Microsoft Word - 1701ED.docx Co Cult lor C tura e Cultu e Sci re an ienza nd Sc a del cienc Colo ce ore CC Vol. N. 20 ISS 2384- CSJ . 17 1 25 SN -9568 COLOR CULTURE AND SCIENCE Journal CULTURA E SCIENZA DEL COLORE CCSJ jcolore.gruppodelcolore.it ISSN 2384-9568 DOI: 10.23738/CCSJ.00 ANCE: E227716 Registrazione Tribunale di Milano n. 233: 24/06/2014 ANVUR Agenzia Nazionale Valutazione sistema Universitario e Ricerca APeJ Academic Publications eJournal BASE Bielefeld Academic Search Engine DBH Database for statistikk om høyere utdanning DOAJ Directory of Open Access Journals EZB Elektronische Zeitschriftenbibliothek Regensburg JURN Search tool for open access content ROAD Directory of Open Access scholarly Resources SCOPUS ZDB Zeitschriftendatenbank Volume 17, number 1, April 2025 DOI 10.23738/CCSJ.170100 PUBLISHER Gruppo del Colore – Associazione Italiana Colore www.gruppodelcolore.org Registered office: Piazza Carlo Caneva, 4 - 20154 Milan (IT) PEER REVIEW PROCESS All articles submitted to the Color Culture and Science Journal are peer-reviewed according to the following procedure: First review level The Associate Editors evaluate each article to determine if the topic and content are of interest to the journal. Once the article passes the initial review, the Associate Editors select several reviewers from the Editorial Board based on their expertise in a particular subject area or topic. Second review level Two or three experts review each article with a blind peer-review process where the reviewers are kept anonymous. Reviewers are asked to evaluate the manuscript based on the following criteria:  Originality  Relevance to journal's aims and scope  Technical merit and/or validity  Soundness of methodology  Completeness of the reported work  Conclusions supported by the data  Correct acknowledgment of the work of others through reference  Effectiveness of the manuscript (organization and writing)  Clarity of tables, graphs, and illustrations  Importance to color researchers  Relevance to color practices If the article is accepted with major revisions, the author(s) are asked to improve the article according to the reviewers' suggestions. The revised article will then be submitted for further review.After collecting the reviewers' reports, the Associate Editors recommend the acceptability of the article to the Editor- in-Chief. EDITOR-IN-CHIEF Maurizio Rossi (Politecnico di Milano, IT) DEPUTY EDITOR Alice Plutino (University of Amsterdam, NL) ASSOCIATE EDITORS José Luis Caivano (Universidad de Buenos Aires, AR) Vien Cheung (University of Leeds, UK) Marco Gaiani (Alma Mater Studiorum Università di Bologna, IT) Robin Kingsburgh (York University Toronto, CA) Agata Kwiatkowska-Lubańska (Academy of Fine Arts, Kraków, PL) Marcello Picollo (IFAC-CNR, IT) Verena M. Schindler (Chair AIC S.G. Environmental Colour Design, CH) Renzo Shamey (NC State University, USA) EDITORIAL BOARD MEMBERS The complete and updated list of the Editorial Board Members for the peer review process is available on the CCSJ website: http://jcolore.gruppodelcolore.it/ojs/index.php/CCSJ/about/editorialTeam TOPICS / DISCIPLINES The CCSJ accept papers on a wide range of topics on color, including and not limited to the following: 1. Color and Measurement/Instrumentation. Colorimetry, photometry and color atlas: method, theory and instrumentation; quality control and food coloring, dyes, organic and sustainable color. 2. Color and Digital. Reproduction, management, digital color correction, image processing, graphics, photography, film and video production, printmaking and 3D print, artificial vision, virtual reality, multispectral imaging, data visualization. Light field imaging. Multi-sensor fusion. Color localization, recognition, HDR imaging, ADAS systems. 3. Color and Lighting. Metamerism, color rendering, adaptation, color constancy, appearance, illusions, color memory and perception, color in extra-atmospheric environments, lighting design, lighting technologies, visual comfort. 4. Color and Physiology. Mechanisms of vision in their experimental and theoretical aspects, color vision and color appearance, deficiencies, abnormalities, clinical and biological aspects, synesthesia, health, well-being. 5. Color and Psychology. Phenomenology of colors, color harmonies, color & form, perceptive, emotional, aesthetic, and diagnostic aspects. 6. Color and Production. Food and beverages, agriculture, textiles, plastic materials, ceramics, paints, gemology, color in the food industry. 7. Color and Restoration. Archaeometry, painting materials, diagnostics, and conservation techniques, restoration, and enhancement of cultural heritage. 8. Color and Environment. Representation and drawing, urban planning, the project of color, architecture, interior design, landscapes & horticulture, color and architectural syntax, territorial identities, biodiversity. 