easily find application in the sacred theme. KEYWORDS Sacred art, Color and Sacre, Spiritualism, Light, Blue, Red, Divisionism, Futurism CITATION: Mazzanti A. (2018) keywords: art; century; color; culture; del; exhibition; figure; fillia; previati; sacred; science; scienza; severini cache: ccsj-103.pdf plain text: ccsj-103.txt item: #5 of 270 id: ccsj-104 author: Dudás, Eszter; Urbin, Ágnes title: Improvement of a lamp construction with a highly reflective material date: 2018 words: 2296 flesch: 50 summary: In the case of optical reflectors the top-down modelling technique is a great tool. During the studies, participation in various projects related to lighting led to the interest of the field of lighting techniques including different materials besides examining and solving problems from more aspects. keywords: figure; lamp; light; results cache: ccsj-104.pdf plain text: ccsj-104.txt item: #6 of 270 id: ccsj-105 author: Paglierani, Pietro; Valan, Francesca title: A digital framework for color design and education date: 2018 words: 4897 flesch: 48 summary: For instance, the Munsell interpolation tool in (Colour Science for Python, 2018), which can transform Munsell colors into CIE 1931 Yxy coordinates and vice-versa, can be applied only when the Munsell Value is in the range In fact, for any two color C1 and C2 inside the human visual gamut, any linear combination of such colors still is within the gamut (Richter, 2012). keywords: color; colortools; design; designers; digital; munsell; python; science; space; use cache: ccsj-105.pdf plain text: ccsj-105.txt item: #7 of 270 id: ccsj-106 author: Martone, Maria; Papa, Floriana title: Colors, lights and shapes in the Naples underground. The “art stations” of Line 1 date: 2018 words: 11543 flesch: 59 summary: i colori del cielo sulle pareti semilucide, smorzando il bianco e creando un ambiente sui toni soffusi del celeste. In alto: sezione sul “cratere di luce” e pianta del mezzanino. keywords: aa.vv; alla; ambienti; art; bianco; black; blue; che; colors; con; cui; culture; dal; dante; dei; del; della; della stazione; figure; floor; garibaldi; gray; grigio; issn; level; light; line; martone; metropolitana; mezzanine; naples; napoli; nel; non; papa; piazza; scale; science; scienza; shapes; sono; square; station; stazione; traveler; una; underground; walls; white cache: ccsj-106.pdf plain text: ccsj-106.txt item: #8 of 270 id: ccsj-107 author: Bottoli, Aldo; Bertagna, Giulio title: Colours for SLAncio. Project of the scene for a service and care facility in Monza date: 2018 words: 5167 flesch: 48 summary: Il fenomeno colore possiede una essenza immateriale, ed é nella sua apparenza, mutevole, instabile, soggetto alle condizioni del contesto, alla luce che lo genera e, inoltre, ai significati che, una volta applicato, assume in ogni percettore. E’ infatti comune progettare superfici e oggetti, e utilizzare tecnologie sofisticate, ma lo è meno dedicare attenzione alle necessità di chi, in seguito, vi dovrà abitare. keywords: bertagna; bottoli; care; che; colore; colour; con; culture; del; della; gli; monza; nel; non; project; ronchi; scene; science; scienza; sono cache: ccsj-107.pdf plain text: ccsj-107.txt item: #9 of 270 id: ccsj-111 author: Pompas, Renata title: Review Andrea Dall’Asta e light splendour of truth. Paths among art, architecture and theology from early Christian to baroque Ancora Editrice, Milan, 2018. date: 2018 words: 1105 flesch: 58 summary: L’interessante libro di Andrea Dall’Asta – Direttore della Galleria e del Museo San Fedele di Milano e della raccolta Lercaro di Bologna – indaga l’aspetto teologico della rappresentazione della luce nella pittura e negli edifici religiosi, con una scrittura limpida ed erudita. la luce emessa da diversi tipi di illuminanti è materia e soggetto di numerose opere, ma lo è stata sin dall’antichità nelle sue rappresentazioni pittoriche e nell’organizzazione dei volumi e dell’illuminazione degli edifici. keywords: capitolo; chapter; light; luce cache: ccsj-111.pdf plain text: ccsj-111.txt item: #10 of 270 id: ccsj-112 author: Catanese, Rossella title: Repainting the mechanical ballet. Restoration of colours in ‘Ballet mécanique’ by Fernand Léger date: 2015 words: 2458 flesch: 52 summary: This emulsion may have a wide range of components, including salts such as silver nitrate or chromogenic couplers in the emulsions of colour film, but it is interesting to know that the function of emulsifier is given by the gelatine, an organic product. This restoration has not been finished: one of Haghefilm’s requests (improving of research on film restoration and dissemination of its results) was that the hand coloured print of the film had to be made available by EYE to the Haghefilm Foundation for exhibition in educational, research, and outreach activities with mention of EYE as the source of the material. keywords: ballet; film; haghefilm; léger; murphy; mécanique; restoration cache: ccsj-112.pdf plain text: ccsj-112.txt item: #11 of 270 id: ccsj-113 author: Valdegamberi, Veronica; Paggetti, Giulia; Menegaz, Gloria title: On the perceptual/linguistic origin of the twelfth basic color term in the Italian color lexicon date: 2015 words: 4111 flesch: 56 summary: BIBLIOGRAPHY [1] Berlin, B., Kay, P.: Basic color terms: their universality and evolution. According to their definition, color terms are operationally defined as basic only if monolexemic and psychologically salient for all speakers, but not if restricted in application to narrow classes of objects, or included in the signification of other basic color terms. keywords: blue; color; experiment; green; ink; terms; verde cache: ccsj-113.pdf plain text: ccsj-113.txt item: #12 of 270 id: ccsj-114 author: Arrighetti, Walter title: Motion Picture Colour Science and film ‘Look’: the maths behind ACES 1.0 and colour grading date: 2015 words: 4672 flesch: 46 summary: A gamut mapping between colour spaces ([5]– [7]) is a vector field L(c), where c∈G is the input colour in the source gamut G⊆IRm (which is, to every practical aspects, a connected, linearly- and superficially-connected m-dimensional domain—often even a convex one), with dim L(G ) The latter aspect may have been advantageous in the past, but is now mostly a downside, when cinematographers, colourists and VFX artists really need to transfer colour corrections from the on-set pre-grading sessions throughout the whole post-production pipeline, up to the theatre room, and capable of doing so in the most advantageous and, above all, interoperable way (cfr. keywords: aces; b b; b r; colour; g b; input; output; r g; space cache: ccsj-114.pdf plain text: ccsj-114.txt item: #13 of 270 id: ccsj-115 author: Sandford, Jodi L. title: A Cognitive Linguistic Usage Perspective: What is Italian Blu, azzurro, celeste? Do English agree on BLUE semantics? date: 2015 words: 6053 flesch: 60 summary: The results of the four phases of this study converge to suggest that contemporary Italian use of BLUE color terms reveals a twelfth BCT, a tone of BLUE. it must be psychologically salient, i.e., occur at the beginning of elicited lists of color terms, and have stability of reference across informants and occasion of use, v. if doubtful it should have the same distributional potential [1]. keywords: azzurro; bct; blue; celeste; color; color term; english; informants; italian; language; object; phase; sky; task; terms cache: ccsj-115.pdf plain text: ccsj-115.txt item: #14 of 270 id: ccsj-116 author: Valentini, Paola title: Society in colour: Italian television and the switch to colour date: 2015 words: 4419 flesch: 50 summary: Cultura e Scienza del Colore - Color Culture and Science 3104/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Paola Valentini paola.valentini@unifi.it 1 AGAS Department of History, Archaeology, Geography, Art and Performance Arts, University of Florence, Italy Society in colour: Italian television and the switch to colour While Italy was proudly celebrating the advent of its own television system on 3 January 1954 and the first official broadcasts were starting to go out, at around the same time, the United States saw the arrival of colour television. Indeed, in December 1953, the Federal Communications Commission (FCC) approved the standard for colour television set out by the National Television System Committee (the same one that established the 525 line standard in 1941). keywords: black; colour; colour television; del; film; italian; italy; picture; rai; set; television; time; white; world cache: ccsj-116.pdf plain text: ccsj-116.txt item: #15 of 270 id: ccsj-117 author: Schumacher, Jada title: Color, Mon Dieu: A Case-Study Comparison Between the Church Of the Epiphany (New York City) and Kresge Chapel (Cambridge, Massachusetts) date: 2015 words: 3715 flesch: 54 summary: A thorough scouring of Western religious buildings throughout the entirety of architectural history could further enlighten on chronological developments and refinements in techniques outlined here, as well as point out some innovative one-off moments or oddities in Figure12 – Toolkit for Sacred Light 42 Cultura e Scienza del Colore - Color Culture and Science | 04/15 the continuum of religious space design. The cross- shaped architectural plans of cathedrals were oriented with the altar area space facing toward the East; this placement allowed for light to shine through the stained glass windows and illuminate the holy altar area to magnify the divine effect. keywords: chapel; church; color; design; epiphany; figure; kresge; light; space; visitor cache: ccsj-117.pdf plain text: ccsj-117.txt item: #16 of 270 id: ccsj-118 author: Tavast, Arvi; Uusküla, Mari title: How blue is azzurro? Representing probabilistic equivalency of colour terms in a dictionary date: 2015 words: 3126 flesch: 52 summary: Representing probabilistic equivalency of colour terms in a dictionary 1. INTRODUCTION Semasiological dictionaries both store and present information about source language words, including their meanings and target- language equivalents. [22] A. Tavast, M. Uusküla, K. Parker and U. Sutrop, “Using probabilistic conceptual graphs for representing colour terms in dictionaries,” in Color and Colorimetry Multidsciplinary Contributions, Maggioli Editore, 2013, pp. keywords: colour; dictionaries; dictionary; estonian; italian; language; participants; spanish; terms cache: ccsj-118.pdf plain text: ccsj-118.txt item: #17 of 270 id: ccsj-119 author: Bianco, Simone; Schettini, Raimondo title: Adaptive Illuminant Estimation and Correction for Digital Photography date: 2015 words: 4102 flesch: 48 summary: A different strategy for improving the reliability of color constancy algorithms is to increase the quantity of information available for the color constancy by taking two pictures of each scene An extension of this idea could be to use “memory objects” in the scene for color constancy. keywords: algorithms; color; constancy; correction; estimation; illuminant; image cache: ccsj-119.pdf plain text: ccsj-119.txt item: #18 of 270 id: ccsj-120 author: Rossi, Maurizio title: Index&Editorial date: 2015 words: 641 flesch: 33 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Janet Best (Natific, UK) keywords: colore; del; milano; università cache: ccsj-120.pdf plain text: ccsj-120.txt item: #19 of 270 id: ccsj-121 author: Pompas, Renata title: Jean-Gabriel Causse, Lo stupefacente potere dei colori Ponte alle Grazie, Milano, 2015 date: 2015 words: 726 flesch: 44 summary: E sebbene il colore preferito in tutto il mondo sia il Blu e quello che genera unanime ostilità sia il giallo, Casse suggerisce di ascoltare istintivamente qual è il nostro colore preferito per trarne benessere: raccomandazione consigliata da un color designer che progetta cartelle tendenze colore e che ne mostra un’apertura notevole. Con esempi accattivanti (perché le nuvole appaiono bianche, il cielo azzurro e il sole rosso all’orizzonte) conduce il lettore a comprendere alcuni aspetti della fisica, della percezione, della Temperatura di colore, della sinestesia e della riproduzione, ma anche della percezione dei colori nella fauna e nella flora. keywords: che; colore; dei; della cache: ccsj-121.pdf plain text: ccsj-121.txt item: #20 of 270 id: ccsj-122 author: Rossi, Maurizio title: Index&Editorial date: 2014 words: 2168 flesch: 46 summary: ROSSI Molte realtà inerenti la scienza, cultura e professione del Colore, operanti in Italia da tanti anni sono confluite nel tempo nella nostra associazione, che ha nella Conferenza Nazionale del Colore il suo principale momento di aggregazione annuale. In 2014, before the tenth edition of the Conferenza del Colore, the Association has started publishing a half-yearly journal, freely available on-line for everyone. keywords: che; colore; conferenza; culture; del; della; group; gruppo; science; scienza cache: ccsj-122.pdf plain text: ccsj-122.txt item: #21 of 270 id: ccsj-123 author: Berolo, Anna J. ; Rizzi, Alessandro; Marini, Daniele; Gadia, Davide; Bonanomi, Cristian; Sabatini, Desirée title: Digital colour restoration: an appearance-based approach date: 2014 words: 2145 flesch: 52 summary: La principale caratteristica di ACE è la correzione cromatica data-driven: l’algoritmo è in grado di correggere dominanti cromatiche non conosciute a priori e di eseguire un’estensione del contrasto e del range dinamico dell’immagine . La variante utilizzata per il restauro digitale, chiamata ACEforFilm [5], presenta inoltre una serie di funzioni che permettono di ottenere naturalezza nelle immagini restaurate e preservare la forma dell’istogramma originale in numerose situazioni di degrado avanzato . keywords: aceforfilm; che; colore; dei; del; della; digitale; figura; frame; non; questo; restauro; scene; suddivisione; una cache: ccsj-123.pdf plain text: ccsj-123.txt item: #22 of 270 id: ccsj-124 author: Bottoli, Aldo; Bertagna, Giulio title: Colours, signs, conventions and colour-blindness date: 2014 words: 1556 flesch: 49 summary: Il colore non è dunque elemento percettivo tale da poter essere utilizzato da solo, perché solamente se Figura 1 14 Cultura e Scienza del Colore - Color Culture and Science | 01/14 posto su una certa figura e con un certo sfondo e in un certo contesto è in grado di assumere un significato percettivo, ovvero interpretativo di ciò che si sta osservando. Il termine daltonismo prende origine da John Dalton, un fisico e chimico inglese che nel 1798 descrisse un’anomalia congenita della visione dei colori di cui era affetto lui stesso. keywords: che; colore; con; daltonici; dei; del; della; non; una cache: ccsj-124.pdf plain text: ccsj-124.txt item: #23 of 270 id: ccsj-125 author: da Pos, Osvaldo; Brunettin, Chiara title: Reproduction of colours partially concealed by transparent veils date: 2014 words: 2465 flesch: 61 summary: l’illuminazione virtuale del Mondrian sul monitor fossero identiche. i colori del Mondrian da aggiustare in modo da farli apparire uguali a quelli osservati nella parte inferiore dello schermo. keywords: che; colori; dei; del; figura; mondrian; sono; veli; velo cache: ccsj-125.pdf plain text: ccsj-125.txt item: #24 of 270 id: ccsj-126 author: De Mario, Bepi title: Colour and Tourism: Sociology of tourist hospitality date: 2014 words: 3640 flesch: 58 summary: Il blu è il colore che più piace e più induce al rilassamento. Nelle camere per lo studio vanno impiegati toni come il bianco e il giallo, che risvegliano la concentrazione e la fantasia, ma per gli ansiosi e gli irritabili sono meglio l’azzurro e il verde. keywords: alla; ambienti; anche; blu; che; colore; con; culture; dei; del; della; giallo; gli; luce; nel; non; pareti; pavimento; più; può; risulta; rosso; senso; sia; soffitto; sono; sul; una cache: ccsj-126.pdf plain text: ccsj-126.txt item: #25 of 270 id: ccsj-127 author: Marchiafava, Veronica; Bartolozzi, Giovanni; Cucci, Costanza; De Vita, Marco; Picollo, Marcello title: Colour measurements for the characterisation and monitoring of contemporary works of art date: 2014 words: 2729 flesch: 48 summary: Una campagna diagnostica a supporto dell’intervento di restauro, finanziato dal Progetto CoPAC (Conservazione Preventiva dell’Arte Contemporanea), dal Comune di Pisa e dall’associazione “Friends of Heritage Preservation” (USA), è stata realizzata al fine di comprendere 4. CONCLUSIONI Le indagini spettroscopiche e colorimetriche condotte all’interno del progetto conservativo del murale Tuttomondo di Keith Haring sono state eseguite al fine di: • identificare i pigmenti presenti keywords: blue; che; colore; con; del; della; dopo; riflettanza; sono; spettri; state; trattamento; una; verde cache: ccsj-127.pdf plain text: ccsj-127.txt item: #26 of 270 id: ccsj-128 author: Luzzatto, Lia; Pompas, Renata title: Cyber Colours date: 2014 words: 1835 flesch: 46 summary: Cyberpunks e Technos avevano introdotto dei colori acidi, fluorescenti e violenti nei capelli, nel trucco e nei tessuti, mostrando la loro rivolta contro la natura. Noi crediamo che i colori delle immagini elettroniche chiedano un adattamento alle nuove informazioni cromatiche, uno scollamento dai riferimenti naturali e che, producendo un nuovo e diverso effetto di realtà, possano agire anche sul contesto, modificandolo. keywords: alla; che; colori; con; cyber; degli; dei; della; digitali; luce; nel; schermi; spazio; una cache: ccsj-128.pdf plain text: ccsj-128.txt item: #27 of 270 id: ccsj-129 author: Valan, Francesca title: The perception of colour from 3 years of age date: 2014 words: 2214 flesch: 62 summary: Dopo i cinque anni, in coincidenza con l’inizio della scuola, e con la necessità di distinguere diversi caratteri per imparare a leggere e a scrivere gli aspetti metrici della forma tornano ad avere In questa fase è importante che abbia a disposizione oggetti con diverse superfici tattili: lisci e ruvidi, duri e soffici e molto colorati, e anche oggetti con un fronte e un retro che lo aiutino a sviluppare la visione a rilievo. keywords: anni; bambino; che; chiarezza; colori; contrasti; dal; del; differenze; gli; grado; mesi cache: ccsj-129.pdf plain text: ccsj-129.txt item: #28 of 270 id: ccsj-130 author: Casciani, Daria; Rossi, Maurizio title: Coloured Lighting, Urban Underground and Human Beings: relationship inquiry through showcase analysis date: 2014 words: 2859 flesch: 39 summary: The subjects of this study were asked to look into red, yellow, 42 Cultura e Scienza del Colore - Color Culture and Science | 01/14 green, and blue light. The walls and the ceiling are drenched in blue light and lend the station, that is completely realized in concrete, the character of a cave, whereas the platform itself is rather bright. keywords: beings; color; environment; light; lighting; space; station; underground cache: ccsj-130.pdf plain text: ccsj-130.txt item: #29 of 270 id: ccsj-131 author: Pompas, Renata title: James Hillman, Psicologia alchemica. Adelphi edizioni, Milano, 2013. date: 2014 words: 862 flesch: 49 summary: Umori e affinità che diventano il nostro gusto, le nostre avversioni e passioni”. Nigredo (nero), albedo (bianco) e rubedo (rosso) sono i tre colori principali dell’opus alchemico a cui Hillman aggiunge la citrinitas (giallo), presente nei testi fino al XVI secolo e poi soppresso, e il blu a cui dedica molte pagine. Bianco argento La fase al bianco, albedo, descrive il secondo tipo di bianco, quello connesso all’argento alchemico, corrispondente simbolicamente al cervello (così come l’oro corrisponde al cuore): colore della luna e della follia (in inglese lunacy), della riflessione e della parola. keywords: che; colore; con; del; della cache: ccsj-131.pdf plain text: ccsj-131.txt item: #30 of 270 id: ccsj-132 author: Rossi, Maurizio title: Index&Editorial date: 2014 words: 33019 flesch: 50 summary: La “luce messaggio” e la “light-art”, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che è la pubblicità, l’insegnistica. Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attività, pochissimo però viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia. keywords: 02/14; acid; al colore; al di; alla; alle; alloys; all’interno; anche; area; attività; bambini; blue; campo; caratteristiche; caso; che; che il; che la; che si; che una; ciò; color culture; color design; color rendering; color samples; colore che; colore color; colore è; colori; colori e; colour; come; con; con il; con la; con una; corrosion; così; cui; cultura e; da un; dal; dati; degli; degrado; dei; del colore; della; della luce; dell’infanzia; design; di colori; di luce; di milano; di questo; di riflettanza; di una; di vista; differences; distanza; diverse; e che; e con; e del; e della; e di; e il; e la; e scienza; e una; ecc; elementi; environment; era; essere; figure; forma; foro; gamut; gli; hanno; index; la luce; la scuola; laboratory; laser; light; lighting; loro; luce; luce e; marine; materiali; mentre; milano; modo; molto; names; nei; nel; nelle; new; non; non è; oggetti; osservazione; painting; parte; percezione; più; possibile; prima; progetto; punto di; può; quali; quanto; quella; questo; quindi; reference; reflectance; representation; research; roma; samples; scena; science; scuola; secondo; sempre; set; si è; sia; solo; sono; source; space; stato; studio; sua; sul; sulla; superficie; system; tessitura; test; texture; tin; tra; un colore; una; una texture; uno; values; vapour; viene; visione; weeks; è il; è la; è un cache: ccsj-132.pdf plain text: ccsj-132.txt item: #31 of 270 id: ccsj-133 author: Siniscalco, Andrea; Seassaro, Alberto; Tinelli, Paolo; Conio, Claudio title: The Shapes of Light: Project didactics with coloured neon sources date: 2014 words: 2065 flesch: 54 summary: La “light art” è da sempre molto diffusa, anche se è un ambito che non incide direttamente sullo sviluppo delle tecnologie, quanto piuttosto, può venirne influenzato con lo scopo di aiutare l’artista a poter esprimere i propri messaggi. La “luce messaggio” e la “light-art”, rappresentano un linguaggio ben specifico, ricco di componenti che non possono essere trascurate, quali ad esempio la forma e il colore, elementi tipici anche di quella forma di comunicazione che è la pubblicità, l’insegnistica. keywords: alla; anche; che; colore; con; cultura; dei; del; della; gli; luce; neon; più; tubi; una cache: ccsj-133.pdf plain text: ccsj-133.txt item: #32 of 270 id: ccsj-134 author: Zuccoli, Franca title: School of colour. Thoughts and words of teachers and children date: 2014 words: 6692 flesch: 48 summary: Le proposte si articolano tra fruizione e produzione e a titolo indicativo, vengono previste numerose attività, pochissimo però viene tenuto in considerazione il colore, a cui si accenna solo per il disegno e per la fotografia. 6. CONCLUSIONI Tornando alla domanda che aveva motivato l’indagine, sul rapporto tra colore e scuola, possiamo sottolineare come questa relazione non sia stata sempre riconosciuta e valorizzata nella legislazione scolastica, alternando un’azione di conoscenza e individuazione di problematiche nella percezione, a azioni, peraltro poco delineate, legate alla fruizione e produzione. keywords: alla; alle; anche; attività; bambini; che; colore; come; con; confronti; cui; cultura; degli; dei; del; della; dell’infanzia; e il; e la; era; esperienze; hanno; il colore; loro; materiali; milano; modo; nei; nelle; non; più; prima; programmi; proposte; questo; scienza; scuola; secondo; sia; solo; sono; stato; sul; tematica; tra; una; viene cache: ccsj-134.pdf plain text: ccsj-134.txt item: #33 of 270 id: ccsj-135 author: Bertagna, Giulio; Bottoli, Aldo title: Textures: The fascination of apparent textures date: 2014 words: 4732 flesch: 46 summary: la distanza di osservazione così detta “di prossimità”, dobbiamo considerare due diverse situazioni di relazione tra un osservatore e una superficie che abbia caratteristiche di tessitura. GRADIENTE DI TESSITURA Una caratteristica dell’ambiente naturale è quella di apparirci sempre come un insieme di elementi e superfici dotate di una certa tessitura. keywords: alla; anche; apparenti; caratteristiche; certa; che; ciò; colore; come; componenti; con; dei; del; della; distanza; ecc; elementi; gli; loro; naturale; nel; non; osservazione; percettiva; più; quando; questo; scena; scienza; sono; superficie; tessitura; texture; tra; una cache: ccsj-135.pdf plain text: ccsj-135.txt item: #34 of 270 id: ccsj-136 author: Clini, Paolo; Quattrini, Ramona; Nespeca, Romina; Sagone, Luigi title: Colour, reflectance and temperature. From the case study of Villa Trissino to new integrated applications of terrestrial lidar data for surveying and diagnostics date: 2014 words: 3498 flesch: 49 summary: Si presenta come un metodo indiretto, no-contact, perfettamente in linea quindi con l’idea di rilievo nel campo della diagnostica e del restauro di manufatti storici. L’intento di questa ricerca è di dimostrare come il dato di riflettanza da rilevamento scanner laser possa essere (in particolari condizioni) keywords: alla; caso; che; colore; con; dati; degrado; dei; della; figura; laser; mappatura; mappe; nel; non; possibile; punti; può; questo; riflettanza; rilievo; science; sono; studio; tra; una; valore; villa cache: ccsj-136.pdf plain text: ccsj-136.txt item: #35 of 270 id: ccsj-137 author: Evans, Stig title: The Portland Colour Chart date: 2014 words: 1595 flesch: 62 summary: Based on the colour Library this time I was interested to see if the public, when asked, would use colour names more specific to a place or area, rather than general ‘paint industry’ colour terminology that was apparent in the original colour library. We now have a very sophisticated and elaborate colour language and terminology at our disposal. keywords: colour; figure; names; paint; portland cache: ccsj-137.pdf plain text: ccsj-137.txt item: #36 of 270 id: ccsj-138 author: Gianni, Liliana; Adriaens, Annemie; Cavallini, Mauro; Natali, Stefano; Volpe, Valerio; Zortea, Laura title: Reflectance curves and CIE L* a* b* parameters to describe patina characteristics and corrosion mechanism on bronze alloys date: 2014 words: 3992 flesch: 57 summary: Table 1: 3% of tin sample exposed to urban environment L* a* b* ΔE clean 83.63 10.35 14.17 37.06 2 weeks 49.48 18.21 26.24 9.82 4 weeks 45.12 12.78 19.31 10.94 6 weeks 45.15 6.11 10.63 2.67 8 weeks 44.68 8.37 11.97 7.11 10 weeks 40.51 4.77 7.46 Table 2: 7% of tin sample exposed to urban environment L* a* b* ΔE clean 84.07 8.26 14.63 25.50 2 weeks 59.58 6.98 21.64 6.61 4 weeks 53.16 6.14 22.96 2.55 6 weeks 55.7 6.32 22.77 2.79 8 weeks 54.48 6.25 20.26 9.21 10 weeks 49.61 4.01 12.76 Table 3: 20% of tin sample exposed to urban environment L* a* b* ΔE clean 81.76 2.99 11.94 9.85 2 weeks 76.44 5.29 19.91 8.95 4 weeks 68.35 4.34 16.18 3.31 6 weeks 65.65 2.46 16.59 3.09 8 weeks 65.99 1.84 13.58 3.05 10 weeks 63.23 1.27 14.76 b)a) In the 3% of tin samples the green grows continuously whilst for the 7% and 20% it decreases in the second month as a* values underline (Figure 7; Tables1-3). keywords: corrosion; environment; marine; samples; tin; weeks cache: ccsj-138.pdf plain text: ccsj-138.txt item: #37 of 270 id: ccsj-139 author: Musante, Fulvio; Rossi, Maurizio title: An overview for colour rendering indices in Solid State Lighting date: 2014 words: 3624 flesch: 50 summary: The influence of the spectra of test samples on the calculated color rendering index is a long time open question: due to a small number of samples, lamps manufacturers are able to tailor the light sources spectral distribution to yield high CRI value, even if the visual impression of color rendering is considered poor[12][13]. Rea and Freyssinier-Nova suggest numerical recommendations about the value of GAI index: if the applications (for example retail) require high features for color rendering, the light source should have both Ra of between 80 and 100 and GAI between 80 and 100.