id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5090	Porcello, Thomas	Three Contributions to the “Sonic Turn”	2007	14	.pdf	application/pdf	6080	318	52	Moorefield most closely links to the literature on recording studio practice, Doyle to discussions of both the aural and referential dimensions of particular sonic signatures of popular music recordings, and Anderson to a cultural history of the technologization and industrialization of music pro­ duction and listening practices. (Ill) While few would contest that the producers discussed in the book were key innovators in studio technology use, and that many of them created truly extraordinary recordings by taking advantage, in many cases, of new pos­ sibilities that emerged as recording technologies changed throughout the twentieth century (and working, one might add, most often in conjunction Thomas Porcello with truly talented musicians), that alone cannot account for why these individuals have been lionized when others haven't, nor can it address the complex ways in which technology not only frames but, equally importantly, is framed, by use.	cache/currentmusicology-5090.pdf	txt/currentmusicology-5090.txt