id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5174	Newland, Marti	Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage. Urbana and Chicago: University of Illinois	2010	4	.pdf	application/pdf	1605	75	49	love and theft theory in order to explain the simultaneous fear of black bodies and desire for black zarzuela characters in this Cuban context (82). Emerging as a well-received genre in Havana theaters during the early twentieth century, Cuban zarzuela incorporates Spanish light opera and Afrocuban musical characteristics into one-act operettas featuring a number of racial and nationalist archetypes endemic in turn-of-the-century Cuba: the mulatta woman, the black man, the white woman, and the white man.	cache/currentmusicology-5174.pdf	txt/currentmusicology-5174.txt