[3][4] An important notice is that in GAI, the evaluation of the correlated color temperature of reference light source is fixed and independent from that of the source under test: this solution can involve distortions in the judgment of the light sources with low values of correlated color temperature that can still have excellent color quality including good color discrimination performance, despite the low value of the gamut area. keywords: cie; color; gamut; index; light; reference; rendering; source; test cache: ccsj-139.pdf plain text: ccsj-139.txt item: #38 of 270 id: ccsj-140 author: Neiva, Miguel title: ColorADD . Color identi cation system for colorblind people date: 2014 words: 1552 flesch: 44 summary: 3. MATERIALS AND METHODS Using primary colors, represented through simple symbols, the system was constructed through a process of logical association and direct comprehension, allowing its rapid inclusion in the “visual vocabulary” of the user. Based on these results a conceptual basis was defined, capable of constituting a universal method of graphic color identification, easy to comprehend and memorize. keywords: color; colorblind; figure; identification; system cache: ccsj-140.pdf plain text: ccsj-140.txt item: #39 of 270 id: ccsj-141 author: Rossi, Michela title: Color design in the Bauhaus laboratory of wall-painting date: 2014 words: 2923 flesch: 39 summary: The first one is directly connected to the experimentation of color in his formal and perceptive relationship with the spatial environment and it documents the development of Bauhaus’s chromatic research in the choice of colors such as the one in representation. Even more abstract is the solution adopted by Le Corbusier; in 1927 he attached the real samples of color in the project documents for the Maison Citrohan and later on even pen-drawings illustrating the “Polichromie Architecturale” (1956), he indicated the combination of colors on a schematic perspective box with numbers and letters, giving up the simulation of color completely [8]. keywords: architecture; bauhaus; color; color design; design; painting; project; representation cache: ccsj-141.pdf plain text: ccsj-141.txt item: #40 of 270 id: ccsj-142 author: Luzzatto, Lia; De Biase, Daniela title: Scrivere con la luce date: 2014 words: 1111 flesch: 47 summary: La luce è pensata come l’onda della saggezza e della conoscenza che sale dai gradini del tempio di Marte Ultore, con una grande intensità luminosa, si espande nell’area circostante attenuandosi e arriva ad abbracciare, con toni lunari, neutri, morbidi e uniformi, tutto il perimetro della muraglia che lo circoscrive. rendendo possibile la programmazione di diversi scenari luminosi così che la luce arrivi a riscrivere il linguaggio dell’architettura antica. keywords: che; con; del; della; foro; luce cache: ccsj-142.pdf plain text: ccsj-142.txt item: #41 of 270 id: ccsj-143 author: Pompas, Renata title: Guy Deutscher, La lingua colora il mondo. Come le parole trasformano la realtà. Bollati Boringhieri, Torino, 2013. date: 2014 words: 678 flesch: 49 summary: Riporta la grande controversia natura- cultura investì le riflessioni sul colore per la relazione tra ciò che l’occhio è in grado di vedere e ciò che il linguaggio è in grado di descrivere; esaminando da una parte le concezioni universaliste, innatiste e dall’altra quelle relativiste, culturaliste che infervorarono il dibattito novecentesco e cioè se la maggior parte della grammatica del linguaggio, ossia tutte le lingue umane, è innata, codificata nel nostro DNA, o se viceversa le strutture grammaticali sono conseguenza dell’evoluzione culturale e dell’esigenza di comunicare in maniera efficiente, come sostiene la concezione relativista. L’unica regola che è rimasta realmente priva di eccezioni è quella che indica nel rosso il primo colore dopo il bianco e il nero a ricevere un nome. keywords: che; colore; del; della cache: ccsj-143.pdf plain text: ccsj-143.txt item: #42 of 270 id: ccsj-144 author: Rossi, Maurizio title: Index&Editorial date: 2015 words: 684 flesch: 27 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Giulio Bertagna (B&B Colordesign, IT) Aldo Bottoli (B&B Colordesign, IT) Patrick Callet (École Centrale Paris, FR) Jean-Luc Capron (Université Catholique de Louvain, BE) Elizabeth Condemine (Couleur & Marketing Paris, FR) Osvaldo Da Pos (Università degli Studi di Padova, IT) keywords: colore; del; milano; università cache: ccsj-144.pdf plain text: ccsj-144.txt item: #43 of 270 id: ccsj-145 author: Alberghina, Maria Francesca; Barraco, Rosita; Brai, Maria; Pellegrino, Lorella; Prestileo, Fernanda; Tranchina, Luigi title: Use of Principal Component Analysis for statistical analysis of colorimetric data of mosaic floor tiles date: 2015 words: 4269 flesch: 49 summary: Ciò ha posto gli operatori di fronte alla necessità di individuare uno strumento analitico in grado di gestire un elevato numero di dati e di fornire un quadro sinottico funzionale per una migliore comprensione del comportamento cromatico dei materiali a seguito delle fasi dell’intervento e delle variazioni nel tempo. Il presente articolo è frutto del lavoro di revisione e integrazione dei due contributi presentati alla VI (Lecce 2010) e alla VII (Roma 2011) keywords: acquisiti; che; colore; con; dati; dei; della; dopo; figura; giallo; misura; musive; nel; pca; pulitura; punto; sono; stanza; tessere; trattamento; una; valori; verde cache: ccsj-145.pdf plain text: ccsj-145.txt item: #44 of 270 id: ccsj-146 author: Burattini, Chiara; Gugliermetti, Franco; Marchetti, Mario; Bisegna, Fabio title: The role of colour in the design of a living module for the International Space Station date: 2015 words: 3849 flesch: 43 summary: [9] [10], hanno ampiamente dimostrato l’influenza del colore sulla capacità di orientamento dell’essere umano: in ciascun esperimento è stato evidenziato come il riconoscimento della spazialità di un ambiente sia facilitato da connotazioni colorate rispetto alle situazioni in cui tale connotazione è assente. è stato dimostrato che la sensibilità dell’occhio umano aumenta alle lunghezze d’onda corte e diminuisce alle lunghezze d’onda lunghe, che il giallo è percepito più saturo e che la luminosità diminuisce keywords: astronauti; che; colore; come; con; degli; del; delle; design; figura; gli; interno; modulo; non; pareti; perché; science; sono; space; spaziale; spazio; umano; una; volta cache: ccsj-146.pdf plain text: ccsj-146.txt item: #45 of 270 id: ccsj-147 author: Emmer, Michele title: Colours and Soap Bubbles date: 2015 words: 3376 flesch: 63 summary: It is very interesting to study the parallel story of soap bubbles and soap films in art and science. Soap bubbles and soap films were one of the matters of his conference, which was entirely devoted to the Soft Matter. keywords: bubbles; colours; films; plateau; soap; soap bubbles; surfaces cache: ccsj-147.pdf plain text: ccsj-147.txt item: #46 of 270 id: ccsj-148 author: Alekseeva, Natalia; Cirafici, Alessandra; Senese, Vincenzo Paolo title: Interaction of color scheme and noise in the metro interior. Multisensory evaluation and subjective testing date: 2015 words: 3054 flesch: 57 summary: Cultura e Scienza del Colore - Color Culture and Science 3303/15 | Cultura e Scienza del Colore - Color Culture and Science 1 Natalia Alekseeva natalia-alekseeva@yandex.ru 2 Alessandra Cirafici alessandra.cirafici@unina2.it 3 Vincenzo Paolo Senese vincenzopaolo.senese@unina2.it 1 PhD in Environmental Technical Physics 2 Department of Architecture and Industrial Design «Luigi Vanvitelli», The Second University of Naples 3 Department of Psychology, The Second University of Naples Interaction of color scheme and noise in the metro interior. The graphic model was designed by means of Google SketchUp 7.0 software, simulating geometrical constructions according to actual dimensions, and elaborated color schemes. keywords: color; factor; interior; metro; noise; scheme; sound; virtual cache: ccsj-148.pdf plain text: ccsj-148.txt item: #47 of 270 id: ccsj-149 author: Fibiani, Marta; Rotino, Giuseppe L.; Toppino, Laura; Mennella, Giuseppe; Lo Scalzo, Roberto title: Pigment variation by colorimetric analysis in raw, grilled and boiled eggplant (Solanum melongena L.) fruits date: 2015 words: 3253 flesch: 58 summary: Eggplant anthocyanins have simple profiles generally characterized by a single delphinidin-glycoside [5] [6]. Unlike other phenolic compounds such as caffeic acid derivatives, eggplant anthocyanins were strongly depleted after cooking, being boiling (a mild heating process) more preservative than grilling. keywords: anthocyanins; colour; eggplant; extracts; food; samples; tunisina cache: ccsj-149.pdf plain text: ccsj-149.txt item: #48 of 270 id: ccsj-150 author: Bellia, Laura; Agresta, Nicola; Rossi, Luigi; Spada, Gennaro title: Measured color changes under fluorescent and LED lamps date: 2015 words: 2599 flesch: 64 summary: Em [lux] Fluo 2700K 2924 100 653 Fluo 3000K 3011 93 549 Fluo 4000K 4178 94 558 Fluo 6500K 7100 100 621 LED 2900K 2940 97 634 LED 3150K 3020 94 545 LED 4200K 4199 95 548 LED 6100K 7195 100 628 46 Cultura e Scienza del Colore - Color Culture and Science | 03/15 located in respect to the lights. L* a* b* C*ab hab 1.Fluo 2700K 40.74 -8.44 -32.79 33.86 1.32 2.Fluo 6500K 47.09 6.85 -73.70 74.02 -1.48 3.LED 2900K 34.53 -14.15 -65.54 67.05 1.35 4.LED 6100K 45.17 14.12 -60.83 62.45 -1.34 L* a* b* C*ab hab 1.Fluo 2700K 60.43 -10.58 -16.84 19.88 1.01 2.Fluo 6500K 63.75 -7.45 -60.21 60.67 1.45 3.LED 2900K 58.57 -17.14 keywords: 2700k; comparison; fluo; light cache: ccsj-150.pdf plain text: ccsj-150.txt item: #49 of 270 id: ccsj-151 author: Brun, Giulia title: De Coloribus: new perspectives on a series of recipes for making pigments within the Compositiones lucenses tradition date: 2015 words: 4370 flesch: 57 summary: [12] A. Petzold, De coloribus et mixtionibus: the Earliest Manuscripts of a Romanesque Illuminator’s Handbook, in L. L. Brownrigg (ed.), Making the Medieval Book: Techniques of Production. De coloribus lists at least the following ingredients and the quantity needed according to each combination: lulacin, cinnabar, white lead, ficarim, ochre, burnt copper, quianus, reseda luteola, saffron, terra verde, murices decoction, siricum, kermes decoction, madder decotion, phynicis decoction, galls, calcitarin, and so on. keywords: biblioteca; century; cinnabarin; clt; coloribus; del; lat; lib; library; lucca; manuscripts; pandius; recipes cache: ccsj-151.pdf plain text: ccsj-151.txt item: #50 of 270 id: ccsj-152 author: Pompas, Renata title: Manlio Brusatin, Verde. Storie di un colore date: 2015 words: 1303 flesch: 63 summary: il lessico e gli aspetti linguistici, la chimica dei pigmenti, le tecniche di tintura, le forme del vestiario e XIV-XVI secolo: l’instabilità del verde nella pittura e nella tintura origina – accanto agli altri aspetti simbolici – anche un significato malefico, facendone il colore del diavolo, delle streghe, del veleno e della putrefazione. keywords: che; colore; dei; del; della; storia; verde cache: ccsj-152.pdf plain text: ccsj-152.txt item: #51 of 270 id: ccsj-153 author: Siniscalco, Andrea title: Didactic for building professionals. The experience of Lighting Design and Color Design masters date: 2015 words: 2410 flesch: 44 summary: Color for fashion design Study of the color texturing in fashion with the aim of being able to offer the same product with different color variation, in order to reach culturally different markets and to offer the sensation of a personal choice to individual consumers. Lighting design studies, with their interventions have helped to give a very practical, project oriented direction, and companies, over the years, helped defining the program by communicating the subjects that in their opinion, were the most useful in order to work in their technical offices. keywords: color; design; lighting; master; professional; students cache: ccsj-153.pdf plain text: ccsj-153.txt item: #52 of 270 id: ccsj-160 author: Orlando, Emanuela title: I colori di Gualtiero Marchesi - Gualtiero Marchesi’s colours date: 2015 words: 1210 flesch: 55 summary: 2- Gualtiero Marchesi: il rosso e il nero Figura 3 - Lucio Fontana: il rosso e il nero RUBRICA | COLUMN 5904/15 | Cultura e Scienza del Colore - Color Culture and Science RUBRICA | COLUMN “Il premio colore 2015 va a un grande Maestro, al cuoco italiano più famoso nel mondo, a colui che ha saputo rendere il colore un tratto caratteristico e distintivo di ogni sua preparazione, in una sintesi perfetta tra gusto ed estetica, tra sensi e bellezza. keywords: colore; colours; del; marchesi cache: ccsj-160.pdf plain text: ccsj-160.txt item: #53 of 270 id: ccsj-161 author: Pandini, Davide; Ludwig, Nicola; Gragano, Marco; Moneta, Annalisa title: Methodologies for studying paint pigment mixtures with fibre-optic spectrometry date: 2015 words: 3039 flesch: 53 summary: A titolo esemplificativo affrontiamo brevemente il caso di miscele con tinta risultante verde (mescola di pigmento blu e giallo). Il grafico del fattore di riflessione spettrale usato per la determinazione di K ed S è il risultato di una media di 10 spettri, filtrato con passo di 5 nm. keywords: blu; che; con; dei; del; della; figura; giallo; mescolanze; pigmenti; riflettanza; sono; una; verde cache: ccsj-161.pdf plain text: ccsj-161.txt item: #54 of 270 id: ccsj-162 author: Melgosa, Manuel; Cui, Guihua; Oleari, Claudio; Pardo, Pedro J.; Huang, Min; Li, Changjun; Ronnier Luo, Ming title: Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula? date: 2018 words: 4395 flesch: 55 summary: KEYWORDS Color difference, Color-difference formula, CIE94, CIEDE2000, Whittle formula CITATION: She has undertaken some projects mainly focused on color difference evaluation and colorimetric observer categories and their applications. keywords: cie; color; datasets; difference; formula; pairs; table; ∆e00 cache: ccsj-162.pdf plain text: ccsj-162.txt item: #55 of 270 id: ccsj-163 author: Lecca, Michela; da Pos, Osvaldo title: Communications and Comments date: 2018 words: 1715 flesch: 47 summary: The answer I gave is already somehow present in the previous edition of this column, namely that the research in question clarifies the fundamental relationships between physical stimuli, colour perception and verbal language of colour, relationships that are often only implicitly assumed in colour studies or even misunderstood (Figure 1). The talk of Prof. Da Pos was not directly related to technical features of the Munsell system, but it coped with the more general problem of the meaning and the relationships among colour perception, stimuli, and colour terminology, that we partially investigated in our previous column. keywords: colour; interface; perception cache: ccsj-163.pdf plain text: ccsj-163.txt item: #56 of 270 id: ccsj-164 author: Mazzanti, Anna title: The contribution of colour in the artistic representation of the sacred.* International symbolism between the nineteenth and twentieth centuries date: 2018 words: 6217 flesch: 54 summary: Yet, they possess another movement, which Figure 7 - Franz Von Stuck, Crucifixion, 1911ca, Leipzig, Museum der bildenden Künst Figura 7 - Franz Von Stuck, Crocifissione, 1911ca, Lipsia, Museum der bildenden Künst occupa il secondo piano e il cui grido si espande nel cielo rosso intossicato di azzurri e riverberi violacei. L’impostazione pare consapevole del discusso quadro monumentale di Klinger già acquistato dal connazionale di Schiele, Hummel: ancora un primo piano ravvicinato, e un paesaggio svuotato di personaggi, ma saturo di colori simbolo di sentimenti, che pare rispecchiare le influenze compositive dalla cromatica Crocifissione di Stuck del 1892. keywords: alla; art; beuron; che; colore; colour; con; culture; del; del colore; della; denis; fra; gauguin; gogh; issn; klinger; nel; painting; paul; quadro; representation; sacred; science; scienza; stuck; una; van; yellow cache: ccsj-164.pdf plain text: ccsj-164.txt item: #57 of 270 id: ccsj-165 author: Rossi, Maurizio title: Claudio Oleari Memorial date: 2018 words: 324 flesch: 56 summary: This page has been intentionally left white Claudio Oleri Memorial The Associazione Italiana Colore, with all its members would like to express its deepest condolences for the premature death of Claudio Oleari on 23 January 2018, together with all who have known him, read his books, listened to his conferences or lectures. Moreover in 1995 he started the Gruppo in Colorimetria e Reflectoscopia which later became the Associazione Italiana Colore. keywords: colore cache: ccsj-165.pdf plain text: ccsj-165.txt item: #58 of 270 id: ccsj-167 author: Rossi, Maurizio title: Index&Editorial date: 2019 words: 1591 flesch: 45 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Daria Casciani (Politecnico di Milano, IT) Vien Cheung (University of Leeds, UK) keywords: color; doi; journal; milano; science; university cache: ccsj-167.pdf plain text: ccsj-167.txt item: #59 of 270 id: ccsj-168 author: Ajò, David; Elettivo, Giuseppe; Fenzi, Federica; Nunziante Cesaro, Stella ; Tegani, Sabrina title: The Colored Chemistry date: 2019 words: 3957 flesch: 51 summary: The synthesis modalities of such materials are investigated, among the others, for restoration: the advantage for a chemist in fact consists in the possibility of having, obviously not in all cases, items available to compare with the materials of the artifact. Chemistry, Restoration, Gemology, Colored metals, Synthetic materials, Treated materials, Effective Microorganisms RECEIVED 30 March 2019; REVISED 10 June 2019; ACCEPTED 30 July 2019 The Colored Chemistry 8 Color Culture and Science Journal Vol. 11 (2) keywords: ajò; blue; chemistry; color; materials; pigments; rome; treatment; vol cache: ccsj-168.pdf plain text: ccsj-168.txt item: #60 of 270 id: ccsj-169 author: Netti, Rossana title: The colours of the ancient Greek architecture date: 2019 words: 5712 flesch: 45 summary: KEYWORDS Ancient Greek architecture, myth of white, ornament, architectural orders, polychromy, chromatic research RECEIVED 31 March 2019; REVISED 13 June 2019; ACCEPTED 05 July 2019 The colours of the ancient Greek architecture 15 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110202 1. 3. Polychromy in ancient Greek architecture The Italian painter Raphael (1483-1520) was the first to realize that the ancient world, as it appeared to his eyes and as it was represented, was only the faded echo of that richness that necessarily had to characterize its artistic value: «those famous works» are defined by him as «the bones of the body without flesh» keywords: architecture; art; colour; culture; fig; greek; hittorff; rocco; science; time; use; white; winckelmann cache: ccsj-169.pdf plain text: ccsj-169.txt item: #61 of 270 id: ccsj-170 author: Martini, Berta; Tombolato, Monica; D’Ugo, Rossella title: Primary colors as a source of possible misconceptions: an insight into teaching and learning about color date: 2019 words: 6841 flesch: 52 summary: Primary colors as a source of possible misconceptions: an insight into teaching and learning about color 28 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110203 In Newton’s definition of primary colors is outlined the distinction between monochromatic spectral colors (simple), characterized by a particular wavelength (between 380 nm and 780 nm), and colors obtained by mixing lights (compound). As for teachers’ misconceptions, we expected to detect: (1) poor knowledge of the scientific interpretation of the color vision phenomenon (QT1, QT2); (2) knowledge of primary colors only as pigment colors out of which all the others can be made (QT3, QT4); (3) inability to distinguish between “almost pure colors” (characterized by a dominant wavelenght and a narrow band) and colors produced by the addition of lights (QT5, QT6, QT8); (4) confusion between the mixture of pigments and that of colored lights (i.e. between additive and subtractive synthesis). keywords: blue; children; colors; knowledge; learning; light; misconceptions; mixing; red; science; source; teachers cache: ccsj-170.pdf plain text: ccsj-170.txt item: #62 of 270 id: ccsj-171 author: Picollo, Marcello; Cucci, Costanza; Stefani, Lorenzo; Jiménez-Garnica, Reyes; Fuster-López, Laura; Vila, Anna title: Chromatic values in Pablo Picasso’s early work: a comparison of hues in “Science and Charity” (1897) and its three oil sketches date: 2019 words: 5429 flesch: 55 summary: Within the ProMeSA project, the study of the materials and techniques used by the artist, in particular the chromatic and colorimetric analysis of Picasso’s (1881-1973) paintings at the MPB, involved several different documentation and analytical methodologies. Hence, the present study proposes a relatively new method in gaining insight into artworks by merging the visual approach employed by professionals, such as painting conservators, who have expertise in the field, with scientific measurements of colorimetric values calculated from the reflectance spectra of the specific investigated spots (Parraman 2010, Striova et al. 2018, Dooley et al. 2014). keywords: artist; barcelona; charity; color; mpb; oil; painting; picasso; science; sketches; values; version; work cache: ccsj-171.pdf plain text: ccsj-171.txt item: #63 of 270 id: ccsj-172 author: Zuccoli, Franca title: Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni date: 2019 words: 4070 flesch: 53 summary: Colour, education, children, school, pedagogy, Montessori, Pizzigoni RECEIVED 30 May 2019; REVISED 15 June 2019; ACCEPTED 25 June 2019 Education about colour: a look at some authors from the 19th and 20th centuries in Italy: Corrado Ricci, Maria Montessori and Giuseppina Pizzigoni 44 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110205 1. […] If one wishes to prepare objects that serve, for example, to distinguish between colours, it is necessary to build them with the same substance, form and dimension and differentiate them only by colour” (Montessori 2013). keywords: children; colour; corrado; drawing; education; montessori; pizzigoni; ricci cache: ccsj-172.pdf plain text: ccsj-172.txt item: #64 of 270 id: ccsj-173 author: Di Meo, Carmen title: From Dots to Atoms: “Light and Color’’ Techniques in Fifteenth and Sixteenth Centuries’ Painting date: 2019 words: 9490 flesch: 56 summary: 2.2 Giovanni di Paolo and Alesso Baldovinetti: sources for a history of the ‘dotted’ handling of color in Quattrocento Art The Sienese Master Giovanni di Paolo, in a way intriguingly similar to that showed by Baldovinetti, is found by Cesare Brandi displaying a very original treatment in his landscape details, defined in 1941 as a “punteggiatura” (punctuation, dotting), “a trace of big flour-like grains.” Given that the so-called ‘Primitives’ Tuscan Masters, such as Alesso Baldovinetti and Giovanni di Paolo, were particularly skilled in the use of this peculiar technique, which is found especially embodied in tempera works produced in the course of the fifteenth Century, this research line can be also extended to artistic practices operated in the subsequent Century. keywords: alesso; art; attavante; author; baldovinetti; biblioteca; color; degli; del; dots; fifteenth; fig; firenze; florence; giovanni; light; painting; paolo; study; techniques cache: ccsj-173.pdf plain text: ccsj-173.txt item: #65 of 270 id: ccsj-174 author: Marotta, Anna title: Two theories for a model: the “querelle” between Klee and Ostwald date: 2019 words: 6722 flesch: 47 summary: KEYWORDS Comparative theories of colour, Colour models, Paul Klee, Wilhelm Ostwald, History of colour, Polysensory RECEIVED 24 June 2019; REVISED 09 July 2019; ACCEPTED 12 September 2019 Two theories for a model: the “querelle” between Klee and Ostwald 64 Color Culture and Science Journal Vol. 11 (2) DOI: 10.23738/CCSJ.110207 1. 