9. Color and Design. Furniture, CMF design, fashion, textiles, textures, cosmetics, food design, museography. 10. Color and Culture. Arts and crafts, history, philosophy, aesthetics, ethno-anthropology, graffiti, geology, sociology, lexicology, semantics, anthropology of vision, food culture and heritage, color naming. 11. Color and Education. Pedagogy, didactics of color, aesthetic education, artistic education. 12. Color and Communication/Marketing. Graphics, communication, packaging, lettering, exposure, advertising. 3  Color Culture and Science Journal Vol. 17 (1)   ISSN 2384‐9568  Table of Contents Color Maps: Research Themes and Trajectories – Editor's note 5 Maurizio Rossi Interpreting colour symbolism in finance- insights of financial experts 7 Błażej Prusak, Muhammad Mushafiq DOI: 10.23738/CCSJ.170101 Effect of display techniques on simultaneous color contrast 23 Janejira Mepean, Miyoshi Ayama, Yoko Mizokami, Mitsuo Ikeda, Chanprapha Phuangsuwan DOI: 10.23738/CCSJ.170102 Exploring crossmodal color correspondences through neuromarketing 36 Alessandro Bortolotti DOI: 10.23738/CCSJ.170103 Is there a color for sustainability in fashion products? A case study with Brazilian slow fashion footwear 45 Ítalo José de Medeiros Dantas, Marcelo Curth, Débora Pires Teixeira, Glauber Soares Junior, Fabiano Eloy Atílio Batista DOI: 10.23738/CCSJ.170104 Tactile coloration for inclusive fashion: the role of "See Color" in enhancing autonomy for individuals with visual impairments 57 Fernanda Ribeiro, Claudia Schemes, Ítalo José de Medeiros Dantas DOI: 10.23738/CCSJ.170105 Predicting the Light Stability of Contemporary Photographic Print Materials 72 Manfred Hofmann and Rita Hofmann-Sievert DOI: 10.23738/CCSJ.170106 4  Color Culture and Science Journal Vol. 17 (1)   ISSN 2384‐9568  An investigation into the structure and color stability of Polaroid 20×24 prints 82 Paulina Miąsik, Sylvie Pénichon, Clara Granzotto, Ken Sutherland DOI: 10.23738/CCSJ.170107 Contemporary Views on Color: Research and Applications between Science, Culture and Design 92 Maurizio Rossi DOI: 10.23738/CCSJ.170108 BOOK REVIEW: Rose. Une couleur aux proses avec le genre. 97 Renata Pompas 5  C Tr Edito Dea Issu Cult bring vital cont the pres them sens inclu strat field herit sym cent med tech The dept throu inve expe tech varie natu dialo scie           1 Colo I use c olor rajec or's note r Esteemed e 17(1) of ura e Scie gs together ity and plur tinues to be most diver sented here matic arc, r sorial corre usive design tegies in th s, up to tage and bolism. A c trality of co diator betw nology. set of con th overview ugh metho stigation, erimentation nical-scient ety reflects ure of color ogue betwee nces, betwe                       ur (UK) or Color ( color as on our we Ma ctorie d Readers1, the "Color enza del C nine contri rality of app e the object rse disciplin e embrace ranging from espondence n aesthetics he financial, the conse critical re common thr olor as a to ween per tributions o w of curre odologies t semiotic n, study of tific evalua s the intri r studies, w en the hard een laborat                        (US)? In our Jour ebsite. Still, some Color C aps: es r Culture a Colore Jour butions tha proaches wit of study an nary fields. a broad a m visual pe es to sus s through c , marketing rvation of eflection o read emerge ool of mean rception, c offers an up ent researc hat intertw c analys f design p ation of m nsically tra which are f sciences a tory experim          nal, both terms a etimes colour cou ulture and Sci Re nd Science rnal – CCS t testify to t th which co nd reflection . The essa nd articulat erception a stainable a communicati , and cultu photograp on chroma es clearly: t ning and as culture, a pdated and ch on col wine empiri sis, visu practices, a aterials. T ansdisciplina fueled by t and the hum mentation a are allowed as lon uld appear to res ience Journal esear e – SJ" the olor n in ays ted and and ion ural hic atic the s a and in- lor, cal ual and This ary the man and ng as they are co spect the original  Vol. 17 (1) rch nsistent within a title of a paper. The n article. The exc emes ception is given b  ISSN 2384 an y this editorial in 4‐9568  nd  which  6  Color Culture and Science Journal Vol. 17 (1)   ISSN 2384‐9568  field applications, and between the most advanced technologies and the symbolic and anthropological dimension. This issue features both studies that explore new applications and meanings attributed to color in emerging fields — such as the economics of sustainability or sensory marketing — and research that delves into consolidated but still little-investigated phenomena, such as the color