id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
clogic-192749	Comitini, Patricia	Deidre Lynch and William B. Warner, eds., CULTURAL INSTITUTIONS OF THE NOVEL	2020	5	.pdf	application/pdf	2371	83	39	Though unsettling to the power structure in New Zealand, the effect of producing a kind of literature that challenges the aesthetic ideology of the Pakeha, while criticism develops a knowledge of the discursive and reading practice of the Maori that runs counter to European aesthetic ideologies, provides for a powerful Maori communal identity and knowledge: the function of cultural production suggests that novels might be understood as communal possessions- -treasured objects, displays of skill, and sources of knowledge binding people together--but also as challenges to non-Maori, occasions for debate and even for revenge (82). The critical approaches surveyed enable an account of not only the work novels perform in the production of culture and (trans)cultures, but how novels are produced out of cultural/political struggles.	cache/clogic-192749.pdf	txt/clogic-192749.txt