3.2 Paul Klee, the destiny of a multiform and multifaceted artist In Klee's investigations (Marotta 1999) one of the themes of interest is the manifestation of visual forms in the plane (dynamically conceived and expressed), also in relation to spatial dimensions. keywords: bauhaus; colour; culture; klee; marotta; model; order; ostwald; paul; querelle; red; science; theories; theory cache: ccsj-174.pdf plain text: ccsj-174.txt item: #66 of 270 id: ccsj-175 author: Gaiani, Marco; Apollonio, Fabrizio title: Under the lens of ISLe: Leonardo da Vinci’s "Landscape" drawing analysed by colourimetry date: 2019 words: 5530 flesch: 50 summary: KEYWORDS Leonardo da Vinci, Antique drawings, Colour analysis, 3D, Visualisation, MTF, LED light. Using ISLe, Landscape drawing has been examined as a graphic artefact through visual and colourimetric analysis. keywords: colour; doi; drawing; image; isle; landscape; leonardo; mtf; point; resolution; vinci cache: ccsj-175.pdf plain text: ccsj-175.txt item: #67 of 270 id: ccsj-176 author: Siniscalco, Andrea title: A case study on light and colour for monuments and cultural assets date: 2019 words: 4032 flesch: 53 summary: Current technologies related to lighting sources allow us much greater flexibility, without compromising the efficiency of the sources. With the new control systems and a specifically customised user interface, it is possible to offer the municipality a tool to make the monumental complex of Neptune, a veritable scenographic element, easily controllable and scalable for festivals and events that can take place on-site; all without sacrificing classic white lighting, designed to enhance colors, shapes and materials, limiting glare towards passers-by and guarantee a good usability of the cultural site. keywords: assets; bologna; case; colour; complex; doi; fountain; light; lighting; statue cache: ccsj-176.pdf plain text: ccsj-176.txt item: #68 of 270 id: ccsj-177 author: Plutino, Alice; Grechi, Laura; Rizzi, Alessandro title: Evaluation of the perceived colour difference under different lighting for museum applications date: 2019 words: 3868 flesch: 52 summary: Subsequently, the efficiency of different illuminants for the identification of colour differences between two objects was tested. The experiment we are presenting can be divided into two main parts: evaluation of light sources and evaluation of colour differences. keywords: colour; difference; evaluation; figure; lighting; rendering; values cache: ccsj-177.pdf plain text: ccsj-177.txt item: #69 of 270 id: ccsj-178 author: Pompas, Renata title: BOOK REVIEW: Nature & Colour - New perspectives on dyeing. date: 2019 words: 795 flesch: 50 summary: Inspired by the renowned and seminal book by Franco Brunello (The art of dyeing in the history of mankind) in recent years she has devoted herself to the study of coloring substances used in natural dyes, the outcomes of which are described in this book. Nature & Colour - New perspectives on dyeing. keywords: book; dyeing; fibers cache: ccsj-178.pdf plain text: ccsj-178.txt item: #70 of 270 id: ccsj-180 author: Bartlett, Lynne title: An overview of the history of the use of colour in jewellery date: 2017 words: 3328 flesch: 57 summary: The Ancient Egyptians used turquoise, lapis and coral with gold to produce vibrant multi-coloured jewellery. The first identifiable piece of designed titanium jewellery is a belt buckle. keywords: century; figure; gemstones; gold; jewellery; materials; metal; titanium cache: ccsj-180.pdf plain text: ccsj-180.txt item: #71 of 270 id: ccsj-182 author: Białobłocka, Karolina title: Three colour design proposals for the Market Square in Warsaw date: 2020 words: 4801 flesch: 58 summary: In the conference proceedings, apart from discussing conservation issues, a few examples of colour planning were described such as selected issues related to colour design proposals for Gdansk’s Old Town (Kriegseisen 2015, Kołodziej and Brzuskiewicz 2015), Warsaw’s Old Town (Kania 2015), and Lublin’s Old Town (Żywiecki 2015). References Białobłocka, K. (2017) ‘Competitions for colour schemes for streets and squares in Germany in the 1920s’. keywords: colour; colour design; design; façades; market; miasta; proposals; square; starego; town; warsaw cache: ccsj-182.pdf plain text: ccsj-182.txt item: #72 of 270 id: ccsj-183 author: Barlet, Aline; Bousigues, Audrey; Herbert, Alice title: Color as a sign of urban transition in the city of Bordeaux date: 2020 words: 3621 flesch: 59 summary: Jean-Philippe Lenclos (1982) talks about the “Geography of Color” as the result of close interactions between the use of materials found on-site and the application of colors linked to local traditions. Color is complex to manipulate, this is why there are different systems and tools available, such as color charts, to help deal with color in the city, especially in a historic city. keywords: architecture; bordeaux; building; city; color; fig; stone; transition cache: ccsj-183.pdf plain text: ccsj-183.txt item: #73 of 270 id: ccsj-185 author: Yu, Beichen ; Bell, Simon title: Emerging colours: new trends, demands and challenges in contemporary urban environments date: 2020 words: 4944 flesch: 47 summary: Since the 1960s, studies on environmental colour design have explored the relationship between architectural colours and elements including space, form, structure, light and function (e.g., McLachlan et al. 2015, Nemcsics 1993), principles for urban colour planning (e.g., Brino 2009; Spillmann 2009) and environmental colour design in a contemporary context (e.g., Lenclos 2009, Porter and Mikellides 2009). Through the comparison between examples of the new phenomenon and traditional environmental colour use, notable differences and tendencies of colour design in contemporary urban environments can be identified. keywords: architecture; colour; culture; demands; design; environments; new; phenomenon; public; space cache: ccsj-185.pdf plain text: ccsj-185.txt item: #74 of 270 id: ccsj-186 author: Aroua, Ichraf; Hussein, Faten title: Color analysis of birth space ambiances date: 2020 words: 4344 flesch: 60 summary: Qualitative approach Color analysis of birth space ambiances 42 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120105 The qualitative study is based on a descriptive approach. Color analysis of birth space ambiances 43 Color Culture and Science Journal Vol. 12 (1) keywords: ambiances; birth; color; maternity; room; space; women cache: ccsj-186.pdf plain text: ccsj-186.txt item: #75 of 270 id: ccsj-187 author: Boeri, Cristina title: An educational experience about color emotion and its design implications date: 2020 words: 4411 flesch: 42 summary: REVISED 28 November 2019; ACCEPTED 15 December 2019 An educational experience about color emotion and its design implications 49 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ.120106 1. The research project is focused on the possible relationships between the approaches, methods and outcomes of color research that deals with color emotion and the approaches, methods and tools developed in the field of design research and practice that deals with color and the emotional and sensorial qualities. keywords: color; combinations; concentration; design; emotion; experience; students cache: ccsj-187.pdf plain text: ccsj-187.txt item: #76 of 270 id: ccsj-188 author: Quattrer, Milena; Zonatti, Welton Fernando; Gouveia, Anna Paula Silva title: Color Lab IFRJ: practical color exercises for fashion courses date: 2020 words: 3145 flesch: 54 summary: ABSTRACT This paper is part of a research project called Color Lab IFRJ (Laboratório de Cor – IFRJ, in Portuguese) that aims, among other things, to analyze and propose practical color exercises for fashion courses at the Federal Institute of Rio de Janeiro – IFRJ Campus Belford Roxo. 2. Objectives The research project called Color Lab IFRJ (Laboratório de Cor – IFRJ, in Portuguese) was created in order to analyze and propose practical color exercises for fashion courses of IFRJ Campus Belford Roxo and, among other things, to support the cataloging activities of Modateca IFRJ’s fashion collection. keywords: belford; campus; color; exercises; fashion; ifrj; students; theory cache: ccsj-188.pdf plain text: ccsj-188.txt item: #77 of 270 id: ccsj-189 author: Assis Peres Silva, Camila ; de Toledo Sanjar Mazzilli, Clice title: Does chromatic lightness have an impact on the perceived odor of Brazilian perfumes? date: 2020 words: 6846 flesch: 55 summary: Beyond the correspondences found, the researchers identified a potential relationship between color lightness and odor intensities. We deduced that a potential correspondence between color lightness and odor intensity might exist. keywords: colors; design; fragrance; lightness; notes; odor; olfactory; oriental; packaging; participants; perfumes; research; smell; woody cache: ccsj-189.pdf plain text: ccsj-189.txt item: #78 of 270 id: ccsj-190 author: Lobo, Carla title: Ceramic products and their chromatic ‘DNA’ markers date: 2020 words: 4030 flesch: 54 summary: Picular was used in an attempt to establish a connection between the collective imagery of ceramic colour from a country, and its ceramic creation and production. Ceramic colour imagery (from left to right): Country comparisons of Picular ceramic colour schemes with ceramic artefacts: a. Turkish ceramic colours: Turkish creamer, early 20th century (Photo: © Kütahya Tiles and Ceramics Collection Courtesy of Suna and İnan Kıraç Foundation Pera Museum) and tiles, 18th-century (Photo: Carla Lobo); b. Moroccan ceramic colours: keywords: century; ceramic; colour; dna; fig; glazes; local; markers; photo; products cache: ccsj-190.pdf plain text: ccsj-190.txt item: #79 of 270 id: ccsj-192 author: Kovanova, Yulia title: Approaching ecological ambiguity through a non-divisionary understanding of colour in art date: 2020 words: 4008 flesch: 47 summary: Ambiguity, Art, Colour, Ecology, Entanglements RECEIVED 01 November 2019; REVISED 06 December 2019; ACCEPTED 07 December 2019 Approaching ecological ambiguity through a non-divisionary understanding of colour in art 83 Color Culture and Science Journal Vol. 12 (1) DOI: 10.23738/CCSJ. Buether, A. (2014) ‘The function of colour – an introduction to colour theory and a definition of terms’, Colour: design principles, planning strategies, visual communication, Buether, A. (ed.) keywords: ambiguity; art; colour; doi; fig; flower; human; practice; understanding cache: ccsj-192.pdf plain text: ccsj-192.txt item: #80 of 270 id: ccsj-193 author: Schindler, Verena M. title: COLUMN: BOOK REVIEWS date: 2020 words: 2217 flesch: 52 summary: The Atelier’s focus was on colour design in urban planning, architecture, and for industrial sites. Gasser also describes how in 1943 Winterthur’s city core became a protected zone – including in terms of colour design – and that the Urban Planning Act of 1975 states that the overall colour character should be preserved in the old city centre. keywords: architecture; book; charts; city; colour; design; lenclos; winterthur cache: ccsj-193.pdf plain text: ccsj-193.txt item: #81 of 270 id: ccsj-194 author: Schindler, Verena M.; A. Griber, Yulia title: Index&Editorial date: 2020 words: 1915 flesch: 42 summary: Editorial The First Russian Congress on Color (FRCC2019) was held at Smolensk State University on 18–20 September 2019. The congress was organized by the Smolensk State University, the Research and Education Center ‘Color Lab’ of Smolensk State University, and the Study Group on Environmental Colour Design of the International Colour Association. keywords: colour; culture; design; doi; milano; science; university cache: ccsj-194.pdf plain text: ccsj-194.txt item: #82 of 270 id: ccsj-195 author: Rossi, Maurizio title: Index&Editorial date: 2020 words: 1732 flesch: 39 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. keywords: color; culture; design; doi; food; journal; review cache: ccsj-195.pdf plain text: ccsj-195.txt item: #83 of 270 id: ccsj-196 author: Amura, Annamaria; Tonazzini, Anna; Salerno, Emanuele; Pagnotta, Stefano; Palleschi, Vincenzo title: Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks date: 2020 words: 4510 flesch: 47 summary: KEYWORDS Multispectral images, Segmentation algorithms, Image analysis, Shape representation and analysis, Cultural heritage, Raster to vector, Neural networks RECEIVED 11/11/2019; REVISED 04/02/2020; ACCEPTED 17/05/2020 Color segmentation and neural networks for automatic graphic relief of the state of conservation of artworks 8 Color Culture and Science Journal Vol. 12 (2) Our purpose is to highlight and separate the different regions through image analysis. keywords: analysis; color; conservation; image; information; interest; networks; relief; restoration; segmentation; vector cache: ccsj-196.pdf plain text: ccsj-196.txt item: #84 of 270 id: ccsj-198 author: Paglierani, Pietro; Liberini, Simone ; Rizzi, Alessandro; Valan, Francesca title: Graphical interpolation of Munsell data date: 2020 words: 5994 flesch: 50 summary: ABSTRACT This paper analyzes the problem of converting Munsell color notations (hue, value and chroma) into CIE 1931 Yxy coordinates using the graphical method outlined in 1943 by the Optical Society of America (OSA). On the other hand, their practical use can be problematic in certain color control applications, specifically when the specimen under test is liquid or semi-liquid (e.g. beers, icecream or sauces in food control), non-compact (such as sand, in soil analysis, or hair, in hair dyeing control), or visually complex (e.g. diamonds or other gems) (Munsell Color 2020). keywords: chroma; cie; color; conversion; coordinates; data; interpolation; mrd; munsell; notations; paper; procedure; standard cache: ccsj-198.pdf plain text: ccsj-198.txt item: #85 of 270 id: ccsj-199 author: Magnaghi-Delfino, Paola; Mele, Giampiero; Norando, Tullia title: Francesco Algarotti explains Newton’s prism experiment to Ladies date: 2020 words: 3881 flesch: 58 summary: Optics, Colour, Enlightenment, Algarotti RECEIVED 18/10/2019; REVISED 10/01/2020; ACCEPTED 12/02/2020 Francesco Algarotti explains Newton’s prism experiment to Ladies 32 Color Culture and Science Journal Vol. 12 (2) Algarotti F. (2017) Opere del conte Francesco Algarotti. keywords: algarotti; book; colours; francesco; light; newton; prism; public; science; women cache: ccsj-199.pdf plain text: ccsj-199.txt item: #86 of 270 id: ccsj-201 author: Martone, Maria ; Giugliano, Alessandra Marina title: Floral decorations and colours in Naples. The case of Villa Pappone in Posillipo date: 2020 words: 4263 flesch: 51 summary: KEYWORDS Floreale Napoli, Polychrome stained glass design, Colour representation, Structure from motion, Facade drawing, Villa Pappone Posillipo, Image-based modelling RECEIVED 25/11/2019; REVISED 04/02/2020; ACCEPTED 24/04/2020 Floral decorations and colours in Naples. Entrance canopies, verandas, and windows of villas and buildings manufactured using the stained-glass technique, show refined decorations and chromatic variations able to create interesting plays of coloured reflections and suggestive effects in the light diffusion interacting with the external environment of the street. keywords: building; canopy; colours; decorations; entrance; fig; glass; majolica; naples; pappone; posillipo; villa cache: ccsj-201.pdf plain text: ccsj-201.txt item: #87 of 270 id: ccsj-202 author: Di Roma, Annalisa ; Scarcelli, Alessandra title: Food waste: potential bioresource for the colour of polymers date: 2020 words: 4915 flesch: 46 summary: In order to obtain material samples, it was necessary to make moulds in which to pour the composite of curl and resin. What distinguishes Caffil from other experimented materials is the desire to define a new material class, rather than a defined and finished product, able to open infinite creative possibilities and to generate classes of products from new material qualities. keywords: art; coffee; colour; culture; design; fig; food; material; product; research; samples; test; vol; waste cache: ccsj-202.pdf plain text: ccsj-202.txt item: #88 of 270 id: ccsj-203 author: Miraglia, Francesco title: The restoration of the Basilica Minore di Maria SS. Incaldana in Mondragone (northern Campania): the role of color date: 2020 words: 1938 flesch: 52 summary: So, its restoration have been divided in: consolidation and replacement of deteriorated plasters of internal walls; painting of the internal walls with new colors; removal of the plaster on the left and right pillars of the central nave to analyse and date its masonry characterizations; painting of the façade. The interventions were three: consolidation and replacement of deteriorated plasters; new colors for the internal walls; removal of the plaster of the left and right pillars of the central nave near the transept, creating stratigraphic windows. keywords: basilica; incaldana; maria; minore cache: ccsj-203.pdf plain text: ccsj-203.txt item: #89 of 270 id: ccsj-204 author: Papa, Lia Maria; Bellia, Laura; D’Agostino, Pierpaolo ; Spada, Gennaro; Antuono, Giuseppe title: Archaeological digital anastylosis. From survey to lighting analysis date: 2020 words: 5359 flesch: 48 summary: The survey included luminance measurements as well. Gennaro Spada - MSc in Mechanical Engineering on 27/11/2000, PhD in Thermal-Mechanical Systems in 2004, his final dissertation dealt with videography applied to luminance measurements. keywords: analysis; color; daylight; fig; journal; lighting; luminance; rooms; survey; values; vertical; villa; vol cache: ccsj-204.pdf plain text: ccsj-204.txt item: #90 of 270 id: ccsj-205 author: Herrero-Cortell, Miquel; Artoni, Paola ; Raïch, Marta title: Transmitted light imaging in VIS and IR, in the study of paintings: a brief report on the behavior of the main historical pigments date: 2020 words: 4980 flesch: 57 summary: Table 1: Applications and results of transmitted light techniques in painting studies VIS TL IR IRT Ductus /Brush-strokes Pentimenti Underdrawing Pigments visual identification Inner condition Superficial condition Inpainting Very good to excellent results mainly Medium to good results on average Poor to fair results in many cases Very poor results (only in very few cases) Table 1 indicates the suitability of each technique depending on the scope of the research. Furthermore, when the two types of transmitted light techniques are performed together and the results can be compared, important differences in pigment behavior can be appreciated, as these are images obtained in two different regions of the spectrum. keywords: behavior; figure; imaging; irt; light; paintings; pigments; sample; study cache: ccsj-205.pdf plain text: ccsj-205.txt item: #91 of 270 id: ccsj-206 author: Pompas, Renata title: BOOK REVIEW: L'anima e la magia dei COLORI. Uso consapevole dei colori nella vita date: 2020 words: 714 flesch: 48 summary: Then Di Donato looks at the significance and function of colours through myths, rituals, alchemy, and holistic therapies, with the aim of evoking a journey of knowledge. In conclusion Di Donato in the twelve chapters of the book presents a wide and diverse outline of the various fields of knowledge in which colour is the protagonist, quick and essential points in which the content stirs the comparison between cultures and applications, searching for similarities and differences. keywords: colori; colours; dei cache: ccsj-206.pdf plain text: ccsj-206.txt item: #92 of 270 id: ccsj-214 author: Falzone, Patrizia title: Bramante and his work of Painted Façades: Bergamo and Lombardy date: 2021 words: 4644 flesch: 67 summary: Introduction Within the decades-long field of study of painted façades of historical architecture, and of the relationship between painted façades and architecture, the specific theme of Bramante’s activity as a painter of façades is here addressed. As far as colors are concerned, here too there is a recurring range of few fundamental colors, often complementary, declined in different hues, with a good color saturation and a strong chiaroscuro. keywords: aranciato; bergamo; bramante; chiaro; color; façades; giallo; green; hue; red; yellow cache: ccsj-214.pdf plain text: ccsj-214.txt item: #93 of 270 id: ccsj-222 author: Attademo, Greta title: Color and/is narration. The narrative role of color in Wes Anderson’s filmic images date: 2021 words: 3649 flesch: 48 summary: The choice of specific colors and the variation of saturation scales of the tones, in fact, become emblematic in the construction of underlying meanings Color and/is narration. KEYWORDS Wes Anderson, color palette, films, chromatic perception, narrative color, movies sequences RECEIVED 21/01/2021; REVISED 28/03/2021; ACCEPTED 31/03/2021 Color and/is narration. keywords: anderson; color; fact; films; images; narrative; tones; wes cache: ccsj-222.pdf plain text: ccsj-222.txt item: #94 of 270 id: ccsj-223 author: Silva, Camila; Oliveira Clementino, Thamyres ; Oliveira Gonçalves, Thalita title: The contribution of black color to visual rhetoric of Brazilian packaging of hair care products date: 2021 words: 4625 flesch: 53 summary: In this paper, we present the analysis and discussions related to the self-acceptance approach, taking to account the use of black color in hair care cosmetic product packaging. 70 Color Culture and Science Journal Vol. 13(1) DOI: 10.23738/CCSJ.130208 The contribution of black color to visual rhetoric of Brazilian packaging of hair care products. keywords: black; brazilian; color; design; hair; packaging; products; rhetoric; use; visual cache: ccsj-223.pdf plain text: ccsj-223.txt item: #95 of 270 id: ccsj-224 author: Costa Pinheiro Monteiro, Gisela; Assis Peres Silva, Camila title: The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear date: 2021 words: 3913 flesch: 59 summary: Regarding its application in the fashion market, the company presents the Pantone® Textile Color System which is separated in two sort of color charts - the colors The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 26 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130103 references in dyed cotton (TC or TCX) and the colors references printed on paper (TP or TPX). Methods and materials To carry out a case study of the trendy color chart, we selected color charts from the same year and the same season (winter) of four similar companies were analyzed. keywords: analysis; case; charts; color; design; designers; fashion; pantone; study; theory cache: ccsj-224.pdf plain text: ccsj-224.txt item: #96 of 270 id: ccsj-226 author: Bideaux, Kévin title: Is white skin really pink? : Flesh color as a pink color in art and culture in Occident date: 2021 words: 5284 flesch: 63 summary: KEYWORDS Flesh color, Skin color, Pink, Race, History of Color RECEIVED 30/01/2021; REVISED 28/03/2021; ACCEPTED 19/09/2021 Is white skin really pink? Flesh color, Race and Whiteness The existence as well as the recurring use of a single term to designate all complexions, leads me to question flesh color in articulation with the concept of race. keywords: art; color; culture; doi; flesh; flesh color; january; paris; people; pink; skin; white cache: ccsj-226.pdf plain text: ccsj-226.txt item: #97 of 270 id: ccsj-227 author: Luzzatto, Lia; del Zoppo, Laura title: Zhang Ymou: great master of color date: 2021 words: 4209 flesch: 58 summary: Different colors to represent the inner worlds and situations of the different characters. 