id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-4809	Emoff, Ron	Review of Thomas Turino. 2000. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press	2000	6	.pdf	application/pdf	2549	161	46	Turino defines musical nationalism, which becomes a prime medium or venue of cosmopolitanism, as the conscious use of any preexisting or newly created music in the service of a political nationalist movement (190). He is critical of a model of musical nationalism based on folk or vernacular elements simply be­ ing incorporated to form cosmopolitan musical styles, a model that does not adequately distinguish between nationalist movements and nationalist sentiment.3 Instead, Turino advocates a focus on musical nationalism in re­ lation to political nationalist movements and state nationalist projects (190).4 In his discussion of nationalism, as elsewhere, Turino draws upon theoretical frameworks commonly outside the scope of much musicologi­ cal writing.	cache/currentmusicology-4809.pdf	txt/currentmusicology-4809.txt