id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5156	Le Guin, Elisabeth	Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres. Aldershot, UK, and Burlington, VT: Ashgate Publishing	2009	9	.pdf	application/pdf	4053	122	44	Bernardo Illari's powerhouse essay, The Popular, the Sacred, the Colonial, and the Local: the Performance of Identities in the Villancicos from Sucre (Bolivia), is also out to demolish a few excessively comfortable assumptions, chief among them the idea that Latin American art is somehow intrinsically different simply by virtue of being Latin American; and the idea that the inclusion of popular idioms and characters in villancicos represents some sort of irruption of folk practices, much less a pure-hearted inclusionary maneuver on the part of the Church. Janet Hathaway's 'Music Charms the Senses ... ': Devotional Music in the Triunfos festivos of San Gines, Madrid, 1656 is very similar in approach to Torrente's essay: another exercise in close reading of a descriptive/prescrip­ tive text in order to build up a picture of villancico practice in a given time and place.	cache/currentmusicology-5156.pdf	txt/currentmusicology-5156.txt