7 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130101 Zhang Yimou: great master of color Lia Luzzatto1, Laura del Zoppo2 1 Color and Colors, Milan, luzzattolia@gmail.com 2 Film Director, London, lau.dz@libero.it Corresponding author: Lia Luzzatto (luzzattolia@gmail.com) keywords: black; china; chinese; color; movie; red; story; yimou; zhang cache: ccsj-227.pdf plain text: ccsj-227.txt item: #98 of 270 id: ccsj-228 author: Caffio, Giovanni; Unali, Maurizio title: The Colors of Public Art in Pescara: 4 Keywords date: 2021 words: 2986 flesch: 52 summary: Pescara Colors: a final visual synthesis At the end of this visual journey we felt the need to elaborate a conceptual map (Fig. 1 - Fig. 23) that represents a sort of synthesis in color of Public Art in Pescara, obviously referring only to the four key words identified; an empathic perceptive experience in which color is the medium of the project, both for what concerns the conformed space and for what concerns the ephemeral representation, that is the movement, the daily use, the indifferent looking, the careful seeing, the participation: active sensors of living the contemporary urban experience. Over the years, Abruzzo's city has been the setting for a series of interesting works of public art – both ephemeral and long-lasting – in which colors play a fundamental role in establishing paths of urban transformation but also as synesthetic acts and gestures of communication on different scales; artistic and socializing processes capable of releasing new aesthetic and participatory meanings to inhabit the collective and intimate space of urban spaces between art, architecture and design (and more). keywords: architecture; art; color; fig; keywords; pescara; urban; vol cache: ccsj-228.pdf plain text: ccsj-228.txt item: #99 of 270 id: ccsj-230 author: Marotta, Anna title: Color in architecture among futurism, neoplasticism, rationalism (and more...) date: 2021 words: 5312 flesch: 46 summary: Conclusions In the period we have considered, in a continuous exchange between art, architecture and theories (significant, for example, Itten’s experiences are confirmed), color is one of the approaches to better build, Color in architecture among futurism, neoplasticism, rationalism (and more...) 37 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130104 control and communicate (through visual language) structures and harmonies in three-dimensional relationships and in their respective balances in space- time. In 1927, according to a similar but more complex concept, Theo created (together with Hans Arp and his wife Sophie Taeuber) the Café Aubette in Strasbourg, one of the most ambitious designs of the architectural culture of the time: here his spatial vision through formal synthesis and pure colors is evident (Marotta, 2019). keywords: alberto; architecture; color; culture; doesburg; fig; futurism; marotta; neoplasticism; rationalism; rietveld; sartoris; science; theories; van; vol cache: ccsj-230.pdf plain text: ccsj-230.txt item: #100 of 270 id: ccsj-231 author: Dantas, Ítalo José de Medeiros; Freire, Aline Gabriel; Solino, Livia Juliana Silva; Nascimento, Mariana Nunes do; Alves, Heloisa Mirelly Ferreira title: Does gender have an impact on the color preferences in fashion products? date: 2021 words: 5307 flesch: 62 summary: Thus, this paper aims to identify how color preferences in fashion products change as the differences between genders are observed. It was concluded that genders play a certain role in color preferences in fashion products, identifying socially constructed characteristics through the history of colors as being responsible for those tendencies. keywords: brazil; color; color preferences; fashion; fashion products; gender; hues; preferences; products; research cache: ccsj-231.pdf plain text: ccsj-231.txt item: #101 of 270 id: ccsj-233 author: Prencipe, Nicoletta; Provenzi, Edoardo title: Geometric models for color perception date: 2021 words: 3968 flesch: 52 summary: Geometric models for color perception 54 Color Culture and Science Journal Vol. 13 (2) DOI: 10.23738/CCSJ.130206b Schrödinger’s axioms can be summarized stating that the space of perceived colors of trichromatic observes has the geometric structure of a convex regular cone of dimension 3. The wide range of color spaces proposed for digital and industrial applications clearly shows that the choice of these three parameters is far from being trivial. keywords: color; cone; coordinates; perception; quantum; room; space; yilmaz cache: ccsj-233.pdf plain text: ccsj-233.txt item: #102 of 270 id: ccsj-237 author: Cereda, Matteo; Plutino, Alice; Rizzi, Alessandro title: Quick Gamut mapping for simplified color correction date: 2021 words: 2378 flesch: 62 summary: Introduction When talking about color reproduction in digital systems it is fundamental to define the concept of color gamut. ABSTRACT This paper presents an alternative simplified method to convert color spaces more quickly than using the traditional gamut mapping. keywords: color; gamut; mapping; values cache: ccsj-237.pdf plain text: ccsj-237.txt item: #103 of 270 id: ccsj-240 author: Paes de Barros Camara de Lucia Beltramini, Luiza; Castral, Paulo César title: The red of Lina and Oscar date: 2021 words: 3849 flesch: 62 summary: Finally, the choice of red color did not pass through the appreciation of Organs responsible agencies; Azevedo (1963 apud CERÁVOLO, 2010, p. 234) characterizes this and other choices as a loss for the monument. A primeira reforma do edifício do Museu de Arte de São Paulo’. keywords: architecture; bardi; brazil; color; fig; lina; oscar; paulo; red; são; são paulo cache: ccsj-240.pdf plain text: ccsj-240.txt item: #104 of 270 id: ccsj-241 author: Peruzzi, Greta; Cucci, Costanza; Picollo, Marcello; Quercioli, Franco; Stefani, Lorenzo title: Non-invasive identification of dyed textiles by using VIS-NIR FORS and hyperspectral imaging techniques date: 2021 words: 4610 flesch: 55 summary: Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 63 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Among the selected dyes, nine are from plants (Alkanna Tinctoria, Anthemis Tinctoria, Indigofera Tinctoria, Haematoxylum Campechianum, Rubia Tinctorum, Carthamus Tinctorius, Curcuma Longa, Juglans Regia, Reseda Luteola), two are insect dyes (Dactylopius Coccus Cacti and Kerria Lacca) and one is a lichen (Roccella Tinctoria). Non-invasive identification of dyed textiles by using Vis-NIR FORS and hyperspectral imaging techniques 65 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130207 Table 2: CIEL*a*b*1976 values and color difference (E00) between SCI and SCE measurements obtained with CIEDE2000 formula for each sample Figure 2: keywords: color; doi; dyes; et al; fors; identification; imaging; spectral; techniques; textiles cache: ccsj-241.pdf plain text: ccsj-241.txt item: #105 of 270 id: ccsj-244 author: Kmita, Anna title: Color and material in interior Design of coloring in aspect of didactics Case study “Study of the project of unusual area for playing and relaxation” date: 2021 words: 3601 flesch: 48 summary: Introduction This article presents the findings of an educational project concerning colors design and CMF (color, material, finish) implementation in public space, interiors, and product. The Academy of Fine Arts in Katowice conducts research and didactic program regarding color design. keywords: area; children; color; design; fabrics; light; materials; project; students cache: ccsj-244.pdf plain text: ccsj-244.txt item: #106 of 270 id: ccsj-246 author: Pompas, Renata title: Book Review: Yellow, the history of a color date: 2021 words: 923 flesch: 61 summary: From this century on yellow turns towards negative judgements. The case of Clodius in which Cicero's mockery of Clodius is reported, describes him as a debauchee who wears yellow clothes, a purely feminine color. keywords: chapter; color; yellow cache: ccsj-246.pdf plain text: ccsj-246.txt item: #107 of 270 id: ccsj-247 author: Siniscalco, Andrea title: Lighting and color design in the live music show between new technologies and practice date: 2021 words: 4541 flesch: 58 summary: From those Lighting and color design in the live music show between new technologies and practice 45 Color Culture and Science Journal Vol. 13 (1) DOI: 10.23738/CCSJ.130105 years onwards, stage lighting has become dynamic in live music shows, theater and television stages. This area of research on stage lighting and color is anyway in an initial phase and, in order to be developed in the future, the degrees of freedom of the variables that come into play must be determined, which in the context of the live music show must be clearly determined. keywords: color; concert; design; designer; doi; journal; lighting; music; practice; research; stage cache: ccsj-247.pdf plain text: ccsj-247.txt item: #108 of 270 id: ccsj-249 author: Poli, Annamaria title: A didactics of colour based on an innovative educational approach at the Hochschule für Gestaltung in Ulm date: 2021 words: 9125 flesch: 48 summary: Acknowledgments I am particularly grateful to Professor Tomás Maldonado for his commitment to and rigorous scholarly pursuit of an experimental approach to teaching colour and other themes in the domain of visual perception that he held to be especially important. Hannes Meyer e la HfG Ulm, Riccini R. (ed.), Tomás Maldonado Bauhaus. keywords: approach; art; bauhaus; colour; course; culture; design; exercises; hfg; maldonado; new; students; teaching; theory; tomás; ulm cache: ccsj-249.pdf plain text: ccsj-249.txt item: #109 of 270 id: ccsj-250 author: Rizzi, Alessandro title: Index & Editorial date: 2021 words: 1492 flesch: 47 summary: Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects. The narrative role of color in Wes Anderson’s filmic images 7 Greta Attademo DOI: 10.23738/CCSJ.130101 Bramante and his work of Painted Façades: Bergamo and Lombardy 14 Patrizia Falzone DOI: 10.23738/CCSJ.130102 The selection of colors for fashion collections in relation to color theory: a case study from the analysis of Brazilian ready-to-wear 24 Gisela Costa Pinheiro Monteiro, Camila Assis Peres Silva DOI: 10.23738/CCSJ.130103 Color in architecture among futurism, neoplasticism, rationalism (and more...) 32 Anna Marotta DOI: 10.23738/CCSJ.130104 Lighting and color design in the live music show between new technologies and practice 43 Andrea Siniscalco DOI: 10.23738/CCSJ.130105 Does gender have an impact on the color preferences in fashion products? keywords: article; color; culture; doi; journal; pandemic; review cache: ccsj-250.pdf plain text: ccsj-250.txt item: #110 of 270 id: ccsj-252 author: Valge, Claudia; Ceccarelli, Sofia; Bertacchi, Silvia; Uueni, Andres; Hiiop, Hilkka; Randla, Anneli ; Apollonio, Fabrizio Ivan title: Colour measurement and documentation in historical buildings: the case study of the Kirna Manor House in Estonia date: 2022 words: 4815 flesch: 38 summary: In the latter part, research teams were formed and assigned leaders who developed workflows for the identification of historical colour schemes, colour measurement and documentation. Conclusions The workshop was a successful first attempt at determining the correlation and the differences between colour measurements obtained with visual, digital and spectrophotometric analyses. keywords: colour; conservation; documentation; estonia; fig; heritage; manor; measurement; paint; research; results cache: ccsj-252.pdf plain text: ccsj-252.txt item: #111 of 270 id: ccsj-253 author: Plutino, Alice; Scipioni, Sofia; Lombardi, Chiara Andrea; Giuliani, Luca; Mazzoni, Andrea; Marcucci, Roberta; Rizzi, Alessandro title: A Test on color discrimination in complex scenes for a better comprehension of color blindness date: 2021 words: 5044 flesch: 58 summary: Opsin genes, cone photopigments, color vision, and color blindness. This was a preliminary study, and further studies and analysis f rom the physiological, neurological, and psychological point of view are needed, but this experiment has been useful to suggest that the integration of spatial arrangements in models of vision is mandatory, as well as in color blindness diagnosis tests. keywords: answers; blindness; color; color blindness; journal; ncb; picture; science; subjects; test cache: ccsj-253.pdf plain text: ccsj-253.txt item: #112 of 270 id: ccsj-255 author: Angelin, Eva Mariasole; Cucci, Costanza; Picollo, Marcello title: What about discoloration in plastic artifacts? The use of Fiber Optic Reflectance Spectroscopy in the scope of conservation date: 2022 words: 4141 flesch: 48 summary: Historical plastic objects, Discoloration, FORS, Micheluz A., Angelin E. M., Almeida Lopes J., Melo M.J., Pamplona M. (2021) ‘Discoloration of historical plastic objects: new insight into the degradation of β-naphthol pigment lakes’; Polymers, 13, pp.2278. keywords: color; conservation; degradation; discoloration; doi; fig; fors; objects; plastic; red; reflectance cache: ccsj-255.pdf plain text: ccsj-255.txt item: #113 of 270 id: ccsj-258 author: Le Guern, Nicolas title: The long-term development of three-color Kodachrome. An odyssey from the additive to the subtractive method of color reproduction. date: 2022 words: 5364 flesch: 57 summary: When they graduated from university, they started to work full time as professional musicians but were still experimenting during their spare time on color processes. The effect of parallax occurred with color additive processes, when the spatial viewpoint of each lens to record a color was slightly offset from the viewpoints of the other lenses. keywords: additive; color; development; film; godowsky; kodachrome; kodak; mannes; new; process; research; work cache: ccsj-258.pdf plain text: ccsj-258.txt item: #114 of 270 id: ccsj-259 author: Maaruf, Nayla; Pénichon, Sylvie; Kokkori, Maria title: The Flexichrome: visual examination and scientific analysis of an overlooked color process. date: 2022 words: 5093 flesch: 56 summary: In 1949, an extensive marketing campaign for the new Kodak Flexichrome began worldwide. With Kodak Flexichrome, the dyed gelatin relief was stripped from its base and transferred onto a paper substrate [4]. keywords: art; color; crawford; dyes; flexichrome; gelatin; institute; kodak; new; prints; process; relief cache: ccsj-259.pdf plain text: ccsj-259.txt item: #115 of 270 id: ccsj-260 author: Csillag, Paula; Cavallini, Joyce C. title: Visual grouping: a study on preponderances of color or shape in Match-three games date: 2021 words: 4167 flesch: 61 summary: The final games found that visual color groups were perceived more quickly by players, as soon as the programs accounted for a total of 644 color grouping and 435 form grouping made by the participants. Both games have a black background and differ from other games in the Market that have complex and/or textured backgrounds. keywords: color; combinations; form; games; grouping; match; shape; visual cache: ccsj-260.pdf plain text: ccsj-260.txt item: #116 of 270 id: ccsj-262 author: Herrero-Cortell, Miquel; Artoni, Paola; Picollo, Marcello; Raïch, Marta; Zalbidea, Maria Antonia title: The Changes of Transparent Colours in Being Laid upon Others’: Considerations for a New Perception of Glazes with Historical Pigments and Dyes date: 2021 words: 6156 flesch: 64 summary: Red lake pigments were usually made with madder but dye lakes, Kerria lacca or Indian lake (lac dye) and, to a lesser extent, kermes, known as the European cochineal, were also used (Herrero-Cortell, 2019). Most of the pigments available on the palette from the 15th to the 18th century were translucent to a certain extent, especially when applied thinly, and more translucent still are dyes, which become lake pigments when they are precipitated on an inorganic substrate such as rock alum, calcium carbonate or sodium carbonate. keywords: azurite; blue; century; colour; dyes; fig; glazes; green; indigo; lake; lead; painting; pigments; red; sample; verdigris; yellow cache: ccsj-262.pdf plain text: ccsj-262.txt item: #117 of 270 id: ccsj-263 author: Bellotti, Serena; Venturini, Simone title: Digital Struggles for Film Restoration: La battaglia dall’Astico al Piave date: 2022 words: 6337 flesch: 51 summary: We made further comparisons with other films from the end of the 1920s onwards, such as Resistere (1918), The Other Army (1917), Il piave mormorò (1934), Guerra Nostra (1928), Gloria – La Grande Guerra (1934), and, like witness “TO” described above, we found them to contain minor parts of La battaglia, identifying relationships and contaminations between several films from the period. They display the code “R37” in the bottom- right corner to identify the film, which is the same for the Italian and the French version (in which an “F” has been added for French); in the bottom-left corner, it is possible to see the number of the intertitle, which helped us to find them in other films too, as was the case for intertitle 26, recently found in the film Dio segnò i confini d’Italia preserved by the Museo Nazionale del Cinema in Turin, which allowed us to add the corresponding sequence. keywords: battaglia; del; documentation; edge; film; italian; piave; reconstruction; restoration; version; witness; witnesses cache: ccsj-263.pdf plain text: ccsj-263.txt item: #118 of 270 id: ccsj-266 author: Pfluger, David; Garmsen, Lutz; Trumpy, Giorgio title: Modern methods for the visualization of lenticular film colors date: 2022 words: 4735 flesch: 51 summary: An efficient approach to obtain digital color images from lenticular film is to scan the film in high-resolution—with the emulsion facing the imaging system—and let a software extract the encoded color information. 64 Color Culture and Science Journal Vol. 14 (1) DOI: 10.23738/CCSJ.140108 Modern methods for the visualization of lenticular film colors David Pfluger1, Lutz Garmsen1, Giorgio Trumpy1, 2 1 Department of Film Studies – University of Zurich. keywords: approach; color; emulsion; fig; film; image; kodacolor; lenticular; process; projection; reconstruction; screen cache: ccsj-266.pdf plain text: ccsj-266.txt item: #119 of 270 id: ccsj-267 author: Tosini, Paolo title: Two Prizma Color films, a curious finding in the Mexican National Film archive date: 2022 words: 2365 flesch: 56 summary: Prizma color was a coloring technique invented by the Prizma Company, a company created by William van Doren Kelley, in the ’10s. “Colour Films in Britain: The Negotiation of Innovation 1900-1955”, BFI Flueckiger B., Historical film colors: A guest entry from Barbara Flueckiger, Available at: http://www.davidbordwell.net/blog/2021/02/21/historical-film-colors-a- guest-entry-from-barbara-flueckiger/ (Accessed: 3 November2021). keywords: archive; color; fig; film; prizma; system cache: ccsj-267.pdf plain text: ccsj-267.txt item: #120 of 270 id: ccsj-269 author: Trott, Louisa title: The Start of the Rainbow: Possibilities of Color Motion Photography for the Amateur date: 2022 words: 5183 flesch: 51 summary: With the onset of the Great Depression in the USA and other, more practical and affordable color processes on the horizon, there is little evidence that the equipment was ever sold commercially. [7] The name Agfacolor was later used for other color processes made by Agfa. keywords: amateur; color; film; filter; makers; motion; movie; process; s.n cache: ccsj-269.pdf plain text: ccsj-269.txt item: #121 of 270 id: ccsj-274 author: Negri, Sabrina title: Fine Arts on Film: The Hand-Painted Work of Stan Brakhage date: 2022 words: 4154 flesch: 54 summary: Digital technology hardly changes this; if anything, film preservation highlights some continuity from the analogue era by showing that certain technological elements cannot be reproduced regardless of whether the restoration is performed digitally or analogically (Fossati, 2018). The direct intervention of the artist on film materials is key to Brakhage’s poetics, as a way to both work around the limitations of the camera and leave a distinctly authorial mark on his work. keywords: brakhage; cinema; film; hand; preservation; stan; vision; work cache: ccsj-274.pdf plain text: ccsj-274.txt item: #122 of 270 id: ccsj-275 author: Avci, Ayse Nihan; Akbay, Saadet title: A Review based on OLED Lighting Conditions and Human Circadian System date: 2025 words: 4243 flesch: 48 summary: In any case, advances in technology can provide useful tools for designing circadian lighting. Her research interests include human-centric lighting, circadian lighting design, artificial lighting technologies, and color and light. keywords: circadian; doi; effects; environment; et al; human; lighting; system cache: ccsj-275.pdf plain text: ccsj-275.txt item: #123 of 270 id: ccsj-276 author: Tarajko-Kowalska, Justyna title: Is a house named “yellow” really yellow? Survey on the perception and naming of the yellow color on building facades depending on its hue, lightness and saturation date: 2022 words: 4329 flesch: 58 summary: Potential yellow color subcategories, depended on the parameters of hue, lightness and saturation. In the second part, participants were rating on a scale from 1 to 5 (1 – definitely not, 2 – rather not, 3 – not sure, 4 – rather yes, 5 – definitely yes) if randomly presented color samples can be considered yellow (Figure 1). keywords: color; facades; hue; lightness; samples; saturation; yellow cache: ccsj-276.pdf plain text: ccsj-276.txt item: #124 of 270 id: ccsj-277 author: Trini Castelli, Clino title: Umbrella Diagram: 1981-2021, five decades of forecasts and CMF design date: 2021 words: 1932 flesch: 52 summary: Umbrella Diagram graph: − Color Arches (Historical Trend arch, Fashion Trend arch). The Philosopher of Color Clino Castelli. keywords: castelli; color; decades; design; diagram; umbrella cache: ccsj-277.pdf plain text: ccsj-277.txt item: #125 of 270 id: ccsj-279 author: Rossi, Maurizio title: Index & Editorial date: 2021 words: 1526 flesch: 43 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: aic; color; congress; culture; design; doi; journal; review cache: ccsj-279.pdf plain text: ccsj-279.txt item: #126 of 270 id: ccsj-281 author: Marotta, Anna title: Scientific basics in art from the Theories of Colour: Authors, methods, rules, applications date: 2022 words: 4884 flesch: 52 summary: The possibility of experimentation for the research of complementary colours is more optimistic with the application of the rotating discs, or Maxwell's discs, based on the mixture obtained from the rotation of different colours. Previati concludes the argument thus: as long as more detailed investigations into the priority of the practice of the breakdown of colours in painting will come from art historians, we must therefore reserve to Mile the possession of the hitherto unknown property of an unknown colouring substance, that is being able to reproduce the additions of light through a methodically minuscule separation of complementary colours, which today takes the name of divisionism in art. keywords: applications; art; basics; chevreul; chromatic; colour; culture; des; fig; science; seurat; theories cache: ccsj-281.pdf plain text: ccsj-281.txt item: #127 of 270 id: ccsj-282 author: Gökmenoğlu, Firdevs; Akbay, Saadet title: Virtual interior environment: Influence of colour on the sense of immersion date: 2025 words: 3582 flesch: 40 summary: ABSTRACT This article investigates the effects of colour on the sense of immersion in virtual interior environments. The study aims to investigate how the sense of immersion in virtual interior environments varies depending on hue, saturation, and lightness and to examine the extent to which colour dimensions influence the sense of immersion in VEs. keywords: colour; environment; image; immersion; immersive; lightness; participants; sense cache: ccsj-282.pdf plain text: ccsj-282.txt item: #128 of 270 id: ccsj-283 author: Magrin-Chagnolleau, Ivan title: The Relationship between Photo Retouching and Color Grading date: 2022 words: 5436 flesch: 68 summary: This was all chemical, and particularly for color photography, you would generally rely on a strong collaboration with a lab. ABSTRACT This paper deals with photo retouching and color grading. keywords: color; film; grading; photo; picture; relationship; retouching cache: ccsj-283.pdf plain text: ccsj-283.txt item: #129 of 270 id: ccsj-284 author: DE CLERMONT-GALLERANDE, Helene; MAUGER, Emmanuelle; ROLLAND, Nicolas title: A comparative study of lipstick shades preferences by geographical areas date: 2025 words: 4291 flesch: 66 summary: The best sales per area are statistically analyzed to establish shade preferences in each of these areas. This is the geographical area where we find the largest number of specific shades, as 8 shades in the Top 20 only appear in this market. keywords: allure; cluster; coco; color; lipstick; preferences; rouge; rouge coco; shades cache: ccsj-284.pdf plain text: ccsj-284.txt item: #130 of 270 id: ccsj-285 author: Pompas, Renata title: BOOK REVIEW: Andrea dall'Asta Light - the color of desire date: 2022 words: 918 flesch: 47 summary: The author, continuing the path of analysis and research on the tension towards light, asks himself whether in contemporary art light is symbolic, physical, or simply functional, and answers in seven chapters: seven interdisciplinary paths starting from Impressionism to monochromy, through the icon-works of some artists, including at the end of the book, also sacred architecture, photography and cinema. Light - the color of desire Renata Pompas Andrea dall'Asta: Light - the color of desire, Ancora Editrice, Milan, 2021. keywords: century; chapter; color; light cache: ccsj-285.pdf plain text: ccsj-285.txt item: #131 of 270 id: ccsj-287 author: Caumon, Lorrain title: Colours, light and well-being: characterisation of chromatic phenomena in collective housing. date: 2022 words: 4262 flesch: 46 summary: Thus, the luminance indices of each recommended colour are between 0.6 and 0.9 for light colours and between 0.2 and 0.45 for dark colours, and finally, a contrast of 70% has been respected between the various important media so that they can be perceived by a visually impaired person, whose sensitivity to contrasts is still operating. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories to allow better discrimination of spatial elements. keywords: colour; design; environment; france; housing; light; lighting; project; site; study cache: ccsj-287.pdf plain text: ccsj-287.txt item: #132 of 270 id: ccsj-289 author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano ; Rossi, Maurizio; Palumbo, Riccardo title: About the influence of color perceived lightness on psychological functions date: 2022 words: 8343 flesch: 52 summary: The effects of the new correspondences between somatosensory and visual perceptions (warmth and color lightness) extend About the influence of color perceived lightness on psychological functions 118 Color Culture and Science Journal Vol. 14 (1) Motoki, K. et al. (2019) ‘Light colors and comfortable warmth: Crossmodal correspondences between thermal sensations and color lightness influence consumer behavior’, Food Quality and Preference, 72(November 2018), pp. keywords: color; doi; effects; functions; influence; journal; light; lightness; performance; psychology; research; sleep cache: ccsj-289.pdf plain text: ccsj-289.txt item: #133 of 270 id: ccsj-290 author: Broeder, Peter title: Colours of Emotion, Trust, and Exclusivity: A Cross-Cultural Study date: 2022 words: 5391 flesch: 57 summary: (2018) quantitative modelling techniques based on empirical data from 12 regions worldwide presented consistent, culture-independent patterns for colour emotions (regarding warm/cool, heavy/light, active/passive). (2018) Progress in colour studies: cognition, language and beyond. keywords: associations; blue; colour; doi; emotion; journal; red; study; trust cache: ccsj-290.pdf plain text: ccsj-290.txt item: #134 of 270 id: ccsj-291 author: Covarsí, Laura title: The Jos-Pe process in the Jacob Merkelbach collection at the Rijksmuseum in Amsterdam date: 2022 words: 3704 flesch: 61 summary: Thanks to the transparency of the printing plates, the superposition of the three images was easy if compared with other color printing processes with opaque matrices. The three Jos-Pe dyes are common in the literature of dye imbibition processes and were also used in the Pinatype. keywords: amsterdam; collection; color; fig; jacob; jos; merkelbach; printing; process; rijksmuseum cache: ccsj-291.pdf plain text: ccsj-291.txt item: #135 of 270 id: ccsj-292 author: Stanulevich, Nadezhda title: Prokudin-Gorskii’s technique of colour photography: colour separation, additive projection and pigment printing date: 2022 words: 5331 flesch: 51 summary: Prokudin- Gorskii emphasized the merits of colour reproduction, indicated the considerable labour input in production and long exposure that embarrassed the photographing animate objects (Prokudin-Gorskii, 1899). Prokudin-Gorskii photographed with shutter by Thornton-Pickard and different objectives by Steinheil or Voigtländer (Prokudin- Gorskii, 1906c) because the usage of colour filters extended the exposition time and demanded high lens speed. keywords: collection; colour; gorskii; journal; negatives; petersburg; photography; printing; projection; prokudin; russian; saint; sergei cache: ccsj-292.pdf plain text: ccsj-292.txt item: #136 of 270 id: ccsj-293 author: Kooroshnia, Marjan; Dumitrescu , Delia ; Lewis , Erin ; Walters , Kathryn title: The colour, texture, and luminance: Textile design methods for printing with electroluminescent inks date: 2025 words: 4350 flesch: 57 summary: This leaves space for further research exploring the design potential of the raw material – printed EL ink – in terms of expanding its colour palette and aesthetic range by experimenting with textile design methods – forming diverse colour mixtures, overprinting, and halftones. Colour, texture, and luminance: Textile design methods for printing with electroluminescent inks 30 Color Culture and Science Journal Vol. 15 (1) keywords: colour; design; inks; light; methods; printing; research; surface; textile cache: ccsj-293.pdf plain text: ccsj-293.txt item: #137 of 270 id: ccsj-294 author: Csillag, Paula; Sabao, Amanda title: PIXAR’s Colorscripts: Chromatic Analyses of Four Films Using Sens|Org|Int Model date: 2022 words: 3180 flesch: 59 summary: Research interests are related to color communication, visual language, color perception and color trends. Also, the analyses convey a broad scope of color associations in films that could be useful for future chromatic projects. keywords: analyses; color; communication; films; model; perception; pixar; sens|org|int; visual cache: ccsj-294.pdf plain text: ccsj-294.txt item: #138 of 270 id: ccsj-30 author: Rossi, Maurizio title: Index&Editorial date: 2018 words: 2182 flesch: 32 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design) Gabriele Simone (Renesas Electronics Europe GmbH, DE) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Cultura e Scienza del Colore - Color Culture and Science 09 18 riv is ta s em es tra le | ha lf- ye ar ly jo ur na l | D OI : 1 0. 