experience of people with visual impairments or the preservation of photographic materials of great artistic value. The picture is completed by a dense and culturally sophisticated monograph on the color pink and its connection with gender issues, as well as pioneering research on color symbolism in the financial field. The issue is, therefore, configured as a coherent and stimulating mosaic, capable of reflecting the wealth of perspectives with which color continues to be questioned in contemporary times. The fact that color is more than just a visual phenomenon is becoming increasingly apparent. Rather, it is a multifaceted prism that allows us to perceive, speak, and comprehend the world. As we examine the diverse fields of color science and its many uses, this becomes clear. In addition to fostering a deeper comprehension of the intricate web of life and its profound impacts on science, society, and culture, the papers in this issue aim to encourage more research, dialogue, and collaboration. Colorful regards,   April 2025 The Editor-in-Chief Maurizio Rossi, MSc, PhD Full professor of Design Politecnico di Milano  << /ASCII85EncodePages false /AllowTransparency false /AutoPositionEPSFiles true /AutoRotatePages /None /Binding /Left /CalGrayProfile (Dot Gain 20%) /CalRGBProfile (sRGB IEC61966-2.1) /CalCMYKProfile (U.S. Web Coated \050SWOP\051 v2) /sRGBProfile (sRGB IEC61966-2.1) /CannotEmbedFontPolicy /Error /CompatibilityLevel 1.4 /CompressObjects /Tags /CompressPages true /ConvertImagesToIndexed true /PassThroughJPEGImages true /CreateJobTicket false /DefaultRenderingIntent /Default /DetectBlends true /DetectCurves 0.0000 /ColorConversionStrategy /CMYK /DoThumbnails false /EmbedAllFonts true /EmbedOpenType false /ParseICCProfilesInComments true /EmbedJobOptions true /DSCReportingLevel 0 /EmitDSCWarnings false /EndPage -1 /ImageMemory 1048576 /LockDistillerParams false /MaxSubsetPct 100 /Optimize true /OPM 1 /ParseDSCComments true /ParseDSCCommentsForDocInfo true /PreserveCopyPage true /PreserveDICMYKValues true /PreserveEPSInfo true /PreserveFlatness true /PreserveHalftoneInfo false /PreserveOPIComments true /PreserveOverprintSettings true /StartPage 1 /SubsetFonts true /TransferFunctionInfo /Apply /UCRandBGInfo /Preserve /UsePrologue false /ColorSettingsFile () /AlwaysEmbed [ true ] /NeverEmbed [ true ] /AntiAliasColorImages false /CropColorImages true /ColorImageMinResolution 300 /ColorImageMinResolutionPolicy /OK /DownsampleColorImages true /ColorImageDownsampleType /Bicubic /ColorImageResolution 300 /ColorImageDepth -1 /ColorImageMinDownsampleDepth 1 /ColorImageDownsampleThreshold 1.50000 /EncodeColorImages true /ColorImageFilter /DCTEncode /AutoFilterColorImages true /ColorImageAutoFilterStrategy /JPEG /ColorACSImageDict << /QFactor 0.15 /HSamples [1 1 1 1] /VSamples [1 1 1 1] >> /ColorImageDict << /QFactor 0.15 /HSamples [1 1 1 1] /VSamples [1 1 1 1] >> /JPEG2000ColorACSImageDict << /TileWidth 256 /TileHeight 256 /Quality 30 >> /JPEG2000ColorImageDict << /TileWidth 256 /TileHeight 256 /Quality 30 >> /AntiAliasGrayImages false /CropGrayImages true /GrayImageMinResolution 300 /GrayImageMinResolutionPolicy /OK /DownsampleGrayImages true /GrayImageDownsampleType /Bicubic /GrayImageResolution 300 /GrayImageDepth -1 /GrayImageMinDownsampleDepth 2 /GrayImageDownsampleThreshold 1.50000 /EncodeGrayImages true /GrayImageFilter /DCTEncode /AutoFilterGrayImages true /GrayImageAutoFilterStrategy /JPEG /GrayACSImageDict << /QFactor 0.15 /HSamples [1 1 1 1] /VSamples [1 1 1 1] >> /GrayImageDict << /QFactor 0.15 /HSamples [1 1 1 1] /VSamples [1 1 1 1] >> /JPEG2000GrayACSImageDict << /TileWidth 256 /TileHeight 256 /Quality 30 >> /JPEG2000GrayImageDict << /TileWidth 256 /TileHeight 256 /Quality 30 >> /AntiAliasMonoImages false /CropMonoImages true /MonoImageMinResolution 1200 /MonoImageMinResolutionPolicy /OK /DownsampleMonoImages true /MonoImageDownsampleType /Bicubic /MonoImageResolution 1200 /MonoImageDepth -1 /MonoImageDownsampleThreshold 1.50000 /EncodeMonoImages true /MonoImageFilter /CCITTFaxEncode /MonoImageDict << /K -1 >> /AllowPSXObjects false /CheckCompliance [ /None ] /PDFX1aCheck false /PDFX3Check false /PDFXCompliantPDFOnly false /PDFXNoTrimBoxError true /PDFXTrimBoxToMediaBoxOffset [ 0.00000 0.00000 0.00000 0.00000 ] /PDFXSetBleedBoxToMediaBox true /PDFXBleedBoxToTrimBoxOffset [ 0.00000 0.00000 0.00000 0.00000 ] /PDFXOutputIntentProfile () /PDFXOutputConditionIdentifier () /PDFXOutputCondition () /PDFXRegistryName () /PDFXTrapped /False /CreateJDFFile false /Description << /ARA /BGR /CHS /CHT /CZE /DAN /DEU /ESP /ETI /FRA /GRE /HEB /HRV (Za stvaranje Adobe PDF dokumenata najpogodnijih za visokokvalitetni ispis prije tiskanja koristite ove postavke. 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