id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5172	Rodgers, Stephen	Music Smashed to Pieces: The Destructive Logic of Berlioz’s Roméo au tombeau	2010	37	.pdf	application/pdf	15647	824	63	Ian Kemp calls Romeo au tombeau the most extraordinary music [Berlioz] ever wrote and ascribes its impact to the precision of Berlioz's musical narrative, linking specific measures of music to specific lines of text throughout (Kemp 1992:76). In what follows, I explore Romeo au tombeau in detail, first situating the movement in the context of Berlioz's ideas about musical representation, then applying those ideas to an analysis of the piece, and finally comparing it with the Scene d'amour.	cache/currentmusicology-5172.pdf	txt/currentmusicology-5172.txt