23 73 8/ CC SJ .0 0 Rivista dell’Associazione Italiana Colore www.gruppodelcolore.it DOI: 10.23738/ccsj.i92018.00 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE 09NUMERO 09 - MAGGIO 2018 NUMBER 09 - MAY 2018 CULTURA E SCIENZA DEL COLORE COLOR CULTURE AND SCIENCE Rivista semestrale dell’Associazione Italiana Colore http://jcolore.gruppodelcolore.it/ ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE E227716 DIRETTORE RESPONSABILE | EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT) keywords: colore; colour; culture; del; gli; milano; politecnico; review; rivista; science; scienza; università cache: ccsj-30.pdf plain text: ccsj-30.txt item: #139 of 270 id: ccsj-301 author: Bonanomi, Cristian; Sathaye, Kedar title: Imaging colorimeters to evaluate Camera Monitor Systems image quality date: 2025 words: 3926 flesch: 46 summary: Top row: CMS camera, bottom row: CMS display However, since exterior mirrors are fundamental for the safety, it is important to evaluate if a CMS can be a source of reduced safety or provide equal or more information to the driver. In the following section we are going to focus only on image quality tests. keywords: camera; cms; color; colorimeter; display; image; monitor; rendering; systems; test cache: ccsj-301.pdf plain text: ccsj-301.txt item: #140 of 270 id: ccsj-302 author: Giani, Camilla; Boeri, Cristina title: An experimentation on children’s colour preferences in generic terms and applied to a school context date: 2025 words: 3604 flesch: 47 summary: Colour design, colour preference, school design, children colour preference RECEIVED 30/03/22; REVISED 30/12/22; ACCEPTED 30/12/22 An experimentation on children’s colour preferences in generic terms and applied to a school context 43 Color Culture and Science Journal Vol. 15 (1) DOI: 10.23738/CCSJ.150106 1. In particular, two experiments have been planned and partially conducted in order to evaluate both the differences that may be found between colour preferences expressed in generic terms and contextualized in a school environment, and the differences that may be found between digital simulations displayed on the computer and experimented using the CAVE technology. keywords: children; classroom; colour; colour preferences; experimentation; preferences; school cache: ccsj-302.pdf plain text: ccsj-302.txt item: #141 of 270 id: ccsj-303 author: Guerry, Estelle title: An analysis of chromatic and luminous environment of healthcare establishment. date: 2025 words: 5565 flesch: 53 summary: Light colors [6] are mainly used and are the only ones used for warm colors [7] In the West, color design is based on a principle of thermal color polarities, giving colors psychological and thermal properties. keywords: color; design; doi; environment; fig; journal; light; lighting; observation; sanatorium; study; use cache: ccsj-303.pdf plain text: ccsj-303.txt item: #142 of 270 id: ccsj-305 author: Martini, Berta; Monica Tombolato; Rossella D'Ugo title: Integrating knowledge about color within the STEM/STEAM approach: some instructional procedural principles date: 2022 words: 5464 flesch: 42 summary: Some scholars believe that the addition of “A” is unnecessary, and that the application of creativity and the arts is a natural premise of STEM education. While professional meetings and science education conferences are increasingly geared toward STEM and new textbooks and websites are popping up to advise teachers on how to implement STEM practices, STEM curricula lack an awareness of what STEM is and what STEM programs should include. keywords: approach; color; education; integration; knowledge; learning; principles; science; steam approach; stem; teaching; variables cache: ccsj-305.pdf plain text: ccsj-305.txt item: #143 of 270 id: ccsj-306 author: Tantcheva-Burdge, Elza; Lei, Zhaohua; Cheung, Vien title: Enquiry into the colours of the MoGao murals at DunHuang from the Sui Dynasty, the Tang Dynasty and the Five Dynasties period date: 2025 words: 9401 flesch: 61 summary: She is now working in Shanghai and is passionate in studying traditional Chinese colours. The present paper enquires into the appearance of colours used in the representational system of the murals from periods of the Sui Dynasty (581-618 AD), the Tang Dynasty (618-907 AD) and the Five Dynasties (907- 960 AD). keywords: cave; chinese; colours; dunhuang; dynasties; mogao; murals; period; red; sui dynasty; tang dynasty; tang period; temples; u p cache: ccsj-306.pdf plain text: ccsj-306.txt item: #144 of 270 id: ccsj-307 author: Voss, Lupe; Wong, Sherman title: More Than a Tube of Color - The Emotion date: 2022 words: 4377 flesch: 58 summary: Method Two questionnaires were developed to investigate the behaviors and opinions of hair color consumers and professional hair colorists. The Emotion 49 Color Culture and Science Journal Vol. 14 (2) DOI: 10.23738/CCSJ.140206 Percentage of hair color consumers trusting the knowledge and competency of their colorists Moment a consumer started to trust their colorist Table 2. keywords: color; colorist; consumer; grey; hair; hair color; product; trust cache: ccsj-307.pdf plain text: ccsj-307.txt item: #145 of 270 id: ccsj-308 author: Picollo, Marcello; Cattaneo, Barbara title: Editorial date: 2022 words: 1891 flesch: 32 summary: ISSN 2384-9568 Modern methods for the visualization of lenticular film colors 64 David Pfluger, Lutz Garmsen, Giorgio Trumpy DOI: 10.23738/CCSJ.140108 Fine Arts on Film: The Hand-Painted Work of Stan Brakhage 73 Sabrina Negri DOI: 10.23738/CCSJ.140109 The Relationship between Photo Retouching and Color Grading 79 Ivan Magrin-Chagnolleau DOI: 10.23738/CCSJ.140110 What about discoloration in plastic artifacts? Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. keywords: color; conservation; culture; doi; film; journal; process; review; science cache: ccsj-308.pdf plain text: ccsj-308.txt item: #146 of 270 id: ccsj-309 author: Espinosa-Zaragoza, Isabel title: “Perpetual plum”: Colour naming strategies in Maybelline’s lip products date: 2025 words: 4613 flesch: 50 summary: Thus, cosmetic colour names in general, but specially in lipsticks, do much more than simply describe or designate hues: these “constructed nameables” instil lip products with a distinctive touch that helps relating them to their brand and also serve as an organising tool where all the colours in a collection are named in a coherent and homogeneous way in hopes of capturing customer attention. On the subject of the use of romance as a theme in cosmetic colour names (see Espinosa-Zaragoza, 2002), there is a patent ambivalence with the customer both seducing and being seduced. keywords: collection; colour; cosmetic; doi; lipstick; maybelline; names; plum; products; terms cache: ccsj-309.pdf plain text: ccsj-309.txt item: #147 of 270 id: ccsj-31 author: Ruggiero, Maria Elisabetta title: The colour of ships: communication and identity date: 2018 words: 4868 flesch: 55 summary: Fregi dorati su campo blu, balaustre, lesene e volute che scandiscono i vari ordini di ponti visibili a poppa sono raffigurati, nei disegni a noi pervenuti, con dovizia di particolari. Imbarcazione super veloce realizzata dal cantiere Palmer &Johnson; linee squadrate e uso del colore sono elementi di forte caratterizzazione. keywords: che; colore; colour; con; culture; dei; del; della; grandi; identity; mezzi; nave; navi; più; ruggiero; scafo; science; scienza; sempre; ships; una cache: ccsj-31.pdf plain text: ccsj-31.txt item: #148 of 270 id: ccsj-310 author: Cortina Maruenda, Francisco Javier; Serra Lluch, Juan; Torres Barchino, Ana; Llopis Verdú, Jorge title: Digital applications to train color ordering in three dimensions for architects and designers date: 2022 words: 3788 flesch: 49 summary: Among all the types of games used for learning, digital color puzzles are good alternatives to train these abilities. Introduction In the acquisition of skills to work with the color for an architect or an interior designer, it is important to train the visual discrimination of colors and to gain the sensitivity to display different colors in order. keywords: app; architecture; color; digital; faces; figure; puzzle; solid cache: ccsj-310.pdf plain text: ccsj-310.txt item: #149 of 270 id: ccsj-312 author: Siniscalco, Andrea; Tonon, Caterina; Mitolo, Micaela; Testa, Claudia; Gaiani, Marco; Rossi, Maurizio title: A technique to ensure correct color stimulation by functional MRI to study in vivo the human melanopsin ganglion cells system date: 2023 words: 5950 flesch: 52 summary: For the evaluation of a possible circadian response induced by the stereoscopic visor, the non-linear model proposed by Rea et al. was used (Rea et al., 2012; Figueiro and Rea, 2013), which considers numerous factors, including the transmission of light through the lens of the crystalline lens and the spectral opposition of the blue and yellow channels (Dacey and Packer, 2003). Although the absence of randomized controlled trials in this field, a recent systematic review demonstrated that Bright Light Treatment (BLT) is a promising intervention in patients affected by dementia, specifically in Alzheimer’s Disease (AD), and does not have significant adverse effects (Mitolo et al., 2018). keywords: brain; cells; cie; color; doi; et al; ganglion; journal; light; melanopsin; melatonin; stimulation; study; system cache: ccsj-312.pdf plain text: ccsj-312.txt item: #150 of 270 id: ccsj-318 author: Rossi, Maurizio; Plutino, Alice title: Editorial date: 2022 words: 1297 flesch: 38 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: article; color; culture; journal; review; science cache: ccsj-318.pdf plain text: ccsj-318.txt item: #151 of 270 id: ccsj-319 author: Flaviani, Giorgia; Plutino, Alice; Rizzi, Alessandro title: Colour and emotion: the use of the colours of Lüscher test in the artistic field date: 2023 words: 5808 flesch: 60 summary: After a preliminary analysis of using Lüscher colours, we set up a first perceptive test asking 20 subjects to associate adjectives with Lüscher's colours freely. Lüscher colour test and its influence on art The colour test by Max Lüscher is composed of eight coloured patches; each colour is associated with a particular meaning. keywords: colour; fig; green; kandinskij; lüscher; red; scale; terms; test; theory cache: ccsj-319.pdf plain text: ccsj-319.txt item: #152 of 270 id: ccsj-321 author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo title: The promise of color in marketing: use, applications, tips and neuromarketing date: 2025 words: 7495 flesch: 50 summary: Color preferences influence various daily tasks. Thus, it is necessary to place color preferences at the center of marketing strategies. keywords: color; color preference; consumer; culture; differences; journal; marketing; neuromarketing; preference; psychology; research; use cache: ccsj-321.pdf plain text: ccsj-321.txt item: #153 of 270 id: ccsj-324 author: Attademo, Greta title: Colour and Light for storytelling and storydoing in museum videogames. date: 2023 words: 4614 flesch: 52 summary: Cultural heritage, narrative colour, interactive colour, educational videogames, cultural games RECEIVED 07/02/2023; REVISED 18/03/2023; ACCEPTED 03/07/2023 Colour and Light for storytelling and storydoing in museum videogames. The exploration of the seven virtual spaces allows the player to investigate seven topics related to colour, namely: functional colour, systemic colour, colour and activism, emotional colour, spiritual colour, light and physics, light and immersion. keywords: colour; fact; game; light; medici; museum; narrative; player; research; space; videogames cache: ccsj-324.pdf plain text: ccsj-324.txt item: #154 of 270 id: ccsj-326 author: GABBATORE, STEFANO; CLAUDIO GERMAK title: Fly in color. A chromatic “model” for the cabin of a commercial aircraft date: 2023 words: 4165 flesch: 46 summary: Based on our recent semi-immersive simulations of color cabin arrangements, it appears that there is no perceptual hierarchy between these four areas. In a first co-design activity with personas (20 males and 20 females), chosen as a sample of ideal types of passengers by age, profession and nationality, the perceptual impact of the room model” declined in different colors. keywords: aircraft; cabin; color; comfort; design; fig; light; model; passenger; perception; space cache: ccsj-326.pdf plain text: ccsj-326.txt item: #155 of 270 id: ccsj-327 author: Caumon, Lorrain; Zissis, Georges; Caumon, Céline title: Experience of place: colour and lighting design methods in the process of inclusive housing projects. date: 2023 words: 4697 flesch: 47 summary: Her research focuses on the interaction between colour design and lighting sciences, with the aim of promoting comfort and well-being in collective housing. Here, light colours are used for large surfaces and dark colours for small surfaces or accessories in order to allow better discrimination of the elements. keywords: colour; creation; design; environment; housing; inhabitants; light; lighting; place; research; spaces cache: ccsj-327.pdf plain text: ccsj-327.txt item: #156 of 270 id: ccsj-33 author: Pauliac, Laurence title: Restorations of the monumental polychromy of the Gothic cathedrals undertaken by Viollet-le-Duc date: 2018 words: 6137 flesch: 51 summary: Quatremère, A-C. so called Quatremère de Quincy (1815) Le Jupiter olympien, ou l’Art de la sculpture antique considéré sous un nouveau point de vue, ouvrage qui comprend un essai sur le goût de la sculpture polychrome, l’analyse explicative de la toreutique et l’histoire de la statuaire en or et en ivoire, chez les Grecs et les Romains. Dame de Paris, Chapel Saint Germain, tracing of the paintings made by Mr. Ouradou. keywords: architect; chapels; colours; dame; des; duc; les; notre; paintings; paris; polychromy; restoration; viollet cache: ccsj-33.pdf plain text: ccsj-33.txt item: #157 of 270 id: ccsj-331 author: Guarini, Gianluca; Rossi, Maurizio title: A review on the open issue of color consistency in software for building information modeling systems and real-time visualization date: 2024 words: 4789 flesch: 47 summary: Regarding the color rendering in Enscape, the Plugin can use Revit materials. In addition, if the designer opts to use Revit materials to view the project with Enscape without making any replacements, it is advisable to use the PBR materials directly, which have already been available in Revit since 2019. 3.3. keywords: bim; color; materials; model; rendering; revit; software; time; unity; visualization cache: ccsj-331.pdf plain text: ccsj-331.txt item: #158 of 270 id: ccsj-333 author: Rossi, Maurizio title: Editorial date: 2025 words: 1950 flesch: 38 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: article; color; culture; design; doi; journal; lighting; review cache: ccsj-333.pdf plain text: ccsj-333.txt item: #159 of 270 id: ccsj-335 author: Picollo, Marcello title: BOOK REVIEW: I colori sono di tutti? 22 domande curiose sul colore date: 2025 words: 566 flesch: 52 summary: [Italian Language] Since the early years of the last century, color, and the world surrounding it, has attracted increasing interest of professionals from various fields. The continued interest in exploring color and understanding its significance is clearly demonstrated by the number of new publications that have appeared nationally and internationally in recent years. keywords: authors; color cache: ccsj-335.pdf plain text: ccsj-335.txt item: #160 of 270 id: ccsj-337 author: SCALZO, Marcello title: Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage date: 2023 words: 4069 flesch: 59 summary: From the early decades of the 20th century, Leonetto Cappiello became a point of reference for many artists; his Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage 69 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 innovative ideas would influence the creations of numerous poster artists of the following generations. 66 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150208 Leonetto Cappiello and Jean d’Ylen’s posters: colour takes centre stage Marcello Scalzo1 1 Department of Architecture, University of Florence, Florence, Italy, marcello.scalzo@unifi.it ABSTRACT Undoubtedly, Frenchmen Jules Cheret and Henri Toulouse Lautrec laid the foundations of modern poster art. keywords: cappiello; century; colour; d’ylen; fig; jean; jean d’ylen; leonetto; leonetto cappiello; posters; vercasson cache: ccsj-337.pdf plain text: ccsj-337.txt item: #161 of 270 id: ccsj-338 author: Angelo, Kine; Booker, Alex title: Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice date: 2024 words: 3851 flesch: 36 summary: The course builds on colour teaching at BA level and aims to further develop practice-related design skills in colour design in public spaces. Diploma level At the masters (M.A.) and the Diploma (final examination) level we see students who chose to specialise on architectural colour and an increased number of students who address colour as an important design factor and actively seek further consultation on colour issues. keywords: architecture; building; colour; course; design; form; practice; students; tectonics cache: ccsj-338.pdf plain text: ccsj-338.txt item: #162 of 270 id: ccsj-339 author: Liberini, Simone; Suardi, Roberta; Rizzi, Alessandro; Negretti, Giannantonio title: Assessment of base color influence on the chromatic appearance of hair colorants date: 2024 words: 4742 flesch: 58 summary: Introduction Judging the appearance of hair color is an essential task for proper salon service. A simple yet smart color naming scheme does in fact exist (Toninelli et al., 2021), but its practical adoption is highly arbitrary among different color brands, so that hair color charts may very well associate different colors to the same nuance, both in terms of lightness and of predominant hue (Rizzi et al., 2021). keywords: appearance; base; chips; color; fig; hair; hue; munsell; swatches; test cache: ccsj-339.pdf plain text: ccsj-339.txt item: #163 of 270 id: ccsj-34 author: Uusküla, Mari; Eessalu, Martin title: Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages date: 2018 words: 3613 flesch: 52 summary: We investigate the selection of colour stimuli shown to subjects during psycholinguistic (field) experiments, or more precisely, the surface of the selected stimuli. Cultura e Scienza del Colore - Color Culture and Science 39 Cultura e Scienza del Colore - Color Culture and Science | 09 | 2018 ISSN 2384-9568 1Mari Uusküla mari.uuskula@tlu.ee 2Martin Eessalu eessalu@gmail.com 1Tallinn University, School of Humanities 2 Independent researcher Glossy Black is not actually ‘Black’: Evidence from Psycholinguistic Colour-Naming Studies in 14 European Languages ABSTRACT Since Berlin and Kay’s seminal monograph, most studies on colour vocabulary and categorization have concentrated on the three main characteristics of colour – hue, lightness and saturation – which play a major role in the semantics of colour terms. keywords: black; colour; data; languages; naming; stimuli cache: ccsj-34.pdf plain text: ccsj-34.txt item: #164 of 270 id: ccsj-340 author: Lourantos, Nicholas title: Reversal film transparencies and their colours: examining the medium of an era date: 2024 words: 5138 flesch: 60 summary: The decisive, final, point for choosing Super 8mm Home Movies was Kodachrome, the same type of colour transparencies used. Its significance is that its chromatic references are drawn from a diverse background including interior design colour images but also record covers, magazine article photographs andcinema posters. keywords: approach; colour; comparison; culture; era; film; images; medium; number; palette; study; transparencies cache: ccsj-340.pdf plain text: ccsj-340.txt item: #165 of 270 id: ccsj-341 author: Pertica, Alice; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; Vervat, Muriel title: Reflectance hyperspectral imaging for colorimetric and spectroscopic studies: the analysis of an impressionist painting. date: 2023 words: 4574 flesch: 59 summary: In the last few years reflectance hyperspectral imaging (HSI) has been increasingly employed in the study of cultural heritage and its conservation. reflectance hyperspectral imaging, spectroscopy, colorimetry, conservation science, easel painting. keywords: color; doi; et al; imaging; pigment; point; reflectance; values cache: ccsj-341.pdf plain text: ccsj-341.txt item: #166 of 270 id: ccsj-343 author: Llácer Peiró, Aranzazu; Miquel Àngel Herrero-Cortell; M. Antonia Zalbidea-Muñoz; Laura Fuster-López title: Historical glazes: Enhancing their value through reproduction and characterisation date: 2023 words: 4986 flesch: 61 summary: Details of particle visibility in applied glazes with madder lake violet (1), aloe (2), stil de grain (3) and sap green (4) Historical glazes: Enhancing their value through reproduction and characterisation 44 Color Culture and Science Journal Vol. 15 (2) DOI: 10.23738/CCSJ.150205 Fig. For this study, several test pieces were made using nine pigments in the base layers on which different glazes were applied in several superimposed layers. keywords: colouring; cortell; dye; dyes; glazes; green; herrero; lake; madder; pigments; power; red cache: ccsj-343.pdf plain text: ccsj-343.txt item: #167 of 270 id: ccsj-345 author: Francesca Valan; Pietro Paglierani; Scopa, Chiara title: A leap in the color! How understanding horses’ color perception improves their performance and welfare in show jumping date: 2024 words: 5140 flesch: 58 summary: Experimental works have confirmed the correlation between obstacle colors and jumping performance. The analyses of jump faults (obstacle knock-down or run- out) reported in literature confirm the correlation between obstacle colors and performance (Stachurska et al., 2002). keywords: color; fig; horse; jumping; number; obstacle; performance; science; vision cache: ccsj-345.pdf plain text: ccsj-345.txt item: #168 of 270 id: ccsj-349 author: Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo; De Vita, Maurizio title: Application of a hyperspectral camera for colorimetric and spectroscopic measurements under natural light on outdoors artistic polychrome surfaces date: 2023 words: 5722 flesch: 48 summary: The second test (Cherubini et al., 2019), carried out at Piazza Santa Croce, aimed to compare different methodologies of color analysis in architecture, including RGB camera, spectrocolorimeter, color maquette, and Specim IQ hyperspectral camera. The Specim IQ camera allows for immediate visualization of hyperspectral data after the measurements, and users have the option to add metadata to them. keywords: analysis; camera; color; data; doi; et al; imaging; light; measurements; specim; spectroscopic; surfaces cache: ccsj-349.pdf plain text: ccsj-349.txt item: #169 of 270 id: ccsj-35 author: Siniscalco, Andrea; Guarini, Gianluca title: Digital Visualization of a Luminaire: From blueprint to Photorealistic Representation date: 2018 words: 6441 flesch: 50 summary: Real luminaires, in most cases, have a spatial distribution of the lighting intensity more complex than those achievable through OpenGL lights. 5. CASE STUDIES Five case studies of digital representation of real luminaires will be described below, but before starting, a little premise is necessary: the described techniques, both for modelling and for rendering, are not the only ones that can be used. keywords: color; geometry; light; luminaire; model; modelling; photometric; software; use cache: ccsj-35.pdf plain text: ccsj-35.txt item: #170 of 270 id: ccsj-351 author: Bertoletti, Paola title: The boundaries between light and color in architecture: the different lighting solution date: 2023 words: 4491 flesch: 49 summary: Architectural lighting designer must first know the aim of the project. 