id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-4915	Longobardi, Ruth	Review of Daniel Albright. 2000. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press	2002	8	.pdf	application/pdf	3435	138	47	What Albright does not state explicitly, but what is nevertheless implied, is that the consonance or dissonance of musical figures does not always define the work as mimetic or non-mimetic, as representational or abstract, but rather defines the kind of world-spiritual or non-spiritual, complete or empty-on which the work of art is modeled. Albright's illustration of an analytical method that is not founded on dramatic alignment between music and text is a welcome contribution to the study of music drama, as is the complete and wide-ranging examina­ tion of Parade that the author provides.	cache/currentmusicology-4915.pdf	txt/currentmusicology-4915.txt