id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5036	Wheeldon, Marianne	Interpreting Discontinuity in the Late Works of Debussy	2004	19	.pdf	application/pdf	7675	354	54	These ideas may never recur during the course of the composition, and they more often contrast with, rather than connect to, surrounding musical sections. Similarly, Stockhausen's writings of the 1960s describe new musical forms that are remote from the scheme of the finalistic, dramatic forms (1963a: 198).4 These writings, though they are intended to provide theoreti­ cal frameworks for his compositions, outline the same issues confronting Eimert and Boulez: that is, how to counter inherited notions of form, a legacy that Boulez describes as three centuries of architectural music:'	cache/currentmusicology-5036.pdf	txt/currentmusicology-5036.txt