2. Lighting strategies: aspects and approaches To achieve a harmonious balance between lighting and architecture, it is essential to consider the three basic elements of architectural lighting: Aesthetics, Functionality, and Efficiency (Lam, 1977). keywords: architecture; color; design; journal; light; lighting; perception; space cache: ccsj-351.pdf plain text: ccsj-351.txt item: #171 of 270 id: ccsj-353 author: Bortolotti, Alessandro; Cannito, Loreta; Anzani, Stefano; Palumbo, Riccardo title: Wine Chromatics: The Colorful Language of Wine's Characteristics date: 2024 words: 5203 flesch: 50 summary: Particularly, our research aimed to delve into the potential influence of color associations on the perception of wine consumers. A recent review (Spence & Velasco, 2019) summarized the multiple roles of packaging color on consumers' expectations and perception of identity, taste, flavor, fragrance, healthiness, and willingness to pay. keywords: associations; color; consumer; journal; marketing; packaging; participants; product; research; wine cache: ccsj-353.pdf plain text: ccsj-353.txt item: #172 of 270 id: ccsj-355 author: Rossi, Maurizio; Plutino, Alice title: Editorial date: 2023 words: 1666 flesch: 43 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: article; color; culture; doi; journal; review; science; scopus cache: ccsj-355.pdf plain text: ccsj-355.txt item: #173 of 270 id: ccsj-357 author: Dantas, Ítalo José de Medeiros; Silva, Camila Assis Peres; Curth, Marcelo title: The development of a color chart in conceptual fashion collections: do consumers perceive what color semantics wants to convey? date: 2024 words: 11618 flesch: 50 summary: This model focused on observing the construction of visual color messages based on possible relationships between the generating concept used in creating the collection and how this was reflected in the production of meanings in its color palette. It was possible to observe a high correlation between intention and interpretation of visual color messages in the Ilha de Marajó fashion collection context. keywords: chart; clothing; collection; color; consumers; design; designers; development; fashion; fashion collection; generation; intention; interpretation; nature; neutrality; paulo; potential; research; são; visual cache: ccsj-357.pdf plain text: ccsj-357.txt item: #174 of 270 id: ccsj-36 author: Lecca, Michela; Rizzi, Alessandro; Gianini, Gabriele title: Review and Comparison of Random Spray Retinex and of its variants STRESS and QBRIX date: 2018 words: 5433 flesch: 58 summary: Random spray Retinex and its variants STRESS and QBRIX: comparison and experiments on public color images. The th random spray ( ) is a set of image pixels , belonging to a circular neighborhood centered at . keywords: color; image; qbrix; retinex; rizzi; rsr; sensation; stress cache: ccsj-36.pdf plain text: ccsj-36.txt item: #175 of 270 id: ccsj-365 author: Phuangsuwan, Chanprapha; Mepean, Janejira ; Ayama, Miyoshi ; Mizokami, Yoko; Ikeda, Mitsuo title: Effect of display techniques on simultaneous color contrast date: 2025 words: 6377 flesch: 58 summary: KEYWORDS Simultaneous color contrast, Display techniques, Contrast induction, Chromatic adaptation, Recognized visual space of illumination, Elementary color naming RECEIVED 22/04/2024; REVISED 05/11/2024; ACCEPTED 06/02/2025 Effect of display techniques on simultaneous color contrast 24 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170102 1. ABSTRACT In previous studies, simultaneous color contrast (SCC) was investigated using different display techniques, such as colored papers, electronic displays, and the two-rooms technique. keywords: color; contrast; display; ikeda; objects; rooms; scc; techniques cache: ccsj-365.pdf plain text: ccsj-365.txt item: #176 of 270 id: ccsj-366 author: Medeiros, Arthur Thiago Thamay; da Silva, Fabio Pinto title: Colorimetry in the conservation of assets integrated into heritage properties: comparative analyzes of hydraulic tiles date: 2024 words: 5970 flesch: 49 summary: With technological advances for instrumentation in color measurement, colorimeters analyze color with and without contact, using the spectrum generated by reflected light. 3. Materials and methods To carry out a comparative analysis of the colors of the hydraulic tiles at Paço dos Açorianos with the sample at Fabrica de Mosaicos de Pelotas, aiming to select the colors for the manufacturing stage, color data were acquired with a colorimeter by Delta Color (São Leopoldo/RS - Brasil) model Colorium. keywords: assets; color; colorimeter; conservation; fig; heritage; mosaicos; paço; research; sample; tiles; tolerance cache: ccsj-366.pdf plain text: ccsj-366.txt item: #177 of 270 id: ccsj-368 author: Trini Castelli, Clino title: The “Color Fever” Chroma Survey 1973 date: 2024 words: 5700 flesch: 53 summary: Initiated with the Centro Design Montefibre, the Operazione Colordinamo operation gave rise to seminars, exhibitions and the well-known manuals for professional use, which were the first tool of orientation in the field of color design in Italy, published from 1975 to 1977. He consolidated this position in 1977 with the founding of the design magazine Modo, through the idea of looking more closely at the “making”, the direct experience of reality, a property that upon closer examination was already intrinsic precisely to the themes of color design [Trini Castelli, 2021]. keywords: castelli; chroma; chroma survey; color; color culture; culture; design; fever; figure; journal; new; saturation; survey; trini cache: ccsj-368.pdf plain text: ccsj-368.txt item: #178 of 270 id: ccsj-369 author: Rossi, Maurizio title: Exploring the Spectrum: Color in Science and Society date: 2024 words: 1806 flesch: 33 summary: 57 Nicholas Lourantos DOI: 10.23738/CCSJ.160106 4 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Colour Composition and Visual Tectonics in Facades; Adapting Colour Teaching to Current Architectural Practice 65 Kine Angelo and Alex Booker DOI: 10.23738/CCSJ.160107 The “Color Fever” Chroma Survey 1973 72 Clino Trini Castelli DOI: 10.23738/CCSJ.160108 5 Color Culture and Science Journal Vol. 16 (1) ISSN 2384-9568 Exploring the Spectrum: Color in Science and Society Dear Esteemed Readers1, Welcome to our newest journal issue, where we take you on an insightful journey through the rich tapestry of color across a variety of disciplines, from the harmonious hues of architectural design to the perceptual dynamics of our animal companions and from the subtle intricacies of hair coloring to the sensory allure of wine. The complete and updated list of the Editorial Board Members involved in the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: color; culture; design; doi; journal; review; science cache: ccsj-369.pdf plain text: ccsj-369.txt item: #179 of 270 id: ccsj-37 author: Calvo Ivanovic, Ingrid title: Symbolic Color Associations in Goethe’s Farbenlehre and its application in the pictorial work of its early receptors date: 2018 words: 4705 flesch: 50 summary: In this article will be recognized the main contributions of Goethe in relation to a symbolic consideration of color for its use in the pictorial practice, from the connection of the chromatic polarities theory proposed by Goethe in the Farbenlehre with its section on the ‘Effect of Color with Reference to Moral Associations’. Goethe, Theory of Colors, Chromatic Polarities, Symbology of Color, Farbenlehre, Pictorial Color, Color Circle CITATION: keywords: associations; blue; circle; color; goethe; runge; turner; work; yellow cache: ccsj-37.pdf plain text: ccsj-37.txt item: #180 of 270 id: ccsj-374 author: Reichold, Claudia Gisela; Pieralli, Irene; Gualini, Elisa; Hirsch, Serena; Morrocchesi, Serena; Picollo, Marcello title: Paintings: monitoring varnish variations and their effect on color perception. A case study. date: 2024 words: 4352 flesch: 48 summary: Differences of color values (∆L*, ∆a*, ∆b*) over time and sum of maximum deviations for measurement points 1 and 2. Paintings: monitoring varnish variations and their effect on color perception. KEYWORDS: varnish for paintings, colorimetric measurements, spectrocolorimeter, Giorgio Vasari, Santa Maria Novella. keywords: color; florence; measurement; monitoring; sce; sci; science; time; values; varnish cache: ccsj-374.pdf plain text: ccsj-374.txt item: #181 of 270 id: ccsj-375 author: Lhi, Wona; Choi, Gyoungsil title: Colour Change of The Ten Symbols of Longevity in the Late Joseon Dynasty date: 2024 words: 2979 flesch: 62 summary: Discussion Through the above study, it can be observed that the colours in late Joseon period paintings gradually became more distinct over time. The important symbols of Sibjangsengdo are the sun, rock, crane, deer, bamboo, pine, yeongji (reishi mushrooms), and peach, with colour changes depending on the form (See Figure 2). keywords: blue; colour; dynasty; joseon; paintings; pigments; type cache: ccsj-375.pdf plain text: ccsj-375.txt item: #182 of 270 id: ccsj-379 author: Bideaux, Kévin title: Queer Futures, Violet Futures: Queer Modernity Symbolism of Violet in West Culture date: 2024 words: 5798 flesch: 57 summary: Far from being exclusive to men, violet also references lesbianism through violet flowers. Choosing violet also differentiated them from other political movements with established colour emblems (red for communists, black for anarchists). keywords: century; colour; culture; doi; fashion; fig; futures; gender; modernity; paris; purple; queer; symbolism; violet; women cache: ccsj-379.pdf plain text: ccsj-379.txt item: #183 of 270 id: ccsj-38 author: Lecca, Michela; da Pos, Osvaldo title: Coloumn date: 2018 words: 1904 flesch: 54 summary: An interesting example for this is given by the recent web discussion about the colour names and colour perception by ancient Greeks [1][2][3]. As already discussed in the previous number of this column, colour perception is something more than colour sensation, as it entails a number of interactions between different stimulated areas of the retina; moreover it can be also strongly influenced by previous experience and cultural heritage. keywords: colour; greek; like; perception; terms cache: ccsj-38.pdf plain text: ccsj-38.txt item: #184 of 270 id: ccsj-381 author: Catella, Maria Antonietta title: The polychrome surfaces of Apulia’s monuments between the 19th and 20th centuries. The contribution of color to the spread of neo-medievalism and the creation of national identity date: 2024 words: 7825 flesch: 50 summary: The independence of colour: decorative experiments in 20th century churches But the fictitious polychromatic vestments found the greatest freedom of expression in the new creations of neo-Gothic and neo-Romanesque churches in Apulia. Paine, A. (2011) Façades and stripes: An account of striped façades from medieval Italian churches to the architecture of Mario Botta. keywords: ages; apulia; architecture; cathedral; centuries; century; church; color; creation; identity; medievalism; monuments; neo; new; polychrome; romanesque; surfaces cache: ccsj-381.pdf plain text: ccsj-381.txt item: #185 of 270 id: ccsj-382 author: Pylypchuk, Oksana title: Coloristic levels of perception of an art object in the interior space date: 2024 words: 5002 flesch: 43 summary: This study proposes an innovative approach based on the use of color perception levels that can optimize the process of color selection in creative design. Art object, Coloristics, Interior space, Color perception, Color contrast, Design. keywords: art; color; contrast; design; interior; levels; object; perception; scheme; space cache: ccsj-382.pdf plain text: ccsj-382.txt item: #186 of 270 id: ccsj-385 author: ODETTI, JIMENA VANINA; Reyes Gonzalez, Alberto; Reyes Gonzalez, Andres Enrique; Valdez Olmos, Fernando Daniel title: The chromatic intervention as a strategy for the revaluation of facades in peri-urban areas. The case of the historic center of Ixtapa, Jalisco, Mexico. date: 2024 words: 6922 flesch: 43 summary: fernando.valdez@vallarta.tecmm.edu.mx Corresponding author: Jimena Vanina Odetti (jimena.odetti@vallarta.tecmm.edu.mx) ABSTRACT The article presents a case study in which urban color is taken as a protagonist element in the realization of a chromatic and artistic intervention for the preservation and/or recovery of the cultural identity of the selected area. As conclusions and findings, the article highlights the importance of studying and generating projects around urban color from a perspective that includes it as a symbolic element and protagonist in the shaping of cultural identity in the city. keywords: case; color; cultural; design; facades; identity; intervention; ixtapa; jalisco; mexico; neighbors; project; research; street cache: ccsj-385.pdf plain text: ccsj-385.txt item: #187 of 270 id: ccsj-386 author: Llácer Peiró, Aranzazu; M. Antonia Zalbidea-Muñoz; Miguel Angel Herrero-Cortell; Laura Fuster-López title: Optical characterization under a microscope of oil painting films with drying pigments: cobalt blue date: 2024 words: 5034 flesch: 58 summary: KEYWORDS drying pigments, cobalt blue, surface microscopy, artificial ageing RECEIVED 01/08/2024; REVISED 23/10/2024; ACCEPTED 04/11/2024 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope: Cobalt Blue 66 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 1. 65 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160207 Optical Characterisation of Oil Painting Films with Drying Pigments under the Microscope: keywords: ageing; binder; blue; characterisation; cobalt; drying; films; glass; mock; oil; paint; painting; pigment; surface; ups cache: ccsj-386.pdf plain text: ccsj-386.txt item: #188 of 270 id: ccsj-389 author: Munoz-Alcocer, Karla Maria; Vázquez de Ágredos Pascual , Maria Luisa; Estrada, Stephanie title: Chromatic reintegration: Color Matching Challenges in Polychrome  wooden Ceilings date: 2024 words: 6218 flesch: 49 summary: Materials & Techniques The materials and manufacture technique of the decorative surphaces of Santa Maria de Cuevas church have been studied in deep and in major context with other Spanish colonial churches in Chihuahua (Muñoz Alcocer, 2018). The varying intensities of the original paint posed challenges, particularly in beam ceilings where achieving smooth variations was not feasible. keywords: blue; ceiling; chihuahua; church; color; community; conservation; hue; original; polychrome; project; reintegration; restoration; santa cache: ccsj-389.pdf plain text: ccsj-389.txt item: #189 of 270 id: ccsj-39 author: Rossi, Maurizio title: Index&Editorial date: 2019 words: 1883 flesch: 39 summary: Francesca Valan, color designer (IT), for the topics of color and communication, marketing: graphics, communication, packaging, lettering, exposure, advertising. And also the topics on color and psychology: phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic and diagnostic aspects. keywords: color; culture; doi; journal; milano; review; topics; university cache: ccsj-39.pdf plain text: ccsj-39.txt item: #190 of 270 id: ccsj-390 author: Thickett, David; Pretzel, Boris; Shah, Bhavesh; Luxford, Naomi title: Natural Light Aging of furniture, textile and bone in historic environments. date: 2024 words: 7234 flesch: 54 summary: By monitoring light levels with Elsec sensors and Hanwell Luxbug loggers, and measuring colour changes with Minolta 2600d and Ocean Optics 2000 spectrometers, the research documents the effects on textiles, wooden furniture, and bone and ivory artefacts. Objects were periodically measured over several years to document colour changes, with measurements taken after 1, 2, 3, 6, and 11 years for furniture and textiles, and after 19 years for ivories, while bone objects were measured after over 70 years of display. keywords: bone; changes; colour; conservation; doi; exposure; furniture; historic; house; ivory; light; measurements; objects; science; textile; years cache: ccsj-390.pdf plain text: ccsj-390.txt item: #191 of 270 id: ccsj-393 author: Prusak, Błażej ; Muhammad Mushafiq title: Interpreting colour symbolism in finance- Insights of financial expert date: 2025 words: 10470 flesch: 54 summary: Research on colour symbolism is also presented at conferences organised under the auspices of the International Colour Association, and the results are included in proceedings (see, e.g., Kwiatkowska- Interpreting colour symbolism in finance- insights of financial experts 9 Color Culture and Science Journal Vol. 17 (1) To the best of the author’s knowledge, this is the first study of colour symbolism in finance conducted among financial experts and one of the few in this scientific field. keywords: association; authors; black; blue; colour; colour symbolism; culture; doi; experts; finance; green; journal; meaning; red; research; respondents; responses; science; study; symbolism; total cache: ccsj-393.pdf plain text: ccsj-393.txt item: #192 of 270 id: ccsj-394 author: Perondi, Camilla title: Chromatic Image: a New Imaging Method for the Examination of Works of Art date: 2024 words: 4565 flesch: 51 summary: KEYWORDS technical imaging, chromatic image, image processing, preliminary examination, forensic imaging RECEIVED 14/08/2024; REVISED 18/10/2024; ACCEPTED 02/11/2024 Chromatic Image: a New Imaging Method for the Examination of Works of Art 44 Color Culture and Science Journal Vol. 16 (2) Adobe Photoshop® was used to process the dataset into chromatic images. keywords: art; colour; figure; image; imaging; method; science; study; values; works cache: ccsj-394.pdf plain text: ccsj-394.txt item: #193 of 270 id: ccsj-397 author: Llàcer, Aránzazu ; Hirsch, Serena; Zalbidea-Muñoz, Maria Antonia; Herrero-Cortell, Miquel Angel; Fuster-López, Laura title: Glazing over grisaille. A multi-band record of pigmented and dyed oil glazes date: 2024 words: 6665 flesch: 62 summary: A multi-band record of pigmented and dyed oil glazes Aránzazu Llácer-Peiró3, Serena Hirsch4, M. Antonia Zalbidea-Muñoz2, Miquel Àngel Herrero-Cortell 1, Laura Fuster-López3 1 Departamento de Comunicación Audiovisual, Documentación e Historia del Arte, UPV 2 Departamento de Conservación y Restauración de Bienes Culturales, UPV 3 Instituto Universitario de Restauración del Patrimonio 4 Centro Conservazione e Restauro La Venaria Reale Corresponding author: Miquel Àngel Herrero-Cortell ABSTRACT The present paper addresses the visual and technical study of historical glazes, both organic and inorganic, applied over monochrome grisaille. A multi-band record of pigmented and dyed oil glazes 52 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160206 1. keywords: band; color; cortell; degree; del; glazes; grisaille; herrero; kremer; lead; multi; pigments; science; white; yellow; zalbidea cache: ccsj-397.pdf plain text: ccsj-397.txt item: #194 of 270 id: ccsj-398 author: Iocco, Carlo Alberto; Plutino, Alice; Cattaneo, Ambra; Armellin, Luca; Sassi, Matteo; Silva, Liliana; Rizzi, Alessandro title: A playful approach for early screening of color blindness in Italian primary schools date: 2024 words: 4486 flesch: 54 summary: The reliability of the qolour game for a preliminary screening of color blindness has been tested in several studies, and in this experimental context, it was used as a method to have a first distinction between children who had difficulties in the game due to possible color blindness, from children who presented difficulties due to other problems. 127 Color Culture and Science Journal Vol. 16 (2) DOI: 10.23738/CCSJ.160213 A playful approach for early screening of color blindness in Italian primary schools Carlo Alberto Iocco1, Alice Plutino1, Ambra Cattaneo1, Luca Armellin1, Matteo Sassi2, Liliana Silva3, Alessandro Rizzi1,2 1MIPS Lab, Department of Computer Science, University of Milan 2SAZ (Spiele Autoren Zunft eV) Italy 3 Department of Education and Human Sciences, University of Modena and Reggio Emilia Corresponding author: Carlo Alberto Iocco (carlo.iocco@unimi.it) keywords: blindness; board; card; color; color blindness; game; players; science; screening cache: ccsj-398.pdf plain text: ccsj-398.txt item: #195 of 270 id: ccsj-40 author: Borsotti, Marco title: Contemporary architecture and colour: final definitions for mapping intent date: 2019 words: 5233 flesch: 41 summary: Introduction This text illustrates the third and final contribution – the first and second appeared in Colour and colorimetry VIII (Borsotti in Rossi, Siniscalco, 2012) and Colour and colorimetry X volumes (Borsotti, in Rossi, Marchiafava, 2014) – on the reflection that, moving between identification of contemporary paradigmatic case studies and hypotheses of classification of their outcomes within defined areas referring to common attitudes, look at the use of colour as a true design tool; a real “material” for the realisation of an architectural program. Here, there is an intentionality to delve deeper into the idea of spatiality, designed as a layering of layers, which, as on a computer screen, are distinguished and managed through the attribution of different colours. keywords: architecture; building; colour; culture; definitions; design; intent; journal; mapping; science; use; vol cache: ccsj-40.pdf plain text: ccsj-40.txt item: #196 of 270 id: ccsj-402 author: Messa, Maurizio title: Communications and Comments date: 2024 words: 24 flesch: 7 summary: Colour precision at your fingertips Accurate measurements of colour with our new portable spectrophotometer CM-17d, with an integrated viewfinder camera RETHINK PRECISION. Spectrophotometer NEW keywords: spectrophotometer cache: ccsj-402.pdf plain text: ccsj-402.txt item: #197 of 270 id: ccsj-403 author: Picollo, Marcello; del Hoyo-Meléndez, Julio M. title: Editorial. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights date: 2024 words: 2293 flesch: 28 summary: Thamay Medeiros and Fabio Pinto da Silva DOI: 10.23738/CCSJ.160202 Paintings: monitoring varnish variations and their effect on color perception. Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights Dear readers, The vibrant field of color science in cultural heritage, spanning materials analysis, color perception, and conservation strategies, enriches our understanding of cultural heritage and its degradation processes due to their intrinsic properties and the influence of environmental parameters. keywords: article; color; conservation; culture; doi; heritage; journal; perception; review; science; studies cache: ccsj-403.pdf plain text: ccsj-403.txt item: #198 of 270 id: ccsj-407 author: Bortolotti, Alessandro title: Exploring crossmodal correspondences through neuromarketing date: 2025 words: 6247 flesch: 51 summary: In this context, sensory marketing can be defined as a revolutionary approach to consumer engagement that leverages the five human senses to create immersive and memorable product experiences. A key concept in sensory marketing is crossmodal correspondence, which explores how the activation of one sense can influence the perception of another. keywords: brand; color; consumer; experiences; inf; journal; marketing; neuromarketing; product; sensory cache: ccsj-407.pdf plain text: ccsj-407.txt item: #199 of 270 id: ccsj-408 author: Dantas, Ítalo José de Medeiros; Curth, Marcelo; Teixeira, Débora Pires; Soares Júnior, Glauber; Batista, Fabiano Eloy Atílio title: Is there a color for sustainability in fashion products? A case study with Brazilian slow fashion footwear date: 2025 words: 7919 flesch: 45 summary: In clothing, it is observed that the perception of product colors is strongly inf luenced by symbolic associations that link tones to sustainable practices, as previously discussed. Thus, slow fashion is an initiative aimed at raising awareness about reducing the pace of accelerated production to create sustainable fashion products. keywords: brands; brazilian; color; cultural; culture; design; fashion; fashion footwear; fashion products; footwear; journal; products; research; slow; study; sustainability; tones; visual cache: ccsj-408.pdf plain text: ccsj-408.txt item: #200 of 270 id: ccsj-409 author: Ribeiro, Fernanda; Schemes, Claudia; Dantas, Ítalo José de Medeiros title: Tactile coloration for inclusive fashion: the role of “See Color” in enhancing autonomy for individuals with visual impairments date: 2025 words: 9565 flesch: 37 summary: Marchi (2019) highlights the potential of “See Color” for use in clothing labels and accessories, suggesting that it could also be implemented in color palettes for fashion consulting. Development of inclusive tactile color palettes based on Rosa’s experience Leveraging perceptions from the research sessions with Rosa, a tactile Winter color palette was created by the Feevale University Design Center to provide a practical and inclusive tool for visually impaired individuals. keywords: analysis; autonomy; clothing; color; color palette; design; fashion; impairments; inclusion; individuals; journal; palette; process; research; role; rosa; self; social; system; visual cache: ccsj-409.pdf plain text: ccsj-409.txt item: #201 of 270 id: ccsj-410 author: Hofmann, Manfred; Hofmann-Sievert, Rita title: Predicting the Light Stability of Contemporary Photographic Print Materials date: 2025 words: 7331 flesch: 51 summary: There is a wealth of accelerated ageing test data of photographic print materials with different light sources, such as fluorescent and Xenon light for silver halide materials (Wilhelm and Bower, 1993) or inkjet prints (Wilhelm, 2004), fluorescent light for face mounted inkjet prints (Blaschke-Walther and Dobrusskin, 2015), and UV radiation for UV curing inkjet materials (Maretić et al. 2021). The same set of photographic print materials as in our study was investigated by Duan (Duan, 2024) with a microfadometer (MF). keywords: action; band; colorants; colour; exposure; fading; fig; light; materials; print; range; spectra; stability; test; wavelength; white cache: ccsj-410.pdf plain text: ccsj-410.txt item: #202 of 270 id: ccsj-415 author: Miąsik, Paulina; Pénichon, Sylvie ; Granzotto, Clara; Sutherland, Ken title: An investigation into the structure and color stability of Polaroid 20×24 prints date: 2025 words: 5566 flesch: 45 summary: These findings contribute valuable insights into the material composition of Polaroid 20×24 prints and inform display and preservation strategies, ensuring the longevity of these culturally significant artworks. All examined Polaroid 20×24 prints share a glossy surface finish and exhibit no discernible differences in texture, maintaining