id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-4291	Newman, Anthony	The 20th-Century Performer as Interpreter of the Baroque Tradition	2019	10	.pdf	application/pdf	2064	135	71	The purpose of this essay is to utilize various of my conclusions concerning Baroque performance practice and to combine them with a linear (Schen- kerian) analysis, in order to arrive at a performance version for the first twenty-one measures of Bach's C Minor Praeludium, S.537, with the areas or notes of rubato indicated in the text. Before proceeding to the written-out version, it would, perhaps, be helpful to present my conclusions about Baroque performance practice and to illustrate these bars with a graph.	cache/currentmusicology-4291.pdf	txt/currentmusicology-4291.txt