id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-4914	Araujo, Samuel	Charles Perrone and Cristopher Dunn, eds .. Brazilian Popular Music and Globalization. Gainesville: University Press of Florida, 2001. xii, 288 pp.	2002	5	.pdf	application/pdf	1854	47	29	While a useful and detailed reconstruction, this introduction is built on a chronology of the development of national genres that reproduces a number of minor albeit persistent mistakes found in the more readily avail­ able historical sources for Brazilian popular music (for instance, the song Pelo Telefone incorrectly given as the first samba ever recorded). Avelar finds particularly suggestive the emergence of a movement that, in his view, contradicts basic rules of good conduct in Brazilian popular music, which place value on folk roots or tradition, at a moment (ca. 1995) when a full return to democracy, after years of military rule, was being frustrated by the political elites' defense of the status quo.	cache/currentmusicology-4914.pdf	txt/currentmusicology-4914.txt