a consistent aesthetic and tactile quality across generations. keywords: 20×24; color; conservation; generations; image; institute; layer; light; materials; polaroid; prints; stability; structure cache: ccsj-415.pdf plain text: ccsj-415.txt item: #203 of 270 id: ccsj-418 author: Silva, Joana; Juline Høgly Petersen, Sille ; Ryhl-Svendsen, Morten; Stub Johnsen, Jesper; Brynjolf Pedersen, Karen title: Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark date: 2025 words: 5386 flesch: 54 summary: DOI: 10.23738/CCSJ.170211 Evaluating the stability of colour slides: 30 years of natural ageing at the National Museum of Denmark Joana Silva1, Sille Juline Høgly Petersen1, Morten Ryhl-Svendsen1, Jesper Stub Johnsen2, Karen Brynjolf Pedersen3 1 Royal Danish Academy - Conservation, Copenhagen, Denmark. ABSTRACT In the 1990s, chromogenic reversal films (also known as colour slides) were a widespread medium to document objects from museum collections. keywords: ageing; colour; denmark; film; iso; patch; samples; slides; stability cache: ccsj-418.pdf plain text: ccsj-418.txt item: #204 of 270 id: ccsj-42 author: Cherubini, Filippo; Casini, Andrea; Cucci, Costanza; Picollo, Marcello; Stefani, Lorenzo title: 'Khrôma' the first software for management of the Color and Decoration Plan for small historic villages date: 2019 words: 3257 flesch: 40 summary: ABSTRACT The 'Khrôma' project is aimed at creating the first software for the management of the Color and Decoration Plan that can be applied to small historic villages. ‘Khrôma’ the first software for management of the Color and Decoration Plan for small historic villages. keywords: color; color plan; del; khrôma; management; plan; software; villages cache: ccsj-42.pdf plain text: ccsj-42.txt item: #205 of 270 id: ccsj-425 author: MARTONE, Maria; Fan, Tiantian title: Color differences between Urban Digital Twin and the real city. Optimisations and compensations date: 2025 words: 3644 flesch: 45 summary: KEYWORDS Urban Digital Twin, color management, digital urban colors, Color Validity Index RECEIVED 04/04/2025; The specific objectives of the research include assessing the current state of color management in the Helsinki Digital Twin, identifying color differences between the virtual and real city and proposing strategies to improve color fidelity in digital models. keywords: city; color; differences; digital; management; twin; urban cache: ccsj-425.pdf plain text: ccsj-425.txt item: #206 of 270 id: ccsj-426 author: Pompas, Renata title: Rose. Une couleur aux proses avec le genre.: BOOK REVIEW date: 2025 words: 1400 flesch: 51 summary: Pink is his magnificent obsession: involved in gender studies and a member of the Laboratory of Gender and Sexuality Studies, he has colored his own body, his environment, and his artwork pink. In the West, this trend emerged as early as the 19th century but became widespread in the 1950s when the parental tendency to anticipate children's personalities by establishing gender differences through the preservation of heterosexuality spread. keywords: bideaux; book; gender; pink; rose cache: ccsj-426.pdf plain text: ccsj-426.txt item: #207 of 270 id: ccsj-427 author: Rossi, Maurizio title: Color Maps: Research Themes and Trajectories: Editor's note date: 2025 words: 2280 flesch: 37 summary: Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. keywords: adobe; article; color; culture; design; doi; journal; pdf; review; reviewers; science; vol cache: ccsj-427.pdf plain text: ccsj-427.txt item: #208 of 270 id: ccsj-428 author: Rossi, Maurizio title: Contemporary Views on Color: Research and Applications between Science, Culture and Design date: 2025 words: 3827 flesch: 37 summary: The studies on Simultaneous Color Contrast (SCC) by Phuangsuwan et al. and on cross-modal correspondences in neuromarketing by Bortolotti, although with different approaches, converge in underlining how color perception is not an objective fact but a dynamic and relational process, influenced by the configuration of space, the presence of objects, Contemporary Views on Color: Research and Applications between Science, Culture and Design 95 Color Culture and Science Journal Vol. 17 (1) DOI: 10.23738/CCSJ.170108 lighting conditions and interactions with other sensorial stimuli (Bortolotti, 2025; Phuangsuwan et al., 2025). Color, Perception, and Multi-sensory Communication The topic of the visual and sensorial experience of color is addressed by two studies that, although with different methodologies, share an interest in subjective perception and the role of display technologies in determining chromatic effects. keywords: color; color culture; culture; design; fashion; research; science cache: ccsj-428.pdf plain text: ccsj-428.txt item: #209 of 270 id: ccsj-43 author: Boeri, Cristina title: Color emotion as a feasible tool in a participatory project for a Primary School date: 2019 words: 4334 flesch: 44 summary: KEYWORDS color emotion, color design, color preference, color in educational environments RECEIVED 16 May 2019; Color emotion as a feasible tool in a participatory project for a Primary School. keywords: blue; children; color; design; emotion; primary; project; school cache: ccsj-43.pdf plain text: ccsj-43.txt item: #210 of 270 id: ccsj-430 author: Miąsik, Paulina title: An investigation into the structure and color stability of Polaroid 20×24 prints: Errata Corrige date: 2025 words: 79 flesch: 30 summary: 119 Color Culture and Science Journal Vol. 17 (2) An investigation into the structure and color stability of Polaroid 20×24 prints Paulina Miąsik, Sylvie Pénichon, Clara Granzotto, Ken Sutherland The Art Institute of Chicago, 111 S. Michigan Ave, Chicago, IL 60603, USA Corresponding author: Paulina Miąsik (paulinamiasikk@gmail.com) Errata Corrige Color Culture and Science Journal Vol. 17 (1) (2025), pages 82-91. Corrigendum Page 85, Figure 2: the figure is incorrect and needs to be substituted with the following one. keywords: color cache: ccsj-430.pdf plain text: ccsj-430.txt item: #211 of 270 id: ccsj-437 author: Farina, Carla title: Chromatic Weaves: Color through rule and perception in the Work of Anni Albers date: 2025 words: 5162 flesch: 54 summary: At the Bauhaus, the grid was a key tool in color theory: Klee used it to analyze the dynamic Chromatic Weaves: Color through rule and perception in the Work of Anni Albers 21 Color Culture and Science Journal Vol. 17 (2) The analysis is based on a formal reading of the patterns and color choices, integrated with comparisons to Bauhaus color theory to the influence of Latin American cultures that shaped her later production. keywords: albers; anni; anni albers; art; bauhaus; black; color; design; klee; material; perception; visual; weaving; work cache: ccsj-437.pdf plain text: ccsj-437.txt item: #212 of 270 id: ccsj-44 author: Giannattasio, Carlo title: The Tropical Aquarium: a case of polychrome decoration in the architecture of the early 1900s date: 2019 words: 2586 flesch: 52 summary: The covering was manufactured by the Ceramiche di Posillipo factory, but the design and construction were carried out by Paolo Ricci, a friend and colleague of Carlo Cocchia. The ornamentation was created by the majolica factory Ceramica di Posillipo, and specifically by Paolo Ricci, an eclectic artist of the 1900s. keywords: aquarium; color; decoration; figures; polychrome; ricci; work cache: ccsj-44.pdf plain text: ccsj-44.txt item: #213 of 270 id: ccsj-444 author: Mucchetti, Francesca; Peruccio, Pier Paolo; Grigatti, Gianluca title: Colors of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury date: 2025 words: 4191 flesch: 48 summary: While in Riva yachts colour served a narrative and symbolic function—embodying prestige and elegance through the refined use of glossy mahogany, ivory leather, and metallic details—other sectors of industrial design during the same period developed their own distinctive approaches to colour and materials. KEYWORDS Visual Identity, Nautical Design, Color Semiotics, Riva Aquarama, Material Culture, Luxury Aesthetics, Mid-20th Century Style RECEIVED 24/06/2025; REVISED 15/09/2025; ACCEPTED 29/09/2025 Colours of the Sea and Design: The Upholstery of Riva Motorboats between Visual Identity and Luxury 62 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170207 1. keywords: aquarama; brand; colour; cream; culture; design; identity; luxury; orange; riva; upholstery; visual cache: ccsj-444.pdf plain text: ccsj-444.txt item: #214 of 270 id: ccsj-45 author: Farini, Alessandro; Baldanzi, Elisabetta; Raffaelli, Marco; Russo, Francesco title: Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case. date: 2019 words: 2211 flesch: 60 summary: 41 Color Culture and Science Journal Vol. 11 (1) DOI: 10.23738/CCSJ.110105 Evolution of colours in football shirts through colorimetric measurements: Fiorentina's case. ABSTRACT Football fans express their identification with their team especially with colours of football shirts. keywords: colour; fiorentina; football; measurements; science; shirts cache: ccsj-45.pdf plain text: ccsj-45.txt item: #215 of 270 id: ccsj-452 author: MARTONE, Maria; Fan, Tiantian title: The co-evolution of color and digital tools: a new logic for fashion design date: 2025 words: 3632 flesch: 39 summary: The Prada–Armani comparison also highlights the rising role of digital color encoding as a design and communication tool. Through a five-phase periodization, the study highlights paradigm shifts in color design, illustrating how digital tools (such as Pantone systems, generative AI, and 3D simulation) have progressively transformed chromatic composition, affecting both visual coherence and the cultural semantics of color palettes. keywords: armani; color; culture; design; evolution; fashion; logic; material; new; pantone; prada; tools cache: ccsj-452.pdf plain text: ccsj-452.txt item: #216 of 270 id: ccsj-453 author: Isaac, Geoffrey title: Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design date: 2025 words: 5752 flesch: 48 summary: Most people spend their lives Coloured Lives of Plastic: A History of Colour in Plastic Furniture Design 53 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170206 housed in dreary, grey-beige conformity, mortally afraid of using colours. He believed colour could shape mood and perception, with the ability to energize, relax, or stimulate: He stated, ‘choosing colours should not be a gamble. keywords: chair; colour; design; designers; furniture; grcic; interiors; material; new; panton; plastic; space cache: ccsj-453.pdf plain text: ccsj-453.txt item: #217 of 270 id: ccsj-455 author: Vitale, Marta title: Ettore Sottsass: the colour in photography, the colour in design date: 2025 words: 9210 flesch: 62 summary: Ettore Sottsass, photography and design, colour photography, Kodachrome, New Topographics, american landscape RECEIVED 24/06/2025; REVISED 23/09/2025; Several decades had to pass before colour photography achieved proper recognition and full artistic maturity, which was realized in particular thanks to the pioneers of the so-called New Color Photography [1]. keywords: american; black; colour; colour photography; culture; design; ettore; ettore sottsass; meyerowitz; milano; new; photography; radice; sottsass; use; world; york cache: ccsj-455.pdf plain text: ccsj-455.txt item: #218 of 270 id: ccsj-456 author: Tomovic, Tina; Leysieffer, Jonas title: The dematerialisation of colour: On the creative and ecological consequences of expanded colour spaces date: 2025 words: 4674 flesch: 54 summary: Colour charts bear evidence of the developments in this field, as they act as interface objects in a multidisciplinary and now globally active value chain. The text discusses how colour decisions are made in design, using colour charts as an example. keywords: century; charts; colour; culture; design; industry; new; process; samples; textile; tool cache: ccsj-456.pdf plain text: ccsj-456.txt item: #219 of 270 id: ccsj-457 author: Hauqui Tonin, Paulo Eduardo; Ferrara, Marinella title: The Chromatic Turn in Fashion Environment: From Radical to Sensory Experience Design date: 2025 words: 5733 flesch: 37 summary: ABSTRACT This study examines the evolving role of color in fashion-related built environments, tracing its historical and conceptual trajectory from the radical chromatic practices of the 1960s–70s to contemporary applications within sensory-experiential design. Findings reveal that color has transitioned from a compositional element to a dynamic medium capable of shaping perception, eliciting affective responses, conveying ideological stances, and structuring immersive brand narratives. keywords: affective; brand; color; culture; design; environments; experience; fashion; identity; immersive; multisensory; new; perception; red; turn cache: ccsj-457.pdf plain text: ccsj-457.txt item: #220 of 270 id: ccsj-46 author: Bracci, Susanna; Magrini, Donata; Bartolozzi, Giovanni title: Painted or not painted? Discovering color traces of ancient stones date: 2019 words: 4593 flesch: 49 summary: Understanding ancient polychromy is indeed a crucial issue since the lack of attention to this theme leads to a significant misunderstanding of both the artwork itself and of the artistic culture it represents. Today, despite important results achieved within the last few years, research on ancient polychromy is still at an early stage and shows some obvious limitations pertaining to the transferability of methodologies or findings (Gasanova 2018). keywords: approach; blue; color; culture; fig; journal; liverani; polychromy; science; stones; traces; vil cache: ccsj-46.pdf plain text: ccsj-46.txt item: #221 of 270 id: ccsj-463 author: Rangel Vázquez, Nallely title: The perfect harmony of white clothes date: 2025 words: 5637 flesch: 64 summary: Lindas Mexicanas: white corset in Mexico City One of the main contributions of my research was to demonstrate that corsets created by Mexican designers and produced in the country existed. At the same time, I demonstrate that white underwear was made from a variety of fibers. keywords: author; city; color; corset; coutil; mexican; mexico; mexico city; porfirian; underwear; white; women cache: ccsj-463.pdf plain text: ccsj-463.txt item: #222 of 270 id: ccsj-47 author: Perdomo, Lina title: Industrial colour invention: a comparative analysis from the perspective of the colourist designer date: 2019 words: 10649 flesch: 50 summary: Paint & Coatings Industry Company A (Latin America) colour tool created in 2014 Company B (Europe) colour tool created in 2015 EXPERTISE OF THE CREATIVE ACTOR Engineering & marketing Colour design & fine arts COLOUR COMM. 3.2 Fan deck company B (Europe) – 1650 colours (colour tool B) keywords: colour; g 50y; l v; ncs; s g; s s; v y; y =; y s cache: ccsj-47.pdf plain text: ccsj-47.txt item: #223 of 270 id: ccsj-476 author: Dalla Mura, Maddalena; Fava, Elena title: Mediating Synthetic Fibers and Colour at the Centro Design Montefibre in the1970s, between Fashion Forecasting and Design Culture date: 2025 words: 8126 flesch: 50 summary: To this end, they collaborated with experts including Adela Turin-Coat (textile design), Alessandro De Gregori (colour design), and the historian Franco Brunello, author of a book on the history of dyeing (1968). 79 Color Culture and Science Journal Vol. 17 (2) DOI: 10.23738/CCSJ.170209 Mediating Synthetic Fibres and Colour at the Centro Design Montefibre in the 1970s, between Fashion Forecasting and Design Culture Maddalena Dalla Mura, Elena Fava Università Iuav di Venezia. keywords: 1970s; castelli; centre; centro design; colour; culture; design; design culture; design montefibre; fashion; fibres; forecasting; journal; market; production; research; section; textile; trend; trini cache: ccsj-476.pdf plain text: ccsj-476.txt item: #224 of 270 id: ccsj-48 author: Barbato, Giuseppe; Bellia, Laura; Morone, Alfonso title: How the colours of objects and light affect human emotions, performance and health. The need for a holistic approach to design indoor environment. date: 2019 words: 5078 flesch: 45 summary: It appears necessary to establish reciprocal interactions among the different disciplines involved in the choice of objects and light colours, and namely among researchers in medical science, psychology, lighting and industrial design, in order to assess an interdisciplinary methodology that can be applied to indoor design. Given these premises, it appears necessary to establish reciprocal knowledge and interactions among the different disciplines involved in the choices for objects and light colours, and namely among researchers in medical science, psychology, lighting design and industrial design. keywords: colours; design; effects; environment; light; lighting; objects; performance; quality; research; sources; vol cache: ccsj-48.pdf plain text: ccsj-48.txt item: #225 of 270 id: ccsj-486 author: RICCINI, RAIMONDA title: Design and Fashion Design: a Chromatic History date: 2025 words: 2180 flesch: 39 summary: The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. Color and Measurement/Instrumentation. keywords: color; culture; design; doi; fashion; history; journal; role; science cache: ccsj-486.pdf plain text: ccsj-486.txt item: #226 of 270 id: ccsj-487 author: Riccini, Raimonda; Rossi, Maurizio title: From Form to Meta-Design: Clino Trini Castelli’s Theoretical Tools for CMF and Qualistics. date: 2025 words: 5578 flesch: 43 summary: 5.4 Applications and anticipations: from Memphis to ecological trends Initially a proprietary tool for Castelli Design clients such as Louis Vuitton, Herman Miller, and Mitsubishi, the Umbrella Diagram was employed both in industry and education, often confidentially until its first public presentation at the AIC Milan Congress in 2021 (Trini Castelli, 2021). In 1974 Castelli established CDM – Consulenti Design Milano, together with Branzi and Morozzi, later transformed into Castelli Design, a platform from which many of his theoretical innovations would emerge. keywords: castelli; cmf; color; culture; design; diagram; form; material; meta; qualistics; tools; trini; trini castelli; umbrella cache: ccsj-487.pdf plain text: ccsj-487.txt item: #227 of 270 id: ccsj-49 author: Fiorentin, Pietro; Pedrotti, Elena; da Pos, Osvaldo; Metellini, Ariella title: Semantic resonance to light sources of different correlated colour temperature date: 2019 words: 4142 flesch: 51 summary: Semantic resonance to light sources of different correlated colour temperature. In the entrance room a commercial viewing booth with different light sources was placed on a table; a large poster was hanging on the wall above and showed the main characteristics of the cabinet sources and the ways of measuring them by appropriate instruments. keywords: colour; halogen; illumination; light; participants; scales; sources; temperature cache: ccsj-49.pdf plain text: ccsj-49.txt item: #228 of 270 id: ccsj-50 author: Bideaux, Kévin title: Millennial pink: gender, feminism and marketing. A critical Analysis of a color trend date: 2019 words: 4344 flesch: 61 summary: These two micro-genres of electronic music framed a visual aesthetic putting pink color as a driving element. The success of millennial pink lies in its ability to capture the consumer's attention aesthetically, symbolically and politically. keywords: color; fashion; feminine; feminism; fig; gender; march; marketing; pantone; paris; pink; trend cache: ccsj-50.pdf plain text: ccsj-50.txt item: #229 of 270 id: ccsj-51 author: Pompas, Renata title: Two books that describe pigments and dyes, in a different and complementary way. date: 2019 words: 1536 flesch: 65 summary: It is a rich and complex text, divided into eight sections entrusted to different authors, who analysed pigments and dyes, described the materials, the production techniques, their history and application in painting and in textile dyeing. 1. Brown and orange pigments known since the antiquity. keywords: age; blue; pigments; purple cache: ccsj-51.pdf plain text: ccsj-51.txt item: #230 of 270 id: ccsj-52 author: Rossi, Maurizio title: Index&Editorial date: 2017 words: 2286 flesch: 41 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Anna Marotta (Politecnico di Torino, IT) keywords: color culture; colore; colore color; colour; culture; degli; del; del colore; maria; milano; rossi; science; scienza; università cache: ccsj-52.pdf plain text: ccsj-52.txt item: #231 of 270 id: ccsj-53 author: Rossi, Michela; Iarossi, Maria Pompeiana; Mele, Giampiero title: Principles and applications. Consistency and experimentation in the work of Piero Bottoni, from the “Cromatismi” to Sesto San Giovanni date: 2017 words: 9939 flesch: 48 summary: E’ proprio questo spazio pubblico aperto il luogo da cui si può meglio cogliere il sistema di relazioni in cui per Bottoni il colore, da attributo ornamentale degli edifici, si trasforma in strumento di costruzione del paesaggio urbano. L’autore spiega che si tratta di situazioni immaginate per studiare il rapporto tra il vuoto e il colore insieme ai “valori di posizione”, rispetto ai keywords: alla; architecture; architettonici; archivio; bottoni; building; che; city; color; color culture; colore color; come; con; corbusier; cromatismi; culture; dal; degli; dei; del; del colore; della; di sesto; giovanni; hall; issn; milano; nel; piero; piero bottoni; politecnico; rossi; san; san giovanni; science; scienza; sesto; sesto san; tonon; una; volume; work cache: ccsj-53.pdf plain text: ccsj-53.txt item: #232 of 270 id: ccsj-54 author: Di Tommaso, Agapito ; Garro, Vincenzo; Gueli, Anna Maria; Martusciello, Sabina; Pasquale, Stefania title: Colour quantity contrast in Itten’s Theory: Spectrophotometry for verifying statements date: 2017 words: 6883 flesch: 53 summary: tra ognuno dei valori reciproci di “luminosità” dei colori riportati da Itten e intuiti da Schopenhauer e la somma i valori loro attribuiti tanto da Itten quanto da Schopenhauer. keywords: campioni; che; colore; colour; con; contrast; culture; dei; del; della; giallo; goethe; itten; maimeri; quantity; research; samples; schopenhauer; science; site; sono; valori; values; verde; viola cache: ccsj-54.pdf plain text: ccsj-54.txt item: #233 of 270 id: ccsj-55 author: Sabatini, Desirée; Forte, Ivano; Schiavitti, Ilma; Sabatini, Mauro; Pietrini, Alessio title: The recovery of the original colour of the archive material: the digital colour correction of the ancient anti- Semitic discourse of the Duce in 1938 date: 2017 words: 8366 flesch: 44 summary: (mezzi toni, alte e basse luci) e della gradazione di bianco e nero a livello globale, mentre sui fotogrammi che risultavano maggiormente sbiaditi (primi piani di Mussolini) Il montaggio del documentario permette allo spettatore di seguire tutte le fasi dello sfarzoso arrivo nel porto di Trieste del Duce; seguono sequenze panoramiche e del trasferimento in auto scoperta verso il centro della città: quando Mussolini raggiunge finalmente piazza dell’Unità e, dopo aver salutato con un cenno della mano keywords: alla; archive; benito; che; colore; colour; con; correction; culture; dei; del; del colore; della; digital; discorso; duce; film; fotogramma; frame; gli; image; light; luce; material; mussolini; nel; non; originale; pellicola; più; restauro; restoration; sabatini; science; scienza; sono; speech; trieste; una cache: ccsj-55.pdf plain text: ccsj-55.txt item: #234 of 270 id: ccsj-56 author: Tallarita, Anna Luana title: The meanings of the Red date: 2017 words: 8609 flesch: 65 summary: Come il mito di Persefone che soggiorna nel regno [...] che la fenice more e poi rinasce, quando al cinquecentesimo appressa erba ne biada in sua vita non pasce, ma sol d’incenso lacrima e d’amomo, e nardo e mirra son l’ultime fasce. keywords: alla; aluminium; blood; century; che; color; colore color; con; culture; del; del colore; della; fenice; figure; fire; gemstones; gold; issn; jewellery; london; materials; metal; phoenix; red; rosso; sangue; science; scienza; simbolo; symbol; titanium; una; use; white cache: ccsj-56.pdf plain text: ccsj-56.txt item: #235 of 270 id: ccsj-57 author: Kwiatkowska - Lubanska, Agata title: Colour as a mass product. Designing of the collection of interior paint colours for the Polish market date: 2017 words: 2945 flesch: 47 summary: Designing colour collections for two large Polish companies over several years has allowed me to make certain interesting observations concerning the specific colour preferences of the Polish customer, based on both sales results and the colour trends established by the Polish market, which are often different from the trends of Western Europe. As it has been shown by the research carried out by the Institute of Industrial Design in Warsaw in 2011, the basic reasons for choosing interior colours are as follows: individual colour preferences of consumers (48%), price (18%), colours of other furnishings (15%), family and friends’ advice (8%), designs derived from the interior and architectural magazines (5%), sale special offers (4%), others (2%). keywords: collection; color; colours; design; market; names; trends cache: ccsj-57.pdf plain text: ccsj-57.txt item: #236 of 270 id: ccsj-58 author: Casciani, Daria; Rossi, Maurizio title: Exploring the relationship between LEDs Lighting, Urban materials chromaticity and People: measurements, design and evaluation date: 2017 words: 5474 flesch: 40 summary: A preliminary selection of urban material, representative of different “urban colourscapes”, was then followed by the definition of several lighting receipts (illuminants) which were defined by three research hypotheses. This paper aims at investigating the urban colourscape by night, considering issues related to urban materials, lighting design practice and LEDs lighting technologies. keywords: colore; colour; design; different; green; illuminant; lighting; materials; rendering; saturation; urban cache: ccsj-58.pdf plain text: ccsj-58.txt item: #237 of 270 id: ccsj-59 author: Pompas, Renata title: Riccardo Falcinelli, CROMORAMA. How color changed our gaze. Einaudi Stile Libero Extra, Torino, 2017. date: 2017 words: 1925 flesch: 56 summary: Vestirsi per amare e per significare” indaga sul significato recondito del blu in letteratura. How color changed our gaze” ISSN 2384-9568 Renata Pompas L’argomento colore conosce ultimamente un grande interesse da parte del pubblico, sollecitato da numerosi articoli (si pensi alla rubrica “Sfumature” pubblicata settimanalmente dal quotidiano La Repubblica) pubblicazioni varie e libri. keywords: che; color; con; del; della; falcinelli; riccardo cache: ccsj-59.pdf plain text: ccsj-59.txt item: #238 of 270 id: ccsj-60 author: Lecca, Michela; da Pos, Osvaldo title: Communications and Comments date: 2017 words: 2049 flesch: 48 summary: In this framework, many issues have to be addressed, first of all the definition of color sensation and color perception. The debate between Anglo-Saxon and American theories opens the problem to determine which features are captured and/or involved in color sensation and in color perception. keywords: color; information; perception; science; sensation cache: ccsj-60.pdf plain text: ccsj-60.txt item: #239 of 270 id: ccsj-62 author: Rossi, Maurizio title: Index&Editorial date: 2016 words: 2099 flesch: 38 summary: La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, è giunta al suo terzo anno di vita con la pubblicazione di questo numero sei. Giulia Pellegri, organizer of Conferenza del Colore 2014, within themes of analytical drawing and representation, 6 Cultura e Scienza del Colore - Color Culture and Science | 06 keywords: associazione; colore; culture; degli; del; italiana; milano; politecnico; rivista; science; scienza; studi; università cache: ccsj-62.pdf plain text: ccsj-62.txt item: #240 of 270 id: ccsj-63 author: Colonnese, Fabio title: Chromatic gradation as a symbolic and spatial device in the European context: Piero Bottoni’s Cromatismi architettonici date: 2016 words: 9210 flesch: 50 summary: Le due versioni di S1 presentano alcuni interessanti casi di inversione cromatica: in particolare gli edifici caratterizzati da due diverse tinte blu si traducono in gradazioni complementari invertite tra il giallo e il verde. Se la policromia urbana di Bottoni per Le Corbusier non poteva essere dissociata da nuovi criteri di composizione architettonica, riducendosi altrimenti ad un semplice correttivo, un rimedio contro “la casualità che presiede alla costruzione della città attuale” keywords: alla; anche; architecture; architettonici; bottoni; buildings; che; città; city; colonnese; color; color culture; colore color; con; context; cromatiche; cromatismi; culture; dal; degli; dei; del; del colore; della; digital; figure; fronts; gli; gradation; issn; nel; non; parte; piero; piero bottoni; più; science; scienza; sono; street; una cache: ccsj-63.pdf plain text: ccsj-63.txt item: #241 of 270 id: ccsj-64 author: Versaci, Antonella; Cardaci, Alessio title: The restoration of color in the French historic cities: approaches, methods and experiences date: 2016 words: 7911 flesch: 42 summary: Figura 4 - France e Michel Cler, Schema di riferimento cromatico dell’area della Romaniquette a Istres, 1985 (©Fonds national d’art contemporain, Centre Pompidou, Parigi) del coeur di paesi e villaggi, tramite il colore. la caratterizzazione e la riconoscibilità dello spazio urbano e il miglioramento della qualità di vita degli abitanti. keywords: alla; architectural; che; cities; città; city; cler; color; color culture; colore color; con; couleur; culture; dal; degli; dei; del; del colore; delle; facciate; figure; france; heritage; issn; lenclos; nel; patrimoine; più; restoration; science; scienza; una; urban cache: ccsj-64.pdf plain text: ccsj-64.txt item: #242 of 270 id: ccsj-65 author: Gregoris, Chiara title: Colour and light in communication of fabric façades date: 2016 words: 6404 flesch: 45 summary: L’edificio di notte diventa un Landmark, una scultura luminosa visibile dalla lunga distanza che imprime un segno forte nel territorio.[6] Un altro esempio di Landmark che, a differenza dell’esempio precedente, si trova in un contesto urbano è la Copenhagen Concert Hall di Jean Nouvel. i fruitori dell’edificio, ma con tutto il contesto circostante e le persone che vi transitano. keywords: architecture; building; che; colore; colour; communication; con; culture; dei; del; della; essere; fabric; facciata; façades; images; light; luce; media; science; scienza; sono; surfaces; tessuto; una; use cache: ccsj-65.pdf plain text: ccsj-65.txt item: #243 of 270 id: ccsj-66 author: Biasi, Valeria; Bonaiuto, Paolo title: Emotional Qualities of Colours Added to Humorous Illustrations date: 2016 words: 2712 flesch: 48 summary: Biasi V. and Bonaiuto P. (2016) ‘Emotional Qualities of Colours Added to Humorous Illustrations’, Cultura e Scienza del Colore - Color Culture and Science Journal, 06, pp. [7] V. Biasi, P. Bonaiuto, “The graphic-pictorial language of stress (conflict) and comfort (agreement) in fairy tale illustrations”. keywords: biasi; board; bonaiuto; colorations; figure; humour cache: ccsj-66.pdf plain text: ccsj-66.txt item: #244 of 270 id: ccsj-67 author: Bollini, Letizia title: Topos vs. Iris. Colour design in Web 3.0 mobile app and OS: a critical review date: 2016 words: 4053 flesch: 48 summary: KEYWORDS Colour design, Visual language of colour, Colour in Web 3.0, Colour in social media, Colour blindness accessibility CITATION: If the first generation of Internet adopts a set of colours to indicate the different states of the interaction of a link or a button – i.e. link: blue, active link: red, visited link: purple – in Web 2.0, the semantic of colour becomes more complex. keywords: blue; colour; design; generation; language; red; web cache: ccsj-67.pdf plain text: ccsj-67.txt item: #245 of 270 id: ccsj-68 author: Pellegri, Giulia title: Chromatic and decorative planning choices: geometry, knowledge and survey date: 2016 words: 4337 flesch: 36 summary: It’s fundamental to highlight how the drawing and the color are related to the potential conditionings that may accentuate, mitigate, reduce or differentiate the individual elements, making a proportionate or perceptually distorted building, through the research about the drawing of the patterns and the visual perception of painted decoration. The City and Country Builder ‘s and Workman ‘s Treasury of Designs or The Art of Drawing and Working the Ornamental Parts of Architecture Figure 3 - The City and Country Builder ‘s and Workman ‘s Treasury of Designs: Or, The Art of Drawing and Working the Ornamental Parts of Architecture Langley, Thomas London, 1740 Langley, Thomas London (Figure 3), 1740 and The principles of architecture Nicholson, Peter London, 1795-1798 (Figure 4), that are actual implementation of practical manuals about architectural decoration and composition of the façade. keywords: architecture; color; decoration; del; drawing; elements; figure; knowledge; study; survey cache: ccsj-68.pdf plain text: ccsj-68.txt item: #246 of 270 id: ccsj-69 author: Cavaleri, Tiziana; Clonier, Isabelle; Croveri, Paola; Giovagnoli, Annamaria; Piccirillo, Anna title: Colorimetric and spectrophotometric analyses for an ecoinnovative application of natural dyeing in textile conservation date: 2016 words: 5239 flesch: 46 summary: Considering CRITT samples simulating the triangle’s sides, one problem about the use of natural dyes emerges soon: ΔE00 calculated between close natural samples (table 1) are high and non-homogenous, suggesting that operator SAMPLES OF COLOURS ALONG THE YMG TRIANGLE’S SIDES Pre-metallized YM mixtures CRITT natural dyeing Pre-metallized YG mixtures CRITT natural dyeing Pre-metallized MG mixtures CRITT natural dyeing Magenta % ΔE00 between close samples ΔE00 be- tween close samples Grey % ΔE00 between close samples ΔE00 between close samples Grey % ΔE00 between close sam- ples ΔE00 between close samples 0 0 0 10 19.2 19.1 10 26.3 12.4 10 5.2 6.2 20 11.3 12.2 20 9.2 21.3 20 4.1 11.3 30 5.1 11.4 30 6.4 14.5 30 2.2 7.4 40 4.3 6.3 40 4.1 5.1 40 2.1 3.3 50 1.2 7.2 50 3.2 50 2.3 4.1 60 3.4 7.3 60 3.1 18.2 60 2.3 5.2 70 2.1 15.3 70 3.1 5.4 70 2.1 4.2 80 2.2 7.2 80 2.4 6.1 80 2.4 5.3 90 2.4 2.2 90 2.2 4.1 90 1.2 4.1 100 3.3 3.4 100 2.1 3.2 100 1.3 3.2 Table 1 - Trends of the ΔE00 calculated between couples of close samples along the YMG triangle’ sides and between their respective couples of samples reproduced by CRITT with natural ingredients 74 Cultura e Scienza del Colore - Color Culture and Science | 06 NATURAL DYES AND NON-TOXIC MORDANTS BEHAVIOR Inside the collection of natural samples made by CRITT, many recipes contain more than one dye and/or more than one mordant. keywords: ccr; colour; critt; dyeing; dyes; iron; lactate; samples cache: ccsj-69.pdf plain text: ccsj-69.txt item: #247 of 270 id: ccsj-70 author: Pompas, Renata title: Food, colour and art date: 2016 words: 652 flesch: 60 summary: Originally it was the name of a performance by Bice Perrini at the Galleria Bluorg in Bari, it has now become a brand known for its tagline ‘Eating with eyes’, dealing with food production and sale, catering, food tasting, workshops, and art events. However, the general public and many artists too have recently focused more and more on the colours of food. keywords: food; red cache: ccsj-70.pdf plain text: ccsj-70.txt item: #248 of 270 id: ccsj-71 author: Lecca, Michela; da Pos, Osvaldo title: Communications and Comments date: 2016 words: 1317 flesch: 46 summary: Michela Lecca gave some examples of color as communication tool in science: colors τό διαλέγησθαι εστί τό μήγιστον αγαθόν The dialog is the highest good. An example of color based synesthesia was reported also by Francesca Valan, industrial designer with strong competences on color. keywords: color; communication; pos cache: ccsj-71.pdf plain text: ccsj-71.txt item: #249 of 270 id: ccsj-75 author: Rossi, Maurizio title: Index&Editorial date: 2017 words: 1904 flesch: 36 summary: La rivista Cultura e Scienza del Colore, edita dalla Associazione Italiana Colore, con questo numero 7 è approdata al quarto anno di pubblicazione. Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) keywords: anna; colore; culture; degli; del; italiana; milano; politecnico; science; scienza; studi; università cache: ccsj-75.pdf plain text: ccsj-75.txt item: #250 of 270 id: ccsj-76 author: Tallarita, Anna Luana title: Red: the symbol in history date: 2017 words: 3705 flesch: 63 summary: è venuto con acqua e sangue, Gesù Cristo; non con acqua soltanto, ma con l’acqua, e con il sangue. La storia attribuisce al rosso i simboli del potere, della religione e della guerra. keywords: blood; che; color; con; culture; dei; del; della; fire; life; red; rosso; sangue; sono; symbol cache: ccsj-76.pdf plain text: ccsj-76.txt item: #251 of 270 id: ccsj-77 author: Marotta, Anna title: Art and Colour in the Requali cation of Urban Areas and Landscapes date: 2017 words: 9730 flesch: 47 summary: Definire la parola “brutto” equivale a confrontarsi con una problematica complessa: /brutto/ rimanda comunemente a ciò che viene definito “sgradevole, che non piace, che crea disagio, non adatto, che va contro la morale” spesso, nella storia dell’Architettura come dell’Arte, associato a concetti di nuovo e contemporaneo: a titolo esemplificativo, 17 Cultura e Scienza del Colore - Color Culture and Science Nel nuovo paesaggio di suburbi, lo spazio restante tra gli agglomerati perde il carattere di filtro e assume quello di terra di nessuno» keywords: alla; anche; architecture; areas; aree; art; attraverso; che; città; colore; colore color; colour; come; con; cultura e; culture; dal; dei; del; del colore; della; design; e scienza; essere; falchera; issn; l’arte; marotta; nel; new; non; outskirts; periferie; più; public; questo; requalification; science; scienza; street; torino; una; urban; work cache: ccsj-77.pdf plain text: ccsj-77.txt item: #252 of 270 id: ccsj-78 author: Lecca, Michela title: Using Color and Local Binary Patterns for Texture Retrieval date: 2017 words: 4782 flesch: 53 summary: Her research interests include color image processing, object recognition, image retrieval and labeling, and low-level image processing for embedded vision systems. In fact, the change of image colors due to an illuminant change is well approximated by the von Kries diagonal map between the color responses captured under the varied lights keywords: algorithm; color; distance; histograms; illuminant; image; lbp; retrieval; texture cache: ccsj-78.pdf plain text: ccsj-78.txt item: #253 of 270 id: ccsj-79 author: Apollonio, Fabrizio Ivan; Ballabeni, Andrea; Gaiani , Marco title: Highlight and Specular reflection removal in photogrammetric techniques applied to Architectural Heritage 3D modeling date: 2017 words: 10126 flesch: 48 summary: [25] G.J. Klinker, et al., “The measurement of highlights in color images”, IJCV, 1988, Vol. 2, N. 1, pp 7-32. [26] K. Schluns, A. Koschan, “Global and local highlight analysis in color images”, CGIP ‘2000 Proceedings, 2000, pp. 300-304. keywords: background; color; figure; flow; image; pipeline; proceedings; reflection; removal; results; segmentation; separation; techniques; vol cache: ccsj-79.pdf plain text: ccsj-79.txt item: #254 of 270 id: ccsj-80 author: Nishi, Shogo; Kimachi, Akira; Doi, Motonori; Tominaga, Shoji title: Image Registration for a Multispectral Imaging System Using Interference Filters and Application to Digital Archiving of Art Paintings date: 2017 words: 5807 flesch: 49 summary: Although luminance is an important image feature that is utilized in many registration methods, this feature is not available for registration because the luminance of spectral image varies between wavelength bands. Although a non-linear image registration method can be used to calibrate the distortion caused by misregistration, the method cannot be easily adapted for spectral images with considerable changes in luminance values. keywords: calibration; color; image; imaging; interference; misregistration; surface; system; wavelength cache: ccsj-80.pdf plain text: ccsj-80.txt item: #255 of 270 id: ccsj-81 author: Sandford, Jodi L. title: Color categorial perception and second language acquisition date: 2017 words: 5132 flesch: 54 summary: Jodi L. Sandford jodi.sandford@unipg.it University of Perugia Color categorial perception and second language acquisition ABSTRACT This paper illustrates results of perceptual and linguistic experiments conducted to verify “categorial perception”, naming, and comprehension of color terms in Italian as mother tongue and in English as a second language. Sandford J. L., (2017) ‘Color categorial perception and second language acquisition’, Cultura e Scienza del Colore - Color Culture and Science Journal, 07, pp. keywords: blue; boundary; category; children; color; language; naming; perception; red cache: ccsj-81.pdf plain text: ccsj-81.txt item: #256 of 270 id: ccsj-83 author: Lecca, Michela; da Pos, Osvaldo title: Communications and Comments date: 2017 words: 2074 flesch: 58 summary: In this column, we focus our attention on the topic “Food & Colour” that is of great interest for all of us, because color- based food visual inspection allows to decide about the freshness of the food, and food color often unawares influences our food choices. These images show the large variety of food colors and they are an example of how food can stimulate the human creativity. keywords: color; culture; del; food; issue cache: ccsj-83.pdf plain text: ccsj-83.txt item: #257 of 270 id: ccsj-84 author: Pompas, Renata title: Michel Pastoureau “Rosso. Storia di un colore” date: 2017 words: 1052 flesch: 62 summary: Pastoureau conclude scrivendo che, pur non essendo più in testa alle preferenze dell’Occidente è il colore che: “rimane insuperato sul piano simbolico”. Cultura e Scienza del Colore - Color Culture and Science 78 Cultura e Scienza del Colore - Color Culture and Science | 07 | 2017 | Pompas R. ISSN 2384-9568 Renata Pompas Michel Pastoureau ha presentato, come aveva promesso, il quarto libro della serie dedicata alla storia keywords: colore; del; pastoureau; red; rosso cache: ccsj-84.pdf plain text: ccsj-84.txt item: #258 of 270 id: ccsj-85 author: Mignani, Anna Grazia; Farini, Alessandro title: Index&Editorial date: 2016 words: 1342 flesch: 40 summary: Jodi L. Sandford (Università di Perugia, IT) Raimondo Schettini (Università degli Studi di Milano Bicocca, IT) Gabriele Simone (ST Microelectronics, IT) Andrea Siniscalco (Politecnico di Milano, IT) Ferenc Szabó (University of Pannonia, HU) Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (Associazione Italiana Colore, IT) Gabriel Marcu (Apple, USA) keywords: colore; culture; del; food; milano; science; scienza cache: ccsj-85.pdf plain text: ccsj-85.txt item: #259 of 270 id: ccsj-86 author: Hidaka, Kyoko title: A Comparison of Color Schemes and Images in the Package Design of Sweets in the US and Japan date: 2016 words: 2623 flesch: 60 summary: In the US, marketing to children and color scheme of American comics deeply influence the design and colors of sweets packages. Figure 2 - US Sweets (right) of typical colors used in packages, sequenced from the first to fifth place. keywords: color; japan; japanese; sweets cache: ccsj-86.pdf plain text: ccsj-86.txt item: #260 of 270 id: ccsj-87 author: Musso, Maria Luisa title: Colour as a Code in Food Packaging: an Argentine Case date: 2016 words: 2297 flesch: 60 summary: In Spain, for instance, light products began to appear in the 80’s proposed as healthy products. Big companies of massive consumer products invested heavily in communication to encourage the establishing of an expressive symbolic code. keywords: code; color; fat; food; green; products cache: ccsj-87.pdf plain text: ccsj-87.txt item: #261 of 270 id: ccsj-88 author: Mastropietro von Rautenkrantz, Marina title: Colour in Food Packaging Strategies and Rules date: 2016 words: 4384 flesch: 60 summary: Mastropietro von Rautenkrantz M. (2016) ‘Colour in Food Packaging Strategies and Rules’, Cultura e Scienza del Colore - Color Culture and Science Journal, Special Issue on Food and Colour, 05, pp. 21-30, DOI: 10.23738/ccsj.i52016.03 Received 07 July 2015; Revised 22 February 2016; Accepted 02 March 2016 Cultura e Scienza del Colore - Color Culture and Science | Special Issue on Food Color | 05 | 2016 | 21 - 30 22 Mastropietro von Rautenkrantz M. ISSN 2384-9568 DOI: 10.23738/ccsj.i52016.03 1. FOOD PACKAGING Originally conceived to prevent diseases deriving from poor sanitary conditions, food packaging means more than a mere food package. Changes and adaptations of product packaging, shape and colour are common to meet country specific expectation. keywords: barilla; blue; colore; colour; del; food; light; market; package; packaging; product cache: ccsj-88.pdf plain text: ccsj-88.txt item: #262 of 270 id: ccsj-89 author: Casciani , Daria ; Musante, Fulvio ; Rossi , Maurizio title: Domestic Horticultural - Centric Lighting Design date: 2015 words: 3988 flesch: 38 summary: Finally, LEDs were recognized as a more efficient technology for indoor growing compared to traditional lighting systems not only in terms of lower energy consumption but also in terms of the lighting quality provided that responds more precisely to plants’ needs, thus defining a more productive growing system. It allows to adjust its height in order to better adapt to different plants and also to different levels of growth in an efficient way (Figure 7). keywords: centric; color; del; figure; food; leds; lighting; plant; science; system cache: ccsj-89.pdf plain text: ccsj-89.txt item: #263 of 270 id: ccsj-90 author: Ling, Lucie title: Tea versus celadon: some chromatic interactions date: 2016 words: 3603 flesch: 67 summary: [4] Put another way, in addition to look jade-like, the scholars find that enamel’s color matches perfectly with green tea. (p149) This said, it is not simply a matter of «tea», it is also a blend of aromatic herbs, spices or condiments and sometimes, dry fruits. keywords: celadon; chinese; color; culture; del; green; science; tea cache: ccsj-90.pdf plain text: ccsj-90.txt item: #264 of 270 id: ccsj-91 author: Chambers , Paul ; Patera , Marianne ; Cox , Trevor title: A Look into Cross-modal Associations between Taste, Color and Music date: 2016 words: 4136 flesch: 60 summary: Color showed a statistically significant effect on sweet taste perception, with red and green being linked to higher sweetness scores than blue or white. Color was found to have a significant effect on taste perception with a significance value of p = 0.0005 (F= (3, 54) = 7.292), which also returned a partial Eta squared effect size of η2= 0.757. keywords: associations; color; experiment; participants; perception; pitch; taste cache: ccsj-91.pdf plain text: ccsj-91.txt item: #265 of 270 id: ccsj-92 author: Poli, Anna title: Food Perception Without Colors date: 2016 words: 5203 flesch: 52 summary: But if a person lacks the sensorial perception of food colors does the stimulation of gastric juices always rely on the visual channel? What effects does this lack of color perception have on their nutrition? keywords: achromates; achromatopsia; color; color vision; food; people; perception; person; sensations; vision cache: ccsj-92.pdf plain text: ccsj-92.txt item: #266 of 270 id: ccsj-93 author: Rossi, Maurizio title: Index&Editorial date: 2018 words: 2275 flesch: 37 summary: The experience of equivalent luminous colors at architectural scale by Ute Besenecker, Ted Krueger, John Bullough, Zachary Pearson, Robert Gerlach The changing colour of CHANEL’s lipstick ranges from 1960 to 2015 by Hélène de Clermont-Gallerande, Nicolas Rolland, Patrick Doucet, Julie Deydier, Anne Varichon, Barbara Blin-Barrois Light and colors in the “Villa dei Misteri” by Laura Bellia, Massimo Osanna, Gennaro Spada, Annamaria Mauro, Chiara Donzella, Francesca Fragliasso, Emanuela Stefanizzi A Colour Palette Methodology by Maria Kirk Mikkelsen Blue color traditions in Polish wooden architecture – valuable cultural heritage and a source of inspiration by Justyna Tarajko-Kowalska Is it possible to improve the weighting function for lightness in the CIEDE2000 color-difference formula? by Manuel Melgosa, Guihua Cui, Claudio Oleari, Pedro J. Pardo, Min Huang, Changjun Li, Ming Ronnier Luo From decoration to industrial design: Gio Ponti and color in architectural innovation by Michela Rossi and Giorgio Buratti The contribution of colour in the artistic representation of the sacred. Lia Luzzatto (Color and colors, IT) Kevin Mansfield (UCL, UK) Veronica Marchiafava (GdC-Associazione Italiana Colore, IT) keywords: color; culture; del; milano; politecnico; review; science; scienza; university cache: ccsj-93.pdf plain text: ccsj-93.txt item: #267 of 270 id: ccsj-94 author: Benkhedda, Meriem; Tabet Aoul , Kheira title: Color on Ceramics in the Medieval Architecture of Tlemcen, Algeria: Light, Ambiance and Symbolism date: 2018 words: 3994 flesch: 57 summary: Comparatively, little has been done in terms of the study of color design and arrangements. This research attempts to explore first, an untapped ancestral know-how or “savoir- faire” and second, to demonstrate that this architectural heritage has a colorful atmosphere, whose evolution is linked to the relationship between shapes, lights, materials and colors as well as its socio-cultural context. keywords: algeria; black; color; green; light; mosque; tlemcen; white; yellow cache: ccsj-94.pdf plain text: ccsj-94.txt item: #268 of 270 id: ccsj-96 author: Besenecker, Ute; Krueger, Ted; Pearson, Zachary; Bullough , John D. ; Gerlach , Robert title: The experience of equivalent luminous colors at architectural scale date: 2018 words: 4004 flesch: 47 summary: Figure 3 -Spectral power distributions of cyan conditions 2-7 in relation to condition 1 (scaled for relative light level). Further to exploring the differences between the luminous color conditions, the studies showed differences between luminous color and illuminated colored paint (illuminated color). keywords: amber; color; conditions; cyan; light; lighting; participants; study cache: ccsj-96.pdf plain text: ccsj-96.txt item: #269 of 270 id: ccsj-97 author: de Clermont- Gallerande, Hélène; Rolland, Nicolas; Doucet, Patrick; Deydier, Julie; Varichon, Anne; Blin-Barrois, Barbara title: The changing colour of CHANEL’s lipstick ranges from 1960 to 2015 date: 2018 words: 6437 flesch: 68 summary: Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7 Bengale 19 Rouge N°1957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azaléa 34 Sirocco44 Rose Aurore 22 Rose Aurore 9 Rose Mousseline1 Rose Tendre 62 Ankara 46 Fuchsia 58 Bénarès63 Lahore19 Flamme 19 Flamme 73 Taloda 17 Bruyère 30 Rose Fission 19 Rouge N°1948 Rose de Chanel 86 Flamme Bleue 90 Ouragan Bleu91 Rose Éclat 91 Rose Éclat 16 Rose Escale 6 Rouge Satin 13 Rose Fou 57 Bengale 31 Faille Rose68 Aurore 41 Précieux #17 Intensité Rose 6 Rouge Satin48 Rose de CHANEL 19 Rouge N°19 55 Envoûtant 79 Insolite 91 Rose Éclat16 Rose Escale 13 Rose Fou 30 Rose Frisson 31 Faille Rose 46 Rose d‘Or61 Rose de Glace 41 Précieux17 Intensité Rose #9 Rouge N°1955 Evoûtant34 Sirocco 37 Morocco96 Rouge Argent 57 Pimpant 61 Rose de Glace 10 Malice 73 Violette 29 Fuschine55 Envoûtant Berry11 Sirène7 Bengale 19 Rouge N°1957 Pimpant66 Vanity 40 Pink Ballerina13 Rosalilas 32 Vibrant4 Azaléa 34 Sirocco44 keywords: chanel; colour; doré; ncs; r10b; r20b; reds; rouge; sari; shades; y80r; years cache: ccsj-97.pdf plain text: ccsj-97.txt item: #270 of 270 id: ccsj-99 author: Bellia, Laura; Osanna , Massimo ; Spada , Gennaro ; Mauro , Annamaria ; Donzella , Chiara ; Fragliasso , Francesca ; Stefanizzi , Emanuela title: Light and colors in the “Villa dei Misteri” date: 2018 words: 5933 flesch: 53 summary: For example, Graphs 4-5 report results referred to RO area characterized by a so-called Pompeiian red and to L area that is perceived as greyish-blue colored. Then, the wall- painting was divided in several chromatic areas based on its predominant colors. keywords: area; color; light; lighting; paintings; points; reflectance; triclinium; villa; wall cache: ccsj-99.pdf plain text: ccsj-99.txt